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RX456 Seed

…

Madam Green.

@soft:

info sobre el nuevo trabajo de TV PERSONALITIES

..el 4 de diciembre tocaràn con Jeffrey Lewis en el Brixton Windmill de Londres ,cómo el día 12 Jeff & Company vienen a Barcelona y yo les iré a ver ya le preguntarè a Jeff que tal estaba Dan :wink: ..espero que bién y que pueda venir al Ps :wink:

..Cópio y pego el anúncio del especial presentación del nuevo DVD de The Cure que se harà en Badalona el próximo día 6 -XII-06 ..se puede combinar con los Mono japoneses :wink:

FIESTA OFICIAL PRESENTACIÓN NUEVO DVD "FESTIVAL 2005"

Fecha: 06 de Diciembre de 2006
Lugar: ELS GENIS. Rambla 11, Ascensor - 1 (Badalona, Barcelona)

Horario y Programación:
18.00 - ESPECIAL 80'S SESSION
23.00 - ESPECIAL THE CURE con la Colaboración de hispaCure.

Entrada: GRATUITA

Proyección del Nuevo DVD de The Cure "Festival 2005"
Sorteo Exclusivo de Copias del Nuevo DVD (desde las 2.30 horas)
La mejor música de los años 80's: Depeche Mode, The Smiths, New Order, Bauhaus, Joy Division, The Mission y muchos más …
La Mejor sesión de The Cure de la mano de los mejores Dj's !!
Y muchas sorpresas más … Te lo vas a Perder ??

Desde hispaCure os queremos invitar a la Fiesta Oficial de Presentación del Nuevo DVD “Festival 2005? que tendrá lugar el próximo día 6 de Diciembre de 2006 en la sala ELS GENIS de la localidad catalana de Badalona.

Vuelven las Fiestas Oficiales de The Cure en España de la mano de hispaCure, y lo hacen con una noche cargada de Buena música y sorpresas que no te puedes perder.

A partir de las 18.00 hasta las 23.00 te invitamos a dar la bienvenida a la noche con una sesión dedicada a la mejor música de los años 80’s con grupos como Depeche Mode, New Order, The Smiths, Joy Division, Bauhaus y muchos más…

Pero será desde las 23.00 horas y hasta el cierre cuando los hispaCurados nos pondremos nuestras mejores galas para disfrutar de un Especial The Cure que promete ser inolvidable.

Con la presentación y proyección del Nuevo DVD “Festival 2005? como protagonista, la noche se viste de oscuro para dar paso a una macrosesión con la mejor música de The Cure que finalizará con un sorteo exclusivo de copias del Nuevo DVD.

Tras nuestro paso por Razzmatazz en 2005 con la celebración de nuestro 1º aniversario, esta será nuestra segunda visita a Catalunya tras visitar ciudades como Madrid, Barcelona, Valencia o Murcia en estos casi tres años de historia.

Desde aquí queremos invitar a todos los hispaCurados de Catalunya (y a todos aquellos que se animen a venir !!), a que apunten con letras doradas esta fecha en sus agendas para hacer de éste evento una fiesta inolvidable como todas las Fiestas organizadas por hispaCure.

..bueno…he encontrado esta conversación entre Robert y Pete Wentz de Fall Out Boy :shock: ( La típica banda megacomercial que se hizo famosa porque el tal Pete publicó en su myspace fotos con el pantalón medio bajado y sin calzoncillos ..)

..el caso és que està en inglés però bueno...algo és algo.. :wink:

:arrow: LINK de la "charla"

…Copio y pego el artículo...

**Idol Chatter
EW's Gilbert Cruz eavesdrops as Fall Out Boy bassist Pete Wentz calls up his idol, Cure frontman Robert Smith, to discuss fame, songwriting, ''South Park,'' the joy of making sandwiches, and more…

ROCK LINE Wentz (left) finally gets a chance to chat with his musical hero Smith, after once chickening out on starting a conversation in an elevator

PETE WENTZ (27; Fall Out Boy): I remember once my band played on the side stage of something that the Cure were performing at, and afterwards I followed you onto an elevator and went to whatever floor you got off on… and I didn't say anything to you. I had a plan to tell you that your music changed my life, but instead I just stayed on the elevator. I imagine people walk up to you all the time and tell you that your music changed their lives.

ROBERT SMITH (47; The Cure): You'll be amazed how many people don't say that.

WENTZ: One thing I'm really interested in is how you've managed to stay completely relevant for the past three decades, and what you think is more important: changing with the times, or maintaining your artistic vision.

SMITH: It's essential to me to continue what I do [artistically]. The idea of appealing to people of a like mind and like spirit always appealed to me…. When I was younger, I never just wanted to play to people who were my own age, and as the years have gone by, the Cure's audience has remained very broad. I never wanted to grow old with the audience. How we've managed it is just continuing to do what we want to do. We've been irrelevant to a lot of the media for a long time, but to the people that we matter to, we've been relevant for a long time.

WENTZ: One of the things that always appealed to me is that you never wrote down to an age group. I got into it when I was 14, and I'm just as into it now at 27.

SMITH: It's truly music — writing songs as [you'd write] literature, writing what you know…The problem as you get older is, from my perspective, after a certain amount of songs, you tend to start writing something and then you stop and say, ''Wait, I think I've written that before.''

WENTZ: Another interesting thing that I've noticed in the past two or three years is a lot of bands that have come out have assumed this dark [persona]. Did you start out that way?

SMITH: [Initially] I wanted to be a pop group… [But] when you first start out, you have to play and play and play… [and] we went down a pretty dark path. [Eventually] I thought, ''The only way to make this fun again is to make it fun again'' — and so we became a pop group again. It's a balancing act. But I never wanted to be a band that made the same type of music. You don't always have to sing dark things to be thoughtful… I get very frustrated with people who classify bands very early only as, They do only this. I think it's really crass.

WENTZ: People now say to us, ''What is this emo thing? Is it about to be over?'' And people think that everyone is making an industry out of misery now... I think that people need to classify things in order to try to understand them. Whatever people want to classify us as, they can...But to have a career like the Cure's is awesome — to have these amazing moments and at the same time to have this fanbase that stays with you this entire time.

SMITH: We've always been classified as a goth band. But as long as your audience really believes in you, it doesn't matter what other people label you.... With your band, I bought your first CD for one of my nieces. I remember thinking, ''This has so much energy in it.'' Some of your songs are really, really good lyrically and musically. And you're involved in so many more different things, whereas with the Cure, [the band] was all we did. Yet you have books and your record label…I resisted always going further than just a band.

SMITH: ''When you first start a band, it should be your whole life — but if it's still your whole life at 30 years down the line, you're not going to be writing very good songs.''

WENTZ: We're at that early stage where bands are fiercely competitive with each other, and when another band gets an award we see it always as a shot at ourselves. How important were the other bands in the scene at the time?

SMITH: When Simple Minds got on Top of the Pops and when Echo & the Bunnymen [were doing well], I remember thinking, ''We're going to be the band that's left behind,'' which is quite funny, because as it turns out, we weren't. But that's a natural part of any artistic field. Even if you've got your head down, doing exactly what you want, you can't help but occasionally look up and around.

WENTZ: You've mentioned that you are a private person… but you still have this very ravenous fan base who are trying to get in your head. How do you comes to terms with that, and how have you dealt with it over such a long period?

SMITH: We're lucky in that Cure fans are generally really nice people. I suppose every band is obliged to say that, but it's actually true with us.... [And] it comes with what I do. If I suddenly turn around and say, ''Why do all these people want a part of me?'' that would be pretty naive. I can't have it both ways: I can't sing my heart out and write songs and expect people to be interested, but only up to the point that I want them to stop. But generally, Cure fans respect the idea that I'm not playing at wanting to be quiet. I do [want to be quiet]. When you first start a band, it should be your whole life — but if it's still your whole life at 30 years down the line, you're not going to be writing very good songs. You need to get out in a different way. In a band, you experience an incredible amount. The more success you get, the more insane it gets. But if that's all there is, it's really quite tedious after a while. Eventually, the boring things become the exciting things. You get back off a four- or five-month tour and you find that making a sandwich becomes really, really intense.

WENTZ: Totally. I had this girlfriend for many years, and when I would come back from a two-month tour, one of my favorite things to do would just be to sit on a bed and watch a DVD.

SMITH: Yeah, no one's going to knock on the door and tell you to be ready in 10 minutes.

WENTZ: You're obviously an idol of mine. Who did you look up to when you were just starting out?

SMITH: I suppose David Bowie. In fact, I did something similar to this with him in the '90s, where a London radio station would have people interview their heroes. I interviewed Bowie, and I got incredibly drunk before it and started arguing with him. It was one of the most awful days I've ever had in my life. Weirdly, though, a couple of years later, he had his 50th birthday at [Madison Square Garden], and I was the only British artist that he asked to duet with. That was one of my best moments — one of my lifelong ambitions. When the glam thing started, it was such a big deal; it polarized everyone at school… I suppose what appealed to me even at that young age was how individual he was, that I don't give a f--- look.

WENTZ: ''I was watching South Park maybe a year or two ago, and I remember thinking, That might actually be Robert Smith's voice!''

WENTZ: I was watching South Park maybe a year or two ago, and I remember thinking, That might actually be Robert Smith's voice! But I wasn't sure. I thought it was amazing, because these are two things that I really love, but I remember thinking, This is an arena that I would never see Robert Smith in. That was you, right?

SMITH: Yeah. It's weird because I had only seen a couple of the early South Parks. [Creators Trey Parker and Matt Stone] sent me a couple of episodes on video and I pissed myself laughing. I stayed up all night and went into this radio station and recorded my words down a phone line. I had no idea what it was all about. I had one of them on the other end of the line directing me, saying, ''Please sound more like Robert Smith. Come on!'' About six months later I saw it and I was completely thrown by what they had done with it. It was great. When I'm walking off and Stan's saying, ''Disintegration is the best album ever,'' it's one of my greatest moments in life.

WENTZ: Over the years I've always found myself sending people that I loved Cure songs, because they are love songs, but many of them are from such a different perspective — like ''Why Can't I Be You,'' which borders between love and obsession. When you play the older songs now, do they still mean the same thing as they did when you first wrote them? Or do you think, ''That was a snapshot of my life 10 years ago and I don't really feel the same way anymore''?

SMITH: When you're on stage, the real world just drops away for that time. It's pretty intense. Sometimes I'll pick a couple songs we haven't done for a while just so that I can relive that moment… and with most of them, I'm taken back to that time and that place. It can be quite odd, at the end of that song, to suddenly snap back into reality and think, ''S---, that was 20 years ago.''

WENTZ: You've had giant pop hits and these cult favorites. Did it bother you at times when certain songs would be gigantic?

SMITH: We had such an awful long time to get well known. [When] it happened, though, I found it very uncomfortable. For a long time, I didn't like certain songs because I thought, ''You're to blame, you bastard. You made me popular.''

WENTZ: Like ''Friday I'm in Love''?

SMITH: Yes, that's a perfect example. We did an album in '96 [Wild Mood Swings] and we had a song on there called ''Mint Car'' — it was the single, and I thought it was a better song than ''Friday.'' But it did absolutely nothing because we weren't the band at that time. The zeitgeist wasn't right. It taught me that sometimes there's a tipping point, and if you're the band, you're the band, even if you don't want to be, and there's nothing you can do about it.**

..los vídeos de Robert Vs Barbara y de Robert hablando de South Park :wink:

:arrow: http://www.youtube.com/watch?v=LL5AmmT7tTw
:arrow: http://www.youtube.com/watch?v=Wocvbx-CqYI

Rumsas

@Harry_Powell:ky649xqd:

@ky649xqd:

Alguien sabe si ha salido alguna vez algún grupo español en Pitchfork?

Me extraña que nunca hayan salido 12Twelve. Son de lo más exportable y además el factor Albini es un buen reclamo publicitario. Que discográfica tienen en el extranjero?

y una canción de la oreja de van gaal. Les moló, le pusieron bastantes estrellitas

hansen

@Madam:

@soft:

info sobre el nuevo trabajo de TV PERSONALITIES

..el 4 de diciembre tocaràn con Jeffrey Lewis en el Brixton Windmill de Londres ,cómo el día 12 Jeff & Company vienen a Barcelona y yo les iré a ver ya le preguntarè a Jeff que tal estaba Dan ..espero que bién y que pueda venir al Ps

que fuerte me parece.. en els artis del geni?? que bueno… cerca de mi casita... es un local que no está nada mal (abstenrse clastofobicos, para acceder a él hay que utilizar ascensor, es en un subterraneo)

el único porblmea del local es que la gente habla mucho. Pero bueno, es de las pocas cosas en esta gran ciudad con programación musical... y que bueno, algunas veces hay algo interesante. A decir verdad desde que está reabierto he ido sólo una vez, esto de pillar ascensor a mis colegas no les va, aparte había el nuevo proyecto musical de las integrantes de las B Violet y mogollon de gente hablando o estabas en las mil conversaciones que había o te volvías loco... la música te llegaba en formato ruido... a ver si me paso este día y la gente está algo mas calladito!

poppie

Lo nuevo de Aidan Moffat

Apenas un mes después de que finalice la gira de despedida de Arab Strap (el próximo 4 de diciembre en Glasgow), Aidan Moffat editará a través de Melodic su tercer álbum como Lucky Pierre. "Dip" será el título que dé continuidad al proyecto ambiental del escocés, que ya editó con anterioridad "Hypnogogia" (2002) y "Touchpool" (2005).

La fecha de edición de "Dip" es el 15 de enero de 2007 y sobre él ha declarado Moffat que "tenía un concepto del álbum desde el principio. Su tema es la naturaleza y los grandes espacios, particularmente el mar."

Marniello

@soft:

info sobre el nuevo trabajo de TV PERSONALITIES

@3uskmtth:

Television Personalities tendrán nuevo trabajo. Se llamará Are We Nearly Yet? y saldrá a la venta el próximo 19 de febrero a través del sello Overground Records. El disco estará formado por los siguientes temas:

“Are We Nearly There Yet?”
“The Peter Gabriel Song”
“The Eminem Song”
“I Get Scared When I Don’t Know Where You Are”
“I See Dead People”
“If I Could Write Poetry”
“If I Should Fall Behind”
“Coltrane’s Ghost”
“Mr Brightside”
“All The Midnight Cowboys”
“All The King’s Horses”
“You Are Loved”
“It’s All About The Girl”

If I Could Write Poetry supongo que será una nueva versión de su clásico, para mi gusto, una de sus mejores canciones.

soft bulletin

@Marniello:1u3zrm40:

If I Could Write Poetry supongo que será una nueva versión de su clásico, para mi gusto, una de sus mejores canciones.

Imagino que si (aunque con alguien como el nunca se sabe)
A ver si al final la podremos oir en directo y todo

poppie

LOU REED toca "Berlín" al completo (qué bien hubiera estado en el pasado PS)

"Berlin" (1973), el segundo disco de Lou Reed tras la disolución de The Velvet Underground, será objeto los próximos meses de diciembre y enero de una interpretación completa a cargo del músico neoyorquino. Las actuaciones tendrán lugar en Nueva York entre el 14 y el 18 de diciembre y en Sidney en el mes de enero.

Este nuevo espectáculo de Lou Reed constará de la interpretación de todos los temas de "Berlín" junto con cinco canciones nuevas. Además, la actriz francesa Emmanuelle Seigner, musa en su día de Roman Polanski en películas como "Frenético" (1988) o "Lunas de hiel" (1992), interpretará una película que se proyectará durante las actuaciones.

De momento, no se ha confirmado que vaya a haber fechas europeas para la interpretación de "Berlin".

(supernovapop.com)

soft bulletin

@poppie:133jbwb9:

LOU REED toca "Berlín" al completo (qué bien hubiera estado en el pasado PS)

(supernovapop.com)

Esto estaria muy bien en el auditori …..

poppie

@soft:

@poppie:29jabpmj:

LOU REED toca "Berlín" al completo (qué bien hubiera estado en el pasado PS)

(supernovapop.com)

Esto estaria muy bien en el auditori …..

ya lo creo… aunque después de haber venido al PS 2006, no sé yo si lo veo muy posible en el PS 2007

poppie

Izumi Records publican un recopilatorio de Navidad titulado "It's not like Christmas"

Entre los participantes, EL PERRO DEL MAR, AMUSEMENT PARKS ON FIRE o MINUTEMAN

http://www.izumirecords.com
http://www.myspace.com/izumichristmas

soft bulletin

@poppie:dqp72api:

@soft:

@poppie:dqp72api:

LOU REED toca "Berlín" al completo (qué bien hubiera estado en el pasado PS)

(supernovapop.com)

Esto estaria muy bien en el auditori …..

ya lo creo… aunque después de haber venido al PS 2006, no sé yo si lo veo muy posible en el PS 2007

bueno, ¿porque no? Salvando las distancias , Nacho vegas ha venido bastantes años seguidos….

Ah y ahora que me acuerdo los TV personalities dos veces seguidas tambien :wink:

Flash

Alguien se explica el porqué los grupos hoy en día les da por tocar discos enteros…?

Metallica - Master Of Puppets (20 aniversario)
Lou Reed - Berlín
TNFC - Bandwagonesque

Ahora a bote pronte, fijo que hay más. La verdad es que es algo curioso, alguien se ha parado a pensar?

poppie

@Flash:1lvo5fby:

Alguien se explica el porqué los grupos hoy en día les da por tocar discos enteros…?

Metallica - Master Of Puppets (20 aniversario)
Lou Reed - Berlín
TNFC - Bandwagonesque

Ahora a bote pronte, fijo que hay más. La verdad es que es algo curioso, alguien se ha parado a pensar?

hay festivales en USA y UK que llevan mucho tiempo pidiendo esto a los grupos

Trinxo

@Flash:2pp0i18l:

Metallica - Master Of Puppets (20 aniversario)

Donde? Como? Cuando? va a resucitar a Cliff Burton para esto? porque sinó está el burton se pueden ir a la mierda… que grande sería escuchar Damage, Inc. en directo, que canción más burra joder...

Suarezmanlanz

@Flash:1wk79xh2:

Metallica - Master Of Puppets (20 aniversario)

[[i:1wk79xh2]vena metalera quinceañera ON]
Vaya pedazo de disco!
[[i:1wk79xh2]vena metalera quinceañera OFF]

Trinxo

@Suarezmanlanz:2pb0wumy:

@Flash:2pb0wumy:

Metallica - Master Of Puppets (20 aniversario)

[[i:2pb0wumy]vena metalera quinceañera ON]
Vaya pedazo de disco!
[[i:2pb0wumy]vena metalera quinceañera OFF]

Discazo ande los haiga, creo que para la mayoría de sus fans es el preferido, pero yo creo que me quedo con el Ride the Lightning, puro Trash Metal de arriba a abajo.

Pelukini

Eluvium ira tmb en la gira mundial de Explosions in The sky el año k viene!!!! y todos dos con sus respectivos nuevos trabajos!!!!; por diosssss Mr primavera con esto a mi ya me tienes comprado… jajajajaja

de su myspace >>

"Hello again, everyone. As I've already said before, Eluvium will be on tour this March with Explosions In the Sky. Here is some info from Temporary Residence on his new album and tour:

Our favorite living American composer, Matthew Cooper aka Eluvium, is set to release his fourth album, 'Copia', on February 20 (the same day as EITS, have we no shame?!). It is by far Eluvium's most epic album to date, expanding the instrumentation to include a small orchestra and a brass section. Fear not headcases: the same contemplative, lost-in-your-own-thoughts atmosphere that soaked all previous Eluvium releases is in abundance here. This is power ambient! To celebrate the good times, Eluvium will embark on a worldwide tour supporting his dear friends Explosions In The Sky. Life just keeps hitting homeruns!"

alrom

@Trinxo:3k2lneod:

@Suarezmanlanz:3k2lneod:

@Flash:3k2lneod:

Metallica - Master Of Puppets (20 aniversario)

[[i:3k2lneod]vena metalera quinceañera ON]
Vaya pedazo de disco!
[[i:3k2lneod]vena metalera quinceañera OFF]

Discazo ande los haiga, creo que para la mayoría de sus fans es el preferido, pero yo creo que me quedo con el Ride the Lightning, puro Trash Metal de arriba a abajo.

Creo que aquí todos los que tenemos un poco de edad hemos sido fans de Metallica…

poppie

lo nuevo de HELLA
Hella publicarán el 30 de enero un nuevo álbum que se llamará There’s No 666 in Outer Space. Para él, Zach Hill y Spencer Seim han ampliado la formación con la incorporación a sus filas de Josh Hill, Aaron Ross y Carson McWhirter.

Los temas que formarán llamará There’s No 666 in Outer Space son:

“World Series”
“Let Your Heavies Out”
“The Ungratefull Dead”
“Friends Don't Let Friends Win”
“The Things That People Do When They Think No One's Looking”
“Hand That Rocks the Cradle”
“2012 and Countless”
“Anarchists Just Wanna Have Fun”
“Dull Fangs”
“Soundtrack to Insecurity”
“There's No 666 in Outer Space”