Filtraciones '08
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Tres tíos que hacen "punk rock" muy simpático, sobre todo la descripción: Como las Vivian Girls pero con los temas la mitad de largos.
Nodzzz - Nodzzz
http://www.mediafire.com/?wmkc5zzooeyNodzzz - I Don´t Wanna (Smoke marijuana) 7"
http://www.mediafire.com/?mn4nqmgz4eoDejo su maiespeis para que valoreis si merece la pena bajaroslo
http://www.myspace.com/nodzzz -
@Kiototar:j5vkg0gj:
Esto no se había filtrado, verdad?
YO MAJESTY: Futuristically Speaking … Never Be Afraid (2008)
http://www.megaupload.com/?d=GOQU64BWéste está muy, muy bien, y os lo digo yo, que no me considero aficionado al hip-hop ni al rap. Versos a ritmo de metralleta y base electrónica de hielo. Grande.
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Danielson - Trying Hartz
@23regg63:
"Utilizing carpenter metaphors, coordinated costumes, childlike glee, Boy Scout ethics, and the his constant familial unit, Dan Smith tackles sex, potty mouths, television, death, and judgment over the course of Trying Hartz’s two discs. Noted underground engineers Steve Albini and Kramer assist, ensuring the sonics are always as interesting as Smith’s detailed missives. Without the musical ingenuity of the band, it’s doubtful that we’d be discussing much. We’re talking about a band that’s tied together loose strings from all over the weirdo pop world, uniting Anticon dudes, Soul-Junk, Stevens, and Deerhoof, and serving as a centerpiece for the Sounds Familyre label, which releases much of the most far-out and creative Christian music available.
Ships, Danielson’s 2006 album, reconciled all of the previous Danielson projects into one unified whole and stood as an art-prog juggernaut. Trying Hartz proves that, while the preceding years may not have been as coherent, the basis for all of that album’s success have always been present in his work. While “greatest hits” and the like are often useless pieces of memorabilia, Trying Hartz works as either an excellent starting point for Danielson or the perfectly paced next step for someone getting acquainted with the work of Daniel Smith and his musical family."
http://www.megaupload.com/?d=677VTCANhttp://www.megaupload.com/?d=W7K6SFE9
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Comet Gain
Broken Record Prayers“A&B sides, new songs, session tracks and stray dogs” collected.
Ya sabeis que si indie-pop, algun deje punk y poptimismo con dejes a lo Go-Betweens, mas detalles, pregunten a los expertos de la aradio. -
…
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Puto amo, calimero.
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EXPO ‘70 / BE INVISIBLE NOW! split (Kill Shaman / Boring Machines) cd-r
@1443kigp:
Latest from aQ faves Expo ‘70, masters of modern krautdrone, every record another chapter in their expanding sonic history of the universe, a tale in sound, of suns and planets, of drifting in space, of galaxies expanding, of stars dying, of black holes, and endless expanses, of timelessness and infinity.
Two tracks, each a slow building epic, the first rife with deep chordal swells, simple strummed acoustic guitars, crumbling distorted leads, mournful melancholy melodies, distant streaks of feedback, abstract whir and deep minimal rumble, a gorgeous slab of outer space drone folk, like a more spaced out kraut version of Kiss The Anus, or like a new weird America Santana fused with Hawkwind at their most acoustic and blissed out. The second track is a much dronier affair, a spaced out soundscape of rumbling, buzzing, shimmering synths, layered and textured, rhythmic and hypnotic. Like Tangerine Dream or Popol Vuh, but much darker and buzzier, but just as blissy and space-y. The sound building and building into a heaving wall of synths and guitars, various whirs and rumbles and tangled up minimal melodies, all wavering textures and timbres, eventually joined by strange outer space FX, and more pronounced funereal melodies. Some truly gorgeous spacey shit for sure.
For this cd-r, Expo ‘70 have teamed up with Italian drone rockers Be Invisible Now, who have a similar sound, but definitely manages to make it their own. Beginning like some Goblin Argento soundtrack, all creepy synths and swells of black ambience, delicate little spacey melodies and swooshing FX, that swirl and build, the track begins to distort and crumble, the effects becoming more agitated and intense, the whole track thickening, until drums come in, offering up a tribal framework, around which the sea of synths swirls and shimmers, a mysterious rhythmic space rock ritual, which quickly fades out, leaving the various layers of synths to slow down, to slip away, to darken and crumble, leaving just a soft, fading buzz.
The second BIN! track begins all heavy and distorted, almost like some spacier Wolf Eyes, wrapped in swirling effects, anchored by simple pounding percussion, the synths getting more intense and more buzzy, thick and blown out, the programmed rhythms growing skittery and chaotic, everything louder and more dense, more distorted, FX everywhere, the track erupting into some strange noise drenched new wave, like the soundtrack to some French new wave horror film, or some New Order remix rejected for being to noisy and fucked up and scary. Awesome.
A pretty good intercontinental space rock, krautdrone matchup for sure. Packaged in a full color eco-wallet digipak style sleeve, and of course LIMITED.
http://www.mediafire.com/?24xdjgy1gyz -
Asi lo de comet gain es el nuevo disco que tenia que salir o una recopilación de singles y rarezas? Que no quita que tenga una pinta estupenda, por supuesto.
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@Pekh:3ted6uwh:
Asi lo de comet gain es el nuevo disco que tenia que salir o una recopilación de singles y rarezas? Que no quita que tenga una pinta estupenda, por supuesto.
en principio es su nuevo disco… bueno, creo que con todo lo que le cuesta a esta gente publicar cosas nuevas, ya es mucho
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¡por fin, leches!
skeletons - money (tomlab, 2008)
pop rarucio para los que no estén en el tema. grupo enorme.
http://rapidshare.com/files/161919458/skeletos.rar -
@Pekh:lv3e8tdv:
Asi lo de comet gain es el nuevo disco que tenia que salir o una recopilación de singles y rarezas? Que no quita que tenga una pinta estupenda, por supuesto.
Hay canciones nuevas, peel sessions y singles que habían aparecido sólo en ese formato y en tiradas limitadísimas. En cualquier caso, nada que estuviera ya en algún otro LP de la banda. Ah, y está de putísima madre: irregular, apasionado, guerrero, tierno, verdadero.
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thanksss K.Nomi! no había manera de encontrar
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@Zackchill:pcxvwgdv:
EXPO ‘70 / BE INVISIBLE NOW! split (Kill Shaman / Boring Machines) cd-r
@pcxvwgdv:
Latest from aQ faves Expo ‘70, masters of modern krautdrone, every record another chapter in their expanding sonic history of the universe, a tale in sound, of suns and planets, of drifting in space, of galaxies expanding, of stars dying, of black holes, and endless expanses, of timelessness and infinity.
Two tracks, each a slow building epic, the first rife with deep chordal swells, simple strummed acoustic guitars, crumbling distorted leads, mournful melancholy melodies, distant streaks of feedback, abstract whir and deep minimal rumble, a gorgeous slab of outer space drone folk, like a more spaced out kraut version of Kiss The Anus, or like a new weird America Santana fused with Hawkwind at their most acoustic and blissed out. The second track is a much dronier affair, a spaced out soundscape of rumbling, buzzing, shimmering synths, layered and textured, rhythmic and hypnotic. Like Tangerine Dream or Popol Vuh, but much darker and buzzier, but just as blissy and space-y. The sound building and building into a heaving wall of synths and guitars, various whirs and rumbles and tangled up minimal melodies, all wavering textures and timbres, eventually joined by strange outer space FX, and more pronounced funereal melodies. Some truly gorgeous spacey shit for sure.
For this cd-r, Expo ‘70 have teamed up with Italian drone rockers Be Invisible Now, who have a similar sound, but definitely manages to make it their own. Beginning like some Goblin Argento soundtrack, all creepy synths and swells of black ambience, delicate little spacey melodies and swooshing FX, that swirl and build, the track begins to distort and crumble, the effects becoming more agitated and intense, the whole track thickening, until drums come in, offering up a tribal framework, around which the sea of synths swirls and shimmers, a mysterious rhythmic space rock ritual, which quickly fades out, leaving the various layers of synths to slow down, to slip away, to darken and crumble, leaving just a soft, fading buzz.
The second BIN! track begins all heavy and distorted, almost like some spacier Wolf Eyes, wrapped in swirling effects, anchored by simple pounding percussion, the synths getting more intense and more buzzy, thick and blown out, the programmed rhythms growing skittery and chaotic, everything louder and more dense, more distorted, FX everywhere, the track erupting into some strange noise drenched new wave, like the soundtrack to some French new wave horror film, or some New Order remix rejected for being to noisy and fucked up and scary. Awesome.
A pretty good intercontinental space rock, krautdrone matchup for sure. Packaged in a full color eco-wallet digipak style sleeve, and of course LIMITED.
http://www.mediafire.com/?24xdjgy1gyzmuy interesantes be invisible now!
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a ver si esto no estaba por aquí..
David Bowie - iSelect (2008)
@3mn6qdid:
Earlier this year, David Bowie was asked by a UK newspaper to compile a selection of 12 songs from his own catalogue for a limited edition giveaway CD titled iSELECT: BOWIE. Rather than submitting a surface-skimming list of top hits, Bowie delivered a personal, career-spanning selection of recordings he “never seems to tire of,” including two exclusive tracks, with his own insightful notes; personal reflections that provide fascinating insight into every selection and why each song continues to resonate with him.
http://rapidshare.com/files/162166505/David_Bowie-iSelect-_2008_.zip -
@Pelukini:3v8w153a:
Moha! - One-Way Ticket To Candyland (Rune Grammofon 2008). ruidal del bueno!
http://www.mediafire.com/?zm2j1jiqldjse me había pasado el de MoHa! ¡gracias, pelukini!
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Sweet Faces 7" EP
http://www.mediafire.com/?zgxgxjz18n7@26xsmwvt:
Brian Hermosillo of The Fevers is back with an awesome project he did a while back while farting around Holland. Fever B is probably the most meticulous songwriter we have ever worked with, and this record is a testament to his attention to detail. This sucker is big time bang for your buck too with four songs. First 100 on blue and white sorta swirly vinyl.
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Glass Candy - Deep Gems: A Collection of Singles, B-Sides & Rarities (2008)
http://www.megaupload.com/?d=IAP72CZC@gw4mat1z:
"…at the party we will be giving away a new Glass Candy cd called DEEP GEMS, which is a collection of singles, b sides, and rarities. in between touring like crazy, glass candy has been in the studio every possible moment working on a new lp for 2009. in the meantime, deep gems is a collection of rare tracks recorded between march 2006 and october 2008..."
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The Boat People - Chandeliers (2008)
http://rapidshare.com/files/157365329/The_Boat_People_-_Chandeliers_-_2008.rar@341kmqov:
“Chandeliers is an undeniably brilliant, rich and honest pop record. Every inch of catchiness is matched and even occasionally exceeded by a clever lyric or a fitting guitar riff. Every cute and bright coloured flash is contrasted by a bittersweet poetic sentence or sharp tempo change. The Boat People are not only cleverer than the average 'indie pop' group but are also a lot more consistent. Each song carries it's own weight, yet at the same time this album feels like a single body of work. To be so pop-focused and still give off such a strong feeling of artistic freedom is extremely rare.”
a mi no es que me maten pero tal vez guste a alguien..
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The Twilight Sad - Killed My Parents And Hit The Road
http://rapidshare.com/files/162296818/TTSKMPAHTR_Vic.zip@20gll8q4:
With their dates in support of Mogwai starting tonight (October 27), the Twilight Sad have made the gigs more enticing by bringing along a new, limited edition release called The Twilight Sad Killed My Parents and Hit the Road.
The record collects instrumentals, live tracks, and covers, some of which are previously unreleased. Those covers include songs originally by the Smiths, Yeah Yeah Yeahs, and, surprise surprise, Joy Division.
Speaking of covers, the one adorning Killed My Parents– pictured above-- parodies Raymond Pettibon's iconic artwork for Sonic Youth's Goo. Who knew these guys had a sense of humor?
1. Walking for Two Hours (live)
2. That Summer, At Home I Had Become the Invisible Boy (live)
3. Untitled 28
4. Cold Days from the Birdhouse (live)
5. And She Would Darken the Memory (live)
6. Twenty Four Hours (Joy Division cover)
7. The Weath-er is Bad (from the short film Brilliant Noise)
8. Half a Person (The Smiths cover)
9. Untitled 27
10. Modern Romance (Yeah Yeah Yeahs cover)
11. I Was Hoping Winter Was Over
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