Filtraciones '07
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este ya tiene algunos meses pero no lo he visto subido por aki… a mi el anterior me moló mucho...
GEPE: Hungría (2007)
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@Pelukini:15p3vilf:
@kidcinco:15p3vilf:
Cómo por aquí no se estila mucho, pasaremos a novedades de Black Metal:
Xasthur - Defective Epitaph : http://lix.in/5e4a17
Primer disco de Xasthur con baterías de verdad y segundo para Hydrahead, Black metal denso y atmosférico… me gusto mmás el Subliminal Genocide, pero se puede escuchar.y sobre la bocina, porque a lo mejor ya ha salido, y porque la filtración tiene como mínimo dos semanas,
Wolves In The Throne Room - Two Hunters: http://lix.in/88bb51
Enorme! USBM en la línea original y compleja de su anterior disco pero con un sonido mucho mejor y uno de los temas del año en el género: "Vastness and Sorrow" se te va el ollamen!A la espera del nuevo de Leviathan y con la mira puesta en el "fas, maledici..." de Deathspell Omega, el disco del genero más molante en lo que llevamos de curso!
Deathspell Omega - Fas - Ite, Maledicti, in Ignem Aeternum
http://rapidshare.com/files/43875012/Deathspell_Omega_07_by_patyr.rar.htmlcon la mira puesta yo quería decir, mirándole de reojo, vamos que tenerlo ya lo tengo ya ques anterior pero merci igualmente y así de paso lo puede escuchar todo el mundo!!
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Voy a bajarme el de Six Organs que ya tenía ganas, gracias al Gonzalito Miró de los leakeos A ver si pillo el avión mañana
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@andtheworldsmileswithyou:9hg0iwh7:
Dejo esto, no lo he oido, puede que a alguno le interese:
Bruce Springsteen - Magic (2007)
http://www.megaupload.com/?d=J49WMWKTpass: gta
Y en breve el de The Octopus project que creo que alguien lo pedía.
Voy a bajarme el de Six Organs que ya tenía ganas, gracias al Gonzalito Miró de los leakeos A ver si pillo el avión mañana
si el the Octopus lo pide hace mucho creo que Flash y yo tmb le tengo ganas, el de six organs de momento me esta entrando muy muy bien, y hay un tema que no puedo parar de escuchar "Sheltre from the ash"
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No creia que fuera a decir esto nunca, pero que coño de grupos son estos??? ¿de verdad hay mas de una persona que los conozca?
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quien el bruce springsteen ese?
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@Pfister:2sa1x6rd:
No creia que fuera a decir esto nunca, pero que coño de grupos son estos??? ¿de verdad hay mas de una persona que los conozca?
se ve k si, alguno k otro hay
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Jeffrey Lewis - 12 Crass Songs (Rough Trade, 2007)
@16k6p4d6:
El exs Moldy Peaches, Jeffrey Lewis publicará a través de Rough Trade el próximo mes de octubre un álbum en el que lleva a cabo doce versiones de otros tantos temas del grupo de punk británico Crass, considerados dentro de la línea más dura del punk británico, se formaron en 1977 y editaron seis álbumes entre 1978 y 1986.
http://www.sendspace.com/file/dezom8
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The Heliocentrics "Out There"
Lo he escuchado y copio pego lo que pone en la web de stones throw / now-again porque estoy de acuerdo con ello y así ahorro energías. El disco MO LA. Ale pues
In an alternative galaxy, where the orbits of Hip-Hop, Funk, Jazz, Psychedelic, Electronic, Avante-Garde and Ethnic music all revolve around “The One” – that's where you might find The Heliocentrics.
La info completa aquí
http://www.stonesthrow.com/nowagain/hel ... index.html
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continuando con Stones Throw y dejando un poquito más de yib yob
Stones Throw compilation CD feat. new material from J Dilla, Madlib, MF Doom, Q-Tip, Talib Kweli, Quasimoto
Me disculpen, pero no lo he escuchado, aunque por el tracklist pinta bien. La info sobre el disco aquí: http://www.stonesthrow.com/bballzombiewar/
Tracklist
01. SUPREME TEAM (MADLIB & KARRIEM RIGGINS) - See (Suite)
02. MED - Break It Down
03. GUILTY SIMPSON - Make It Fast
04. J DILLA feat. Q-TIP & TALIB KWELI - Lightworking
05. PERCEE P feat. J.ROCC - Legendary Lyricist Pt. 2
06. J.ROCC - Super Sound
07. MADLIB - The Wigflip
08. J DILLA feat. MF DOOM & GUILTY SIMPSON - Mash’s Revenge
09. OH NO - Action (Rap Version)
10. BEAT KONDUCTA - Trouble
11. QUASIMOTO - Hydrant Game (Jaylib Remix)
12. ALOE BLACC - Find A Way
13. DAM-FUNK - Sidewayz
14. BARON ZEN - Electronic (Koushik Remix)
15. JAMES PANTS - Ka$h (Peanut Butter Wolf Remix)
16. NIKO & DJ BABU - Now You Know
17. KOUSHIK - Basketball Beat
18. ARABIAN PRINCE - Professor X Saga
19. JONATHON BROWN - Bass Creator’s Groove
20. CX KIDTRONIK feat. TCHAKA DIALLO - Big Girl, Skinny Girl
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This collection, compiled by Stones Throw’s founder and president, features new collaborations by Talib Kweli, Q-Tip and MF DOOM rapping over beats by the late J Dilla, as well as new tracks by Madlib, Guilty Simpson, Percee P, Koushik, and J.Rocc, amongst others.
De puta madre Galletas, ya me lo estoy bajando!
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chequirau calabaza
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@Kiototar:zzql0tn2:
koan The Fugitives me da que te van a molar
The Fugitives: In Streetlight Communion (2oo7)
Absolutamente enorme. A la tercera canción te has olvidado de etiquetas o generos musicales…
Mención especial a Haunted, de los temazos mas grandes que he escuchado este año.
Gracias!
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Para los fans de la churreria sueca, disco bonito recién salido del horno:
Promise And The Monster - Transparent Knives (2007)
Sello: Imperial/Playground
Pais: Suecia
Estilo: Singer-songwriter | Alt-Folk | Indie
Te puede gustar si te gusta: El folk-pop a bajas revoluciones, Mark Kozelek (para quien abrirá en algunos de sus proximos conciertos), José González, Audrey, las voces femeninas peculiares a lo Joanna Newsom… Aunque es menos deprimente que Kozelek, también más pop que él, y más accesible que la Newsom, con un toque melancólico. Edito: Ya se a quien suena clavadita la voz, joder me he tirado pensando toda la tarde: a Trish Keenan de Broadcast. Clavadita, sólo que en otro rollo.
Myspace: http://www.myspace.com/promiseandthemonsterhttp://www.mediafire.com/?fhyn5wcxhvk@1yfajvt3:
She wanted to explore what was cold. That’s why she wrote a song called Antarktis. Billie Lindahl makes music that is built on contrast, contradiction and a cold acoustic soundscape. Her debut album "Transparent Knives" is here to bless the late night evenings with an awe-inspiring crystal beauty.
The name Promise and the Monster holds the foundation to all the music Billie Lindahl makes; contrast. And especially that which is frightening and naive. Or rather, Promise and the Monster is like one of those posters that hangs on the wall in a little child’s room, like a simple series of pictures in the shape of cute animals and objects, portraying Long/Short, Fast/Slow, Night/Day – but with a horror movie twist.
Billie Lindahl wrote the song Antarktis when she was 17 years old. That was three years ago. Billie moved away from home in January of this year. Before that she lived in Uppsala. There she was part of the band Carmine St., who played a kind of mix between twee pop and jazz. Most recently she played in Shore For Shelters. But they made postrock rather than twee pop.
Initially Billie is from Delsbo in Hälsingland. There she lived together with her family in a large wooden house. In the basement her dad rehearsed several times a week with his own blues and country bands. In the living room her mom usually played jazz records. She liked jazz so much that her children got the names of her jazz heroines. In Delsbo Billie didn’t really have any friends her own age to hang out with, no one had the same interests that she did. Because of that she mostly sat up in her room copying The Smiths and Cranberries songs. And that was probably a pretty good thing, because otherwise Billie probably wouldn’t have had the time to find her own music so soon.
In the beginning Billie thought that Promise and the Monster visually would have a horror movie aesthetic in the style of Marilyn Manson. And the very first contrast she was interested in was the fascination and the feeling of disgust in front of her own and other peoples’ bodies. And that’s why she wanted pictures of flesh, with neural paths and veins, on her album cover. But that’s not what happened.
"I scrapped the flesh idea because the picturers were so gross. Because when I really thought about it I realized that I’d rather have something cold, something white, things as far away from a body as possible, on my cover. I think I’d rather be made out of porcelain. Because I hate the body as a physical object.", says Billie.
Other things that are important to Promise and the Monster are dramatic expression, feelings and acting out. And that is why Billie can say things like:
”I’m going towards contrast like never before. And this is good because I realized that my music is sort of like a weird forest with weird animals inside”
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No es una filtración y es bakalao para modernos, pero que hora y media a pegar botes que me he pasao esta tarde
Luciano @ Silo Club (Belgica)
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Para los fans de Marissa, Weeks & Cía, una de las dos primeras referencias del nuevo sello de Greg Weeks que tendrá distribución (quien sabe si incluso aquí) a traves de Drag City:
Mountain home - Mountain home (Language of Stone, 2007)
Sello: Language Of Stone
Pais: USA
Estilo: Folk
Te puede gustar si te gusta: El folk de nuevo cuño, aunque aquí casi sin prefijos, psicodelia y demás. Espers, Marissa Nadler (ambos colaboran, Nadler canta en todos los temas excepto uno y Weeks además de tocar es el encargado de la producción)…
Myspace: http://www.myspace.com/mtnhomehttp://www.mediafire.com/?5xxbsetgzwy@wlea0bs4:
Boy/girl folksters Mountain Home are signed up to the new Philadelphia-based label administrated by Espers' Greg Weeks. You can already imagine what this two-piece look like can't you? Indeed, with their grandmothers' clothes, homemade jewellery and flowers in their hair, this duo are headed straight for the freak folk sin bin. But wait! Once you actually get to hear them you'll find that the music certainly has its merits. Confusingly, it turns out that far from being a mere two-hander, Mountain Home features contributions from Weeks himself (who also produces the record), as well as Margaret Wienk of Fern Knight, and Marissa Nadler, who takes on lead vocal duties on all but one song. Despite missing the new age gravy train by a good two or three years, there's much to recommend this release. The writing is authentic in its pseudo-psych retroism and the instrumentation is lavish without ever going over the top. Of course, the presence of Greg Weeks and Marissa Nadler adds to the gravitas of the material, lending a sufficient endorsement from folk scenester royalty.
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Boasting contributions from Greg Weeks and Marissa Nadler, Mountain Home's debut album stands as quite a first effort. Swathed in much the same haunting narrative and melancholy candor that marks Nadler and Weeks' own works its easy to see why Weeks chose this as one of the initial offerings from his Language of Stone label. The album is short but packs a lot of emotional depth into its few tracks; shifting from orchestral tinges to more traditional interpretations of folk standards over the course of the album. No matter how the band's style changes however, there remains an overwhelming tone of sadness that clings to the songs like a constant film of fog. This sadness keeps you coming back more and more to discover the source of the ache that hangs in both the male and female vocals. The band is about to embark on a short Californian Tour with Marissa Nadler so if you're on the West Coast keep an eye out
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andtheworldsmileswithyou, ahora mismo eres Dios en este hilo, no sólo por tus filtraciones, sino por esa plantilla que te has currado que, lejos de ser necesaria, convencen a cualquiera.
A por estos dos últimos voy… muchas gracias por tu trabajo.
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Lo de Dios me queda un poco grande, trato de opositar pero no aspiro a tanto. Y la plantilla más que currarmela ha sido una imposición (más o menos)
En realidad supongo que si que ayuda mucho más a la hora de descargarse un disco que simplemente el nombre y el título.
Un saludo y espero que te gusten
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k no vuelen los cuchillos, lo he visto y a lo mejor alguien le puede interesar a ver que se cuecen a dia de hoy…
Underworld - Oblivion With Bells (10/2007)
http://www.zshare.net/download/3898801a1b365d/
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Te pillo la plantilla, espero que no te importe!!
Akira Kosemura - It’s On Everything
Sello: Schole
Pais: Japan
Estilo: Electronica / Ambient / Experimental
Te puede gustar si te gusta: Electronica ambiental con regusto oriental (Haruka, Nakamura, lullatone, cokiyu, RF, .tape., motoro faam), melodias bonitas, suaves, piano, ruiditos de juguetes, click clack cluk, un disco perfecto como hilo músical para un domingo de otoño, mientras miras por la ventana como van haciendo formas las gotas que deja la lluvia…)
Myspace: http://www.myspace.com/kose0606@cnltexun:
"Akira Kosemura is a composer who lives in Tokyo, and he’s also known as the manager of his newly formed label “schole.” As a child, he learned piano and started composing regularly from 2005.
He began his career by making debut from an American label EP in 2006. By participating in many label compilations of Germany, Belgium, France, Canada, and Australia, his tunes were highly evaluated in each album. At the same time, Akira established “schole” and started to make actions such as managing the label, issuing free magazine, producing artists, and providing music pieces to the media.
In 2007, Akira released his 1st full album from an Australian avant pop label which is managed by Lawrence English, the most important experimental artist in and a music critic. In this album “It’s On Everything,” Akira definitely showed his new shape of daily music by putting the field recordings, electronics, and acoustical instruments together while he was composing his minimal tunes mainly with piano. His first yet masterpiece is making sales in both domestic and international, and evaluated exceptionally as “world legacy.”http://rapidshare.com/files/57061203/Akira_Kosemura.zip
