Filtraciones '07
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@Trinxo:bp2hysaf:
amigo Josexiu, el de Sandro que has colgao tiene pasword, seria tan amable de proporcionarlo?
EDITO: soy demasiado secuencial, contesté antes de leer las siguientes entradas … Gracias, pulpo
ups, lo siento. Debe de ser el siguiente: majorbonobo (es el nombre del blog de donde lo he cogido)
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Buf, sois unos desgraciaos, me vais a tener haciendo cola en rapidshare todo el fin de semana. Dejo alguna cosita friki dedicada a Trinxo, tú dale caña a la cerda Tóxica
Sunroof! - Panzer Division Lou Reed [VHF 2007]
@24f2m0ca:
Latest in the ongoing exploration of the ur-drone, from Matthew Bower's (Skullflower, Total, Hototogisu, etc.) softer side. But it's all relative, and while much of Sunroof!'s output is delicate and pretty, or gossamer and transcendental, this might be the hardest, heaviest, most intense release to date. The parts are the same, lengthy streaks of soaring feedback, effulgent bursts of glimmering heart of the sun guitar glow, huge billowing sheets of cymbal sizzle, all woven into super lush expanse of blossoming sound, the parts all just feel more intense, like they're burning up, constantly on the edge of bursting into flames and crumbling into ash, the opening track even has drums, a pounding caveman plod, that gives the track a sort of doom metal / free jazz / bliss out vibe if you can imagine such a thing. The opener and the third track, are part of a larger nearly 40 minute piece, with the second half swinging wildly from explosive skree, to warm muted drift, everything wreathed in thick swaths of grinding feedback and thick prickly fuzz.
The brief second track is the most caustic of the bunch, there are melodies in there, but you have to slither through a dense wall of sonic brambles to get to them, a roiling white hot Merzbowian blow out, draped over a hidden layer of soft shimmering beauty, crumbling beneath the weight of the massive pummel above.
The final track, the awesomely titled "Stairways And Terraces Descending One Beyond Another In A Stupefying State Of Exhaustion" is another corrosive landscape of amp shredding sound, an orchestra of guitar torture wrangled into subtly beautiful shapes, so subtle in fact that most folks won't stick around long enough to discover them, but as with most 'noise' music, and we're beginning to think this is more of a noise record than a drone record, one is rewarded for diving in head first, none of this dipping a toe in, or listening to a few minutes, you have to be fully submerged to appreciate the dense world of sound that while strangely beautiful, is constantly holding you under, as you struggle and gasp for breath.
This is Sunroof!'s Metal Machine Music, sure to be misunderstood, and maligned, but for most of us, this is simply a gloriously terrifying blast of beautiful noise…http://www.badongo.com/file/4183867–-----------------
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V/A - Frannce Compilation [Ruralfaune/La belle dame sans merci 2007]**@24f2m0ca:
Calling a compilation 'an ode to France' isn't exactly the best way to sell it to a British audience I'd think. Thank goodness then that I can forget our differences for a while to dig into this magnifique collection of free folk, psychedelic, noise and drone music because it's really rather fantastic (damn them!). Spanning three cds and just about as epic in scope as Digitalis's genre defining 'Gold Leaf Branches' we get freaky tracks from scene legends Volcano the Bear, Fursaxa, Silvester Anfang, The North Sea, Tom Carter, Ashtray Navigations, Uton and Brothers of the Occult Sisterhood sitting cosily next door to contributions from lesser known acts such as Heavy Winged, Ajilvsga, 9majik9 and the awesomely monikered The Sh*tty Listener. It's a haphazard and occasionally jarring collection, but there's enough here to truly lose yourself in a consistently shocking and always intriguing area of the burgeoning freeform music scene. Recommended.
http://www.megaupload.com/?d=A969VIAF–---------------
Este para josexiu, por la conexión Phil Everum:Adrian Orange & Her Band - S/T (2007)
@24f2m0ca:
Rogue West African prison-funk from Adrian Orange and his rambling pack of peyote-laced thieves. These are outlaw anthems of life on the margins; Favella-core Latin American punk-hymns to Qaddafi and the insurgency. Machine gun stabs of sex and danger, love and death, life on the highway and lust in the jungles.
This self-titled release could be considered Adrian Orange's first ‘deliberate’ album. After touring the country in 2006 with a massive band in two vans (including children and horn players and official dancers) and inventing a new kind of music and living, the band re-materialized in Dub Narcotic Studio in February 2007. This - the finest group of groove-wailing, wave tearing musicians Orange could find - descended on Olympia in droves from Portland and Anacortes. The studio is an amazing collection of equipment from an era when recordings were made "live", everything happening on the spot, which was perfect for this new kind of tidal wave. It’s the perfect combination of beautiful accident and deliberate symphony. The end vibe: upbeat and dancy with a hint of lost hippy in a bi-mart parking lot. This will probably be the last cohesive album of songs by this artist. It is in the process of vanishing in to the all, the beautiful unknown; where obscurely we-will-lay, willie, like lillys or be gulls, indefinitely. So get in, get out.http://www.mediafire.com/?30qnmaqgwzvPor cierto, otra pelicula de Lindsay Anderson tiene también el musical nombre de This Sporting Life. Si es que…
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thanks por el de Sunroof! k me gusta bastante lo que hace este tipo, el Bliss me gusto mucho, pero no lo controlo demasiado la verdad, algun otro disco de alta recomendación de este tipo?
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los Sunroof esos tienen pinta de hacer unas canciones de amor la mar de monas…
Al toxicómano no le meto caña, solo es que le va la marcha.
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Puf! Pues como para seguirle la pista, acaba de editar otro LP -Spitting Gold Zebras- en Bottrop-boy y es de los que se los sacan como churros, yo he llegado por las conexiones con Vibracathedral Orchestra y no lo tengo muy dominado, prueba con el Silver Bear Mist. A ver si puedo encontrarlo.
Un saludo
Ahora me voy a meter el ladrillo este a ver que tal suena y que efectos tiene.@Trinxo:1i6f0ox8:
los Sunroof esos tienen pinta de hacer unas canciones de amor la mar de monas…
Al toxicómano no le meto caña, solo es que le va la marcha.
Tu dale que a veces a mi se me escapa y le va la marcha pero mucho 
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pues nada, a continuar poniendo un poquito de hip hop. Un disco que si me interesa y otro que no, pero supongo que eso aquí importa poco.
El hermanito pequeño de Madlib, Oh No "Dr. No's Oxperiment"
Produced by Oh No
1. Heavy
2. Gladius
3. Higher
4. Breakout
5. Ox Broil
6. Bouncers
7. Alarmsss
8. Banger
9. No guest list
10. Land mine
11. My luck
12. Cosmos
13. Exp out the ox
14. Emergency
15. Ohhhhhh
16. Deliveries
17. Come back
18. Hot Fire
19. Action
20. Ghetto
21. Fast Gamble
22. All Over
23. Mad Piano
24. Oxcity Sickness
25. Cassette
26. down under
27. Smokey Winds
28. Slow Downhxxp://www.megaupload.com/?d=0ENOBMM3
Kanye West - Graduation
1. Kanye West - Good Morning
2. Kanye West - Champion
3. Kanye West - Stronger
4. Kanye West - I Wonder
5. Kanye West - Good Life (Feat. T-Pain)
6. Kanye West - Can't Tell Me Nothing
7. Kanye West - Barry Bonds (Feat. Lil Wayne)
8. Kanye West - Drunk & Hot Girls (Feat. Mos Def)
9. Kanye West - Flashing Lights (Feat. Dwele)
10. Kanye West - Everything I Am
11. Kanye West - The Glory
12. Kanye West - Homecoming (Feat. Chris Martin)
13. Kanye West - Big Brother
14. Kanye West - Bittersweet Poetry (Feat. John Mayor)
15. Kanye West - Can't Tell Me Nothing (Remix) (Feat. Young Jeezy)hxxp://rs79.rapidshare.com/files/522974 ... 07-OSC.rar
El de Kanye West ni idea si es una promo o no. No me lo he bajado ni me interesa demasiado escucharlo de momento. Quizás caiga mañana o más adelante por aquello de cotillear.
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Aquí van un par de nuevas filtraciones que andan circulando por ahí.
Don Nino - Mentors Menteurs
http://sharebee.com/f41ff5b2Charalambides - Likeness
http://www.mediafire.com/?dpdy1h9udjgDespues quería hacer alguna aclaración con respecto al tracklist de Beirut. El correcto sería con la canción número 4 con el título de Guyamas Sonora. El resto de títulos se mueven una canción.
Por cierto cerda, les voy a comentar algo a los vecinos… -
Llego de las vacaciones de un total aislamiento musical-emocional y nada más abrir este post ya estoy estressado… Joder no se por donde empezar, a parte de que había dejado cosas pendientes para la vuelta de vacaciones que debería escuchar.
Una pregunta, alguien ha subido el nuevo de los Two Gallants? le tengo ganas...Un saludo a todos.
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Venia a poner el de Charalambides, vaya sorpresa me he llevado. Gracias Toxi
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joder con l disco del don nino…..me ha gustado mucho,las versiones que tienen no estan mal del todo a pesar de que algunas canciones esten un poco manidas ya .....(el kiss de prince,el por que te vas
) disco que no me esperaba de versiones, de hecho no me di cuenta hasta que oi el at night de the cure.........una pregunta...la cancion que da nombre al disco es una version tambien? de ser asi de quien es? .....gran tema!!! -
Tras el disco de Eric Copeland en solitario:
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Black Dice - Load Blown (Paw Tracks, 2007)**
@1jw9l8pv:
"Load Blown" is the fourth album by Brooklyn’s Black Dice. The beats drip and roll, tar-pit voices sing into an oil can, and the guitars crank like calliope. Some tunes crackle and burble like submerged television, others bump and click along like a Summer Jam concert series from another dimension.
While a noticeable change in tone encompasses "Load Blown" (some tunes veer close to pop songs), this is a work of over-stimulation, a product of frenzied media culture, a sonic sifting of the gratuitous amount of “stuff” out there.
Black Dice’s current line up comprises Bjorn Copeland (guitar), Aaron Warren (bass) and Eric Copeland (vocals) originally forming during the spring of 1997 in Providence, RI as a loud, chaotic mix of early-eighties-inspired thrash and harsh noise experimentation. At the time, Early shows seldom lasted more than fifteen minutes and were characterized by violent performances where injuries were often sustained by the band and audience alike. Live sets mixed structured songs with improvised sound manipulation and shows differed from night to night.
In the spring of 1999 the emphasis shifted from conventional song structures to more open-ended sonic investigations. Shows of this era maintained an equally physical presence through the use of high volume levels and an extreme range of frequencies, and violent performance became less frequent. The music bore more resemblance to crude first generation industrial music or contemporary power electronics than straight noise or hardcore.
In spring of 2004 Black Dice emerged as a tight compositional unit, with little emphasis remaining on improvisation or long-form songs. A near-pop sensibility was embraced, with shorter and catchier tunes bouncing forth. The music currently retains elements of noise and proto-industrial experimentation, while organically suggesting minimal, electronic, hip-hop and psychedelic ideas as well as those of punk, tropicalia, and dub.
"Load Blown" is a compilation of three 12” vinyl EPs that have been released with special edition posters plus exclusive unreleased tracks. The Manoman 12” was released on DFA records in the summer of 2006. The Roll Up/Drool 12” was released earlier this year by Paw Tracks. The final EP release (released at the same time as the “Load Blown” cd) will be the remaining five tracks not previously released on vinyl.
The span of time (nearly 18 months of on-again/off-again work) encompassing the composition and recording of the album accounts for a sprawling variety of sounds and songs. Strange and abrasive, yet somehow more familiar, accessible, and celebratory than ever, this is Black Dice at their most palatable yet.
http://www.mediafire.com/?8xtdjunnm5i -
@andtheworldsmileswithyou:b5myntg0:
Tras el disco de Eric Copeland en solitario:
**
Black Dice - Load Blown (Paw Tracks, 2007)**
@b5myntg0:
"Load Blown" is the fourth album by Brooklyn’s Black Dice. The beats drip and roll, tar-pit voices sing into an oil can, and the guitars crank like calliope. Some tunes crackle and burble like submerged television, others bump and click along like a Summer Jam concert series from another dimension.
While a noticeable change in tone encompasses "Load Blown" (some tunes veer close to pop songs), this is a work of over-stimulation, a product of frenzied media culture, a sonic sifting of the gratuitous amount of “stuff” out there.
Black Dice’s current line up comprises Bjorn Copeland (guitar), Aaron Warren (bass) and Eric Copeland (vocals) originally forming during the spring of 1997 in Providence, RI as a loud, chaotic mix of early-eighties-inspired thrash and harsh noise experimentation. At the time, Early shows seldom lasted more than fifteen minutes and were characterized by violent performances where injuries were often sustained by the band and audience alike. Live sets mixed structured songs with improvised sound manipulation and shows differed from night to night.
In the spring of 1999 the emphasis shifted from conventional song structures to more open-ended sonic investigations. Shows of this era maintained an equally physical presence through the use of high volume levels and an extreme range of frequencies, and violent performance became less frequent. The music bore more resemblance to crude first generation industrial music or contemporary power electronics than straight noise or hardcore.
In spring of 2004 Black Dice emerged as a tight compositional unit, with little emphasis remaining on improvisation or long-form songs. A near-pop sensibility was embraced, with shorter and catchier tunes bouncing forth. The music currently retains elements of noise and proto-industrial experimentation, while organically suggesting minimal, electronic, hip-hop and psychedelic ideas as well as those of punk, tropicalia, and dub.
"Load Blown" is a compilation of three 12” vinyl EPs that have been released with special edition posters plus exclusive unreleased tracks. The Manoman 12” was released on DFA records in the summer of 2006. The Roll Up/Drool 12” was released earlier this year by Paw Tracks. The final EP release (released at the same time as the “Load Blown” cd) will be the remaining five tracks not previously released on vinyl.
The span of time (nearly 18 months of on-again/off-again work) encompassing the composition and recording of the album accounts for a sprawling variety of sounds and songs. Strange and abrasive, yet somehow more familiar, accessible, and celebratory than ever, this is Black Dice at their most palatable yet.
http://www.mediafire.com/?8xtdjunnm5ijoder k de puta madre!!!; jajajaja, ya tengo hilo musical para ir a dormir…
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@andtheworldsmileswithyou:1pqtc1rc:
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Este para josexiu, por la conexión Phil Everum:Adrian Orange & Her Band - S/T (2007)
@1pqtc1rc:
Rogue West African prison-funk from Adrian Orange and his rambling pack of peyote-laced thieves. These are outlaw anthems of life on the margins; Favella-core Latin American punk-hymns to Qaddafi and the insurgency. Machine gun stabs of sex and danger, love and death, life on the highway and lust in the jungles.
This self-titled release could be considered Adrian Orange's first ‘deliberate’ album. After touring the country in 2006 with a massive band in two vans (including children and horn players and official dancers) and inventing a new kind of music and living, the band re-materialized in Dub Narcotic Studio in February 2007. This - the finest group of groove-wailing, wave tearing musicians Orange could find - descended on Olympia in droves from Portland and Anacortes. The studio is an amazing collection of equipment from an era when recordings were made "live", everything happening on the spot, which was perfect for this new kind of tidal wave. It’s the perfect combination of beautiful accident and deliberate symphony. The end vibe: upbeat and dancy with a hint of lost hippy in a bi-mart parking lot. This will probably be the last cohesive album of songs by this artist. It is in the process of vanishing in to the all, the beautiful unknown; where obscurely we-will-lay, willie, like lillys or be gulls, indefinitely. So get in, get out.http://www.mediafire.com/?30qnmaqgwzv¡muchas gracias! (al fin) voy a por él
@-Toxinho-:1pqtc1rc:
Don Nino - Mentors Menteurs
http://sharebee.com/f41ff5b2¡genial! Nunca me cansaré de recomendar a este grupo, tanto en estudio como en directo. El artwork de este disco es excelente, y el contenido aún mejor.
@gatagata:1pqtc1rc:
una pregunta…la cancion que da nombre al disco es una version tambien? de ser asi de quien es? .....gran tema!!!
no, creo que esta canción es original
@andtheworldsmileswithyou:1pqtc1rc:
Tras el disco de Eric Copeland en solitario:
**
Black Dice - Load Blown (Paw Tracks, 2007)**@1pqtc1rc:
"Load Blown" is the fourth album by Brooklyn’s Black Dice. The beats drip and roll, tar-pit voices sing into an oil can, and the guitars crank like calliope. Some tunes crackle and burble like submerged television, others bump and click along like a Summer Jam concert series from another dimension.
While a noticeable change in tone encompasses "Load Blown" (some tunes veer close to pop songs), this is a work of over-stimulation, a product of frenzied media culture, a sonic sifting of the gratuitous amount of “stuff” out there.
Black Dice’s current line up comprises Bjorn Copeland (guitar), Aaron Warren (bass) and Eric Copeland (vocals) originally forming during the spring of 1997 in Providence, RI as a loud, chaotic mix of early-eighties-inspired thrash and harsh noise experimentation. At the time, Early shows seldom lasted more than fifteen minutes and were characterized by violent performances where injuries were often sustained by the band and audience alike. Live sets mixed structured songs with improvised sound manipulation and shows differed from night to night.
In the spring of 1999 the emphasis shifted from conventional song structures to more open-ended sonic investigations. Shows of this era maintained an equally physical presence through the use of high volume levels and an extreme range of frequencies, and violent performance became less frequent. The music bore more resemblance to crude first generation industrial music or contemporary power electronics than straight noise or hardcore.
In spring of 2004 Black Dice emerged as a tight compositional unit, with little emphasis remaining on improvisation or long-form songs. A near-pop sensibility was embraced, with shorter and catchier tunes bouncing forth. The music currently retains elements of noise and proto-industrial experimentation, while organically suggesting minimal, electronic, hip-hop and psychedelic ideas as well as those of punk, tropicalia, and dub.
"Load Blown" is a compilation of three 12” vinyl EPs that have been released with special edition posters plus exclusive unreleased tracks. The Manoman 12” was released on DFA records in the summer of 2006. The Roll Up/Drool 12” was released earlier this year by Paw Tracks. The final EP release (released at the same time as the “Load Blown” cd) will be the remaining five tracks not previously released on vinyl.
The span of time (nearly 18 months of on-again/off-again work) encompassing the composition and recording of the album accounts for a sprawling variety of sounds and songs. Strange and abrasive, yet somehow more familiar, accessible, and celebratory than ever, this is Black Dice at their most palatable yet.
http://www.mediafire.com/?8xtdjunnm5i¡pues gracias de nuevo! A ver qué tal en esta ocasión
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Para los que gusten del rollo minimal ambient/drone/noise del miembro de Tarentel en solitario, el que para mi es su mejor album hasta el momento:
Jefre Cantu-Ledesma - "Shining Skull Breath" (students of decay 2007)
@w3lvt5id:
"Shining Skull Breath" documents the latest solo recordings by RootStrata label head and founding Tarentel member Jefre Cantu-Ledesma. Those familiar with Jefre's recent solo outings, such as "The Garden of Forking Paths" and"Floating Weeds," will recognize the stunning, wistful, barely-there melodies which abound on those albums. However, this time around these slow orbits of somber, evocative tone are submerged in boiling vats of molten fuzz and static making for an increasingly dynamic and bewitching listen. This truly is brilliant, potent, deep listening of the highest order.
http://www.divshare.com/download/1790559-447 -
Dejo este disco, me he quedado cuadrado al verlo en Pitchfork ayer. Hace 2 años que lo tengo por aquí. Supongo que era autoeditado y ahora lo han sacado en condiciones. No lo he vuelto a bajar. Seguro que le han dado un buen lavado de cara.
A Place To Bury Strangers - s/t (2007)
@mxlazm8o:
"There's a certain tone and timbre to A Place to Bury Strangers that is unmistakable, and it's all in the effects pedals. It's like a sheet of noise, like static at a high pitch cranked to the maximum and unleashed on an otherwise innocuous song. It's like pre-Tremolo My Bloody Valentine or The Jesus & Mary Chain with a little echoing jangle in there for good measure. It happens virtually every time, and you know it's coming, and yet still you can't get enough. "The Falling Sun" crashes with different time signatures and Ackerman's decidedly Bauhausian vocals, rarely changing, rarely clear." Audiversity
"A Place to Bury Strangers can pull beauty out of eardrum-puncturing bleakness, but the most tuneful offering here, "Don't Think Lover", is gentle and romantic– when not exploding at the seams. "Don't think lover/ Love lasts forever," Ackermann sings, and it's never quite clear whether the sentiment is optimistic or misanthropic. The stalking "I Know I'll See You" seems to play off the know-my-love-too-well urgency of the Smiths' "Hand in Glove", with Ackermann even warning, "Don't take my hand/ 'Cause I'll take it away." Like the Italians Do It Better label's similarly moody After Dark compilation, A Place to Bury Strangers may not be easy for would-be record buyers to find-- it's currently limited to 500 copies and put out by, um, Killer Pimp Records-- but it's worth every effort." Pitchfork
http://rapidshare.com/files/52825128/a_place_to_bury_strangers__2007__killer_pimp_.rar–-----
The Cave Singers - Invitation Songs (Matador, 2007)
@mxlazm8o:
Composed of vocalist Pete Quirk, percussionist Marty Lund and guitarist Derek Fudesco, the band's first full length, 'Invitation Songs', recorded with Colin Stewart (Black Mountain, Pretty Girls Make Graves) is due out this Autumn.
The Seattle Weekly's Brian Barr describes the trio's approach as akin to "an updated version of the Anthology of American Folk Music. Not the graduate-student, learned interpretations of folk music circa 1962, but folk music approached by way of punk rock. It's sparse, melodic, and simultaneously creepy and alluring, like the widow mourning graveside in Johnny Cash's 'Long Black Veil.'"
http://rapidshare.com/files/52827629/invitation_songs.rar–--------
Voice Of The Seven Woods - s/t (2007)
@mxlazm8o:
So here we have it. The first full-length fruit of the acidic folk merchant and Ash Ra Tempel-dweller Voice of the Seven Woods' labours. A potent hybrid blend of instrumental progressive folk, kraut and psych rock. We are proud to present the long awaited, much anticipated self-titled debut album in a glorious, luxurious CD and Gatefold LP package
Boomkat review
We've been banging on about Northern fret fondler Rick Tomlinson for what seems like years now. It all started way back with the release of his debut 7", the shockingly good 'Voice of the Seven Woods' (err which confusingly is the name of this album too… and the artist name... hmmm) and we've been chomping at the bit ever since for something more substantial. Of course there have been cdrs, live shows and other 7"s dropping in between, but nothing quite says 'I love you' like a full length record, especially when its all packaged up to look like it actually came out way back in the mid 70s or something. We all know the Finders Keepers/Twisted Nerve lads know exactly where they're coming from (and haven't put a foot wrong in the last couple of years) and this is just about the pinnacle of their growing mound of psychedelic folk. I realise there's been something of a surplus of acoustic-guitar/folk/psychedelic albums in the last few months (and weeks even...), and I also realise that many of them have been really rather stunning, but it's important to understand that what Tomlinson manages to do here is to step out of the scene he's become synonymous with by making an album so varied it almost defies description. Treading dangerously into Pentangle-patented folk rock waters one minute and angling for a Selda-influenced (the lovely Anatolian-exile apparently donated an electric Saz to Tomlinson's cause - how's that for credibility?) Turkish psychedelia the next there's a defiance of form which can't help but endear you to his sound. The virtuoso guitarist seems to have a wry smile as he confounds our expectations and in the end that's what makes his debut album so special. Where he could easily have a quite justified egotistical 'I can play guitar better than you' feeling to the record (we've seen him live and he actually can play, very very well) instead there's a humour, a genuine love of music and a humility which makes us think he's just going to go from strength to strength. Maybe it's his passion for records (be it Krautrock, Tropicalia or Middle Eastern folk) or maybe it's his Northern roots but whatever it is we are pretty sure that 'Voice of the Seven Woods' is going to end up as one of the albums of the year and Rick Tomlinson is before too long going to be the name on everyone's lips. It's nice to see Twisted Nerve releasing albums again, especially ones as lovely as this. Essential purchase!http://www.mediafire.com/?dbukjoz4zmy–-----------------
Flash Lights - Eckords (2007)
@mxlazm8o:
"Eckords" is the first release by Flash Lights, the duo of Liz Harris (better known as Grouper) and Bay Area sound sculptor Jorge Behringer.Here, Liz's spectral vocal transmissions (the ones that blew our collective minds on last year's superb opus "Way Their Crept") are augmented by disorienting field recordings, bubbling electronics, meditative guitar lines,and Jorge's angelic, processed viola. Each piece is unique and bursting with vibrant, otherworldly energy, running the gamut from almost poppy (!) songforms, to distant choral ghost codas, and moving effortlessly from seering blasts of electronics to calm, glacially evolving, painstakingly wrought towers of dynamic vocal murk. Beautifully mastered by Pete Swanson,presented in a sleeve adorned with Liz's wonderful black and white artwork.
http://rapidshare.com/files/52705320/Flash_Lights_-_Eckords.rar ```pass:haloid –----------------- **Scott Walker - And Who Shall Go To The Ball And What Shall Go To The Ball** @mxlazm8o: > Yep, so soon. It's not exactly The Drift II, but on September 24 in the UK, 4AD will release Scott Walker's And Who Shall Go to the Ball? And What Shall Go to the Ball? in a very limited, never-to-be-pressed again edition. Despite a mouthful of a title, …the Ball? is a 25-minute-long, four-movement instrumental suite. It emerged out of Walker's score for a dance piece by choreographer Rafael Bonachela's dance company CandoCo. CandoCo, comprised of both able-bodied and physically disabled dancers, debuted the piece at Manchester, England's Contact Theatre in April. > > Walker said of the music and its relationship to the unique troupe: "Apart from a slow movement given over to solitude, the music is full of edgy and staccato shapes or cuts, reflecting how we cut up the world around us as a consequence of the shape of our bodies. How much of a body does an intelligence need to be potentially socialised in an age of ever-developing AI [artificial intelligence]? This is but one of many questions that informed the approach to the project."http://www.mediafire.com/?8mmzne4113j
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Haciéndoseme costumbre, aquí el mix de agosto, con selecciones (en su mayoría) del material filtrado por este sitio en el mes respectivo:
http://sharebee.com/49372804Para ver qué viene adentro, ir aquí:
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nadie ha cazado el single y el album de Edwyn Colins?
yo he quemado todas mis fuentes y no hace acto de presencia
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El de Kayne West no va el enlace. Lo han borrado.
Alguien puede subirlo?
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@galleta:c1jzwmfr:
nadie ha cazado el single y el album de Edwyn Colins?
yo he quemado todas mis fuentes y no hace acto de presencia
estás seguro k se haya filtrado ya, por lo que tengo entendido lo está terminando…
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tirando de memoria (para no ir a ver la web de la discográfica o la suya), el single sale sobre el día 7 y el disco sobre el 17 de ese mes. Hasta en eBay ya se encuentra la versión promo del single a la venta (que por otra parte casi es más bonita queel single normal)
es super raro que no se haya filtrado nada. yo es por matar el gusanillo, porque caerá de compra.
via pichtfork se puede encontrar facil el videoclip del single.
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