Filtraciones '08
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@Pelukini:1o4nyghj:
Pues lo esta pidiendo muy poca gente para el PC (fiery furnaces)… a ver si alguno de los que falta por votar
yo los quiero para el South Pop de Isla Cristina. ahora que son de thrill jockey es posible… bueno, lo dejamos en un poquito menos imposible... ¡órdago, green ufos!
green ufos dejó de distribuir thrill jockey, ¡eh!
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Yellow Swans - Deterioration (Modern Radio, 2008)
@e3ilnj05:
So after six years and an estimated 50-70 releases, Yellow Swans are calling it a quits this month. The only upside to this news is that no one will have to try to get his or her paws on the million-unit discography the band was on pace to churn out. As this is a reissue of a small and out-of-print release, it’s not the band’s closing statement (a final studio album is due in 2009). And while it’s not their magnum opus (I’ll take At All Ends), it still has everything awesome about Yellow Swans.
Not insignificantly, the Yellow Swans’ creative peak has occurred during a period in which nearly every barometer of cultural sanity is tanking. The sound is almost always thick enough to get lost in, but there is never any question that the noise reflects an abrasion external to the music itself. Escapism is always defined as the shadow of that from which it escapes. This is one light by which to read the whole bunch of hyper-prolific DIY noise-spindlers––a group that has never seemed so robust as it is now. They're bands whose output seems an urgent reaction to a musical culture increasingly constituted of flaccid scale-models of pre-existing forms. And while Yellow Swans rarely turned down an opportunity to release something, their music makes an even deeper impression than their admirable operational spirit.
The 60 minutes of Deterioration are vintage, latter period Yellow Swans––a radiant melodic glow contending with grainy squall. Here the band is compositionally loose, but not without dexterity and an innate, fine-tuned communication between its two members––traits found in more modest doses among their peers.
It’s now an issue of contention whether or not it even makes sense to talk about a contemporary avant garde, but if energy is any proving ground, Yellow Swans ought be remembered in the most favorable of lights.
http://www.megaupload.com/es/?d=F8Y117V0 -
Fern Knight - Fern Knight (VHF, 2008)
http://rapidshare.com/files/118794471/2008_-_fern_knight__vhf_.rar.htmltags: folk a lo Espers, Tanned Tin '08, precioso
canción representativa de prueba: synge's chair (9 MB)
crítica en pitchfork
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@jösexiu:1u988vix:
@Pelukini:1u988vix:
Pues lo esta pidiendo muy poca gente para el PC (fiery furnaces)… a ver si alguno de los que falta por votar
yo los quiero para el South Pop de Isla Cristina. ahora que son de thrill jockey es posible… bueno, lo dejamos en un poquito menos imposible... ¡órdago, green ufos!
green ufos dejó de distribuir thrill jockey, ¡eh!
no jodas… ¿por qué? se deberían estar tirando de los pelos. ¿quién los lleva ahora?
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grande andtheworld por el de los yellow swans. ¿por qué no les montamos un club de fans?
bonita la noticia de que aún vaya a publicarse un álbum de estudio en 2009.los fans del dubstep (entre los que no me incluyo) hablan maravillas de esto:
2526 - aerial.
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como era esto… mmm.... ben? bruno?... mmm?
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estaba en el hilo de electrónica creo
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Un disco de Folk rock bastante chulo
Elliott Brood - Mountain Meadowhttp://www.mediafire.com/?onztnmx8ymr ``` -
qué les ocurre a los de El Periódico con el nuevo doble-LP de Weller? parece que sea el disco definitiva en la carrera de este hombre (no lo dicen, pero casi)
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@Kanchelskis:2i5lvob5:
qué les ocurre a los de El Periódico con el nuevo doble-LP de Weller? parece que sea el disco definitiva en la carrera de este hombre (no lo dicen, pero casi)
es muy grande…
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@hansen:40j7498x:
@Kanchelskis:40j7498x:
qué les ocurre a los de El Periódico con el nuevo doble-LP de Weller? parece que sea el disco definitiva en la carrera de este hombre (no lo dicen, pero casi)
es muy grande…
No nos la chupemos todavía…
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A este le tenía ganas. A ver que tal se porta
Damien Jurado - Caught In The Trees
http://rapidshare.com/files/126217115/damien_jurado_-_caught_in_the_trees__2008__320kbps_by_yhf.rar
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No se si será un fake pero por ahí ponen que este es el disco nuevo de Beck. Lo dejo por si acaso, después comento si es auténtico.
Beck - Modern Guilthttp://megaupload.com/es/?d=GXCW8BMR -
Va a ser que sí. Información detallada aquí: Drowned in Sound
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que tal es?
opinión forera -
@-Toxinho-:1geggx54:
A este le tenía ganas. A ver que tal se porta
Damien Jurado - Caught In The Trees
http://rapidshare.com/files/126217115/damien_jurado_-_caught_in_the_trees__2008__320kbps_by_yhf.rarSi que había ganas si. Escuchandolo me doy cuenta de que algunas ya sonaron el año pasado en el Tanned Tin. Sheets que de momento es lo más grande del disco, por ejemplo.
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Nenes, opinad en el otro post.
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Estrecha.
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Breathe Owl Breathe - Ghost Glacier EP (2008)
@1408rkk9:
"Songs about being left behind, songs about being dead, songs without geography, songs worth repeating.
Breathe Owl Breathe sing of folklore and homespun miracles, oral histories left to thaw in the earth's crust until pre-history's giant ice cubes rolled their wet bulk down the North Pole and into Canada, finally settling into extinction in what we now call the Great Lakes. It's from the shores of these bodies that Breathe Owl Breathe come (Ann Arbor, Michigan, to be precise), and it's in the shadows of those hollowed troughs that these eight songs rest. These are songs about being left behind, songs about being dead, songs without geography, songs worth repeating.The music is very economical — guitar, cello, drums, piano, other organic sounds — and the vocals float between folk and country, a very earnest mood. It sounds a lot like Smog — singer Micah Middaugh and Bill Callahan have similar voice boxes — and at other times early Lucinda Williams, Victoria Williams and, in the case of "Your Cape," even Loretta Lynn. There's a distinctly — and very specifically — American folk tradition at work here, and I don't get the feeling that Breathe Owl Breathe at all mind their limited scope." (Yancey Strickler)
http://www.mediafire.com/?udtnisjjtin–
Ilya E. Monosov - Seven Lucky Plays, Or How To Fix Songs For A Broken Heart [Language Of Stone, 2008]
@1408rkk9:
Ilya Monosov’s Seven Lucky Plays, Or How To Fix Songs For A Broken Heart is Monosov’s private celebration of the human experience and are based on his poems and stories written from 1996–2007. His early exposure to Russian dissident culture greatly affected his life and art. Influenced from a young age by his parents’s passion for literature, art, and poetry; as well as by the music of Vladimir Vysotsky, Alexander Galich, Leonard Cohen, Coltrane, Miles Davis , and African American folk music traditions (blues and gospel), Monosov’s picked acoustic guitar and voice arrangements were recorded at Hexham Head by Greg Weeks (of Espers), and feature strings by Margaret Weink (Fern Knight), mandolin and harp by Jesse Sparhawk, and electric guitar by Weeks.
Ilya Monosov is half of The Shining Path (Holy Mountain) and a member of Mountain Home. Features players Jesse Sparhawk (Language of Stone) and Margaret Wienk (Fern Knight).
http://rapidshare.com/files/101992826/Visshhee_kachestva.rarEl de Ilya E. Monosov me sorprende no encontrarlo posteado por aquí, ya lleva un tiempo editado. Muy recomendable.
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