Filtraciones '12
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@bruce_billis:3gt2r9wl:
@ForSilence:3gt2r9wl:
¿Qué coño hay que hacer en el rapigato ese para bajarse algo sin tener que meter movidas de ningín tipo? ¿o soy yo ?
instrucciones de uso para enlaces rapidgator:
- clicas en "low speed download"
- esperas los segundas que hagan falta (≈30'')
- escribes el codigo captcha y aceptas- clicas en "here to download"
- easy as life
Si parece todo así de fácil, hasta el punto en negrita, el problema es que no me aparece ningún captcha. Entonces mi no saber, debe ser problema de capamenta de los cojones.
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Prueba con el programa jdownloader.
http://jdownloader.com/
(No todos) pero algunos captchas te los reconoce automáticamente. O con suerte, igual no está capado y los puedes meter ahi.
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The Dirty Projectors - Swing Lo Magellan
http://www.mediafire.com/?raa6fg1oog3ai29
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Micachu and the shapes - Never
http://www.mediafire.com/?xy6r0yn5oaaly05
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Toxinho es Dios
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@karramarro:3798wm0a:
Prueba con el programa jdownloader.
http://jdownloader.com/
(No todos) pero algunos captchas te los reconoce automáticamente. O con suerte, igual no está capado y los puedes meter ahi.Lo primero que tengo capado, lo que no se es como me dejan este foro…
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the beach boys / that's why god made the radio (capitol, 2012)
http://rapidgator.net/file/21141684 ```@2ms7okgx: > To celebrate their **50th anniversary**, Beach Boys Brian Wilson, Mike Love, Al Jardine, Bruce Johnston, and David Marks reunited in Los Angeles’ Ocean Way Studios for That’s Why God Made The Radio, the **band’s 29th studio album**, the first in decades to **feature all of the band’s surviving original members**. **Produced by Brian Wilson** and executive produced by Mike Love, the album’s eleven songs illustrate The Beach Boys’ unique and evocative West Coast story with the band’s timeless signature sound.
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@bruce_billis:2sslbceb:
old man gloom / no (hydra head, 2012)
Anda que no me ha molado enterarme de este regreso. He ido a buscar el vinilo, que justo salió ayer, y ya estaba agotado… Suerte de amazon (o no, que estos van a acabar hundiendo a todas las tiendas).
No tenía idea de que tuvieran tantos atentos seguidores, años después.
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wymond miles / under the pale moon (sacred bones, 2012)
http://www.mediafire.com/?89v3a0q32rn8de2 ```@c0uvjy1b: > Wymond’s previous EP, Earth Has Doors was about intangible and esoteric concepts; the music drifted beautifully in somewhat of an oceanic, boundless state. For the LP it was very important for him to make the songs be felt somatically. In his own words, “I wanted it to hit the body, I wanted it carnal.” Whereas the EP had been a drawn out labor of love he worked on and then shelved for several years, most songs on Under the Pale Moon developed quickly last winter. He describes them as being effortless to write, short songs with stripped down arrangements; recorded straight away as soon as they came to him. Feeling very raw and alive, he wrote the basic structure for most of the record within a few weeks. > > He had the chords and melody for album standout “Singing the Ending” when last year began to take a cathartic turn. In a short span of time his closest friend was killed and he lost some family members. Without much time to deal with grief, he immediately had to tour Europe with the Fresh & Onlys for two months while still basically in shock. He became filled with an ardor for life and seeing the record through. The loss had emerged as a purifying fire and manifested not as a morose lament on tragedy but as a feverish grindstone of passion, dissent, desire, and an apolitical rebellion cry against the bondage of established order. While never overtly attempting to address his influences, the listener can hear a bit of Go-Betweens, Echo & the Bunnymen, Nick Cave, Nikki Sudden and The Cure present in his work. Miles creates a big romantic pop record reminiscent of Roxy Music at the height of their power. Under the Pale Moon is a gorgeously dramatic and romantic debut; a focused departure from his work in the **Fresh & Onlys**, he emerges as innovative songwriter with limitless pop potential. [http://www.sacredbonesrecords.com/releases/sbr080/](c0uvjy1b) ____________________________________________ **jaill** / **traps** (sub pop, 2012) http://rapidgator.net/file/19583575
> When Jaill nonchalantly stepped into the room with 2010’s That’s How We Burn, the group had already turned out a small catalog of self-recorded and self-released albums and EPs. Sub Pop first heard the band on an LP bought through the mail, the cover still hot from the Kinko’s copier. And as that record (2009’s There’s No Sky (Oh My My)) demonstrated, Jaill’s Vinnie Kircher is equally comfortable crafting songs that either amble up slyly, or tumble out pell mell, with lyrics that betray his English major background. SPIN said of That’s How We Burn, “What elevates their debut beyond your average twee-punk rager is the gentle psych dabblings: extra delay on a guitar solo, an errant ‘ooh-ahh-ooh,’ a dubby Panda Bear flourish, and the swirling noise that murmurs through the background of the cheerful ‘Snake Shakes.’” > > Recorded throughout 2011 in Kircher’s crummy, poorly lit basement, with minimal gear and a control room of thrift store afghans, and mixed at NY’s Rare Book Room by Nicolas Vernhes, Jaill’s latest mangled masterpiece is entitled Traps. An acerbic exercise in both humility and aggression that transcends the humble environment of its creation, Traps finds the Milwaukee-based **psych-pop** three-piece confronting a malfunctioning universe with an inventive, lean and, dare we say, excellent 11-song album. > [http://www.subpop.com/releases/jaill/full_lengths/traps](c0uvjy1b)
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A flipar
Mission Of Burma – Unsound
http://rapidgator.net/file/21517596/mobu-12.zip.html
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@-Toxinho-:376i9l2m:
A flipar
Tanto que mis elucubraciones me hacen pensar que irán al ATP de los Shellac (hasta que éste quede cancelado o pospuesto) y al PC.
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Último intento con el Tasteless Peace de Beach Beach, por favor, si alguien lo tiene que lo comparta, que no hay cojones.
Y otra petición: el Encanto de Cuchillo igual, no aparece por ninguna parte.Gracias
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el de Beach Beach está aquí:
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@-Toxinho-:12pumz3t:
A flipar
Mission Of Burma – Unsound
http://rapidgator.net/file/21517596/mobu-12.zip.html¡La noticia de la semana!
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La reedición de Codeine
Codeine - When I See the Sun
Barely Real -
http://www.mediafire.com/?714222zq6pkosoyFrigid Stars -http://www.mediafire.com/?klsru72cu2suedtThe White Birch -```
http://www.mediafire.com/?da5h8ub570stbmx
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Dead Can Dance – Anastasis (256 kbps)
http://www22.zippyshare.com/v/87906357/file.htmlStream:
http://www.deadcandance.com/
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heavy blanket / heavy blanket (outer battery records, 2012)
http://rapidgator.net/file/10805039 ```@2ebeqv2u: > **J Mascis** rounds up a couple partners-in-crime from his adolescence with an eye – and ear – towards shredding harder, wailing louder, and generally melting faces even more brutally than ever before. With art from Savage Pencil, Heavy Blanket's debut release is available on CD, 1000 copies on white vinyl, and an extremely limited release of just 200 copies on purple vinyl! @2ebeqv2u: > Depending on what you care to believe, Heavy Blanket was either a new project launched by Dinosaur Jr. guitarist J Mascis in 2012, or a band from his teenage years who, thanks to a byzantine series of misadventures, were unable to record their first album until a quarter-century after they began writing material. According to Heavy Blanket's official biography, in 1984 Mascis was 19 years old and becoming disenchanted with hardcore punk as his band Deep Wound was winding down. Eager to play heavier and more adventurous music, Mascis teamed up with two high school buddies, drummer Pete Cougar and bassist Jonny Pancake, a pair of unrepentant stoners who'd been expelled from school for using a tuba to smoke weed. Playing music informed by Jimi Hendrix, Blue Cheer, and obscure psychedelia, the trio was named Heavy Blanket and began making plans to record an album after writing six extended, guitar-heavy songs. However, Pancake suffered a serious head injury while swimming in an abandoned quarry and dropped out of music, moving into his grandmother's basement as he recovered. Pancake's accident put Heavy Blanket on hiatus, and when Cougar ended up in prison after repeatedly passing counterfeit money at a convenience store, Mascis gave up on the group and moved on to other musical pursuits. While on vacation in 2011, Mascis discovered that Pancake was working at a ski resort after finally making a full recovery (though he had come to believe his accident happened because the future members of Pearl Jam were plotting against him). Mascis and Pancake set out to find Cougar and learned he was living in a half-way house in Ohio after finally being released from prison. Cougar also had a cassette of one of Heavy Blanket's rehearsals, and the trio reunited to finally record the album they'd intended to make in 1984\. Given the improbable nature of Heavy Blanket's story, some writers speculated that Mascis might have fabricated their story, especially since no photos of Heavy Blanket were released. Also, the style of the bass and drum work on the album bears a strong similarity to Mascis' occasional efforts as his own rhythm section on several Dinosaur Jr. recordings, as well as his drumming with the groups Sweet Apple, Witch, and Upsidedown Cross. ~ Mark Deming [http://www.outerbatteryrecords.com/products/heavy-blanket](2ebeqv2u)
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@manel:17nkxz3x:
el de Beach Beach está aquí:
Muchas gracias, manel. Creo que en amazon, fnac y a-tunes también lo tienen.
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re-up del último de Om please…
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@hempror:95m5z511:
re-up del último de Om please…
here you have:
y este para que nuestro amigo chancletas se toque un rato:
beak> / >> (invada, 2012)
@95m5z511:There is an accepted music industry strategy, mainly from the mouths of experienced music managers and A&R men, that for a band to get ready to present themselves to the world they should go on tour. In most cases this advice works; the band hone their craft on the road so by the time they get on to ‘Later with Jools Holland’ they can amaze with their slick, tight rock performance. However, this doesn’t always work.
BEAK> formed by Geoff Barrow - Matt Williams - Billy Fuller in 2009 recorded their self-titled debut album in Bristol, created out of 12 days of improv sessions and then edited into song form. Shorty after releasing it on INVADA records UK and Ipecac records U.S., the band went on a successful tour, playing various festival dates across Europe and the U.S.
Buzzing from the tour, Beak> then returned to the studio to start work on ALBUM 2 only to find that the time on the road had taken its toll on the band’s delicately sensitive and creative nature. And, by consequence, had turned them into a truly awful-sounding pub prog-rock band. The magic had gone. It seemed that the band were thoroughly moribund.
Until… One rainy afternoon in Bristol after many tortured, truly terrible recording sessions something changed. It may have been the diesel fumes from the bands tour splitter bus had worn off, others say that the band simply turned their amplifiers down. We will possibly never know the true events of that afternoon but the band began to play and, once again as before, their bleak, wobbly anti-blue note sound had returned, but this time with added synthesizers.
And so... recorded in one room live (with very few overdubs) Beak>> is upon us.
