Filtraciones '13
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@fat:q39zu3r5:
Alguien puede re-subir el de Gold Panda, por favor.
http://uploaded.net/file/w4fsdvdm
Si este link tampoco va lo dices y lo subiré a mi cuenta de mega.
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@fat:2e7x1z34:
Alguien puede re-subir el de Gold Panda, por favor.
http://cloudzer.net/file/nsdvdeei http://brutalsha.re/hrm1ycbzt7ggEdit: Se adelantaron.
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Para el compañero Ecléctico:
The Mantles - Long Enough To Leave [Slumberland]
http://uploaded.net/file/8msbgiiv
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@Amazing:
@suitaloon:r4cfq4xw:
Aquí les pongo el de mayo en el espotifai:
http://open.spotify.com/user/suitaloon/playlist/5AvkJVHnFdHaQAUiLwUpvXMuy practico en espotifai, danke.
De nada. Lo malo es que es un mix incompleto, ya que el susodicho no lo tiene todo.
Aquí algunos aportes:
Hooded Fang - Gravez (Full Time Hobby, 2013)
http://cloudzer.net/file/kqd67pb8indiepop, con sus toques experimentales.
Seftel - Seftel (Lo Recordings, 2013)
http://uploaded.net/file/qwkb4zppidem, con un toque más electrónico y taciturno.
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Case Studies - This Is Another Life [Sacred Bones]
http://uploaded.net/file/pbqvowiw ```[http://sacredbonesrecords.com/releases/sbr094/](1kqxqooq)
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Gracias Estat por el de los Mantles.
Y lo que he podido escuchar de Case Studies tiene muy buena pinta también.
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Queens – End Times (2013)
@3roh5gu0:
New York DJ, visual artist, and musician Scott Mou debuted his long-running solo project Queens with first album End Times. Mou had already toured the US as Queens and done multiple collaborations with Panda Bear under the moniker Jane by the time the woolen, dreamy textures of End Times arrived in 2013. Foggy clouds of looping guitar-based compositions weave in and out of Mou’s airy vocals, sometimes a floating falsetto and other times a detached, watery presence beneath the hissy waves of sound. A far cry from the electronic sounds of his DJ sets, Queens encapsulates the alienated isolation of Jandek’s early morning confusions and the vividly remembered lucid dream pop of Grouper, and hits on the same delicate balance of repetition and disruption of cycles that lies at the core of the best work by Durutti Column, Flying Saucer Attack, and Panda Bear. Cavernous tracks like “Here Comes the Snow” and “Yellow Pages” make emotionally enormous impressions even while barely announcing themselves coming or going.
http://ul.to/a6b6ckk6 ```_________________________________________________________________________________________________ **Magic Arm – Images Rolling (2013)**  @3roh5gu0: > On the face of it, in the seven years since his arrival it would seem that not much has changed for Magic Arm, aka Marc Rigelsford; the Manchester-based musician is still doing everything by himself. But his tunes have slowly evolved into music that blossoms with all the power and force of a full band. And picking up the approval of Grizzly Bear‘s Ed Droste and Iron and Wine‘s Sam Beam won’t have hurt his career trajectory. > His debut LP, 2009′s Make Lists, Do Something, was well received to an extent, even if some were left a little disappointed by its inconsistency, but its flaws are more noticeable when compared to follow-up Images Rolling. The new album attempts to marry infectious pop hooks with its own idiosyncrasies, and in so doing manages to sound like a melting point of ideas. These are 10 brand new songs from Rigelsford that all sound different from one another and, as the album progresses, he continues to throw in more instruments and textures; just when you think he can’t add more, he does. > This is something that works both for and against him. Put Your Collar Up is a four-and-a-half minute opener full of flair, with a vibrant melody that bounces along, whilst the delightful Tonight I Walk is a slice of understated pop joy. But there are still moments of filler that not even his many textures can hide; You Have Won is pretty forgettable and Lanes, albeit nice enough, isn’t something to come back to again and again. > Elsewhere though is some of Rigelsford’s best material to date. Warning Sign uses the Beck-esque approach that his worked for him before, creating a seductive and dreamy song that’s heavy on spacey synths and brass. Under The Eaves sees him finally deciding to aim high, starting stripped down but ending in a cacophony of hard-hitting drums and whirring psychedelic organ sounds. His vocals do a pretty decent job of standing up to his sonic creations, and they get a chance to properly shine on sparser numbers such as the elegant closer, The Flood. > Throughout recent music history there have been solo artists who have attempted to cram in as much as possible and show off as much skill as they can, but have fallen short; instead of being viewed as craftsfolk they’ve been written off as quirky and nothing else. To put Magic Arm in such a cachet would be a touch unfair. Images Rolling is undeniably focused on experimenting with different sounds, and it doesn’t work all the time. Yet there’s more to it than that. Somewhere in this eclectic mix is a talented songwriter bursting to get out and show the world what he’s really made of. And with Images Rolling he has made an intriguing and, at times, inventive step up from his previous work.**April March & Aquaserge – April March & Aquaserge (2013)**  @3roh5gu0: > April March has a long track record of picking very compatible partners to work with. Bertrand Burgalat, the Makers, Andy Paley, and Los Cincos have all done marvelous work with the singer over the years. > This time she is working with the group Aquaserge, who include former Stereolab member Julien Gasc, Melody’s Echo Chamber collaborator Benjamin Gilbert and Tame Impala drummer Julien Barbagallo. > They play a warped mix of French pop, psych pop, and prog on their own (as evidenced on 2010′s Ce Très Cher Serge album) which proves to be a perfect match for March. Together they’ve concocted a sound that’s a little heavier than previous March outings, but also has the light touch one would expect. There’s an impressive array of sounds and styles the band and March take on and conquer. The raucous garage rock of “Love Is a Maze,” the melancholy AM pop of “Picture the Sun,” the spooky psychedelics of “J’entends des Voix,” the proggy and long “Ready Aim Love,” and the minor-key, outer space- ye-ye jangler “Black Bars” are all perfect blends of inspired music, melodies that linger, and March’s trademark vocals. She sounds totally invested in every sharp turn and diversion that band take over the course of the album, always sounding perfectly sweet and spunky. The arrangements are all note perfect and bolstered by the guys in Aquaserge chiming in with some strong backing vocals — something you don’t usually hear on a March record, but which sounds good here. It’s probably the one album in her catalog that touches on everything she’s done, and wraps it up in a glittering package that ranks as maybe her best album in a career full of really good ones. It may be a little light on the ye-ye, but the overall excellence more than makes up for it. And honestly, it’s been a long time since “Chick Habit,” and March has been making much more varied and interesting music since then. This is the perfect chance to check her out again and see just how accomplished and fun she can be, especially with the help of collaborators as sympathetic as Aquaserge turn out to be here. @3roh5gu0: > http://ul.to/r3c908b7 _________________________________________________________________________________________________ **Jagwar Ma – Howlin (2013)**  @3roh5gu0: > Does Jagwar Ma make rock music or dance music? It’s genuinely tough to tell. A duo from Sydney, Australia, Jagwar Ma combines rock ‘n’ roll signifiers (electric guitars, psychedelic vocals) with pristine dance-music production. The band’s full-length debut, Howlin, references The Stone Roses one minute and space disco the next, and neither approach feels the least bit forced. > Guitars and drum machines don’t make for unchar- ted territory in 2013, obviously, but it’s important to note that Jagwar Ma isn’t a “dance-rock” band. This is the 1960s British Invasion re-imagined with today’s digital audio software, which has come comparing Jagwar Ma to the Manchester, England, scene of the late 1980s, when rock bands took cues from the country’s burgeoning rave culture. The electronic impetus in this case is Jagwar Ma producer (and partial namesake) Jono Ma, who recorded much of Howlin with singer Gabriel Winterfield in a barn in northern France. Ma sounds like a producer coming into his own after years of collaborating; he has an impeccable feel for when Winterfield’s anthemic delivery should give way to an 808 drum machine. The hybridization peaks in “Uncertainty,” one of the year’s best songs so far. > Those barn recordings eventually made their way to Ewan Pearson, one of the premier British remixers of the past decade; he put the finishing touches on most of these songs. It’s unclear how much he added to the mix, but his sharp production style is all over this album. > Of course, just because you can mix rock and dance music, that doesn’t necessarily mean you should. But Howlin largely nails that sweet spot between singing along to a song and losing yourself in it.**GRMLN – Empire (2013)**  @3roh5gu0: > Kyoto-born, SoCal raised GRMLN (by day, he assumes the alter-ego ‘Yoodoo Park’ – some say it’s his ‘real name’…) astounded critics and a melange of other people with his 2012 EP, Explore. > The then 19-year-old showed an impressive capability when it came to handling white-hot lo-fi surf-rock/pop-punk (hyphens!) – his sounds were doused in a summery dragée and noises that belied his years. Now his debut LP is right around the corner, we can have a gander and see if that sprigh- tly burst of energy translates to a longform release. > One thing’s for sure – Park flippin’ loves traditional American sounds. Take ‘Cheer Up’: it’s a doo-wop spree, a swooning rock’n'roll ballad brimming with 50s schmaltz and leather-clad greaser aggressiveness. There are stabs of distortion, but for the most part, this is a deliciously corny bundle of charm that your grandparents can admire. On ‘Summer Days’, Park tackles 70s CBGB punk noises (albeit spruced up and dusted off). There’s a plethora of chunky chords and gravelly drawling, mixed with bouts of percussion that sound like a drumkit in a washing machine. ’1993′ opens with a Jet-cum-Strokes basslines – it’s jangly, thrashy and rampant like a good rock belter should be. > Whilst much of Empire is lo-fi at heart, there’s a pop sheen lacquered onto it all. There’s no dreary wailing like the primary export of the region (á la Best Coast), and no abrasive drug-fuelled howls of the second main output (FIDLAR) – instead, we’re graced with a solid rock album, mixing the aesthetics of the former with the energy of the latter. This first full-length offering features some wildly fantastic music, but there’s the danger of his subject matter wearing thin. Park’s age is perhaps of detriment – Empire is loaded with teenage pep, which on one hand is great (he’s a dab hand at bounding optimism), but on the other, there’s only so many times you can hear his lovelorn misadventures (and on ‘Hand Pistol’, emo pinings) before you start to begin to contemplate necking a bullet. > Fortunately, his voice is largely swallowed by distortion and reverb. Not because he’s a bad singer, ’cause he’s most certainly not, it just means that we don’t always hear what he’s singing. Pop-punk is a term readily applied to GRMLN, but it doesn’t come across here. There’s moments of punk sounds with pop gloss, but it’s not ‘pop-punk’ as we know it today, per se (i.e. there’s no Green Day/YouMeAtSix/Taking Back Sunday shite going on). It’s more akin to a grimy, fuzzed-out attempt at traditional rock’n'roll, which is something that comes across very strong. On that basis, it’s hard to fault Park. He’s adept at whittling monumental choruses, and injects panache into his hooks. > It’s all-to-easy to stop caring about Park’s relationship woes after a while. Fortunately, there’s plenty on offer on Empire to distract you. Most – nay, every – track is fine-tuned to capitalise on the blazing heat. It’s a trashy mishmash of revitalised 70s/50s rock, designed since the blueprints to be played on whatever the modern equivalent of a boombox is (iPhone dock?) during pleasantly wasted days at the beach. Surf to it, BBQ to it, wear Ray-Bans to it. If you’re partial to a bit of rock’n'roll, you’ll cherish this album long after the summer sunlight fades.
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Sigur Rós – Kveikur (2013)
http://ul.to/komhbqon
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Arborea – Fortress of the Sun (2013)
http://uploaded.net/file/d358adg5Edito el post que el enlace estaba mal.
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Empire Of The Sun - Ice On The Dune (2013)
http://uploaded.net/file/f2eifj49
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Vaya portadas se cascan los campeones. Lástima que este hombre se haya olvidado de The Sleepy Jackson.
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@moldy:26vuelwt:
Arborea – Fortress of the Sun (2013)
http://ul.to/v8a5lqe5Ejem…A mí no me ha salido Arborea.
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Lemuria - The Distance Is So Big (Bridge nine,2013)
http://www26.zippyshare.com/v/66975501/file.html
@vtb3l1dt:
Lately the musical landscape has been peddling bands who’ve grown up on the alternative rock of the 90s. Some of those sounds are great, while others sound outdated, but I think Lemuria have landed in a spot that nods to the past while looking forward. Their new record, The Distance Is So Big, recalls great moments from Dear You-era Jawbreaker, yet includes a heavy dosage of male/female vocal interplay, catching your ear’s attention with every spin.
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@ForSilence:1ow4gfcp:
@moldy:1ow4gfcp:
Arborea – Fortress of the Sun (2013)
http://ul.to/v8a5lqe5Ejem…A mí no me ha salido Arborea.
Vaya, no se que leches hice. Aquí lo dejo.
http://uploaded.net/file/d358adg5Modifico el post.
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exMarc Ribot's Ceramic Dog:
Ceramic Dog "Your Turn"
@1zl6y9ik:
punk-jazz-rock experimental
http://freakshare.com/files/ybesw39f/turn.by.wilmelys.rar.html
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Gracias por el de Lemuria, Dan.
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Por si a alguién le interesa
Empire of the sun - Ice on the dune01. Lux
02. DNA
03. Alive
04. Concert Pitch
05. Ice On the Dune
06. Awakening
07. I’ll Be Around
08. Old Flavours
09. Celebrate
10. Surround Sound
11. Disarm
12. Keep a Watch
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@soronero:3aybs0jp:
Crack.
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Cojonudo!
Coma Cinema - Posthumous Release Orchid Tapes
Mat Cothran - Elvis Depressedly - Gremlins, Indie Pop - Lo-Fi - Folk, Grower, muy recomendable
https://mega.co.nz/#!WIl0mKKZ!TCxSITvimBDzTKk0IFW_5jnrAPs3ASvalsrtQk3P4c0Coma Cinema - White Trash VHS: http://www.youtube.com/watch?feature=pl ... aeU2H_EaNo
