Filtraciones '08
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Belle and Sebastian - The BBC Sessions
http://rapidshare.com/files/158271969/B_SBBC1_Vic.zip@1oh30jaz:
The many lads and lasses of Belle and Sebastian put quite a bit of time in on BBC Radio over the years, laying down well-loved (and well-bootlegged) versions of some of their biggest smashes for broadcast over the airwaves. Several choice selections from their time on the Beeb in the years 1996-2001 have been collected on The BBC Sessions, due from Matador November 18. Though not comprehensive– among the missing is the "slow" version of "Seeing Other People", which features Stuart Murdoch, Stevie Jackon, and Isobel Campbell trading vocals, and an incredible reading of "We Rule the School", both from December 1996-- Sessions covers a wide swath of the band's formative period, from recordings laid down shortly after the release of their brilliant debut Tigermilk to the year after the release of their fourth LP Fold Your Hands Child, You Walk Like a Peasant.
The disc is comprised of a complete Mark Radcliffe session from July 1996, an abbreviated take of the version of Tigermilk's "I Could Be Dreaming" performed at a December 96 Radcliffe session, and five tunes from a July 97 Steve Lamacq Evening Session show. Of particular note, though, are the last four tracks, all from a 2001 John Peel session: the Go-Betweens shout-out "Shoot the Sexual Athlete", "The Magic of a Kind Word", "Nothing in the Silence", and "(My Girl's Got) Miraculous Technique". The tunes are beloved by many Belle and Sebastian geeks not only for their quality and rarity, but also their historical importance-- those sessions were the final recordings the band made with founding member Campbell.
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enorme bloque, chema
el Weeks está el mes que viene de gira en Europa, con Festival como teloneros. Aunque parece que por aquí nos quedaremos con las ganas
tengo mucha curiosidad también por lo de Hebden y Reid
gracias
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Kieran Hebden & Steve Reid - NYC (domino, 2008)
http://www.mediafire.com/download.php?z2zygdmn3ey ```**vv. aa. - the rapture !k7 tapes (!k7, 2008)** http://rapidshare.com/files/158151024/TR_K7T.rar
teeeeeeeeeeeerri!!
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post-metal del tipo primeros isis/neurosis. riffs mastodónticos, voces guturales, estructuras llenas quiebros, remansos a la constellation… también cercanos a converge/botch.
Intronaut - Prehistoricisms
http://rapidshare.com/files/144485163/Prehistoricisms.rar
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@Pelukini:26m8dev4:
Disco Doom - Dream Electric (2008) > telonero de Built to Spill
a por él, muchachos:
http://rapidshare.com/files/158292619/DD-Indiepassion.rarpor cierto, en 5 cent coffee dicen que suenan a Bukowski (¿?), a qué se supone que suena Bukowski? a eructos y pedos?
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suena más o menos a ésto :
http://rapidshare.com/files/96086114/Charles_Bukowski.rar
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gracias por el de Disco Doom por cierto.
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jajajaja, no puede ser verdad! no sé si bajármelo, me da bastante miedo un disco de 90 minutos de Bukowski, puede ser más brasa que el de Patti Smith con el valentino.
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no te falta razón pero ha sido curioso, has pregunatdo como sonaba y me encontré eso hace unos días en un blog
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@melt:misv2df3:
Belle and Sebastian - The BBC Sessions
http://rapidshare.com/files/158271969/B_SBBC1_Vic.zipMuchísimas gracias pero esto es sólo el primer disco de los dos que lo componen. ¿Alguna noticia del otro?
Gracias de nuevo
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Sí, por favor, algúnn héroe que salga al rescate con el segundo disco de Belle & Sebastian y haga del día algo bonito.
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Hay que ver la de temazos que hicieron esta gente a finales de los 90, aunque no sea muy original reivindicarlos. O sí, quién sabe.
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Larkin Grimm - Parplar
http://rapidshare.com/files/158355020/LG-P.rar@2bz5mncl:
Grimm sounds at various times wild-eyed and placid, witchy and innocent… she is best when she submits to her many eccentricities, manifested through bodily fixated lyrics and hair-raising singing that could spook a hardened cult leader… “ – Time Out NY
Parplar is the Young God debut from the fabulous itinerant force of nature Larkin Grimm. She’s got an elemental voice that comes from somewhere under the earth. She alternately moans like a woman-in-full, wails like a banshee, or coos like a crazed little girl, depending on her mood. Parplar was co-produced by Michael Gira (Devendra Banhart, Akron/Family, Angels Of Light, Swans) and Larkin Grimm. It was recorded at Old Soul Studio in Catskill NY, with additional recording at Seizure’s Palace in Brooklyn and mixed at Trout Recording, Brooklyn. Larkin’s risen to the occasion on this one – really found herself as a singer, and it features absolutely stellar vocal performances of songs that are sometimes soulful, whimsical, sensual or bizarre. The production is as varied and unpredictable as Larkin herself. Parplar is released Oct 28, 2008.
Larkin and co-producer Michael Gira have been in email correspondence since early ’04, when Larkin sent him a crude demo of her vocalizing to an inexpertly but nevertheless very musically played double bass and scraping metal sounds. Gira heard something essential in her voice and encouraged her to work on developing her true voice and to master an instrument. Along the way she did that and much, much more. She’s developed a powerful, multi-faceted woman’s voice, is an expert finger-picker and has become a highly individual/eccentric songwriter. In 2007 Larkin and Gira finally met in person for the first time at his house near Woodstock, NY, and commenced honing in on her immense repertoire of accumulated recent songs. After a few months of intense work they chose the 15 songs that comprise this album, culled from a list of about 50.
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Frida Hyvönen - Silence Is Wild
http://rapidshare.com/files/158502622/FH_SiW.zip ``` @2bz5mncl: > Having come out of a year of isolation, Frida Hyvönen paired up once again with Swedish producer Jari Haapalainen in Stockholm's famous Atlantis studio and made her second full-length Silence Is Wild – due November 4th, 2008 on Secretly Canadian. Whereas Hyvönen's 2006 debut Until Death Comes was lean and percussive with her distinctive oompah-styled piano and direct lyrics, Silence Is Wild stretches her voice across lush arrangements of piano, strings, choirs, and synths. > > Piano-based antecedents and contemporaries such as Carole King, Jerry Lee Lewis, Plush, and Antony and the Johnsons generally feel like appropriate touchstones for discussing the Swedish singer-songwriter's recorded work. Lyrically, however, Hyvönen is in more open waters, as she forges her own stylistic path as a songwriter. "December", for instance, is a simple -- almost banal -- song about abortion that has been utterly stripped of emotion and showcases her distinct talent for political & social ambivalence. On "Pony" she flips the Smog classic "I Break Horses" on its head. Bill Callahan's confidence bristled on the latter as he sang "I break horses / I don't tend to them / I break horses / They seem to come to me / Asking to be broken / They seem to run to me." -
Haunts - Haunts (2008)
http://depositfiles.com/files/l4hmj996q@2ixgx68p:
."Formed in late 2006, Haunts is a four-piece rock band from London. They dress smart and play catchy, synth-heavy noir tunes packed with spiky guitar riffs, general disdain, and the occasional, blood-curdling scream that skirts the glam-Goth of The Horrors to create something less self-conscious and more punkishly fun. Their self-titled debut album is a balanced blend of new wave, punk, britpop, indie rock, and progressive rock elements."
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Taken By Cars - Endings Of A New Kind
@1j8aa1zy:
Taken by Car’s sound has been compared to that of Bloc Party, and it is hard to not see why, as both bands take rock and mix in a healthy dose of electronica, guitar effects, and the like. In TBC’s case, it results in a sonic experience that I haven’t heard from a local band since Up dharma Down’s Fragmented. Most of the songs are very ethereal and dreamy, two qualities I like in my music. At the same time, some of the cuts are also very punk-ish, which creates a strong contrast that can really make a person listen. Think of the band as a median between the punk-pop rock acts (and I mean that in the most positive way) and the experimental rock acts like Drip or the aforementioned UDD. Blend the two sounds together and you might just get something that sounds like Taken by Cars
http://rapidshare.com/files/157084726/Taken_By_Cars_-_Endings_Of_A_New_Kind.zip.html
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"Last night, Motormouth Media and Domino Records held a listening party for Animal Collective's hotly anticipated new album, Merriweather Post Pavilion."
¿Saben lo que quiere decir esto? Creo que es tarea de los grandes filtradores de este foro encontrarlo antes de que acabe la semana. La reseña de pitchfork (que pueden encontrar aquí http://www.pitchforkmedia.com/article/n ... t-pavilion) me ha dejado salivando.
¡Vamos muchachos, sé que pueden!
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The (International) Noise Conspiracy - The cross of my calling
http://www.sendspace.com/file/cptzpi -
toma ya!
Gracias.
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the intelligence - thee oh sees - split 12'' [mount st mountain 2008]
http://www.mediafire.com/?ltm0rkye2omole ahí
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como no encuentro el post de reseñas lo meto aquí porque me apetece soltarlo
el último de The Cure no es quizás tan malo como parecía a priori, y se cumple lo que decía no se quien de que "las pocas expectativas hacen bueno el disco" yo, más que bueno diría suficiente y gracias…
aunque sigue pesando como una losa que el cantar de Robert Smith haya perdido mucho estos últimos años, y me refiero a que no calla la boca durante toda la duración de los temas; y que el batería que tienen es el peor que han tenido de largo, en un grupo que paradojicamente siempre ha tenido buenos batacas, y que les hace bajar a niveles amateur...
penita pena
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