Filtraciones '08
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una xorrada que he visto, jejeje
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Pero, ¿en las happy hours no se aplica la restricción de descargas?
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@1jxstx71:
Pelukini
Publicado: Mar Jun 17, 2008 12:13 pm Asunto:
Anonimo Fernandez escribió:
Pelukini, vale la pena? O sea, que tal el vídeo? por lo de calidad y lo que se ve…la calidad es la ostia, son casi 5Gigas... no es un video amateur de youtube...
Ale pues, el primero en marcha!
Gracias!
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@pulpo:2sedcip4:
Pero, ¿en las happy hours no se aplica la restricción de descargas?
cada cierto tiempo, creo que cada hora tienes una happy hours, puedes entrar y directamente descargar, sin gatos ni códigos ni nada… a ver, es para no tener k entrar directamente en la web para saberlo, una extensió de firefoxs ( ha salido el 3 por cierto), ya he dicho una xorradilla, jejeje
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Ya, pero la única ventaja de las happy hours es que no hay gatitos. Vamos, creo que si intentas descargarte un segundo archivo enseguida te dice que nones. Ya he instalado la extensión, a ver qué tal.
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@pulpo:1770u892:
Ya, pero la única ventaja de las happy hours es que no hay gatitos. Vamos, creo que si intentas descargarte un segundo archivo enseguida te dice que nones. Ya he instalado la extensión, a ver qué tal.
Efectivamente, la segunda descarga te dicen eso tan bonito de hazte premium o espera 27 minutos (por poner un número)
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cierto, una buena tangana esto del happy hours, lo único que hace es quitar gatos pero solo una vez
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si tienes IP dinámico, basta con apagar y encender el modem y ya puedes descargar otro y convertirte en un verdadero diógenes del mp3
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touché.
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Evan Miller - Evan Miller
(Night People 034 - C16 rip - 2008)@1ysirfdx:
Miller is back at it with a new tape for Night-People. This one cuts real deep, Miller at his most epic. The A side starts things up with deep echo's swimming around cut up tape manipulations, leading into chambers of drone with Miller's characteristic tonal vocals transitioning into a kind of finger picked sentimental raga. The B side offers up a real burner, perhaps Millers best straight acoustic number, a real beautiful complex side that plays between minimalistic somber portions and upbeat workouts. Artwork by SDReed.
hxxp://www.sendspace.com/file/d6ngcy–---
James Blackshaw - Litany of Echoes [Tompkins Square, 2008]
@1ysirfdx:
Just in case you weren’t paying attention, James Blackshaw reminds you straightaway: he is a composer first, a guitar player second. His latest full-length opens with “Gate of Ivory,” a feature for Blackshaw’s piano playing. Sure, his much-discussed guitar virtuosity is apparent throughout Litany of Echoes, and his 12-string is still the main instrument, but the album really showcases how well he’s integrated – and expanded upon – his considerable influences.
Whereas on past records Blackshaw tended to present a mixed bag of ideas along with his riveting guitar work (such as the Takoma revenants and electronic treatments on Celeste, or the dense passages of string dissonance on last year’s Cloud of Unknowing), the six pieces here show remarkable restraint and concision. Fran Bury's violin and viola play a key role on “Past Has Not Passed,” droning away below Blackshaw’s theme and providing subtle harmonic shifts. “Infinite Circle” works layers of flowing piano deep into the piece’s musculature. This expanded palette is not an adornment, but a real attempt to build a thick, ravishing sound.
Speaking of ravishing sounds, Litany evinces the immersive simplicity of Morton Feldman’s Rothko Chapel. And even though Blackshaw often uses tunings of his own invention, one doesn’t have to work hard to make sense of them – intuition trumps intellectualism. Of course, in its dynamics Blackshaw’s music is nothing like Feldman’s. For that, one should think of the rapid, seething melodic undertow of Terry Riley’s Harp of New Albion or Lubomyr Melnyk’s piano works. Blackshaw’s default tempo is fast, to the point that his finely articulated notes start to blur and run, and, like a Rothko canvas, he uses every available inch of space. He seems to have taken another key inspiration from Feldman, what composer
Kyle Gann has described as the way Feldman helped composers by saying it was actually liberating to limit one’s style.
So, yes, much of what you hear on here is familiar ground for Blackshaw veterans. There are his subtle droning foundations, overlaid with short and simple themes and pushed along by irresistible, midstream harmonic shifts. The effect is also similar, that of weightlessness and wonder. No surprises – just a stunning level of accomplishment that pulls you along with it. Litany of Echoes is not the sound of Blackshaw finding his voice; it’s the sound of him perfecting it.
http://www.mediafire.com/?b1qa5izjzm0 http://lix.in/-295c60 -
Iron_And_Wine-Lovesong_Of_The_Buzzard-(EP)-2008
http://rapidshare.com/files/123165792/Iron_And_Wine-Lovesong_Of_The_Buzzard-_EP_-2008-DV8.rarSigur Ros - Live At Jardín Sagrado, Tepoztlán, Morelos (2008)
http://rapidshare.com/files/122230094/cuando_sigur_vino_a_mexico_al_colmena_y_estuvo_chido_y_totos_fuimos_felices_y_asi.rarPD: Me parto con el nombre del link del rapidshare…
Caspian / Constants - Split 7" (2008) >> hempror!
http://www.zshare.net/download/8751111679e17a/ -
el link del rapidshare es para partirse, pero he leido unas criticas del festival de la colmena ese y lo pintan como un viaje al fin del mundo sin retorno, me parece que fueron pocos los que se sintieron felices al final
por si a alguien le interesa
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Ya que chema tiene el enganche… Debería salir en agosto.
Sic Alps - U.S. Ez (Siltbreeze, 2008)
http://www.mediafire.com/?701mw0zbyn0 -
@Pelukini:b3ztw0wk:
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Caspian / Constants - Split 7" (2008) >> hempror!
http://www.zshare.net/download/8751111679e17a/Gracias pero ya lo había comprado y ya lo tengo en casa!! el vinilo mola con su color marmól!!!
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@andtheworldsmileswithyou:yo2iswrr:
Ya que chema tiene el enganche… Debería salir en agosto.
Sic Alps - U.S. Ez (Siltbreeze, 2008)
http://www.mediafire.com/?701mw0zbyn0¡qué crack! ¡mil gracias!
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Thank You "Terrible Two" (Thrill Jockey 2008)
para los valientes de la casa! buenísimo!
"Thrill Jockey is very excited to introduce you to Terrible Two, the brand new album from Baltimore’s Thank You. The album recording was engineered by Baltimore’s beloved J. Robbins (Yeasayer, Mary Timony, Jets to Brazil) at his studio and was produced and mixed by Chris Coady (Yeah Yeah Yeahs, Celebration, TV on the Radio) at his studio in New York City.
Thank You is an athletic rhythm/action unit, made up of Jeffrey McGrath, Michael Bouyoucas, and Elke Wardlaw. They are three free individuals, subsumed into a collective form that spits out dank, skittering tracks filled with light and dark. "
- Thrill Jockey
http://www.mediafire.com/?nvzijfe4gy5
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¡el de Blackshaw al fin! Gracias andtheworldsmileswithyou
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Creo que este disco no lo habéis puesto todavía y es de los mejores de año.
This Is Ivy League - 2008 - This Is Ivy League
"Here is another wonderful indie pop release from this year. This Is Ivy League is based in Brooklyn and is formed by Alex and Ryland, the duo play amazing psychedelic pop songs with lovely well crafted jangly guitars wich reminds a lot of Blueboy. The album has some folk influences too, especially from Simon & Garfunkel. You have to hear this, so don't miss it!"
http://www.shareonall.com/This_is_Ivy_League_-_St_2008_takethepills.blogspot.com_pdfk_rar.htm
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