Filtraciones '08

pantuflas

ahi lo llevas pantus

http://www.zshare.net/download/16346431fc0639f1/

gracias tio!!
te debo una

koan

@Zackchill:1gq75d9w:

ahi lo llevas pantus

http://www.zshare.net/download/16346431fc0639f1/

pide contraseña…

Zackchill

sorry

pass: nodata.tv

manel

Emeralds & Dilloway - Under Pressure c60 [Hanson Records 2008]

@2xahq1pa:

2008 collaboration between Emeralds and Aaron Dilloway (Wolf Eyes et al) that takes off on endless ripples of higher-minded synth float ala J D Emmanuel before exploding into Terry Riley-esque arabesques and flashing electronic afterimages, all usurped and given a serrated sandpaper edge by Dilloway. A dream collaboration, perfectly realised. Highly recommended.

www.mediafire.com/?dvdoogbn8te

Kanchelskis

A redimiros todos, cabritos

VA - Smithsonian Folkways: Classic African American Gospel (2008)

http://www.mediafire.com/?zzm2dotzngx

Zackchill

@manel:xyap8sw3:

Emeralds & Dilloway - Under Pressure c60 [Hanson Records 2008]

@xyap8sw3:

2008 collaboration between Emeralds and Aaron Dilloway (Wolf Eyes et al) that takes off on endless ripples of higher-minded synth float ala J D Emmanuel before exploding into Terry Riley-esque arabesques and flashing electronic afterimages, all usurped and given a serrated sandpaper edge by Dilloway. A dream collaboration, perfectly realised. Highly recommended.
www.mediafire.com/?dvdoogbn8te

benand

el ritmo de esta gente es fuerte, pero no tanto

koan

no se si yo tb hago un bendand

pero dejo aqui el Versus de Various production

http://www.sendspace.com/file/l51ypp

spookAiser

@koan:7w6iirtv:

no se si yo tb hago un bendand

pero dejo aqui el Versus de Various production
http://www.sendspace.com/file/l51ypp

Genial, gracias.

@Kanchelskis:7w6iirtv:

A redimiros todos, cabritos

VA - Smithsonian Folkways: Classic African American Gospel (2008)
http://www.mediafire.com/?zzm2dotzngx

Gracias, genial.

Psychocandy

@koan:nxb5tusl:

no se si yo tb hago un bendand

pero dejo aqui el Versus de Various production
http://www.sendspace.com/file/l51ypp

uff que ganas!
mil gracias

Kanchelskis

@Kiototar:3v1m7k7h:

PHOEBE KILLDEER & THE SHORT STRAWS: Weather's Coming (2008)
http://www.mediafire.com/?l0bntv4dytc
http://www.myspace.com/phoebekilldeer

qué grande. Sin llegar a PJ Harvey, pero sacándole minutadas a Leslie Feist.

-Toxinho-69

Liars / No Age - Winter '08 Tour 7" EP

http://rapidshare.com/files/134622953/Dioklecijan.rar

Kanchelskis

esto no lo he escuchado

The Grates - Teeth Lost, Hearts Won

http://rapidshare.com/files/133960577/TGTLHW_Vic.zip

@1jz6pvy9:

Teeth Lost, Hearts Won is the second album from Brisbane indie pop trio The Grates.

Teeth Lost, Hearts Won retains The Grates’ trademark shambolic fun, but injects new layers and grunt into the proceedings. This time, Patience, Alana and John come armed with sharpened technical chops, killer arrangements and newfound songwriting oomph. Boasting the combined force of John’s rough-and-tumble guitars, Patience’s signature banshee yelps, and Alana’s churning drums, Teeth Lost, Hearts Won might be a griffin; it might be a Where The Wild Things Are monster. But either way, it’s the sound of a band unafraid to bite.

Kanchelskis

http://rapidshare.com/files/134669052/RagTw_Vic.zip

@3c6f4ybs:

The Ragga Twins are the link between UK dancehall reggae, jungle and hip-hop. This is a retrospective of their classic (and now very rare) early tracks produced by Shut Up and Dance at the start of the 1990s.

Kanchelskis

Ida Maria - Fortress Round My Heart (2008)

http://sharebee.com/948b8da9

@lftteo0k:

Debut de esta chica noruega de 23 años, que ahora vive en Estocolmo, desde donde conduce su sello discográfico Nesna Record. Dulce, agesiva y tremendamente adictiva es esta mujer que por momentos me recordo los mejores años de las Throwing Muses.

Kiototar

@Kanchelskis:34fwh4m4:

@Kiototar:34fwh4m4:
PHOEBE KILLDEER & THE SHORT STRAWS: Weather's Coming (2008)
http://www.mediafire.com/?l0bntv4dytc
http://www.myspace.com/phoebekilldeer
qué grande. Sin llegar a PJ Harvey, pero sacándole minutadas a Leslie Feist.

Cierto, es otro discazo… se me olvidó ponerlo en mis destacados del 1º semestre, igual que se me olvidaron el de The Felice Brothers y el de Bon Iver.

A mí, como alguien dijo en este foro, el de Phoebe me recuerda bastante al primero de My Brightest Diamond... aunque en directo, es tan extremecedora como Diamanda Galás.
Por cierto, me sobran dos entradas para el primer concierto de la Galás en Madrid.

Mil gracias por el de la noruega,le tengo ganas.

greychaos

Después de una primera escucha, me ha dejado muy buenas vibraciones lo de Saioa.

Kiototar

@greychaos:3nxws1v2:

Después de una primera escucha, me ha dejado muy buenas vibraciones lo de Saioa.

no me extraña… A ver si a la peña le pasa lo mismo y nos la traen al Primavera!!! la verdad que la tipa se lo está currando mogollón.

edito: sé que se colgó, pero alguien me puede pasar algún link del de Beck??? qué impresiones???

Por cierto, el disco de Human Highway mola mucho!!! y mira que la portadita es de traca!

thatcher

beck-modern guilty

http://uploaded.to/?id=3j48qn

impresiones: me ha parecido aburrido, pero el sonido en si me gusta. nunca he sido un gran fan, tengo un amigo que si es bastante fan que me ha dicho que no le ha gustado, para gustos colores, a mi solo me pone el sexto tema, walls.

andtheworldsmileswithyou

**
Birchville Cat Motel - Gunpowder Temple Of Heaven [2008/Pica Disk]**

@3ei9z1r5:

Albums – good albums, that is – used to be monuments. They used to carve out a piece of space-time that was worth visiting and re-visiting, a near-holy place where you could commune with a presence that felt bigger than you. Nowadays, calling any album a monument is a stretch. It’s almost as if the tide has turned against such grandiose gestures, irony leveling even the loftiest of intentions. Just check the unceasing torrent of releases on every medium imaginable from countless obscure labels: keeping discographies becomes a fool’s errand and frustrates all but the most dedicated collectors. It’s all process over product, the getting-there trumping the destination.

So, when thinking of the current experimental drone/noise underground, historical perspective is not the first term that springs to mind. At times it seems like many of these artists intentionally obfuscate straightforward chronology and mock the idea of a perfect final product. Ruptured timelines, ideas in the raw, ad hoc invention – these are their materiel and M.O. Keep up if you can.

Gunpowder Temple of Heaven, in name and effect, is a monument, intentionally and unintentionally. It’s monumental in the sense that it is titanic and overwhelming, a 40-minute superstructure of sound that can’t readily be ignored. Unintentionally, it acknowledges on one level how ephemeral and elusive experimental music has gotten, and on another, how scattered and fragmented our culture in general feels. No amount of inspiring, hope-laden speeches, it seems, can get everyone under one roof these days.

This acknowledgement comes in the form of Bruce Russell’s wide-ranging liner notes and a three-page discography of Campbell Kneale’s recorded output (more than 90 releases over the past decade or so). Russell puts the music into the context of church music, psycho-acoustics and temple-building, and suggests affinities with Oliver Messiaen, Iannis Xenakis and Le Courbusier. This is more (well-founded) historical foundation, documentation and narrative than most records in the drone/noise underground ever get.

The overarching texture is itself a grand one, and Russell states the conclusion that anyone who hears this record, even before they read his notes, will reach: the main body of this piece sounds like a massive church organ, one with all the keys depressed and droning onwards into some strange secular infinity. Layer upon layer of held tones in the mid-to-high frequency range coalesce, merge, break up and ultimately reform into mammoth close harmonies, half-melodies and abstract themes.

What holds this mass together is the deep design with which Kneale imbues the piece. Every detail points at the whole, from the plaintive, ultra-high harmonics to the distant bass bombs that appear two-thirds in. He manages to do what all great monuments should do: evoke grandeur and awe, melancholy and solitude of a theological depth. It evokes these, and in so doing, builds from them a shelter.

http://www.megaupload.com/es/?d=7V16KP58

tra-la-la

Sonic Youth med Mats Gustafsson og Merzbow - Andre Sider Af Sonic Youth

http://rapidshare.com/files/134925654/SYASaSY.rar
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