Filtraciones '08
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El de sigur ros es un discazo de principio a fin. Yo ya me he encargado la edicion deluxe. Igual me acerco a la reventa en New York, aunque he visto precios en ebay un poco escandalosos…
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@jackster:1bd0acbo:
El de sigur ros es un discazo de principio a fin. Yo ya me he encargado la edicion deluxe. Igual me acerco a la reventa en New York, aunque he visto precios en ebay un poco escandalosos…
es raro que un "fan-fatal"
como tu, se tome tan bien un cambio de registro bastante importante en muchas de las canciones y la línea estilística del grupo... todo más luminoso, más "pop" más accesible por decirlo de algún modo (menos el nombre del disco esta claro, jaja como coño lo va a llamar la gente?)...
Hay que ser un poco crítico tmb con tus grupos preferidos... los cambios son peligrosos para bien o para mal... con todo esto no digo que sea un disco malo, ni mucho menos, pero lo escucho y en muchas canciones no me transmiten esa sensación de estar escuchando ese "algo" especial que por mi tenían sigur rós y que era lo que me atraía de ellos que en otros pocos grupos había encontrado (otras cosas si, pero esa sensación no)... pero bueno como digo le seguiré dandole vueltas al disco a ver si al final me atrapan como en sus anteriores discos y tmb ver las nuevas canciones en directo (cuando pueda) que es donde siempre ganan... -
que si soy critico, leñe. De hecho a mi el () me dejo bastante frio y Takk recupero en parte las canciones más luminosas (like Coco's ass) del estilo de Hoppipolla. Yo solo digo que las dos primeras canciones del disco, me ponen de buen humor, que Festival será un himno en directo, que All Alright, que parece ser el tema que usan en los bises es muy bueno, y que lo que es la repera es la orquestacion de Ara Batur, directamente de gallina de piel.
No quiero que Sigur Ros se conviertan en unos AC/DC que repiten cada disco una y otra vez. Me parece un cambio positivo incluir canciones alegres y no solo temas densos y con largos desarrollos. Ayer estuve toda la tarde con el disco en modo repeat y me parece un soplo de aire en su carrera. -
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pues yo a la tercera cancion lo tuve que quitar porque me estaba poniendo de los nervios
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Billie the vision and the dancers** tienen un temazo trémendo: Vamos a besarnos, en el the world according to pablo (2006).
Cuando lo pinchas a la hora adecuada tiene efectos afrodisiacos.Gracias pelukas por este y el de Stanley Brinks.
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@casiotone:1gh8qv7w:
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Billie the vision and the dancers** tienen un temazo trémendo: Vamos a besarnos, en el the world according to pablo (2006).
Cuando lo pinchas a la hora adecuada tiene efectos afrodisiacos.si el segundo cd de ellos el a world acording to pablo por canciones como la que dices tú es el que me tenía algo mas enganchado. Son canciones pop, frescas, festivas, para cantar pero que realmente es un grupo del que tampoco te pierdes nada si te lo pasas de largo (y lo dice uno que si algun día los ve en directo se va a comer todas sus palabras porque se lo pasará en grande)…
vuestros comentarios sobre el de sigur ros me ha hecho tener curiosidad... voy a probar...
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He tenido un trimestre raro y he estado desconectado del tema novedades. Hasta donde he podido llegar, me han gustado mucho los discos de Baby Charles y Thomas Function, pero el resto, ni idea. Tengo en la lista inmediata las novedades de No Age, Nobunny y James Pants. ¿Hay algo que sea totalmente obligatorio y me haya perdido? Ustedes ya me entienden.
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@pulpo:y74e0n41:
He tenido un trimestre raro y he estado desconectado del tema novedades. Hasta donde he podido llegar, me han gustado mucho los discos de Baby Charles y Thomas Function, pero el resto, ni idea. Tengo en la lista inmediata las novedades de No Age, Nobunny y James Pants. ¿Hay algo que sea totalmente obligatorio y me haya perdido? Ustedes ya me entienden.
SPAM!SPAM!SPAM!SPAM!SPAM!SPAM!SPAM!SPAM!SPAM!SPAM!SPAM!SPAM!
http://www.primaverasound.com/foros/viewtopic.php?t=4259
Id colaborando en el topic y así se descongestiona todo de filtraciones. Y recordad, hablar de los discos es opcional, con solo mencionarlos va que chuta.
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@pulpo:2jfon66c:
He tenido un trimestre raro y he estado desconectado del tema novedades. Hasta donde he podido llegar, me han gustado mucho los discos de Baby Charles y Thomas Function, pero el resto, ni idea. Tengo en la lista inmediata las novedades de No Age, Nobunny y James Pants. ¿Hay algo que sea totalmente obligatorio y me haya perdido? Ustedes ya me entienden.
por si las moscas bajate tmb el de las Vivian Girls…
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los de deerhunter y grouper, de lo ultimo que se ha filtrado, son los que mas me han gustado
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Habla de ralladas el de las 600 escuchas en una semana
Yo cómo siempre me esperaba más (que exigente soy) pero el disco me encanta. Que lástima que no creo que la volvamos a ver por aquí pronto (al menos yo).
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@pulpo:g2l0wlla:
He tenido un trimestre raro y he estado desconectado del tema novedades. Hasta donde he podido llegar, me han gustado mucho los discos de Baby Charles y Thomas Function, pero el resto, ni idea. Tengo en la lista inmediata las novedades de No Age, Nobunny y James Pants. ¿Hay algo que sea totalmente obligatorio y me haya perdido? Ustedes ya me entienden.
el de james pants está realmente bien. no age para mí es un clásico.
a mí personalmente el de vivian girls me ha dejado un poco frío.
así como novedades que hay que tener yo sigo diciendo el de los fleet foxes, lo he escuchado bastante y aguantando el tirón ahí. -
De lo último que he escuchado los que más me han gustado han sido Thomas function, no age, nobunny y Broken Social Scene . El de Sigur rós lo estoy escuchando hoy y la verdad es que me está gustando bastante. Alguién conoce a The violets, me lo han recomendado y no encuentro nada
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Strategy - Music For Lamping
@3u6cmdls:
Paul Dickow ascribes to a sort of morality of the non-committal. He keeps busy with a number of bands and collaborations within the Portland music scene, whether it's drumming for punk band Emergency, working with improvisational trio Nudge, or recording under his solo electronic music guise, Strategy. Even within his solo work, Dickow avoids all the usual signifiers that might align him with a signature sound. Listen to Strategy's 2007 record Future Rock on an especially balmy night and you'd swear it was rooted in grimy 1970s funk. On a rainy day, its fluid repetition seems more at home in the auspices of the early Krautrockers. Still further insight gained by introspection in the dead of winter might place Dickow's solo project in the icy depths inhabited by Boards of Canada.
The fact is that Strategy inhabits all these places at once. He's never afraid to try something new, is rather unconcerned with musical continuity, and is often proud to lack allegiance to an established musical identity. Even the name "Strategy" seems to be chosen to reflect a plan, not a person. In a pinch, Future Rock's closest reference is perhaps Byrne & Eno's My Life in the Bush of Ghosts, and it is a rough one at that. Now, in a complete non-shocker, Strategy's new Music for Lamping fully commits to Future Rock's sense of ambiance at the expense of its rock signifiers.
Stylistically, Music for Lamping plays more formally, and that makes it oddly more challenging. On the surface, the record is pretty simple: repeated progressions and loops for anywhere from five to 15 minutes at a time, with the odd bit of color and fuzz passing in and out of the mix. It would be tempting to reduce the record to the vagaries of ambient or drone, but the glistening oscillations of songs like opener "I Can't Stand The Rain" seem a lot more selfish (and listenable) than you'd expect from music using those labels.
Dickow is captivated by the ability to distill the enchanted spark powering Future Rock into pulsating, organic works, and he does that by removing percussion and almost all senses of progression. These compositions have stewed over for a long time (some of which came from a canceled 2002 ambient record for Tigerbeat6) but, even with six years of dust, sound like they could have been recorded yesterday. They also sound like they could have been recorded thirty years ago, as is the case with "Lower Macleay", which can trace direct lineage back to Klaus Schulze's Moondawn, and "Cathedral Spark" and "All Day…" which sound like lost Cluster & Eno pieces.
It doesn't always work: "Bike Click", one of the more chaotic compositions, makes aggressive overtures at the outset, but never builds into the dramatic, threatening climax it seems to hint it could become. By the same token, listeners expecting the same soulful electronic music as Strategy's early work are in for a surprise from a forceful but taciturn group of works full of personality but too somber for someone without a stomach for ambient music. Still, Music For Lamping is a nice indicator that Dickow is willing to explore in-depth one of the many styles from which he borrows, and to attempt to run it through an aesthetic filter that is true to both him and the style. It complements his beat-oriented, melodic work by providing some insight into the stylistic backbone of those efforts. In another non-shocker, Dickow seems most committed to a rule that is key to making music: there are no rules.http://www.filefactory.com/file/0e485d/PW: redizork
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Wooden Shijps - Volume 1 [Holy Mountain, 2008]
@1ovldkp5:
The Wooden Shjips' earliest material was released on vinyl, pressed in small quantities that were either free or hard to come by and are now hopelessly out of print. Who are we to keep you away from the rush of "Shrinking Moon for You"? Vol. 1 collects all the tracks from the free 10-inch, the Dance, California 7-inch, and the SOL 7-inch.
The band will be out playing live, in their own nimble way, this spring and summer, road-testing new material for their next record.
. "… [T]ight-wound repeato psych guitar raunch with spoony (maybe even imaginary) percussion, surprisingly Rev-like keys, and vocals buried under burning driftwood. It's a nice one." –Byron Coley, The Wire
"... Wooden Shjips seem to have their wagon hitched to a post psychedelic/punk damaged Krautrock environ that just not enough people are astute enough to homestead." --Tom Lax, Siltblog
"Like fellow locals Comets on Fire or English space rockers Hawkwind or Spaceman 3, Wooden Shjips' magic is created by a mix of pummeling hypnotic grooves and otherworldly guitar that sounds like Hendrix strung out in a methadone clinic." --Andy Tennille, HARP
"'Dance, California' locks onto a three-note, twangy, nuclear beach groove and hangs out there for the duration, guitar slashery (in the single-note sweepstakes for a good long while) shooting over the top like artillery fire. On the other side, an atmospheric, slow drone and steady pulse frame blistery lead and what's that, vocals? Oh, so nice, and sounding more like the new incarnation of F/i with each listen." --Doug Mosurak, Dusted
"... [T]he band have locked it in and sound like they are never gonna stop. A looped cyclical minimal fuzzrock jam that sounds almost like some crazy crossbreeding of the Doors and Spacemen 3, which should appeal to Circle, Salvatore, and Magyar Posse fans as much as all the druggy psychrock dronesters out there." –Aquarius Records
http://uploaded.to/?id=1d4ltn -
@andtheworldsmileswithyou:3tnqvjw5:
Wooden Shijps - Volume 1 [Holy Mountain, 2008]
@3tnqvjw5:
The Wooden Shjips' earliest material was released on vinyl, pressed in small quantities that were either free or hard to come by and are now hopelessly out of print. Who are we to keep you away from the rush of "Shrinking Moon for You"? Vol. 1 collects all the tracks from the free 10-inch, the Dance, California 7-inch, and the SOL 7-inch.
The band will be out playing live, in their own nimble way, this spring and summer, road-testing new material for their next record.
. "… [T]ight-wound repeato psych guitar raunch with spoony (maybe even imaginary) percussion, surprisingly Rev-like keys, and vocals buried under burning driftwood. It's a nice one." –Byron Coley, The Wire
"... Wooden Shjips seem to have their wagon hitched to a post psychedelic/punk damaged Krautrock environ that just not enough people are astute enough to homestead." --Tom Lax, Siltblog
"Like fellow locals Comets on Fire or English space rockers Hawkwind or Spaceman 3, Wooden Shjips' magic is created by a mix of pummeling hypnotic grooves and otherworldly guitar that sounds like Hendrix strung out in a methadone clinic." --Andy Tennille, HARP
"'Dance, California' locks onto a three-note, twangy, nuclear beach groove and hangs out there for the duration, guitar slashery (in the single-note sweepstakes for a good long while) shooting over the top like artillery fire. On the other side, an atmospheric, slow drone and steady pulse frame blistery lead and what's that, vocals? Oh, so nice, and sounding more like the new incarnation of F/i with each listen." --Doug Mosurak, Dusted
"... [T]he band have locked it in and sound like they are never gonna stop. A looped cyclical minimal fuzzrock jam that sounds almost like some crazy crossbreeding of the Doors and Spacemen 3, which should appeal to Circle, Salvatore, and Magyar Posse fans as much as all the druggy psychrock dronesters out there." –Aquarius Records
http://uploaded.to/?id=1d4ltnde tomate un tripi y alucina, no me bajaba nada de filtraciones desde hace tiempo y mira he probado con este. Lo dicho.
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Ponytail - Ice Cream Spiritual (2008)
Baltimora Baltimora!! y su sonido (dan deacon, The Lexie Mountain Boys, Double dagger, Ecstatic Sunshine, THANK YOU, colectivo de artístas y musicos Wham City…) pues el otro día descubrí esta banda Ponytail, que fue una de las triunfadoras del SXSW 2008 junto a bandas como Fleet Foxes, The Dodos, HEALTH, Fuck Buttons… con un directo muy bueno...
Ponytail suenan a una mezcla de todo este **sonido noise-punk-freak "baltimora" + Deerhoof + Marnie Stern (por cierto que ganas de verla! coño joder ya!) + Boredoms + Abe Vigoda + voz de pito de la cantante… bueno en resumen a lo mejor no será el disco del año pero es una cosa de lo más curiosa, divertida y en directo pueden ser la bomba!!
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videos presentacion disco**
http://www.youtube.com/watch?v=N4bUkweXZms
http://www.youtube.com/watch?v=iy95UkGMHfUhttp://www.mediafire.com/?tysexmo22qx ```**
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