Filtraciones '08
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Después de lo que dice un tío con criterio como David S. Mordoh de Holton's Opulent Oog aquí y de darme una vuelta por su myspace, me he quedado con ganas de más.
No he encontrado nada ni en taringa ni buscando en google Holton's opulent oog + rapidshare o megaupload o similar, a qué soleis recurrir para este tipo de cosas?Si os mola Mojave 3, os molará. Si no, lo dudo mucho.
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@Rumsas:22vsu9gr:
Si os mola Mojave 3, os molará. Si no, lo dudo mucho.
Yo me apunto, Mojave fueron mi vida con 20 años.
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Isengrind/Twinsistermoon/Natural Snow Buildings - "The Snowbringer Cult"
@nj37pstj:
Enter the Snowbringer Cult. Lo, behold the great arrival. Over the course of several
private press releases, all of which will see much needed CD reissues later this
year, and the gone-in-the-blink-of-an-eye "Laurie Bird" CDR that we released in
early February '08, the music and artwork of Mehdi Ameziane and Solange Gularte
has become the stuff of legend. Such is the case despite the fact that the amount
of people who have actually been fortunate enough to acquire physical copies of
these wondrous releases numbers in the mere low hundreds. "The Snowbringer Cult"
then, in all of its epic glory, is what you might call an entirely necessary and long
overdue coming out release by France's mighty Natural Snow Buildings.The album is composed of two jam-packed discs of brand new material recorded
in the final months of 2007, the first being a split between the duo's solo
projects: Isengrind (Gularte) and Twinsistermoon (Ameziane). Here, the pair's
tendency to occupy the full 80 minute capacity of the CD medium proves
ideal, as both solo projects effectively have a full 40 minutes in which to sketch
their respective sonic visions. Disc one begins with the exotic ethnodrones of
Isengrind, with Gularte transporting us to some blasted bazaar where Eastern
strings, haunted vocals and a marvelous universe of shaken and beaten percussion
emanates from every dark corner of the windswept streets. "To Ride With Holle"
could be a merging of the resonant clatter of "Empty Bell"-era Pelt with the enchanted
peaks of the Taj Mahal Travellers' bleary eyed beachside reveries. Elsewhere,
Gularte presents us with tribal landscapes that wouldn't be out of place on the
most captivating of Sublime Frequencies releases, as is the case on "Wooden
False Face." Ever the chameleon, throughout her half of the split Gularte takes
us to deep, dark places, such as the barren netherworld of "SunDusk Wand," as
well as the bright, blue summits found in her magnificent closing piece "Anima Sola."Emerging from the ashes of Isengrind's lush soundworlds are Mehdi Ameziane's own
solo flights as Twinsistermoon, which begin with the keening, sprawling "Amantsokan,"
a truly mesmerizing dirge. It is with "The Spears of the Wolf" however, that the course
of this split album is wonderfully altered. Here, Ameziane channels the most affecting
qualities of 70's British folk music with wondrous, transportive results. Ameziane's
take on the folk song is reminiscent of the pastoral diddies of Vashti Bunyan or
perhaps some long lost Linda Perhacs or Anne Briggs recording, all plaintive nylon
strings and warm, whispered voices. It is thus that the Twinsistermoon half of the split
oscillates effortlessly between two seemingly disparate styles: that of the nostalgic,
crestfallen folk song ("Spells," Water Barrier," "Kingdom of the Sea") and that of the
slow burning drone epic ("Order of the Dreamt," "Bones Memories," "Understars") -
no small feat indeed.For the album's colossal third installment, Ameziane and Gularte join forces under the
Natural Snow Buildings moniker for the entirety of disc two. It is here that all of the
diversity and compositional prowess evidenced by the pair's solo recordings coheres
into the remarkably refined and singular NSB sound. "Resurrect Dead on Planet Six"
kicks things off, a horde of screaming, lost specters howling across one thousand
endless starry nights. On "Ongon's Rattle," a doomed mass gathers for a ritual
processional, with Ameziane and Gularte's moss-laden forest chants floating atop a
wistful, rhythmic undertow that is evocative of the best qualities of early Godspeed You!
Black Emperor and the rest of the Constellation Records roster. After the sunlit drift of
"Inuk's Song," Ameziane and Gularte unleash in the title track what is undoubtedly one of
their most compelling compositions to date. A deluge of frenzied woodwind tones gives
rise to a blasted sea shanty lament driven forward by collapsing synth lines, booming
percussion and increasingly urgent, searing blasts of pure bliss drone guitar. The enigmatic
forest dwellers raise their voices again on the shambling, reverent "Gone," and, later,
"Salt Signs" continues the beautiful trajectory established by the title track with its
impossibly towering summits of synth and string drones that are gradually tempered by
kraut-inflected percussion and drifting, rhythmic guitar work. Later still, "The Desert Has
Eyes" finds a tribal raga positively eviscerated by blistering sheets of pure whiteout
feedback and cascading sine waves. The album ostensibly closes with an ocean of
elegiac organ tones woven into a tight coda. However, an emphatic exclamation point
to the monster that is "The Snowbringer Cult" occurs with the album's hidden track,
wherein an utterly levitating torrent of pounding percussion, hummed vocals and
post-Flying Saucer Attack fuzzbox guitar attack scream out into the void.If this seems like a lot to take in - it surely is, but such is the nature of the Natural
Snow Buildings cosmos. Enter the Snowbringer Cult. Lo, behold the great arrival.http://www.megaupload.com/?d=LDXVGQUV++
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Sung To The North CDR**http://www.shareonall.com/Sung_To_The_North_qsnu.zip
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@jösexiu:25g532ln:
me quedaba algo por subir:
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Syd Matters** - Someday we will foresee obstacles (V2, 2005)
http://rapidshare.com/files/111529647/Someday_we_will_foresee_obstacles.rar.htmlYo recuerdo que me entró genial este tipo con los dos primeros discos hará un par de años y de engancharme en una semana pasé a aborrecerlo en dos. Y no lo he vuelto a escuchar desde entonces. Eso sí, la canción que da titulo a éste se engancha de lo lindo y hay tufillo al Beck más acústico en todo el disco.
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La Brigada - L'obligació de ser algú
http://rapidshare.com/files/109602619/La_Brigada.rarHe leído por ahi que Harry ha tenido que recurrir al myspace para escucharlos y me he sentido con la obligación moral de subirlo.
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@fond:
La Brigada - L'obligació de ser algú
http://rapidshare.com/files/109602619/La_Brigada.rarHe leído por ahi que Harry ha tenido que recurrir al myspace para escucharlos y me he sentido con la obligación moral de subirlo.
Merci, si está guapo acabará cayendo en original, para algo bueno que sale en catalán hay que apoyarlo.
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Ei sona bé això. Llevo dos canciones de La Brigada esta y me está sorprendiendo gratamente.
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@Rumsas:2ow1snhn:
Después de lo que dice un tío con criterio como David S. Mordoh de Holton's Opulent Oog aquí y de darme una vuelta por su myspace, me he quedado con ganas de más.
No he encontrado nada ni en taringa ni buscando en google Holton's opulent oog + rapidshare o megaupload o similar, a qué soleis recurrir para este tipo de cosas?Si os mola Mojave 3, os molará. Si no, lo dudo mucho.
Joder que bueno. Me acabo de pedir el vinilo en el myspace. Gracias por la info, Rumsas.
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@fond:
La Brigada - L'obligació de ser algú
http://rapidshare.com/files/109602619/La_Brigada.rarHe leído por ahi que Harry ha tenido que recurrir al myspace para escucharlos y me he sentido con la obligación moral de subirlo.
Moltes gràcies!
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Kangding Ray - Automne Fold (Raster-Norton, 2008)
@pai8rac1:
David Letellier's Kangding Ray project returns to Raster Noton for a second album of sophisticated, often very accessible electronics, serving as an intriguing follow-up to the Ryoji Ikeda album that set heads spinning only a week or two ago. As with his debut album for the label (the excellent Stabil), Letellier's music operates at a more instantly digestible corner of the Raster Noton universe than we might ordinarily be used to. There's even an extensive use of vocals featured on Automne Fold, but far from the obliterated, mechanised restructuring of Cosey Fanni Tutti's voice on the recent Coh album, here you'll find comparatively untreated, naturalistic performances - particularly on pieces like 'Idle', 'World Within Words' or 'A Protest Song' where you'll find yourself confronted by something as conventional and un-Raster Noton-like as an actual song. Even Letellier's production approach - although overlapping somewhat with the more recognisable micro-rhythmic idiom of the label - marks a departure from the stricture and austerity we've come to love. Listen closely to this record and you'll be able to make out bowed guitars, violins, and even pianos augmenting the precise beat frameworks and angular digital tones. In the general scheme of things Automne Fold still sounds like a vehemently experimental work, but there's every chance that a wider audience will find a way into the music of Raster Noton through this release: seldom do melody and conventional harmony flourish so openly and so convincingly as they do on this album. There's no cause for concern though, because none of this feels like a compromise. Even the most stringent followers of the label's catalogue will find much to love in the glitch rhythms that fold together 'Quarante's strings and voices, or the telecom whirr underpinning the drone tones of 'Palisades'. Highly Recommended.
http://www.mediafire.com/?z93ogtjd0mh
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@andtheworldsmileswithyou:j7719z7f:
Kangding Ray - Automne Fold (Raster-Norton, 2008)
@j7719z7f:
David Letellier's Kangding Ray project returns to Raster Noton for a second album of sophisticated, often very accessible electronics, serving as an intriguing follow-up to the Ryoji Ikeda album that set heads spinning only a week or two ago. As with his debut album for the label (the excellent Stabil), Letellier's music operates at a more instantly digestible corner of the Raster Noton universe than we might ordinarily be used to. There's even an extensive use of vocals featured on Automne Fold, but far from the obliterated, mechanised restructuring of Cosey Fanni Tutti's voice on the recent Coh album, here you'll find comparatively untreated, naturalistic performances - particularly on pieces like 'Idle', 'World Within Words' or 'A Protest Song' where you'll find yourself confronted by something as conventional and un-Raster Noton-like as an actual song. Even Letellier's production approach - although overlapping somewhat with the more recognisable micro-rhythmic idiom of the label - marks a departure from the stricture and austerity we've come to love. Listen closely to this record and you'll be able to make out bowed guitars, violins, and even pianos augmenting the precise beat frameworks and angular digital tones. In the general scheme of things Automne Fold still sounds like a vehemently experimental work, but there's every chance that a wider audience will find a way into the music of Raster Noton through this release: seldom do melody and conventional harmony flourish so openly and so convincingly as they do on this album. There's no cause for concern though, because none of this feels like a compromise. Even the most stringent followers of the label's catalogue will find much to love in the glitch rhythms that fold together 'Quarante's strings and voices, or the telecom whirr underpinning the drone tones of 'Palisades'. Highly Recommended.
http://www.mediafire.com/?z93ogtjd0mho si!, vaya discazo (stabil) de marco el colega!
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@Zackchill:1cxw6wo4:
a ver si algún pro encuentra por ahí el nuevo en directo de….
Les Savy Fav - After the Balls Drop
está disponible desde ayer previo pago en itunes y amazon, pero no aparece por ningún lado
tanks!ya esta
http://www.mediafire.com/?mmjxk9z9mc5
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Sabía que estarías esperandolo
Destroyer / Wye Oak - Split 7" [Merge, 2008]
@3iwf8tme:
On Saturday, April 19, 2008, hundreds of independently owned music stores across the country will celebrate Record Store Day. Merge will be doing our part to help these great cultural institutions celebrate by giving away a FREE limited edition split seven-inch record featuring new unreleased songs by Destroyer and Wye Oak.
The only way to get one of these seven-inches is to visit a participating independent music store on Record Store Day, Saturday, April 19, and see if they have one on hand. Check out the list of participating stores HERE.
Track listing:
A. Destroyer, "Madame Butterflies"
B. Wye Oak, "Prodigy"http://www.mediafire.com/?mgnvm3d45ym
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no me ha gustado mucho el nuevo de Kangding Ray, las voces me han matao!!!
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No se si os gustara para mi es un bombazo en toda regla:
The Grid-Doppelgangerhttp://www.filesend.net/download.php?f=dbaf40b5be18b18b62de432b743533e3
The Grid es el proyecto embrión de Dave Ball con Richard Norris desde que el primero dejará Soft Cell, llevan ya con este 4 discos a sus espaldas, y puedo asegurar que se trata de música electrónica de primera clase, y probablemente este sea su mejor album.
Lo que empezó mas como una aventura se consolido con su anterior "Evolver" y con este trabajo.Saludos!!
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@Zackchill:1xb9ora1:
@Zackchill:1xb9ora1:
a ver si algún pro encuentra por ahí el nuevo en directo de….
Les Savy Fav - After the Balls Drop
está disponible desde ayer previo pago en itunes y amazon, pero no aparece por ningún lado
tanks!ya esta
http://www.mediafire.com/?mmjxk9z9mc5joder, la versión de los Misfits me pone palote palote, y The Year Before 2000 exáctamente lo mismo. Envidio a todos los primaveros, cabrones
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no sé si haré un ben and bruno, pero…
@19egn8qy:
Producer and former musician Nicolas Vernhes, owner of Rare Book Room Studio in Brooklyn, NY, has created a compilation as beautiful as it is strange. The two-disc Living Bridge is the first release by Vernhes’ fledgling record label Rare Book Room Records, and all of the music, except for the Silver Jews’ brilliant “Self Ignition,” was recorded specifically for this compilation.
A first time compilation that includes two CDs may seem like a bit much, even a tad ambitious, but all 25 of these rare and unreleased tracks are breathtaking in their guttural howls, whispers, and transitions from lovely, lilting music to crashing drums and thumping bass. Some of the stand out tracks include “I’m your Eagle Kisser” by Avey Tare, a member of the insane and wonderful band Animal Collective, and Deerhunter’s “After Class.” And Charles Gansa’s beautiful “Charlene” is worth the price of the album alone. If you are at all interested in music that is in no way conventional, boring, or safe, I suggest giving the Living Bridge compilation a long and detailed listen.
Tracklist:
01 Avey Tare: "I'm Your Eagle Kisser"
02 Telepathe: "I Can't Stand It"
03 Palms: "Der Keoning"
04 Black Dice: "Pigpen"
05 Tara Jane O'Neil: "Sunday Song"
06 Samara Lubelski: "Ego Blossoms"
07 Blood on the Wall: "Lightning Song"
08 Silver Jews: "Self Ignition"
09 Charles Gansa: "Charlene"
10 The Naysayer: "The Shell"
11 TK Webb: "The Devil's a Dork (The Sea Told Me)"
12 Lia Ices: "Reason in Remain"01 Theo Angell: "Byegone"
02 Rings (formerly First Nation): "RIPEace"
03 Deerhunter: "After Class"
04 Enon: "Ashish"
05 Fischerspooner: "Amuse Bouche"
06 John Wolfington: "Grace"
07 La Lus: "Contendo"
08 Doldrums: "Not a Slave"
09 Silent City: "Prussian Leather"
10 Sam Jayne and the Simpson Sound System: "Darker Still"
11 Tomorrow's Friend: "Hats vs. Headbands"
12 Kapow: "Flying Kites/The Pop International"
13 The Jewish: "Fantasy Stalker"cd1
http://rapidshare.com/files/106725956/LBDisc1.rarcd2
http//rapidshare.com/files/106732617/LBDisc2.rar
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Lo haces, lo haces, jaja
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ya me lo temía yo…
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joder, tampoco vi en su día el de los islands. de algo me ha servido meter la pata.
