Filtraciones '13
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@Dan:
joder no puedes parar
soy el mayor bucanero a este lado del atlantico. que alguien me pare que estoy mu loco!
supongo que el de luis eduardo interesa tambien a los que no siguen el hilo de electronica:
autechre / exai (warp, 2013) - 2cd
@szhg2ukh:
Exai is the eleventh album by electronic music duo Autechre, released on Warp Records. The album was released in digital form on 7 February 2013, with the CD and vinyl versions scheduled for release on 5 March. Exai alludes to the roman numeral XI, which means number 11, referencing the fact that this is the duo's eleventh album. Exai will be released as both two CDs and four LPs. The album was released digitally on February 7th.
http://warp.net/records/releases/autechre/exai
suuns / images du futur (secretly canadian, 2013)
@szhg2ukh:
Montreal's Suuns spent the winter and spring of 2012 writing and recording Images du Futur. Their sessions were concurrent with the Quebec student protests that started in February of 2012 and continued through September of this year. Set against a backdrop lead singer Ben Shemie calls "a climate of excitement, hope and frustration," Suuns aimed for an expansion of the musical ideas on their critically accalimed first record, Zeroes, QC.
Images du Futur builds upon the intensity of their debut, but often does so through new textures and subtler dynamic maneuvering. Album standout "Edie's Dream" begins with a single bass line repeated from which layers build & rise – first drums, then a wash of white noise; echoes of guitar, then chanted vocals. The song's clever shifts are jazz-touched and delicate, almost subliminal. It all makes for a stark, skeletal boogie -- more an astral projection than a song. "Edie's Dream" exemplifies the restraint of which Suuns is capable and works to make the unhinged moments all the more devastating.http://secretlycanadian.com/onesheet.php?cat=SC260
thao & the get down stay down / we the common (ribbon, 2013)
@szhg2ukh:
Recorded at San Francisco’s Tiny Telephone Studios and Dallas’ Elmwood Studio, We the Common was produced by John Congleton (St. Vincent, Bill Callahan, the Walkmen, Explosions in the Sky) and features a duet with Joanna Newsom on the track ‘Kindness Be Conceived.’Thao observes, “’We the Common’ is an album about wanting to be a human who tries and is grateful for the opportunity. It is about wanting to be better and closer to people. I have had over a year respite from touring and recording—in this year I started really trying to be a part of the community I live in and the family I was born into.”The album is the follow-up to Thao’s 2009 release Know Better Learn Faster, which Pitchfork praised for its “warm exuberance that keeps the music spry” while US magazine SPIN noted that Thao’s “lazily smoky voice has its bitterly harsh moments, but her coolly analytical self-awareness stings the most.”Based in San Francisco after growing up in Falls Church, VA, Thao Nguyen first picked up a guitar at age 12. She has worked with a long list of acclaimed artists including Andrew Bird, Mirah, Laura Veirs and producer Tucker Martine (The Decemberists, Sufjan Stevens) and has recorded a pair of critically acclaimed records for Kill Rock Stars: 2008’s We Brave Bee Stings and All and the aforementioned Know Better Learn Faster with her backing band The Get Down Stay Down.
http://ribbon.dominorecordco.com/ribbon/albums/14-11-12/for-we-the-common/
buke and gase / general dome (brassland, 2013)
@szhg2ukh:
Buke and Gase have this vague sense of unease. Like someone, somewhere is always watching. Do a Google image search for the band's new album title, General Dome, and you'll come across images that instill ideas of paranoia and surveillance such as security cameras and rockets being launched. In times like these, when governments can freely survey the citizenry's every action and our lives become increasingly less private, people are often drawn to code. Take a look at Buke and Gase's album cover above. Its minimalist design could mean nothing at all. Perhaps this would be the case, if this were any other band than Buke and Gase.
Inspired by a recent Sol LeWitt exhibition at the Dia Beacon museum in Beacon, NY, Arone Dyer and Aron Sanchez started brainstorming about coded imagery. They decided to build a system of images that would dictate the direction of the artwork, which lead them to creating a new alphabet they could write with, not totally different from the way they create their music. They built a graphical alphabet that the artwork is made of, the code of which will be available on their website once it's released. There are more coded images like this throughout the packaging.
http://brassland.org/album.php?catno=029
the spinto band / cool cocoon (spintonic, 2013)
@szhg2ukh:
Those looking for perfectly-toned pop need to wait only until February 5th. That’s when Delaware’s Spinto Band release their new album Cool Cocoon. The record is a collection of little indie pop nuggets of pure delight. The Spinto Band are far from conventional in how they arrive at their destination though. Nowhere is that more evident than on “She Don’t Want Me”, which is the perfect union of Beach Boys harmonies and Of Montreal quirk. The key to The Spinto Band sound is that, regardless of you mood, it will put a smile on your face. The lead single “Shake It Off” is laid back yet invigorating melodic trip. “What I Love” is a gorgeous ode that’s seems destined to be a wedding staple for those in the know. Few hooks are as sharp of dig as deeply as the ones you’ll hear coming your way on “Enemy”.
http://www.spintonic.net/premiere/
holopaw / academy songs, volume i (misra, 2013)
@szhg2ukh:
Academy Songs, Volume I, Holopaw’s Misra Records debut, takes the band to never-treaded levels. Through three records and a collaboration with Modest Mouse’s Isaac Brock (Ugly Casanova), frontman John Orth has honed his gift for lyricism, storytelling, and delivery. Now, backed by a variant possessing uncanny chemistry (complete with identical twin brothers), we’ve been graced with an unparalleled, breathtaking Holopaw album.
Over a ten-song cycle, the close quarters of an all-boys preparatory academy, and the world beyond its “ivied walls,” become the sites of devotion, betrayal, communion (or near-communion), and abject loneliness. The joys and thrills and dangers of both discovery and transgression are detailed. “The rising and falling of their little lives” is illuminated in stunning imagery.
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Autre Ne Veut - Anxiety
https://mega.co.nz/#!wIkBlZIR!PoKcWDeEDc-JjDtsWXNEwQijwgtfK3DUwda4CloG-Bk -
Lost Animal – Ex Tropical (2013)
@qfh5ase1:
St Helens was a bright but brief flame that kindled on the Australian music scene. After one album, 2009′s Heavy Profession, frontman Jarrod Quarrell dissolved the band last year to work on his solo project, Lost Animal.
Title of his new album, Ex Tropical, refers to his childhood years spent in Papua New Guinea. Though this is lean, keyboard-based pop, it does contain elements of the tropical past left behind, especially with the marimba and horns on “Buai Raskol” or the more ambient marimbas and distant flute sounds on the title track. The album contains lots of exploratory layers, from the buried tension of “Sundown” to the ringing pianos over lean beats on “Lost the Baby”. The music stretches out while Quarrell’s Lou-Reed-by-way-of-Kurt-Vile bleat stays contained, groaning in its limited, sometimes charming, range. But for all the exploring the layers do here, they’re hooked to songs that pile up rather than move forward. There are too many lean, mid-tempo beats, the space around layers feels too similar from song to song. What starts off, on “(Intro) Beat Goes On”, a curious and interestingly isolated sound, begins to feel more like one that’s insular, alone, in need of other feels from other players. Quarrell has an interesting knack for texture on Ex Tropical, but his melodies are always playing catch up, while the textures themselves sound constantly in search of playmates they never quite find.http://www.subpop.com/releases/lost_animal/full_lengths/ex_tropical
http://ul.to/lfp3nu4c -
bruce, estat y demás filtradores habituales: ¿corre por ahi el nuevo de Chris Stamey, Lovesick Blues?
gracias!
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http://uploaded.net/file/h2st52cb -
Ahí estamos, gracias!
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NI el single de Crepus se ha filtrado???
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¿El del Christopher Owens ha aparecido por aquí?
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La clave del disco de Buke and Gase?
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¿sigue siendo Hollywood la meca del cine?
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@Freaksadworld:1giub9m7:
La clave del disco de Buke and Gase?
prueba con bukkake. si no tira vuelvetelo a bajar que he cambiado el enlace por otro sin clave.
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un re-up del de Foals please….
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Ten, el de Foals:
http://freakshare.com/files/3ezesu0t/FHF.rar.html -
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final del próximo mundial: brasil - inglaterra
próximo Papa : épico no, que baile trance, que es lo que se lleva
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Wimps – Repeat (2013)
Indie-rock, lo-fi, punk.
@2kulr2dq:
Though Wimps‘ Repeat is slathered in bright, bubbly punk hooks, the world they present in their lyrics is dismal. People are boring. Work sucks.
The only break from this banal place is sleeping. Their song “Hello Frustration” namechecks anxiety, neurosis, nerves, and depression. The title track’s message is simple– you eat, you sleep, and then you repeat. In the track “Grump”: “It’s all downhill from here.” The Seattle punk trio use their platform to illustrate the more banal facets of everyday life, and in straightforward terms, they point out what’s terrible about each societal norm. Their solutions are simple, if impractical: “Quit Your Job” and Nap.
Their messages follow an antagonistic tradition of Seattle punk. Just as the Intelligence recently call- and-response ordered folks to turn off “that freedom rock,” Wimps demand that “everyone stop having fun right now.” (Drummer Dave Ramm is a former member of the Intelligence.) You can also hear the sonic threads of punk rock’s past throughout the album. Their sing-shouting vocals occasionally bring to mind those of belter-in-chief, Corin Tucker, and they deliver each song with buoyant new wave guitars, and of course, a few distortion-laden power chord hooks. With a specific point-of-view and a few catchy songs, guitarist Rachel Ratner, bassist Matt Nyce, and Ramm deliver a strong blueprint for the new Hardly Art offshoot End of Time Records. (Repeat is the label’s inaugural release.) And in small bites, it’s a fun record delivered with a tinge of cynicism and a familiar hue of West Coast punk. But even with song lengths topping out at 2.5 minutes, Wimps don’t really do “small bites.” It’s an album where the songwriting and hooks aren’t quite strong enough for these tracks to be as repetitive as they are.http://endoftimerecords.com/releases/eot-001-wimps-repeat-lp/
http://ul.to/0pqr8mu6 -
Mogway - Les Revenants (2013) OST
http://turbobit.net/4z79monirnjx.html -
Barn Owl / V [2013]
AMBIENT, DRONE, ELECTRONIC, EXPERIMENTAL
http://www.thrilljockey.com/thrill/Barn ... RoaQh3X4TY
@2ctj7u5c:
Barn Owl has always specialized in devotional darkness, pushing desert rock into previously unexplored, murky territories. V marks a shift in approach for the duo of Jon Porras and Evan Caminiti. The pair augmented their arsenal of guitars and effects with an array of electronics, vastly expanding the album’s sounds and textures. Special attention was given to implied rhythms nestled within dense slow building environments, giving album a rhythmic presence, albeit one that is buried beneath intricate layers. Theirs is a ghostly rhythm, almost beyond reach.
http://uploaded.net/file/1d8hovcahttp://rapidgator.net/file/77691998/BOV.rar.html -
Se sabe algo de ese segundo CD que trae "Wonderful, Glorious" de EELS??
Gracias -
pedis mucho!
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