Filtraciones '08

chema s.

grotesco. Insisto en lo que ha dicho Pelukini: poner un enlace sirve para que mucha gente descubra al grupo (un amplio porcentaje de ella JAMÁS lo hubiera hecho de otra forma), y lo tenga en cuenta a la hora de comprarse un disco, ir a un concierto, contratarlos, … La competencia es durísima en calidad y, sobre todo, cantidad, así que si el público ha de escoger es un suicidio negarle una primera y mísera cata, no juegas en igualdad de condiciones que el resto.

three second kiss son buenísimos, y chevreuil también, pero muy difícil será que me vuelva a comprar un disco de alguno de ellos si antes no lo escucho

las formas, deplorables. Yo le contestaba

le respondí, le respondí. de la manera más cordial y educada que pude. y el tipo me respondió pidiéndome disculpas por haber sido grosero pero sin bajarse de una burra absurda que cuenta que disco bajado es disco menos vendido, que la música sin soporte material no es 'emocionante' y que hacer circular gratuitamente una obra privada es una ilegalidad… en fin.

Zackchill

a ver si algún pro encuentra por ahí el nuevo en directo de….

Les Savy Fav - After the Balls Drop

está disponible desde ayer previo pago en itunes y amazon, pero no aparece por ningún lado
tanks!

jösexiu

me quedaba algo por subir:
**
Syd Matters** - Someday we will foresee obstacles (V2, 2005)

http://rapidshare.com/files/111529647/Someday_we_will_foresee_obstacles.rar.html

jösexiu

@Psychocandy:19ef9f77:

para los cracks buscadores:

no encuentro nada de Christoph de Babalon (está en daydream) y parece drum'n'bass del bueno…

algún link si encontráis algo please

http://profile.myspace.com/index.cfm?fu ... d=68813445

aquí el Lover Under Will EP:

http://rapidshare.com/files/11121003/fisch002.rar

no me importa buscarlo, pero es que es la primera entrada de google si se pone el nombre del artista seguido de rapidshare

suitaloon

@jösexiu:3pzs1j76:

me quedaba algo por subir:
**
Syd Matters** - Someday we will foresee obstacles (V2, 2005)
http://rapidshare.com/files/111529647/Someday_we_will_foresee_obstacles.rar.html

Hombre! Casi me había olvidado. Gracias nuevamente. Toca esperar con esto del rapidshare. Y ya que estamos, alguien que tenga por ahí el disco de Centro-Matic del Dual Hawks? En su momento solo me llegué a bajar el de South San Gabriel y el link ya no rula.

chema s.

@Zackchill:1c1j81tp:

lo próximo de warp

Flying Lotus - Los Angeles [2008 ]
http://www.mediafire.com/?m9ox3gbydnz

primera escucha y buena pinta.

jösexiu

@suitaloon:2zvnzbtl:

alguien que tenga por ahí el disco de Centro-Matic del Dual Hawks? En su momento solo me llegué a bajar el de South San Gabriel y el link ya no rula.

creo que estos enlaces sí rulan:

    http://rapidshare.com/files/106410749/CentroMatic-DualHawks-cd1-2008.zip

    http://rapidshare.com/files/106416185/SouthSanGabriel-DualHawks-cd2-2008.zip

suitaloon

@jösexiu:a6w9drf7:

creo que estos enlaces sí rulan:

    http://rapidshare.com/files/106410749/CentroMatic-DualHawks-cd1-2008.zip

    http://rapidshare.com/files/106416185/SouthSanGabriel-DualHawks-cd2-2008.zip

Perfecto! Con esto ya tengo material suficiente como para el mix de abril.

Rumsas

Después de lo que dice un tío con criterio como David S. Mordoh de Holton's Opulent Oog aquí y de darme una vuelta por su myspace, me he quedado con ganas de más.
No he encontrado nada ni en taringa ni buscando en google Holton's opulent oog + rapidshare o megaupload o similar, a qué soleis recurrir para este tipo de cosas?

Si os mola Mojave 3, os molará. Si no, lo dudo mucho.

casiotone

@Rumsas:22vsu9gr:

Si os mola Mojave 3, os molará. Si no, lo dudo mucho.

Yo me apunto, Mojave fueron mi vida con 20 años.

andtheworldsmileswithyou

Isengrind/Twinsistermoon/Natural Snow Buildings - "The Snowbringer Cult"

@nj37pstj:

Enter the Snowbringer Cult. Lo, behold the great arrival. Over the course of several
private press releases, all of which will see much needed CD reissues later this
year, and the gone-in-the-blink-of-an-eye "Laurie Bird" CDR that we released in
early February '08, the music and artwork of Mehdi Ameziane and Solange Gularte
has become the stuff of legend. Such is the case despite the fact that the amount
of people who have actually been fortunate enough to acquire physical copies of
these wondrous releases numbers in the mere low hundreds. "The Snowbringer Cult"
then, in all of its epic glory, is what you might call an entirely necessary and long
overdue coming out release by France's mighty Natural Snow Buildings.

The album is composed of two jam-packed discs of brand new material recorded
in the final months of 2007, the first being a split between the duo's solo
projects: Isengrind (Gularte) and Twinsistermoon (Ameziane). Here, the pair's
tendency to occupy the full 80 minute capacity of the CD medium proves
ideal, as both solo projects effectively have a full 40 minutes in which to sketch
their respective sonic visions. Disc one begins with the exotic ethnodrones of
Isengrind, with Gularte transporting us to some blasted bazaar where Eastern
strings, haunted vocals and a marvelous universe of shaken and beaten percussion
emanates from every dark corner of the windswept streets. "To Ride With Holle"
could be a merging of the resonant clatter of "Empty Bell"-era Pelt with the enchanted
peaks of the Taj Mahal Travellers' bleary eyed beachside reveries. Elsewhere,
Gularte presents us with tribal landscapes that wouldn't be out of place on the
most captivating of Sublime Frequencies releases, as is the case on "Wooden
False Face." Ever the chameleon, throughout her half of the split Gularte takes
us to deep, dark places, such as the barren netherworld of "SunDusk Wand," as
well as the bright, blue summits found in her magnificent closing piece "Anima Sola."

Emerging from the ashes of Isengrind's lush soundworlds are Mehdi Ameziane's own
solo flights as Twinsistermoon, which begin with the keening, sprawling "Amantsokan,"
a truly mesmerizing dirge. It is with "The Spears of the Wolf" however, that the course
of this split album is wonderfully altered. Here, Ameziane channels the most affecting
qualities of 70's British folk music with wondrous, transportive results. Ameziane's
take on the folk song is reminiscent of the pastoral diddies of Vashti Bunyan or
perhaps some long lost Linda Perhacs or Anne Briggs recording, all plaintive nylon
strings and warm, whispered voices. It is thus that the Twinsistermoon half of the split
oscillates effortlessly between two seemingly disparate styles: that of the nostalgic,
crestfallen folk song ("Spells," Water Barrier," "Kingdom of the Sea") and that of the
slow burning drone epic ("Order of the Dreamt," "Bones Memories," "Understars") -
no small feat indeed.

For the album's colossal third installment, Ameziane and Gularte join forces under the
Natural Snow Buildings moniker for the entirety of disc two. It is here that all of the
diversity and compositional prowess evidenced by the pair's solo recordings coheres
into the remarkably refined and singular NSB sound. "Resurrect Dead on Planet Six"
kicks things off, a horde of screaming, lost specters howling across one thousand
endless starry nights. On "Ongon's Rattle," a doomed mass gathers for a ritual
processional, with Ameziane and Gularte's moss-laden forest chants floating atop a
wistful, rhythmic undertow that is evocative of the best qualities of early Godspeed You!
Black Emperor and the rest of the Constellation Records roster. After the sunlit drift of
"Inuk's Song," Ameziane and Gularte unleash in the title track what is undoubtedly one of
their most compelling compositions to date. A deluge of frenzied woodwind tones gives
rise to a blasted sea shanty lament driven forward by collapsing synth lines, booming
percussion and increasingly urgent, searing blasts of pure bliss drone guitar. The enigmatic
forest dwellers raise their voices again on the shambling, reverent "Gone," and, later,
"Salt Signs" continues the beautiful trajectory established by the title track with its
impossibly towering summits of synth and string drones that are gradually tempered by
kraut-inflected percussion and drifting, rhythmic guitar work. Later still, "The Desert Has
Eyes" finds a tribal raga positively eviscerated by blistering sheets of pure whiteout
feedback and cascading sine waves. The album ostensibly closes with an ocean of
elegiac organ tones woven into a tight coda. However, an emphatic exclamation point
to the monster that is "The Snowbringer Cult" occurs with the album's hidden track,
wherein an utterly levitating torrent of pounding percussion, hummed vocals and
post-Flying Saucer Attack fuzzbox guitar attack scream out into the void.

If this seems like a lot to take in - it surely is, but such is the nature of the Natural
Snow Buildings cosmos. Enter the Snowbringer Cult. Lo, behold the great arrival.

http://www.megaupload.com/?d=LDXVGQUV

++
**
Sung To The North CDR**

http://www.shareonall.com/Sung_To_The_North_qsnu.zip

HIROMI

@jösexiu:25g532ln:

me quedaba algo por subir:
**
Syd Matters** - Someday we will foresee obstacles (V2, 2005)
http://rapidshare.com/files/111529647/Someday_we_will_foresee_obstacles.rar.html

Yo recuerdo que me entró genial este tipo con los dos primeros discos hará un par de años y de engancharme en una semana pasé a aborrecerlo en dos. Y no lo he vuelto a escuchar desde entonces. Eso sí, la canción que da titulo a éste se engancha de lo lindo y hay tufillo al Beck más acústico en todo el disco.

fond of you

La Brigada - L'obligació de ser algú

http://rapidshare.com/files/109602619/La_Brigada.rar

He leído por ahi que Harry ha tenido que recurrir al myspace para escucharlos y me he sentido con la obligación moral de subirlo.

Harry_Powell

@fond:

La Brigada - L'obligació de ser algú
http://rapidshare.com/files/109602619/La_Brigada.rar
He leído por ahi que Harry ha tenido que recurrir al myspace para escucharlos y me he sentido con la obligación moral de subirlo.

Merci, si está guapo acabará cayendo en original, para algo bueno que sale en catalán hay que apoyarlo.

greychaos

Ei sona bé això. Llevo dos canciones de La Brigada esta y me está sorprendiendo gratamente.

Pfister

@Rumsas:2ow1snhn:

Después de lo que dice un tío con criterio como David S. Mordoh de Holton's Opulent Oog aquí y de darme una vuelta por su myspace, me he quedado con ganas de más.
No he encontrado nada ni en taringa ni buscando en google Holton's opulent oog + rapidshare o megaupload o similar, a qué soleis recurrir para este tipo de cosas?

Si os mola Mojave 3, os molará. Si no, lo dudo mucho.

Joder que bueno. Me acabo de pedir el vinilo en el myspace. Gracias por la info, Rumsas.

sTrOOk

@fond:

La Brigada - L'obligació de ser algú
http://rapidshare.com/files/109602619/La_Brigada.rar
He leído por ahi que Harry ha tenido que recurrir al myspace para escucharlos y me he sentido con la obligación moral de subirlo.

Moltes gràcies!

andtheworldsmileswithyou

Kangding Ray - Automne Fold (Raster-Norton, 2008)

@pai8rac1:

David Letellier's Kangding Ray project returns to Raster Noton for a second album of sophisticated, often very accessible electronics, serving as an intriguing follow-up to the Ryoji Ikeda album that set heads spinning only a week or two ago. As with his debut album for the label (the excellent Stabil), Letellier's music operates at a more instantly digestible corner of the Raster Noton universe than we might ordinarily be used to. There's even an extensive use of vocals featured on Automne Fold, but far from the obliterated, mechanised restructuring of Cosey Fanni Tutti's voice on the recent Coh album, here you'll find comparatively untreated, naturalistic performances - particularly on pieces like 'Idle', 'World Within Words' or 'A Protest Song' where you'll find yourself confronted by something as conventional and un-Raster Noton-like as an actual song. Even Letellier's production approach - although overlapping somewhat with the more recognisable micro-rhythmic idiom of the label - marks a departure from the stricture and austerity we've come to love. Listen closely to this record and you'll be able to make out bowed guitars, violins, and even pianos augmenting the precise beat frameworks and angular digital tones. In the general scheme of things Automne Fold still sounds like a vehemently experimental work, but there's every chance that a wider audience will find a way into the music of Raster Noton through this release: seldom do melody and conventional harmony flourish so openly and so convincingly as they do on this album. There's no cause for concern though, because none of this feels like a compromise. Even the most stringent followers of the label's catalogue will find much to love in the glitch rhythms that fold together 'Quarante's strings and voices, or the telecom whirr underpinning the drone tones of 'Palisades'. Highly Recommended.

http://www.mediafire.com/?z93ogtjd0mh

Pelukini

@andtheworldsmileswithyou:j7719z7f:

Kangding Ray - Automne Fold (Raster-Norton, 2008)

@j7719z7f:

David Letellier's Kangding Ray project returns to Raster Noton for a second album of sophisticated, often very accessible electronics, serving as an intriguing follow-up to the Ryoji Ikeda album that set heads spinning only a week or two ago. As with his debut album for the label (the excellent Stabil), Letellier's music operates at a more instantly digestible corner of the Raster Noton universe than we might ordinarily be used to. There's even an extensive use of vocals featured on Automne Fold, but far from the obliterated, mechanised restructuring of Cosey Fanni Tutti's voice on the recent Coh album, here you'll find comparatively untreated, naturalistic performances - particularly on pieces like 'Idle', 'World Within Words' or 'A Protest Song' where you'll find yourself confronted by something as conventional and un-Raster Noton-like as an actual song. Even Letellier's production approach - although overlapping somewhat with the more recognisable micro-rhythmic idiom of the label - marks a departure from the stricture and austerity we've come to love. Listen closely to this record and you'll be able to make out bowed guitars, violins, and even pianos augmenting the precise beat frameworks and angular digital tones. In the general scheme of things Automne Fold still sounds like a vehemently experimental work, but there's every chance that a wider audience will find a way into the music of Raster Noton through this release: seldom do melody and conventional harmony flourish so openly and so convincingly as they do on this album. There's no cause for concern though, because none of this feels like a compromise. Even the most stringent followers of the label's catalogue will find much to love in the glitch rhythms that fold together 'Quarante's strings and voices, or the telecom whirr underpinning the drone tones of 'Palisades'. Highly Recommended.
http://www.mediafire.com/?z93ogtjd0mh

o si!, vaya discazo (stabil) de marco el colega!

Zackchill

@Zackchill:1cxw6wo4:

a ver si algún pro encuentra por ahí el nuevo en directo de….

Les Savy Fav - After the Balls Drop

está disponible desde ayer previo pago en itunes y amazon, pero no aparece por ningún lado
tanks!

ya esta

http://www.mediafire.com/?mmjxk9z9mc5