3. Filtraciones '13

Filtraciones '13


  • astonishing, tu talisman:

    thalia zedek band / via (thrill jockey, 2013)

    ▼ download

    @5a3rewsk:

    On Via, Zedek presents a collection of songs that range from the harrowing to the heartfelt. The opener “Walk Away” is a triumphantly melancholic exploration of living with ghosts, with Zedek’s richly emotive voice augmented by David Michael Curry’s gravelly viola and Mel Lederman’s measured piano. Via also features some of Zedek’s noisiest material in some time. Halfway through “Want You To Know,” Zedek’s guitar erupts into a wash of fuzz, foreshadowing the climax of pounding drums and psychedelic soloing. Via is an album about recovery, loyalty, chance, and gratitude: universal themes that become stirring in Zedek’s hands.

    The album was written during two distinct sessions over the course of four years. The first set of songs was written during the period of touring after the release of Liars and Prayers with longtime drummer Daniel Coughlin, who was also in Come. After Coughlin’s departure from the band, Zedek recruited Son Volt drummer Dave Bryson, who’s simple, spacious playing allowed her to stretch and experiment with new sounds and ideas. It was recorded by Andrew Schneider at New Alliance and Translator Audio in June and September of 2012. Via has a gravitational field, a magnetic pull brought on by the weight of the words and the mass of the sounds created. Regardless of her status as a pioneering woman in independent rock, Thalia Zedek’s music stands on its own in its startling honesty.

    http://www.thrilljockey.com/thrill/Thalia-Zedek/Via#.UULTjBzJRzs

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  • L

    se sabe algo del disco nuevo de mikal cronin???

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  • @Stereo:3njh0hit:

    yo lo veo forsi y es mas, hace poco se lo recomendé a una amiga que tenemos en común diciéndole que eran un cruce entre dinosaur jr y los de cuomo …por cierto le encanto' discazo como la copa de un pino, lastima que no tenga el doble de temas y de minutaje, aunque seguramente ahí radica su encanto, lo se

    Este tio tiene / tenía otra banda que se llama OVENS, con disco el año pasado, unos 44 tema, a más o menos tema por minuto , muy guapo también

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  • Muchas gracias por el de Edwyn Collins!

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  • C

    Edwyn Collins y Thalia Zedek! Not bad, boys

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  • A

    Me sumo a los agradecimientos!

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  • C

    @moldy:11ews95g:

    CocoRosie – Tales Of A Grass Widow (2013)

    http://rapidgator.net/file/5827707cb2d944dd08fb5b93ec1c96bb/Widow.7z.html

    Otro link para Cocorosie?
    Este murió…

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  • @Charcuta:12s5xoz5:

    @moldy:12s5xoz5:

    CocoRosie – Tales Of A Grass Widow (2013)

    Otro link para Cocorosie?
    Este murió…

    http://cloudzer.net/file/2pzj6kpq
http://uploaded.net/file/qqo72fc1
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  • D

    Mi primera aportación. Aunque ya se podia escuchar hace un par de semanas, para los que lo queremos en el l'ipod

    Suicide of Western Culture / Hope Only Brings Pain (2013)

    “The long awaited moment has finally come. Following their epic debut album, The Suicide of Western Culture, returns to bring you their haunting second album, “Hope Only Brings Pain¨ (Irregular, 2013).

    The Suicide Of Western Culture is no longer a secretive duo. Their eponymous first album was named the best Spanish electronic music album by press, public and critics in 2010. Since then, they’ve been touring around half of the world (SXSW, FYF Festival, The Great Escape, Eurosonic, C/O Pop, Wilsonic, Popkomm, Primavera Sound, Sónar, Rockmotives, Vienna Electronic Beats, LeFest, Canadian Music Week, etc.) and supported artists such as Animal Collective, Orbital, Cut Copy, Clark, etc. Now, it is time to strike back again.

    Undoubtedly “Hope Only Brings Pain” means a step further in their musical career. They have even managed to improve their music, a sound very well linked to the “don’t waste it, use it” movement. This new album is an organized, mechanical, playful, musical chaos. Tragic but hopeful in every note. The eclectic album with a sci-fi feel is composed of ten massive tracks that are guaranteed to send shivers down your spine. An unstoppable combination of lo-fi electronics, noisy-analog beats and emotional post-rock to take you on a journey from the dark to the uplifting”.

    http://uploaded.net/file/u88es7c3

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  • @estatvegetal:1kubfy82:

    @FR#:1kubfy82:

    @Pelukini:1kubfy82:

    Tony Molina - Dissed And Dismissed
    Punk Rock 90's, Fuzz & Riffs, GbV, a tema por minuto

    https://soundcloud.com/melters-sf/tony- ... -come-back

    http://meltersmusic.bandcamp.com/

    ep! interesa! link????

    Sé que es un poco tarde pero hay un rip a 160kbps deambulando por la red desde hace unos días, confiaba en la posibilidad de verlo filtrado a 320kbps en un mensaje de bruce_billis… (es que me gusta más esta polémica que la del hilo de los conciertos)

    http://ul.to/pyi6jhdn

    Tan bueno como breve. Muy acertadas las comparaciones con GBV (por producción y duración) y Weezer. Pensaba que estos últimos no serían muy apreciados por aquí. Me encantaría verles haciendo un Blue Album + Pinkerton.

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  • H

    Bruce: estás seguro de que las fotos que aparecen con el disco de Thalia Zedeck son suyas y no de nuestra Rosana?

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  • 0

  • A lo mejor alguno de ustedes tiene tiempo para estos:

    Depeche Mode - Delta Machine

    http://uploaded.net/file/a781o1v1

    –---------------------------------------------------------------------------------------

    Karl Bartos - Off the Record

    http://uploaded.net/file/ujgx4rol
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  • el de lou a buena calidad:

    low / the invisible way (sub pop, 2013)

    ▼ download

    @1fco0a89:

    We here at Sub Pop are honored to have our name attached to The Invisible Way, Low’s tenth album in 20 years as a band. Rather than put together our own, inevitably-inadequate description of the album, we will let Low’s Alan Sparhawk do the talking:
    “While driving though Chicago, on tour, we stopped finally to visit Wilco at their studio, The Loft. They had invited us to come check it out several times over the years, but this would finally be the day. It’s a great place—a sea of instruments in a relaxed, open working environment. It’s cool, but what really converted us was hearing the new Mavis Staples tracks they were working on: big, simple, raw, and intimate. Plans were made then and there.

    ’Don’t break my Grammy streak.’
    We have worked with many of the great engineer/producers. Jeff Tweedy has been on our side of the microphone for over 25 years, however with engineer (and fellow Grammy winner) Tom Schick, he has of late become a formidable and eclectic producer. He spoke a language we understood, but then took us effortlessly into the mystery.

    We’ve made many records, and you know our M.O.: slow, quiet, sometimes melancholy, and, we hope, sometimes pretty…
    How is this different from any other Low record?

    • Mimi sings lead on five of the eleven songs (she usually only does one or two, despite being a fan favorite).
    • Piano, lots of piano… and an acoustic guitar.
    • Songs about intimacy, the drug war, the class war, plain old war war, archeology, and love.

    Thank you for your time again and please enjoy what we made. I think it’s beautiful."

    http://www.subpop.com/releases/low/full_lengths/the_invisible_way

    estos estan en el cartel del primavera:

    daughter / if you leave (4ad, 2013)

    ▼ download

    @1fco0a89:

    Daughter is a London-based trio consisting of Elena Tonra (vocals, guitar), Igor Haefeli (guitar) and Remi Aguilella (percussion).
    If You Leave is Daughter’s debut album. Recorded over a period of months at home and in various spaces around London, it was produced by Igor with additional production from Rodhaidh McDonald (The xx, Adele) and Jolyon Vaughan Thomas, and mixed by Ken Thomas (Sigur Ros, M83) at High Bank Studios.

    Less of a statement of intent, these songs are more a snapshot of a year in Daughter’s short life. Lyrically, Elena plumbs the depths of her psyche to reveal her innermost thoughts, finding catharsis in expounding those internal demons. There may be little light relief here, but the personal themes have universal appeal; tales of doubt, insecurity, fear, anger and loneliness all take centre stage. Musically, Daughter balance an intricate interplay between vocal, guitar and rhythm section. Elena’s vocals are fractured, often delivering savage words with a smoke-tinged whisper. Igor wrestles his guitar to build up a stark and brutal landscape, colliding with Elena’s more structured rhythm guitar. All are punctuated by the jolts of Remi’s minimalist drums.

    http://www.4ad.com/releases/21673

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  • The Men - Campfire Songs EP [Sacred Bones]

    http://uploaded.net/file/20jknqo1
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  • B

    The Strokes – Comedown Machine (2013)

    http://uploaded.net/file/plrverw0/www.NewAlbumReleases.net_The%20Strokes%20-%20Comedown%20Machine%20%282013%29.rar

    http://rapidgator.net/file/5970806bb10431783480fdda0173661f/www.NewAlbumReleases.net_The_Strokes_-Comedown_Machine(2013).rar.html

    Pone a 320\. 82MB, pero es que dura 37 minutos. Veremos
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  • El disco no se lo que durará, pero el link no ha durado nada….¿alguien tiene otro?...

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  • F

    @Kermit:

    El disco no se lo que durará, pero el link no ha durado nada….¿alguien tiene otro?...

    Este en teoría está activo:

    http://uploaded.net/file/wv9pcoa2
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  • H

    Aun a costa de ser virtualmente vilipendiado tengo que decir que la primera impresión del disco de los Strokes ha sido buena…
    No es que esperara mucho de ellos (de hecho no esperaba nada) y quizás por eso estoy más receptivo cuando empiezo a escuchar sonidos que me interesan.
    Parece que dentro de lo que cabe han dejado un poco atrás los gritos y los riffs (sólo hay un par de temas "clásicos strokes") y han producido un disco más intimista y heterogéneo de lo acostumbrado. Tempos lentos, acercamientos a la disco ochentera, momentos pop.
    Por lo menos no es un disco aburrido, lo de si es bueno o no lo dejaremos para más adelante y para mentes más sesudas.

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  • B

    Akron/Family / Sub Verses [Dead Oceans Records 2013]

    http://uploaded.net/file/qysjwebo
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