Filtraciones '09
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Estoy de acuerdo valde, menudos bailes nos vamos a marcar el día 20 en Mostoles con el señor Souleyman, estoy pensando en liarme la manta a la cabeza y todo.
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@Valderrama's:
@Zackchill:1p8m9p5u:
Omar Souleyman - Dabke 2020; Folk & Pop Sounds of Syria [Sublime Frequencies, 2009]
Omar Souleyman: Highway to Hassake (Folk and Pop Sounds of Syria) 2-LP [Sublime Frequencies, 2009]
Esto es, con perdón, la polla en vinagre. Gracias, Mr. Zack. Los ocho minutos de Atabat son la rehostia cíclica.
Estará en el Sónar, como recordatorio y por si alguien no se ha enteradoo
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@Pelukini:9tomuf7g:
@Valderrama's:
@Zackchill:9tomuf7g:
Omar Souleyman - Dabke 2020; Folk & Pop Sounds of Syria [Sublime Frequencies, 2009]
Omar Souleyman: Highway to Hassake (Folk and Pop Sounds of Syria) 2-LP [Sublime Frequencies, 2009]
Esto es, con perdón, la polla en vinagre. Gracias, Mr. Zack. Los ocho minutos de Atabat son la rehostia cíclica.
Estará en el Sónar, como recordatorio y por si alguien no se ha enteradoo
Solapándose parcialmente con Micachu (y yo que quería tener argumentos para llevarle la contraria a Trinxo, jo)
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Micachu vinieron hace poco y seguro que vuelven antes que Omar Souleyman, yo no creo que vaya ni a uno ni a otro, pero antes me decantaría por Omar seguro.
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+1
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El disco de Eels que filtrasteis está ripeado con el culo o es que suena asín? si es la segunda opción voy a empezar a enviar por culo a todos los grupeles que se suman a la mierdamoda esta de sonar como el culo porque asín molo más y soy low-fi.
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Gracias Anormal!!!!
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Thee Brandy Hips - We Are Love(2009)
Primer disco de esta banda donostiarra. Editado bajo licencia Creative Commons y colgado en su propia web.
Indie, pop-rock, post-punk, garaje, power pop: Violent Femmes, Gang of Four, Teenage Fanclub, Go Betweens…
www.theebrandyhips.com
www.myspace.com/theebrandyhipsDescarga directa: http://www.theebrandyhips.com/Archivos/ ... relove.zip
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Me encantó el anterior, a ver que tal.
Fat Freddy's Drop - Dr Boondigga & The Big BW (2009)
http://rapidshare.com/files/238088593/FFDDBTBBW1_Vic.zip http://rapidshare.com/files/238096119/FFDDBTBBW2_Vic.zip@3awjmrra:
Deep. This word crops up constantly when you talk to various members of Fat Freddy's Drop, the seven-strong New Zealand collective whose unique blend of Hi Tek Soul, Jazz and Reggae has been winning an ever increasing global fan base since the release of their debut album 'Based on a True Story' in 2005. Over the last three years, they've triumphed at the biggest and hippest festivals, from Glastonbury in the UK to the Big Day Out via Sonar In Spain and Le Printemps de Bourges in France, and become the first independent band to debut at number one in New Zealand, in May 2005. Their first album, deep with soulful cuts like the insidiously infectious "Cay's Crays", the chilled-out "Ray Ray", the hypnotic "Wandering Eye" and the epic "Hope", has gone on to sell 200,000 copies, and made them firm favourites with audiences all over Europe too, taking them around the world three times.
So you would have thought that, when it came to recording 'The Big BW', the follow-up, main-man, producer and beat-master Mu, born Chris Faiumu, aka DJ Fitchie, and his band-mates would have felt the pressure to live up to the praise heaped on 'Based on a True Story' – in the UK, The Observer called their debut "a slow-burn winner" while The Guardian chipped in with "transcendental".
Not a bit of it. "There was no external pressure. There was pressure to try and come up with something that's a natural progression and an improvement as well," says Mu from The Drop, his home, studio and the group's convenient base, a few steps away from the beach in Lyall Bay, a suburb of Wellington popular with surfers. "I've spec-ed up my studio but we didn't go in with any preconceptions. It's still jazz, soul and reggae with a bit of a modern take on it. We're better songwriters, we're moving away from the big long jams that are probably more of a live thing."
This upbeat outlook also informs the group's sound and is reflected in the sunny, reggae-infused "Pull The Catch". According to Toby, "It was written a few years ago when we were travelling in the South Island, staying near Dallas' hometown Rakautara. One morning, a few of the band dragged themselves out of bed and went out before dawn on a fishing boat with Dallas' uncle. When they came back from the ocean they were singing this song. We had a studio set up in a little house at the beach and we recorded the demo that very day."
The New Orleans-flavoured "The Nod" was also inspired by the Freddy's convivial, communal lifestyle. " "The Nod" is about a very specific subject: the parties that used to be held in a certain infamous flat in central Wellington about ten years ago," says Toby. "It was a flat where various members of the band lived at various times. We would rehearse there occasionally. The humour in "The Nod" comes from that party vibe where it's all about good times and ridiculous entertainment. The Jazz break is pure ridiculous entertainment."
At the opposite end of the spectrum is the title track, "Big BW", "a personal favourite" of Toby's. "It's more of a meditative piece." Somewhere in the middle is the irresistibly soulful "Boon Digger", with a yearning, plaintive vocal from Dallas and deep lyrics worthy of the late Curtis Mayfield. "It certainly has a flavour all of its own," agrees the trumpeter. "The song compliments the others on 'The Big BW', but it's unique."
Also included on the album is "The Camel", featuring British singer Alice Russell, which was inspired by the Freddy's environment and the role the elements play in it. "It came about from Fitchie's beat and an epic 20 minute guitar solo from Jetlag Johnson. We were working on the song at the beginning of winter. The day that Alice came to work with us, there was a storm raging outside. The waves were crashing over the wall into the backyard. I arrived at the studio and found Dallas and Alice working intensely in a small room with two heaters on full blast. There wasn't much that I could add, so I sneaked away to the café. Later on, Hopepa and I added our Ethiopian horn arrangement," recalls Toby.
Now the Freddy's are ready to drop 'The Big BW' album and looking forward to touring the world again. "We've absorbed a few influences along the way -- Berlin bashment, Portuguese top forty, Tooting Bhangra Beat, Montmartre TV shop Techno Hi-Life… enthuses the trumpet-player. Already sounds like the recipe for the Freddy's next album
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El de Oneida todo son temas nuevos o como va? porque tela, 3 discos, y casi 2horas.
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@Pelukini:2t7q2ypy:
El de Oneida todo son temas nuevos o como va? porque tela, 3 discos, y casi 2horas.
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gracias
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se me había pasado el de dilla, gracias zax!
entre los moracos de sublime freq, el de dilla, el de prefuse y el de oneida ya tengo unos cuantos dias copados.
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@galleta:26naqlro:
@Pelukini:26naqlro:
El de Oneida todo son temas nuevos o como va? porque tela, 3 discos, y casi 2horas.
Algùn rezumen pa los que solo conosemos la lengüa de servantes o otras auto nosmicas?
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El de Oneida dice rapidshare que esta bloqueado…algun otro link?
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please, que alguien vuelva a subir el de Oneida!!!!
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@acidmama:1rk8ur5s:
please, que alguien vuelva a subir el de Oneida!!!!
ahora me pongo.
lo subo en dos tandas que pesa más de 100 megas y el mediafire no lo soporta.el disco 1:```
http://www.mediafire.com/?mmmkzywgl3oEDIT: aborto la misión pues ya está el disco enterito abajo.
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Otro de oneida completo
http://rs553.rapidshare.com/files/240436366/oro.zip
