Filtraciones '13

-Toxinho-69

Este no sale en el buscador y puede que haya gente a la que le interese

Herman Düne – Mariage À Mendoza OST

http://www.putlocker.com/file/51DFA2E30C0FFF3B

@3o7udxz1:

Robert Rodriguez film – with a driving and gritty sounding electric guitar in the back of the very same silver car pictured on the cover of the album. It continues in the same emerging pattern as the soundtrack to a Mexican Mariachi film that you would like to see. There are clear references to the legendary Tom Petty and the Heartbreakers, both in vocals, tempo and slow-rock groove. But at the same time Mendoza sparks a feel of the Mexican Riviera with For Brothers guitar solo and Holding a Monument.

However, Mariage a Mendoza is not the soundtrack to a mariachi film, but rather a French comedy taking place in Argentina. The cinematic trivia though is unimportant when concerned with the quality of the album, as the music speaks for itself and is a complete journey all on its own. You can set your own film in your minds eye.

In addition, like Tom Petty, Herman Dune never fails to create a slow-rock album that you can dance to. Sweaty, raw and enticing, much like a glass of Tequila, with a rattlesnake tooth in the glass, which you empty at an old western bar in the cactus desert. Vocals are heavy, breathing into the microphone and almost panting out the words over dribbling and sensuous guitar riffs.

With songs like Escape to the Moon and Silver Galaxy Escape you can hear influences from such artists as Neil Young and Nick Drake. The extensive guitar solos are reminiscent of Neil Young’s album Le Noise. The vivid experimentation with loops, noise, distortion, reverb and melodic parts combined; tie Herman Dune in with these masters of rock and anti-folk.

The album is well put together, with just enough variation to keep you interested. Following through from start to finish, Mendoza takes you on a ride in a silver bullet across the Arizona desert and into Mexico, and all the way to Guadalajara. And you never want to look back.

Charcuta

@bruce_billis:1vhg3kfc:

charcutero, el buscador es tu amigo: http://www.primaverasound.com/foros/viewtopic.php?f=11&t=8925&p=453611&hilit=Robyn+Hitchcock#p453611

Muchas gracias, no se como leches lo he buscado, que no lo he conseguido encontrar…

reh saw

Mark Lanegan & Duke Garwood – Black Pudding (2013)

http://uploaded.net/file/l3pb2inn

http://cloudzer.net/file/euqssdir

bingo3000

hello,

I ' m looking for the last lp of The Wave Pictures "Songs of Jason Molina" .

bingo3000

@bingo3000:

hello,

I ' m looking for the last lp of The Wave Pictures "Songs of Jason Molina" .

f0s1

Bueno, al turrón:

Joe Crepúsculo - Baile de Magos

http://www53.zippyshare.com/v/95436094/file.html

alias

@bingo3000:2b454yq2:

hello,

I ' m looking for the last lp of The Wave Pictures "Songs of Jason Molina".

http://thesongsofjasonmolina.bandcamp.com/

Jailbait

Telekinesis – Dormarion (2013)

http://www14.zippyshare.com/v/68262487/file.html

moldy

The House of Love – She Paints Words in Red (2013)

http://uploaded.net/file/j2mm28yo/ShePaintsWordsRed2013.rar

Peace – In Love [Deluxe Edition] (2013)

http://uploaded.net/file/exal00e2

Maurici

Simon Waldram (U.K.) - Simon Waldram Sings the Snot Patties 2013 Lo-fi, indie, kiwi, folk…

http://simonwaldram.bandcamp.com/album/simon-waldram-sings-the-snot-patties

No lo subo de enlace ya que está en el bandcamp para escucha y descarga gratis.
Aviso el EP chuta desde el tema 2, el primero no acaba de arrancar hasta el final.

calltheranger

generationals / heza (polyvinyl, 2013)

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@116z1xgv:

Recorded in phases between Public Hifi in Austin, Bent Black studio in D.C., and the band's hometown of New Orleans, Heza finds Generationals more satisfied in songs that breathe and grow over time.
These songs show restraint, with the hooks developing in the spaces between sounds and an attention to rhythms and textures revealing a more patient band willing to dig for deeper gems than in their previous work.
Tracks like "You Got Me" and "Put a Light On" use minimalist electronic frameworks to match the intensity of more straightforward guitarwork on "Spinoza" and "I Never Know," all of them placing the focus more on layers and arrangements than to forcing the hook.
On Heza, Generationals aren't so much shedding their old skin as growing more comfortable in the one they've always inhabited.

http://www.polyvinylrecords.com/store/index.php?id=2321

white fence / cyclops reap (castle face, 2013)

▼ download

@116z1xgv:

Tim Presley's White Fence is the musical equivalent of the drug rug you wrap yourself in when things get too intense. Warm, wooly, warped and eminently ear-wormy, his meandering creations have the crackle of home-tracked intimacy, the thousand yard stare of prime era Syd Barrett, and the restless inventiveness and tireless output we champion here at Castle Face. We're very happy to call him a part of our extended family with his fantastic contributions to Son Of Flex and "The Velvet Underground and Nico" by Castle Face and Friends, and we're super excited to be doing his new LP Cyclops Reap as well as the accompanying 7", Pink Gorilla.

http://www.castlefacerecords.com/collections/white-fence

still corners / strange pleasures (sub pop, 2013)

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@116z1xgv:

Greg Hughes, the driving force behind Still Corners, is not one to rest on his laurels. Despite the critical plaudits hurled at the band’s 2010 Creatures of an Hour debut longplayer (“indulgently seductive” opined NME; “an astounding debut” purred Drowned in Sound), Hughes is blessed with the kind of inexorable ardour for refreshing and sharpening his muse that is common to all connoisseur sculptors of apparently effortless, instantly elegant pop music. “I’ll never be satisfied with any of it, I need to keep trying new things”, he concedes of his ever-burgeoning musical project. “Still Corners is The Enterprise, for me.”

Riding that insatiable kinesis over the last two years has resulted in Hughes, along with singing accomplice Tessa Murray, fashioning a devastating sophomore album, Strange Pleasures, which is surely destined to usher Still Corners to a deserved place at cerebral dream-pop’s high table. Where its predecessor soared on sugared layers of shoegazing-infused retro-futurism, Strange Pleasures proffers a leaner, more acute extrapolation of ’80s-suffused song and studio craft, navigating a sinuous trajectory between velveteen Angelo Badalamenti noir-pop torch song sophistication and ethereal Cocteau Twins beauty, with exquisite meanders through the glacial but mellifluous territory first mapped by Modern English, The Cure and The Passions, with nods along the way to cool, graceful detachment a la ’80s Euro avant-poppers such as Berntholer and Virna Lindt.

http://www.subpop.com/artists/still_corners

boat / pretend to be brave (magic marker, 2013)

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@116z1xgv:

Five albums into their career, Seattle's BOAT have carved out a niche in the crowded contemporary indie rock landscape by delivering consistent, tuneful power-pop with a sense of humor. Band captain D. Crane lands somewhere between an earnest Stephen Malkmus and a focused Robert Pollard on the vocal spectrum, depending on the release; he churns out melodic guitar lines and driving rhythms with the help of his bandmates, and cracks wise about shooting the breeze with his mom over a plate of nachos. While previous albums offered opportunities for wisecracks and appreciative homage– the heavily referential cover of 2011's Dress Like Your Idols is one such example-- their newest record, Pretend to Be Brave, finds the group maintaining their finely honed sonic equilibrium while exploring intriguing new lyrical motifs.

http://www.magicmarkerrecords.com/mmr066.html

thomas d'arcy / what we want (thomas d'arcy/maplemusic, 2013)

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@116z1xgv:

Thomas D’Arcy was previously known for his work with Small Sins, All Systems Go! and The Carnations, and now he’s gone solo for his first album under his own name. What We Want is out on February 5 through Thomas D’Arcy Music/ MapleMusic Recordings.
The album was mixed by four different people: John McEntire, Jeremy Darby, Alexander Bonenfant and D’Arcy himself. A press release notes that it features “slow but dramatic builds, hooky vocal melodies laden with scores of overdubs and some big sonic risks.”
This results are stylistically diverse, as these 12 songs range from atmospheric piano balladry (“Love Will Bring Me Down”) to soaring soul (“The Price You Pay”) to sugar-spiked rock (“Credit!”) to swaggering reggae (“When We Get in to It”) and sock-hopping retro-pop (“What We Want”).

http://thomasdarcymusic.com/

reh saw

En la web de rdl se puede escuchar el nuevo trabajo de ZA - Wanananai http://www.rockdelux.com/playlist/8960_ ... index.html

calltheranger

oye pues muy bien. y no tendras por ahi un jugoso enlace de esos? me gustaria catarlo en el ipod primero.

alias

The Flaming Lips - The Terror

http://www32.zippyshare.com/v/81584735/file.html

suena unas 300 veces mejor que lo que ya se había filtrado hace semanas, por cierto.

SSG

@alias:1033mvva:

The Flaming Lips - The Terror

suena unas 300 veces mejor que lo que ya se había filtrado hace semanas, por cierto.

Es verdad, ahora si que podemos escuchar al 'The Terror' en todo su esplendor. En este caso vale la pena volverlo a descargar. Más graves, más agudos, más separación de canales, espectacular. Yo que ya estaba entusiasmado con el álbum, ahora ya es disco del año directamente.

FUN

Al final vas a hacer que me lo baje SSG. :lol:

calltheranger

le estoy dando una vuelta ahora mismo y me esta pareciendo bastante conyazo. digo yo que igual en los proximos nueve meses sale algo mejor, si no ha salido ya, que para mi que si.

a ver que opina skuta.

SSG

Hombre, es un disco difícil, o incluso muy difícil. Hay que escucharlo bastantes veces como ya dije en su momento, y todo entero. Si no se tiene un mínimo de interés o paciencia, entiendo que pueda ser un verdadero coñazo. Y claro que quedan nueve meses y espero grandes discos, pero si cerrásemos el año ahora mismo, 'The Terror' estaría en mi Top 3 seguro.

A skuta hace dies que le estoy esperando, pero el hombre no abre la boca.

sKuTa

Sigo intentando preparar una reseña a la altura.

calltheranger

milk music / cruise your illusion (fat possum, 2013)

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@3fejw26y:

All output from Olympia, Washington nostalgia- punk quartet Milk Music before their full-length Cruise Your Illusion pointed pretty directly to the influence of SST record’s roster of late-’80s and early-’90s guitar-centric post-punk bands. The angular ruggedness barely concealing pop cores recalled Hüsker Dü, the stripped-down production aesthetic hinted at the economical approach of the Minutemen, and just about everything else echoed resoundingly of Dinosaur Jr. With this 12-song debut, the band keep their backward-looking esthetic but also manage to deliver a sound that’s developed past its immediately recognizable influences. This change isn’t due to the usual polished production values that sometimes clean up a band’s sound. Cruise Your Illusion, recorded on four tracks of 1/2″ tape, relies completely on analog warmth and the power of the performances to move the album along.

http://www.fatpossum.com/news/303