Filtraciones '08
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Soundpool - Dichotomies & Dreamland (2008)
@c4s53rz2:
Forming in 2005 Soundpool is a NYC-based 5 piece shoegaze, space rock, audio/visual act with sweet girlie vocals, saturated guitar sounds, lush synth arrangements and a danceable driving rhythm section. Soundpool's first album, On High, reached the top spot on the Tonevendor charts for well over a month in late 2006 – Soundpool has since quietly placed themselves in the center of the new shoegaze/dream pop movement of music, sharing the stage with great acts: Robin Guthrie, Ulrich Schnauss, A Place To Bury Strangers, Mahogany, Asobi Seksu, Spectrum, Star, Kyte, Auburn Lull and Butterfly Explosion to name a few. Soundpool's second full length album Dichotomies & Dreamland is in many ways the classic psychedelic album in a post electronica age. Conceptually, the album can be broken into two parts… the conscious and the subconscious. Stylistically, the album follows a thread that perhaps starts in the mid-sixties when pop artists of the day started taking hallucinogens and making records that were a bit more eclectic, cerebral and daring... pushing the boundaries of what a rock & roll record could be. Dichotomies & Dreamland was made in the spirit of that sort of artistic attitude but it's not deliberately of even necessarily retro per se... in fact it is quite modern in an indie sort of way. Elements of Shoegaze, Dreampop, Space Rock, Psychedelic and Electronic are all present. Over a year and a half in the making... we hope you enjoy our latest body work!
http://rapidshare.com/files/103824401/S-D_D_ill-formed.zip.html -
Syd Matters- Ghost Days (2008)
@22svzfy1:
Although French singer/songwriter Jonathan Morali has carefully constructed a persona under the name Syd Matters, that of a slightly agoraphobic romantic writing and recording haunted musical messages from the safety of his bedsit, his third album features the debut of Syd Matters the band, a quintet featuring himself, two other guitarist-keyboardists (one of whom doubles on flute) and a rhythm section. The fuller sound of Ghost Days suits Morali's songs beautifully, giving them more depth and a certain level of lo-fi elegance. The soigné mopery of songs like "I Was Asleep" and the epic "Me and My Horses" is just the sort of wistful sadness that feels particularly nice to sink into on a rainy, lonely day, and the lyrics are salted with just enough flashes of happiness to keep the album from turning into a brooding downer. Fans of the Pernice Brothers, the darker side of Belle & Sebastian, and other acolytes of Nick Drake will find much to love here.
http://www.mediafire.com/?jmojjxdtiyvLas negritas son mías.
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me gustaron los dos álbumes anteriores de este artista. A ver qué tal este. Gracias
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@andtheworldsmileswithyou:n6nz5bem:
Syd Matters- Ghost Days (2008)
@n6nz5bem:
Although French singer/songwriter Jonathan Morali has carefully constructed a persona under the name Syd Matters, that of a slightly agoraphobic romantic writing and recording haunted musical messages from the safety of his bedsit, his third album features the debut of Syd Matters the band, a quintet featuring himself, two other guitarist-keyboardists (one of whom doubles on flute) and a rhythm section. The fuller sound of Ghost Days suits Morali's songs beautifully, giving them more depth and a certain level of lo-fi elegance. The soigné mopery of songs like "I Was Asleep" and the epic "Me and My Horses" is just the sort of wistful sadness that feels particularly nice to sink into on a rainy, lonely day, and the lyrics are salted with just enough flashes of happiness to keep the album from turning into a brooding downer. Fans of the Pernice Brothers, the darker side of Belle & Sebastian, and other acolytes of Nick Drake will find much to love here.
http://www.mediafire.com/?jmojjxdtiyvLas negritas son mías.
JAJAJAJA eres un chachondo!
PD: idem
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Unwed Sailor - Little Wars (Burn Toast Vinyl)
http://www.mediafire.com/?gunm5oydmj2@hzofvea4:
Johnathon Ford's Unwed Sailor celebrate the 10th anniversary since their 1998 debut with their most accomplished record yet, and fourth full-length Little Wars. Little Wars is the summation of all Unwed Sailor have learned and experimented with over the years. Ford & company shape the sound with atmospheric keyboards, colored guitar, high on the neck bass and much more; resulting in melodic episodes that range from floating to the cinematic, and sometimes carry to even more intense segments, making Little Wars another necessity for any lover of instrumental rock. At the end of November 2007, the band finished recording and mixing of Little Wars, with the final Little Wars sessions recorded and mixed close to Ford's Tulsa, OK childhood home in nearby Norman, OK by Chad Copelin (Page France, Umbrellas, Ryan Lindsey) in his new Blackwatch Studios. The core line-up that recorded The Marionette and the Music Box with Johnathon Ford was re-assembled, including longtime guitarist Nic Tse who now lives in Hong Kong, drummer Matthew Putman, and guitarist Matthew Depper, and combined with the current live band which includes keyboardist Brooks Tipton, drummer Patrick Ryan, and guitarist Andrew Haldeman.
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A mi el de Unwed Sailor tampoco me convence y eso que soy fan del disco que editaron junto a Early Day Miners. Dejo el video de Stateless, de ese disco:
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Venga, una de indie pop y otra de … bueno... veremos
The Little Ones - Terry Tales And Fallen Gates ep [2008]
@2u5rp8z0:
There’s something so comforting, so approachable about this Little Ones band. When they go out on the road with other, more notable bands, everybody on the tour must say it: “Man, those Little Ones guys are fucking cool.” If they crash at your house after the gig, they seem like the types to make their beds before they leave. It’s just a hunch, but we’re going with it, because it’s hard not to listen to Terry Tales & Fallen Gates and not begin to swoon over the Los Angeles combo’s pleasantly clattering indie pop. We’re reminded of stuff we’ve heard before (the little Beulah-esque guitar line on “Tallies,” the Kinksian 1960s pop nostalgia on “Forgive Yourself”), and we like that. We like being politely reminded of the good stuff. And when the rush of “Forgive Yourself” comes in — with those Nord Electros abuzz, and the drums perfectly aflutter — it’s an indie-pop summertime dance party in our backyard. And Little Ones are bringing the heat and hot dogs. — Ryan Allen
http://rapidshare.com/files/107451752/The_Little_Ones-Terry_Tales_And_Fallen_Gates-_EP_-2008-RTB.rar
Slither / Thurston Moore + Paul Flaherty - Bored Fortress Split 7" [Not Not Fun 2008]
http://www.mediafire.com/?erjmbqho2mbNo hablabais de portadas bonitas?
Buenas noches.
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Casiotone For The Painfully Alone / Concern - Split 8" [PIAPTK, 2008]
http://rapidshare.com/files/107527047/Gazda.rary desde Subpop!
Mudhoney - The Lucky Ones (2008)
http://www.mediafire.com/?1hizg5121lb -
andtheworld… muy buenas aportaciones. A ver que tal este nuevo del thurston....
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@-Toxinho-:j9vf3ks7:
Tujiko Noriko - Trust
http://www.sendspace.com/file/x9vi3m
Este hace electrónica.
Será esta. Y sí, la portada es horrorosa. Vamos a ver que hay dentro.
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Un error tipográfico de esos.
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El de Syd Matters un poco coñazo asi de primeras. Se me ha hecho bastante largo (casi una hora creo) y muy irregular.
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a ver si este te mola mas
Madonna : 'Hard Candy'
01. Candy Shop
02. 4 Minutes
03. Give It 2 Me
04. Heartbeat
05. Miles Away
06. She s Not Me
07. Incredible
08. Beat Goes On
09. Dance 2night
10. Spanish Lesson
11. Devil Wouldn't Recognize You
12. Voicesno lo he comprobado, pero ahí va
http://rapidshare.com/files/107531824/Madonna_-_Hard_Candy__2008_.rary un poquito de electro electrónica desde australia
The Presets - Apocalypso
@1cj44l5h:
Some five years ago, relatively unknown Sydney outfit The Presets – comprised of Julian Hamilton and Kim Moyes – were exactly that: relatively unknown. No mocking anybody’s ego there. That being said, theirs was a star that was definitely rising. Signed to Australia’s Modular Recordings, and it would only be a matter of time before tunes like Down Down Down, Are You The One? and the beautiful Girl And The Sea became regulars at festivals, here and abroad. The Presets had arrived, and as they belted out monster tune after another at those festivals, they listened. They noted. And they began writing an album. Apocalypso is what they came up with. Much like the last few years have been quite a journey for the lads, so is this also; and it’s one hell of a ride indeed.
Kicking things off with what sounded to me like – wait for it – The Killers meets Justice , Kicking and Screaming has you heading straight for the dancefloor. With just a bit of cheekiness to it, you can’t help but want to move to it: hell, I can barely keep still as I write this. That said, nothing goes for the dancefloor jugular more than the first single from the album My People, and it’s one that’s sure to be a big festival hit in the European Summer, especially if the response at the recent V Festival is anything to go by. Chunky, hard, solid beats, with plenty of throw your hands up in the air and ‘scream your ass off’ kind of vocals. Awesome.
A New Sky takes it back a notch, but lifts you at the same time, with a bit of an 80s feel to it that appears from time to time, and later reappears with Yippyo-ay but is always welcomed. Enter This Boy’s In Love, for me, the absolute belter of the album. And on an album with some solid tunes, that’s saying something. Ridiculously and almost stupidly catchy, you just want to scream. The melody, the vocals, the crystal clear emotive techno; it all comes together in a seemingly perfect synergy to produce a damn fine tune, with an equally impressive video clip too.
Talk Like That and Eucalytpus throw up some cranking, almost dirty beats, with a relentless fast paced feel, but with vocals that manage to build undeniably razor-sharp pop tune. Imagine yourself in a car – and things are going at breakneck speed. Then, suddenly, you brake hard, and you come bumper-to-bumper with If I Know You: if there’s a Girl and the Sea on this offering then it’s this, with vocals that come from the heart, and if this were heard at a festival, then you’d just want to grab a loved one and nearly squeeze them to death. Aeons then throws the vocals out the window, and lets you sit back and just appreciate what these guys are pretty damn good at – sounds – and there’s an array of them here. Impressive to say the least.
All up, this album is distinctly ‘Presets’ in its taste. It’s one that thousands of people have devoured across the world, and what we’ve grown accustomed to, and while there may be a hint of a different edge, it never strays too far from what has proven to be a popular recipe. The beats stay chirpy, funky, but the electro pop is never far away. If there’s a criticism, and a mild one, it is that some of the lyrics can tend to have a similar feel to each other. Easy to overlook, and for fans of the lads, this will be music to their ears. Pardon the pun. Go get it.
http://rapidshare.com/files/107320940/The_Presets-__Apocalypso.rar -
Aquí está la última referencia de Rumraket, "Kondens" de Erik Levander. Un punto medio entre el "Duplex" de Apparat y el "October Language" de Belong.
http://www.mediafire.com/?rgnoztry90m -
Joder con Madonna, peazo portada…
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No-Man - Schoolyard Ghosts 2008 >> progresive rock/electronica/steven wilson
Después de casi 5 años, vuelven con el disco Schoolyard Ghosts, disco con colaboraciones de Edwin and Gavin Harrison (Porcupine Tree/King Crimson), Bruce Kaphan (ex-American Music Club/Red House Painters), Pat Mastelotto (King Crimson), Dave Stewart (The London Session Orchestra) y Theo Travis (David Sylvian/Nine Horses)
http://rapidshare.com/files/106877261/NM-SG.rar -
Tunnel of Love - Hottt Radio Revange, 2008. >> warreo garagero/rock/litros de alchol/punk/sudor/lofi
video entradita presentacion del grupo >> http://www.youtube.com/watch?v=GDl8oOZk65E
http://www.myspace.com/tunneloflove666
http://rapidshare.com/files/107508091/ToLHRR08.rarpass: rasism
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@Suarezmanlanz:l5wz6rns:
Aquí está la última referencia de Rumraket, "Kondens" de Erik Levander. Un punto medio entre el "Duplex" de Apparat y el "October Language" de Belong.
Gracias Suarez, no pinta mal
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esto tiene buena pinta
Nigeria Disco Funk Special -The Sound Of The Underground Lagos Dancefloor 1974 to 1979 [2008]
http://rapidshare.com/files/106261347/NDFS_Vic.rar.htmly esto supongo que a alguien le habrá dado miedo ponerlo, pero a mi me ha gustado así que lo pongo, pero ojo:
musical settings
for common environments
and domestic situations
es decir, ambient de mecedora y cañón, como diría pelukiniGraham Lambkin and Jason Lescalleet - The Breadwinner [2008]
@1puw4bmu:
Graham Lambkin and Jason Lescalleet are both highly respected artists, with small but intensely hardcore followings. Since 2001, they've been gradually moving closer towards realizing a collaborative project, and The Breadwinner is the results of two years of recording, reworking and polishing.
Lambkin first entered the public consciousness at 19 when he formed his band The Shadow Ring, in Folkestone, a small town in Kent, England. The band was memorable and built an rabidly passionate fan base because of its sui generis approach, blending elements of folk, noise, cracked electronics, and surrealist poetry, while radically changing the overall formula with each release. A decade of increasingly skewed and inspired work culminated in 2003's I'm Some Songs, constructed long distance as Lambkin had relocated to the US in 1998. Over the last few years, Lambkin has primarily worked under his own name, most notably with 2007's brilliant Salmon Run, a precursor to The Breadwinner.
Lescalleet has gradually and painstakingly built a compelling discography over the past decade. He uses reel-to-reel tape decks to explore the textures of low fidelity analog sounds and the natural phenomena of old tape and obsolete technology. He is one of a growing list of master producer/musicians, whose skill lies as much in reworking, assembling and mastering the material available as in creating it (or helping create it) in the first place. He has worked with such wide-ranging artists as Ron Lessard, Joe Colley and Phill Niblock, and has released a string of superb solo discs in Mattresslessness (Cut), Electronic Music (RRR) and The Pilgrim (Glistening Examples). This is his second release for Erstwhile, after 2001's Forlorn Green (w/Greg Kelley), and his third is already in preparation, a duo with Bhob Rainey, planned for release in early 2009.
The material for The Breadwinner was recorded at Lambkin's house in upstate NY, over two recording sessions. The duo treated the entire building and its surrounding grounds as a studio, welcoming in outside sounds, which were later kept or eliminated as they felt appropriate. The subtitle on the front cover is "musical settings for common environments and domestic situations", layering numerous submerged fragments to find beauty in everyday life.
"Jason Lescalleet's influence was palpably present long before the average Joe knew how many L's were in his last name (or could successfully google it). He spun tape loops with nmperign from the get-go, frequently signified the endings of his characteristically foundation-shaking performances by hurling a nearly indestructible, hundred-pound Peavy amp across the stage, and provided the bulk of the "disaster" in legendary drummer Lawrence Cook's "Disaster Unit 2000". But as the smoke cleared and the Peavy met its demise in a white-walled room, it became apparent to an awful lot of people that Lescalleet was making some amazing music; beautifully constructed symphonies of decay born of an intimacy with items and ideas lesser minds might discard: tape machines, lo-bit samplers, the tedium of everyday life. His ability to evoke powerfully complex emotional experiences from such muck made a collaboration with Graham Lambkin practically inevitable.
Composer Walter Marchetti once made a statement to the effect that he was seeking to reach the "bottom" of music. Some more diligent attention to this task might lead him to the music of Graham Lambkin. Already marking out a glorious bottom with his former band, The Shadow Ring, Lambkin has pursued a music so removed from prescribed aesthetics that one is flooded by the beauty it seems to ruthlessly avoid. He puts the mundane to tape and carves out its horror, its sweetness, and its unsettling ambivalence. Shrouded in a disarming naiveté, the music leaves the listener ill-prepared for its very adult take on being-in-the-world. We are fortunate that humor can be so black, that we may surrender happily and willingly to an experience not many artists are willing or capable of delivering."
http://www.mediafire.com/?3xlyc4d2yzo -
@andtheworldsmileswithyou:9cnwu4q2:
Venga, una de indie pop y otra de … bueno... veremos
The Little Ones - Terry Tales And Fallen Gates ep [2008]
Gracias a ti por éste. Cuando se animará esta gente a sacar largo de una vez por todas?
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