Dröner Kebab
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Por comentar un poco por aquí, decir que hace unas semanas y por puro impulso me pillé este cassette de Peter Broderick con Penelope Joy. Todavía no lo he escuchado.
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Lo nuevo del gran Rhys Chatham en streaming. Sale a la venta el 12 de abril:
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Stephan Mathieu - A Static Place (12k)
http://www.megaupload.com/?d=YRI3XAI3 -
El nuevo de deaf center en magiska.
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en magiska lo que tiene que aparecer ya es el puto ravedeath, que estoy un poco hasta la polla de tanta espera
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Apareció, apareció:
Tim Hecker – Ravedeath, 1972 (2011) 320
Ravedeath, 1972:
01 The Piano Drop
02 In the Fog: I-III
03 No Drums
04 Hatred of Music: I-II
05 Analog Paralysis, 1978
06 Studio Suicide, 1980
07 In the Air: I-IIIhttp://www11.zippyshare.com/v/90558210/file.html -
Im-presionante.
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El de Tim Hecker está tremendo.
Dejo otra joyita del sello Miasmah. Ultimamente cada cosa que sacan es una maravilla desasosegante.
Juv - Juv
http://www.mediafire.com/?hmo1r0hj46t5b3m
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Y el de Deaf Center tampoco desmerece.
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chatos, un re up del de Hecker? gracias!
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aquí manel:
http://turbobit.net/0le3hws75qbi.html?ps=9371aun no lo he escuchado, a ver si pillo un momento bueno
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Jackster, este va dedicado a ti, jejeje.
Wolf Eyes - No Matter
http://www.mediafire.com/?cw2aaaz9asgq9ln
Y otro disco que se comenta que está bien.
Gog - Heavy Fierce Brightness Lp
http://www.multiupload.com/91O8777J96 -
Tema de adelanto del nuevo LP de Belong en el Soundcloud de Kranky y no suena a nada que hayan hecho antes. De hecho, lo primero que me ha venido a la mente ha sido Soft Moon. Joder! si hasta cantan!!
Bueno, quizá me he dejado llevar por la sorpresa. Las capas de ruido blanco siguen ahí, pero el
tufoolor a joy division no se lo quita nadie. -
uys, que bien, el de Tim Hacker, me habéis alegrado el mes, a ver si vuelve la lluvia para escucharlo como es debido.
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@jackster:2kwav0s3:
Lo último como disco que han sacado es el Live Edits: Italy & Switzerland de 2008
http://www.megaupload.com/?d=5QH2Q908Hombre, el Guetto Beats son palabras mayores… Mira, me voy a escuchar el bolo del Tanned Tin 2007...
Jackster! Podráis colgar el bolo de Tarentel del Tanned tin?
me dejó con los huevos en el suelo aquel concert…
grazie!
Por cierto, el disco de Earth muy, muy bueno.
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No soy Jackster, pero creo que te servirá:
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Peaking Lights - 936 [Not Not Fun, 2011]
@ij7vxiaa:
Sometimes it feels so simple: two of our favorite people in one of our favorite bands release one of our favorite records of all time. 2009’s Imaginary Falcons was its own genius slushpile of tape-hissy drift-dub haze anthems, no question, but 936 takes every facet of the Peaking Lights mighty diamond and shines it to fluorescent perfection. The songwriting is insane; “All The Sun That Shines,” “Amazing & Wonderful,” “Tiger Eyes (Laid Back),” etc, all seep into yr mindstream and float there like melodic gold dust. Indra Dunis’ silky soul-jazz keys and tranced vocals have never sounded so exquisite, and Aaron Coyes busts out the best bass/drum loops and sneaky dub guitar of his musical lifetime. Recorded by Luke Tweedy at Flat Black Studios in Iowa City (where both the NNF Wet Hair LPs were tracked) and mastered in Berlin, 936 retains the cool crate-digger grit of their earlier highlights, but within a much more vivid spectrum of sound. Could not be more jazzed and honored to unveil this total groove-wave classic. Black vinyl LPs in jackets with vintage art by the band. Edition of 600.
http://www.filesonic.com/file/78478148/PeakingLights.zipel imaginary falcons me gusto mucho en su momento, a ver este que tal
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a mi me ha parecido una pasada el disco este, menos lo fi que el anterior y se han tirado al dub que da gusto
me refiero al de peaking lights que ha puesto zackhill
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julianna barwick - the magic place (asthmatic kitty, 2011)
http://www.mediafire.com/?8rcu1aa9339fol8 ```@frp4qxuq: > NYC singer Julianna Barwick is a master of vocal layering, a technique in which she builds complex, ethereal tunes by interweaving recorded loops of her own voice. The resulting symphony of vocals is otherworldly and transcendental, containing both the beauty and purity of spirit of a children’s choir as well as the abstract structural designs of forward thinking composers like Sigur Ros (or Glass or Eno before them). Call it sublime, angelic, majestic – whatever adjective you find most poignant, chances are it somehow implies Barwick’s ability to create music that seems divinely inspired. > > After teasing us with the short quaff of ambrosia that was last year’s Florine EP, Barwick will release full length debut The Magic Place this Winter. And while Magic only contains three more tracks than Florine, each one averages nearly five minutes long. And in the space of such lengthy tracks Barwick deftly navigates the heavenly heights without the aid of musical instruments other than her voice (and in few instances spare piano and guitar). As a whole, The Magic Place is as fully resplendent as its predecessor. And in parts, surprisingly, the songs stand up on their own as well. Where Barwick’s self imposed limitations could have have easily resulted in a monotonous listen, the nine tracks of The Magic Place contain enough uniqueness to keep them distinct. > > Bar wick displays repetitive cadences of low/high vocals that sound somewhat African inspired in tracks like ‘Envelop,” and titular “Magic Place.” Other tracks are harder to place, with piano and guitar accompanied “Bob in Your Gait” taking on a dream-pop lilt or “Keep Up The Good Work,” and “Cloak,” which both convey a Northern European sense of cold sobriety. And “White Flag” seems a bit like all of the above – it’s an ebullient orchestration packed to the brim with rich vocal strands of all colors and stripes. Bar wick touches on minimalism as well as its opposite, often in the space of a single tune, and throughout her simply astonishing vocal range never betrays her aspirations. > > Quite frankly, next to The Magic Place’s soul-wrenching melodies and the implicit talent behind their orchestration, most other music simply seems trite and unambitious. Though the critics have yet to weigh in on The Magic Place’s technical dissection, this listener for one has already been willingly swept of his feet. > > — Jon Behm estilo: ambient / vocal layering [http://asthmatickitty.com/the-magic-place](frp4qxuq)
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