Filtraciones '13
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@kowalsky:t5uey53x:
Gracias watusi, el link que me ha dejado bruce pide password y aunque lo pongo, no me deja descomprimir (será cosa del Mac).
no era el mac, no. ya me disculparas, el password contenia un pequenyo error que ha quedado solventado…
vvaa: sound city / real to reel (rca, 2013)
@t5uey53x:
SOUND CITY - REAL TO REEL, the album, features Grohl enlisting the musical legends who recorded at Sound City–and then some (hello, Paul McCartney!) to demonstrate the human element of creating and recording music, teaming up to write and record brand new original songs on the spot.
http://buy.soundcitymovie.com/album
marnie stern / the chronicles of marnia (kill rock stars, 2013)
@t5uey53x:
There’s little doubt that Marnie Stern lives up to her reputation as “the lady who shreds,” but for Marnie, shredding is not enough. After putting out three critically-acclaimed albums, Marnie could have gotten away with putting out another album filled with her richly layered sound, singular frenetic finger tapping and almost philosophical lyrics. However, as anyone who has given her last few albums a good listen can tell, Marnie is not one to stand still. Instead she attacks her musical evolution with full frontal bravado, reveling in musical risk instead of relaxing in the comforts of the known. For Marnie, musical possibility drives her ambition.
Her new album, The Chronicles of Marnia, finds Marnie not only working with a new drummer (Oneida’s Kid Millions), but also passionately subtracting from her normally dense song structures to craft a sound that is both familiar and wholly original. “I always gravitate towards interweaving and a more abrasive sound,” Marnie said about working on the new album. “I was working with Nicholas Vernhes from Rare Book Room Recording in Brooklyn, and he was the producer. He wanted my voice clearer and fewer guitar parts. I tried it because I wanted to try something different.”
http://killrockstars.bandcamp.com/album/the-chronicles-of-marnia
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@bruce_billis:1to1e8fh:
marnie stern / the chronicles of marnia (kill rock stars, 2013)
Joder bruce, muchas gracias por ésto!!
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@bruce_billis:3n9tvcx5:
buf, lo escuchamos antes de la entrevista.
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+ 
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Lu nuevo de Pony Bravo - De Palmas y Cacería (El Rancho -2013)
https://soundcloud.com/el-rancho/sets/p ... -y-caceria
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Un link de bajada de eso, please.
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Gracias Dan.
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Esta vez sí que sí….
David Bowie - The Next Day (Deluxe Edition)
http://cloudzer.net/file/s6povf70Por cierto, el Duque ha vuelto en forma
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prog-rock/glam/pop a cargo de miembros de fugazi y medications. no busqueis hardcore en este disco sino mas bien a pink floyd, t-rex y big star.
deathfix / deathfix (dischord, 2013)
@2n6xspem:
Deathfix formed in 2009 after Brendan Canty (Fugazi) and Rich Morel (Morel, Blowoff) met while touring in Bob Mould's band. Having discovered a shared affinity for the sounds of 1972 - particularly glam and progressive rock - they started getting together to work on music at Canty’s warehouse studio space. Two years later, hoping to graduate the band from its studio-shut-in phase to its live ensemble phase, they recruited multi-instrumentalists Devin Ocampo (Faraquet, Medications) and Mark Cisneros (Medications) to hold down the rhythm section.
Deathfix is now a full-fledged band, with all four members contributing a share of the riffs, song arrangements, and production tricks. The band’s self-titled 7-song debut will be released in early 2013.
http://www.dischord.com/band/deathfix
waxahatchee / cerulean salt (don giovanni, 2013)
@2n6xspem:
On her second full-length record as Waxahatchee, former P.S. Eliot singer Katie Crutchfield’s compelling hyper-personal poetry is continuously crushing. Cerulean Salt follows last January’s American Weekend - - a collection of minimal acoustic-guitar pop written and recorded in a week at her family’s Birmingham home.
On this new record, Crutchfield’s songs continue to be marked by her sharp, hooky songwriting; her striking voice and lyrics that simultaneously seem hyper-personal yet relentlessly relatable, teetering between endearingly nostaglic and depressingly dark. But whereas before the thematic focus of her songcraft was on break ups and passive-aggressive crushing, this record reflects on her family and Alabama upbringing. And whereas American Weekend was mostly just Crutchfield and her guitar, Cerulean Salt is occassionally amped up, with a full band and higher-fi production.
At times, Cerulean Salt creeps closer to the sound of PS Eliot: moody, 90s-inspired rock backed by Keith Spencer and Swearin’ guitarist Kyle Gilbridge on drums and bass. The full band means fleshed-out fuzzy lead guitars on “Coast to Coast”, its poppy hook almost masking its dark lyrics. Big distorted guitars and deep steady drums mark songs like “Misery over Dispute” and “Waiting”.
http://dongiovannirecords.com/product/81-cerulean-salt
grave babies / crusher (hardly art, 2013)
@2n6xspem:
There’s a psychiatric disorder called a mixed state. It’s when a person displays both manic and melancholy impulses at the same time. This is often considered a dangerous point on the spectrum of mental illness, as the contradictory moods don’t cancel each other out or land you safely in the middle. Instead, these extreme moods join forces, enhancing the darker traits of each.
If you invert this tendency, remove it from the realm of disorder, and instead, celebrate its possibilities, consider it as a goal, you’ll understand Grave Babies—a band whose sound might suggest the need for drugs that stabilize mood, while creating, at the same time, a desire for ones that enhance them. Who doesn’t want a big sound to sound bigger, a mood to be moodier, and, on occasion, pain to feel more painful? Not to say that Grave Babies are mopes, or their music depressing or affected. Gothic, dark, spooky, post-punk: Toss out the adjectival assault currently heaped upon bands with any hint of feedback, somber lyrics, and the occasional gory metaphor. A band like Grave Babies is best served by seeking out the sounds below the obvious. Danny Wahlfeldt, the band’s founder, claims zero allegiance to the gloomy canon to which his music is often compared, owing more of a debt to ‘90s giants Nirvana and Nine Inch Nails. And despite Grave Babies’ fuzz and muffle, its near-metal moments, one senses a trace of a cleaner brand of pop—a flowery, even happy pop music—scraping along the sides of their songs. On many tracks—even some of the heaviest—there’s some jangle in the jugular and that’s where much of the tension lies, where the songs are at their most surprising and evocative. At the center of Grave Babies’ sound is the sonic equivalent of thwarted desire—or, as they put it themselves: horrible things wrapped in hope.
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Mola el de Deathfix, gracias!
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Sr Chinarro - Enhorabuena a los 4
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¿Alguien que haya conseguido el nuevo de Thalia Zedek?
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sin miedo
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Cabronazo…
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@bruce_billis:1v6lmcga:
waxahatchee / cerulean salt (don giovanni, 2013)
@1v6lmcga:
On her second full-length record as Waxahatchee, former P.S. Eliot singer Katie Crutchfield’s compelling hyper-personal poetry is continuously crushing. Cerulean Salt follows last January’s American Weekend - - a collection of minimal acoustic-guitar pop written and recorded in a week at her family’s Birmingham home.
On this new record, Crutchfield’s songs continue to be marked by her sharp, hooky songwriting; her striking voice and lyrics that simultaneously seem hyper-personal yet relentlessly relatable, teetering between endearingly nostaglic and depressingly dark. But whereas before the thematic focus of her songcraft was on break ups and passive-aggressive crushing, this record reflects on her family and Alabama upbringing. And whereas American Weekend was mostly just Crutchfield and her guitar, Cerulean Salt is occassionally amped up, with a full band and higher-fi production.
At times, Cerulean Salt creeps closer to the sound of PS Eliot: moody, 90s-inspired rock backed by Keith Spencer and Swearin’ guitarist Kyle Gilbridge on drums and bass. The full band means fleshed-out fuzzy lead guitars on “Coast to Coast”, its poppy hook almost masking its dark lyrics. Big distorted guitars and deep steady drums mark songs like “Misery over Dispute” and “Waiting”.
ESPECTACULAR. Gracias!!
Para los amantes de la Cat Power del "Moon Pix" hacia atrás -
se ha caido el de david b. Algún alma caritativa?
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Tony Molina - Dissed And Dismissed
Punk Rock 90's, Fuzz & Riffs, GbV, a tema por minuto
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@koan:30vxar8q:
se ha caido el de david b. Algún alma caritativa?
http://www73.zippyshare.com/v/18485518/file.html -
@koan:23ick4gu:
se ha caido el de david b. Algún alma caritativa?
Si alguien lo desea en FLAC, aquí paso unos enlaces
http://uploaded.net/file/ngbhd720
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