Filtraciones '13
-
Blackout Beach - Blues Trip Soft Abuse
Carey Mercer de Frog Eyes
@37ttfzcb:
Which brings us to Blues Trip, Mercer's retooling of the album Fuck Death, released under his Blackout Beach guise to a perplexed public in 2011. Almost a year later, Mercer and his “blues trio” Blackout Beach lineup (wife and Frog Eyes conspirator Melanie Campbell on drums & ex-Wolf Parader Dante DeCaro on bass) revisited the Fuck Death songs in a quick session at a remote studio. Blues Trip eschews the source album's synth incantations in favor of a more immediate, traditional rockist approach, insofar that something like Frog Eyes is traditional… The results are as rewarding as could be imagined; in several instances, his new versions vary greatly from those presented on Fuck Death. This music is primal and emotional, with Mercer's howl and tone-perfect guitar at the fore, leading these unconventional songs through their charred path.
https://mega.co.nz/#!nBlk3Z4Y!eFbfuErKNpdAu2bBeanOEWTw7ZdmEJEULfIXdnsuygQ
-
Para hacerse una idea de por donde van los tiros en su nuevo disco. Versión a 160 kbps
The Flaming Lips - The Terror
http://www.mediafire.com/?h1jew5rphdfqmhr
-
Qué mañanero el de los Lips. ¡Gracias!
-
Fuck Yeah. RVIVR is a four-piece punk rock band from Olympia, Washington.They are known for energetic live performances, touring, and defense of gender equality during their shows.
They take a DIY ethical stance and have released their full lengths and EPs as completely free to download on Rumbletowne Records' website.RVIVR - The Beauty Between (Yo Yo Records,2013)
http://www.mediafire.com/?457zj7gqhb7hkky
-
johnny marr / the messenger (sire/ada, 2013)
▼ download | pass: laspikedeLycmusic
@28x0fqxp:
After over two decades of collaborations with everyone from The The to the Cribs, Johnny Marr's first solo album proper (2003's Boomslang, fronting the Healers, shouldn't count) finally edges back towards his Smiths vintage guitar playing. Trademark cascading hooks abound in The Right Thing Right and Lockdown, while European Me again reprises the Elvis riff he once remodelled for Rusholme Ruffians. There's a different energy in the likes of Upstarts – the prickly pop power of Mancunian predecessors Buzzcocks – and more typical Marr tunesmithery in the excellent Electronic-esque title track. For a legendary guitarist, he makes a perfectly amenable singer, though it's hard not to occasionally imagine how some tunes would have sounded with Morrissey's voice and words. Marr's lyrics about technology and the underground miss his ex-partner's personal, emotional wallop. When Marr does delve into himself – romantically remembering childhood liberation on New Town Velocity – he turns in his loveliest riff in years and a song up there with anything in his canon. Elsewhere, The Messenger falls some way short of greatness, but is full of enjoyably spiky tunes.
http://www.johnny-marr.com/splash
milky wimpshake / heart and soul in the milky way (fortuna pop, 2013)
@28x0fqxp:
Nearly 20 years since releasing their first cassette album, Milky Wimpshake unveil their fifth 'proper' album Heart And Soul In The Milky Way, due out on Fortuna POP! in February 2013. Recorded in a single day, it consists of 15 more songs from the pop/punk chocolate assortment box which the band have raided for so many years: love songs, silly songs, songs about obsolete items of stationary and such like, all set to a basic guitar buzz and kick drum combo. The album bristles with spontaneous excitement due to the success of the live recording with no overdubs, giving Heart And Soul In The Milky Way a much rawer, yet fresher feel than their previous albums, with the likes of "Worthless Person" veering towards Billy Childish garage rock territory. Milky Wimpshake have produced the strongest set of songs of their career from the subterranean homesick opener 'Chemical Spray', with its arbitrary rhymes and taking-the-piss guitar break, the innuendo-laden 'On Top', full of maudlin indie-pop melodicism and the closing duet 'Without You' which covers the same theme as six million other songs and yet still manages to raise a smile. While the majority of the album features compositions by frontman Pete Dale (also head of the legendary indie label Slampt), there are two covers, including a punked-up version of 'Lah-Di-Dah', a song by Jake Thackray, a singer-songwriter who had some success in the 1960s and 70s with often-lewd lyrics which he used to croon with wonderfully tired eyes. There is also a version of 'Omnia Mea Mecum Porto' by North East underground group Les Cox (Sportifs). The song’s title means 'everything I own goes where I go' and contains hilarious lyrics about the anxiety of an impending day's work. Milky Wimpshake isn't the kind of band which expects to sell out big venues, top the charts or get chased by screaming fans: it's simple music, with simple sentiments for folk smart enough to see that sometimes simplicity works like a charm.
http://www.fortunapop.com/release_details.php?cat_no=FPOP143
mark kozelek / like rats + live at phoenix public house melbourne (caldo verde, 2013)
like rats: ▼ download
live at melbourne: ▼ download@28x0fqxp:
Like Rats: 13-song covers record includes songs by Bad Brains, Misfits, Josh Turner, Sonny and Cher and many others.
Live At Phoenix Public House Melbourne: Recorded June 11, 2012 at Phoenix Public House, Melbourne, 2012http://www.caldoverderecords.com/#likerats
http://www.caldoverderecords.com/#melbourne
black twig pickers / rough carpenters (thrill jockey, 2013)
@28x0fqxp:
Rough Carpenters, which was recorded in the same two-day session as 2012’s Whompyjawed EP, can be seen as an inward-gazing foil to that EP’s long-form hoedown epics. With the addition of Sally Anne Morgan on fiddle to the trio of Mike Gangloff, Isak Howell, and Nathan Bowles, dance has become a more prominent part of the group’s formula. It wasn’t until Morgan joined the band that the band actually began to dance onstage. Also, on this album the group strays a bit farther outside their intensely local Southwest Virginia tradition than earlier records, incorporating a few more tunes with origins in Kentucky (“Banks of the Arkansas”) and West Virginia (“Little Rose”). The group’s repertoire is constantly growing as they turn to first-person sources, older musicians that were brought up in the old time scene and in some cases the children and families of deceased respected practitioners, and unreleased archival recordings passed among musicians. And while local and regional history is ever present in the music The Black Twig Pickers play, they turn songs that are many decades old into living artifacts, released from the restrictions of era by the personal convictions of the musicians.
http://www.thrilljockey.com/thrill/The-Black-Twig-Pickers/Rough-Carpenters
the cave singers / naomi (jagjaguwar, 2013)
@28x0fqxp:
Naomi, the fourth record from Northwestern mystics The Cave Singers, is a totem to these things: the every-, any-, all- ways of life. Written over the span of ten months and recorded in one, it bears a new and more expansive production style that captures the live performance energy the band has developed over the past five years. The disc was engineered and produced at Avast Studios in Seattle by Phil Ek (Fleet Foxes, Built To Spill, Shins, Modest Mouse). Each song on the album functions like a chapter in a bigger story, addressing themes of the past, exhuming the memories under moonlight. There are songs of addiction, car ownership, fireworks, tree houses, moving to New Mexico, and God, each shifting in all the ways that make life difficult and miraculous, astounding and beautiful.
http://www.jagjaguwar.com/onesheet.php?cat=JAG223
drgn king / paragraph nights (bar/none, 2013)
@28x0fqxp:
Singer/songwriter Dominic Angelella and hip hop producer Ritz Reynolds are the masterminds behind Philly group DRGN KING. This unlikely duo met by chance at a recording session - Dom had been playing in almost every band in town and Ritz had been hunkered down in the studio producing tracks for the likes of The Roots and Mac Miller. Discovering a mutual love of Brian Eno and Wu Tang, they set out on a song cycle that led to Paragraph Nights.
http://www.bar-none.com/DRGN-KING.html
inc. / no world (4ad, 2013)
@28x0fqxp:
inc., the nom de plume of brothers Andrew and Daniel Aged, release their full length debut, no world, on February 18th, 2013. A soulful opening statement, the eleven-track album provides a calm, inviting, smoke-filled place where voices carry, drums crack through an empty room, and deep lows envelope the air. Angelic and personal, no world is at once declarative and quietly poetic.
no world was written, recorded and mixed by Andrew and Daniel in the winter of 2011. Inspired by their long-standing love for R&B and soul music, it’s also rooted in the brothers’ experiences with the many notable musical figures who they’ve worked closely with in the past. Andrew’s ardent, poignant vocals and nuanced guitar are prominent throughout, while Daniel’s defining contribution is in his expressive bass playing, considered production, and deep rhythmic awareness.
http://www.4ad.com/releases/21663
stornoway / tales from terra firma (4ad, 2013)
@28x0fqxp:
Stornoway's second album, Tales From Terra Firma, is an album of stories – birth, death, marriage, coming of age: The Big Stuff. The songs were mostly written in a camper van in land-locked Oxford but on listening, the yearning for adventure and the freedom of the coast and wild places is palpable.
As is true of classic songwriting partnerships, lyricist Brian Briggs? eloquence coupled with his crystalline voice unite with Jon Ouin?s stunning arrangements and alchemise to form a musical mirror. Tales From Terra Firma reflects powerful life experiences, the great outdoors and the passing of time, which is a major theme of the album. And with that, Stornoway have self-produced a record that marks a new sophistication in compositional and, in particular, lyrical qualities, while still retaining the charm of their debut that so many fell in love with.
popstrangers / antipodes (carpark, 2013)
@28x0fqxp:
Popstrangers are Joel Flyger, Adam Page and David Larson, three native New Zealanders who make “pop” music that’s hard-driving, punk-influenced and sonically inimitable. After releasing several singles on fabled New Zealand label Flying Nun, the band arrives with their debut album Antipodes . Recorded in the basement of a 1930’s dancehall, Popstrangers’ first full-length features dissonant, claustrophobic melodies, anchored by the languid affectations of Flyger’s vocals, that bring a vintage feel to their decidedly contemporary garage rock. Channeling early Radiohead and kiwi indie bands of yore like the Gordons, 3Ds and the Chills, Antipodes further develops the band’s nuanced, distorted “pop” created and cultivated from years spent honing their craft live.
http://www.carparkrecords.com/artists.htm
young dreams / between places (modular, 2013)
@28x0fqxp:
Like a wildflower of positive energy spreading its seed through song, Bergen collective Young Dreams are coming for the head and the heart. An album of stirring, symphonic wonder, Between Places is Young Dreams’ first cultivation of a rich patch of sonic earth, to be released in February 2013.
Young Dreams is at the core, Matias Tellez - composer, raconteur, dreamer; and Rune Vanderskog – vocalist, harmoniser, eternal optimist. Around these two orbits a team of skilled merry men - Matias’ brother Pablo Tellez – bass guitar and boundless enthusiasm; Marius Erster Bergesen – drums and guns; Njål Strøm Paulsberg – electronic nerdery and fashion; and Chris Holm – guitarist, vocalist, and father.
http://www.modularpeople.com/artists/young-dreams/2570.html
happy jawbone family band / tastes the broom (mexican summer, 2013)
.jpg)
@28x0fqxp:
Five friends span a very long distance – Brattleboro to Boulder – and yet make music like they’re all part of the same body of whimsy and mirth, of childlike wonderment and adolescent inappropriateness, of love in the eccentricities of life inside the mind. The Happy Jawbone Family Band is the cure for a pop approach that’s conflated width and depth with the infernal need to ham it up with literary aspirations, fey mannerisms, prep-school smarm, and a compulsion to restage The Lion King. Music has gone to hell by people who don’t do the right drugs for the right reasons, and this band of transcontinental misfits is out to rewrite the false, bloated history of what “indie rock” became when it traded hands to the masses and to Madison Ave. Tastes The Broom collects nine tracks that fit together from the group’s 100-strong catalogue of songs, previously released across a smattering of cassette tapes, LPs and singles from the past five years. There are nine more where that came from, and even more after those (and surely after – the group is recording their fourth full-length with Jarvis Taverniere of Woods for release on Mexican Summer later this year), and Tastes The Broom should acclimate everyone who hasn’t been paying attention. The HJFB skips and hops through the DIY era from the late ‘70s onward, making music that could fit in any time between then and now. You would be wise to pick up what they’re putting down. RIYL: Robyn Hitchcock, Neutral Milk Hotel, Vic Godard, Akron/Family, The Cherry Blossoms, Paul Williams, The Hospitals.
http://www.mexicansummer.com/shop/happy-jawbone-family-band-tastes-the-broom/
-
Joder, billis, vaya currada.
El de Johnny Marr me pide contraseña, me temo.
-
@los:
El de Johnny Marr me pide contraseña, me temo.
ciertamente hermanos, aqui la tienen: laspikedeLycmusic
-
Mil gracias!!!
-
John Grant - Pale Green Ghost
http://www45.zippyshare.com/v/35156966/%20file.html
-
Grande Toxinho
-
-muy grande- -toxihno-
-
Me sumo al club de fans de Toxi!
-G.
-
Youth Lagoon – Wondrous Bughouse (2013)
http://uploaded.net/file/p0aks35z
-
Girls Names – The New Life (2013)
http://www13.zippyshare.com/v/389089/file.html http://uploaded.net/file/cmc6hsx1/www.NewAlbumReleases.net_Girls%20Names%20-%20The%20New%20Life%20%282013%29.rar http://rapidgator.net/file/80062096/www.NewAlbumReleases.net_Girls_Names_-_The_New_Life_%282013%29.rar.html
-
@juepucta:1ho5m5lk:
@Jesus_Castillo:1ho5m5lk:
@HARVEY:1ho5m5lk:
Grande Toxinho
-muy grande- -toxihno-
Me sumo al club de fans de Toxi!
-
fear of men / early fragments (kanine, 2013)
@1qzczzu1:
Fear of Men, born of an art school project, has turned into one of the most promising bands of 2013. Drawing their inspiration from art and philosophy, Fear of Men deliberately juxtaposes iconic museum imagery and lyrical themes of loneliness and fragmentation with buoyant pop melodies.
While studying for a Fine Art & History of Art degree, Jessica Weiss (vocals + guitar) was exhibiting some of her home recordings of ambient soundtracks to short films when these recordings caught the attention of Daniel Falvey (guitar). The two began swapping mix tapes and started a friendship based on a shared love of melody and an eclectic mix of artists such as The Chills, Grouper, Neutral Milk Hotel, The Magnetic Fields, and The Byrds, ultimately leading to the start of a more pop-focused project which they called Fear of Men.
http://kaninerecords.com/11016
golden grrrls / golden grrrls (slumberland, 2013)
@1qzczzu1:
Glasgow's Golden Grrrls are Eilidh Rodgers, Ruari MacLean and Rachel Aggs. What began as bedroom guitar experimentation soon bloomed into a fully-formed pop language inspired by the 80s New Zealand and Australian indie pop scenes, DIY punk and Glasgow's own rich pop history (think The Vaselines, The Pastels). Drummer Eilidh Rodgers' inventive, loose-cannon drumming and lead vocals have framed MacLean's baritone from the beginning, with newest member Rachel Aggs (also of Trash Kit) bringing an effortless melodic sensibility on guitar and backing vocals. Golden Grrrls’ first releases exemplified the lo-fi aesthetic they came from. Now long sold out, the two previous 7”s on Night School married the roughed-up recording dynamic with a boisterous, inventive melodic sense that has blossomed further on this, their self-titled debut LP.
For Golden Grrrls the band has written eleven perfect songs about life's realities dressed in three-part harmonies, heart-tugging changes and a playing style derived from punk and classic crash-pop enthusiasm. Like contemporaries Twerps and Sea Lions, they've joined a storied lineage of pop essentialists such as The Clean, The Bats and The Feelies – bands who eschew complexity for concision and never sacrifice melody to mere primitivism. Each chord, beat and vocal line is perfectly placed, essential and simply has to exist as it is in its moment in time.http://www.slumberlandrecords.com/catalog/show/247
mv & ee / fuzzweed (three lobed, 2013)
@1qzczzu1:
with each successive release, MV & EE strive to map new territory and to travel more distant orbits. it makes sense that this mission is their furthest reaching yet. while they've long been comfortable navigating the same planes as such cosmic explorers as sun ra and alan silva, fuzzweed sees them planting their freak flag in the sorts of different galaxies where the atmospheres counterpoint the music of the spheres with the more earthbound plaints of the blues. please remember that the golden record that NASA sent up with voyager back in more optimistic times included 'dark was the night.' that concept – listening to blind willie johnson in space – strikes me as an apt analogy for what this fuzzweed accomplishes on every spin.
http://threelobed.com/tlr/tlr097.html
the residents / mush-room soundtrack (needcompany, 2013)
@1qzczzu1:
For her latest production MUSH-ROOM, Grace Ellen Barkey launches into an unprecedented clash with no less a partner than the American group The Residents. This iconic art collective has composed original music for her. The Residents exist more than 40 years and even now are still labelled as avant-garde performance artists. They make music about music. Because of the now-legendary disguises they wear during their concerts, they are one of the best-kept secrets in pop history. There is a close affinity between the psychedelic and mysterious elements and the imagination of the work of both The Residents and Barkey.
-
CHVRCHES - Recover (2013) (EP)
Iain Cook (Aereogramme) and Martin Doherty (The Twilight Sad)
http://www24.zippyshare.com/v/83317009/file.html
-
@moldy:3ae4qfz7:
Youth Lagoon – Wondrous Bughouse (2013)
http://uploaded.net/file/p0aks35zYa se lo cargaron. Aquí pongo otro:```
http://cloudzer.net/file/d9eb7cy1
-
Robyn Hitchcock – Love from London (2013)
http://rapidgator.net/file/80307269/LoveLondon2013.rar.html
-
¡Gracias bruce_billis por los de milky wimpshake y golden grrrlsss!, así de momento, que me he pillado también otros que no conocía para echarles una escucha.
