Filtraciones '08
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@andtheworldsmileswithyou:1nngnukp:
@los:
@andtheworldsmileswithyou:1nngnukp:
Es una versión a baja calidad sacada de una preview en stream en una web.
¿Esta frase es en serio?
Si, la frase es en serio, dos minutos estuve pensando como coño decirlo, si encuentras un modo mejor…
No, por favor, no se moleste. Simplemente es que nos asombra el grado de tecnificación a que hemos llegado. Seguramente es la mejor manera de decirlo, pero ya nos vemos este vespre soltando la frase y los amigos mirándonos raro.
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@CarloMarx:1sowyvtg:
puede ser, siento el malentendido. y gracias por la version que has colgado, que es la que estoy escuchando.
un saludoHasta que te animaste a postear por aqui! Un saludo, camarada blogger (al margen de los malentendidos
). -
MOGWAI Live at OFF Festival, Poland, 08-08-2008 >> la calidad normal, bastantes temas de lo nuevo…
01 - Yes! I Am A Long Way From Home
02 - Precipe
03 - Friend of the Night
04 - I Love You, I'm Going to Blow Up Your School
05 - Hunted by a Freak
06 - Scotland's Shame
07 - Jim Morrison
08 - Mogwai Fear Satan
09 - Batcat
10 - Space Expert
11 - 2 Rights Make 1 Wronghttp://download.nnover.ru/data/uf/3468314/4/03/22/4032289_mogwai_-_live_at_off_festival_2008.rar -
Y tres temas del disco:
http://www.mediafire.com/?zeyyjqitgcpNo, si al final me voy a tener que mosquear
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Death Vessel - Nothing Is Precious Enough For Us (Sub Pop, 2008)
@2vmab3qa:
This collection of music was written and sung by Joel Thibodeau. It is unlike anything you’ve ever heard. People will call it many things. Few will get it right. This is Death Vessel.
Death Vessel’s debut album Stay Close was released in 2005 to critical acclaim. Since that album’s release Death Vessel has toured with Iron & Wine, Low, Jose Gonzalez, and The Books, among others. Recorded with longtime producer/collaborator Pete Donnelly (The Figgs) at his New Jersey studio, and various locales across the northeast, Nothing Is Precious Enough for Us is Death Vessel’s Sub Pop debut. While in recent years Joel has toured primarily as a solo performer, and the songs are inarguably mesmerizing and relevant in that setting, on record they take on a new life, thanks to his and Donnelly’s inspired, and often unusual, arrangements, and the contributions of numerous friends and players. The album exudes a unique, wide-scope ambition. Its musical reach is fully extended—-deep into the past, grounded in the present and nodding to the future. Owing to the gritty avarice of Joel’s singular spirit, voice and musicality, the songs sound as progressive, experimental and modern as they do antique and old-world. The music is haunting and spiritual, mysterious and kind, ageless and contemporary, soulful and psychedelic. In short, it’s where the requiem meets rock ‘n’ roll.
“Now I am versed in silence/my throat hurts, not from yelling but from holding back,” Joel sings on “Block My Eye,” the album’s opening track. And that’s ok, because the music speaks for itself. And nothing ever sounded so loud, and so clear.
http://rapidshare.com/files/137056054/Death_Vessel_-_Nothing_is_Precious_Enough_For_Us_-_2008.zip -
@andtheworldsmileswithyou:j1u2wj02:
Death Vessel - Nothing Is Precious Enough For Us (Sub Pop, 2008)
@j1u2wj02:
This collection of music was written and sung by Joel Thibodeau. It is unlike anything you’ve ever heard. People will call it many things. Few will get it right. This is Death Vessel.
Death Vessel’s debut album Stay Close was released in 2005 to critical acclaim. Since that album’s release Death Vessel has toured with Iron & Wine, Low, Jose Gonzalez, and The Books, among others. Recorded with longtime producer/collaborator Pete Donnelly (The Figgs) at his New Jersey studio, and various locales across the northeast, Nothing Is Precious Enough for Us is Death Vessel’s Sub Pop debut. While in recent years Joel has toured primarily as a solo performer, and the songs are inarguably mesmerizing and relevant in that setting, on record they take on a new life, thanks to his and Donnelly’s inspired, and often unusual, arrangements, and the contributions of numerous friends and players. The album exudes a unique, wide-scope ambition. Its musical reach is fully extended—-deep into the past, grounded in the present and nodding to the future. Owing to the gritty avarice of Joel’s singular spirit, voice and musicality, the songs sound as progressive, experimental and modern as they do antique and old-world. The music is haunting and spiritual, mysterious and kind, ageless and contemporary, soulful and psychedelic. In short, it’s where the requiem meets rock ‘n’ roll.
“Now I am versed in silence/my throat hurts, not from yelling but from holding back,” Joel sings on “Block My Eye,” the album’s opening track. And that’s ok, because the music speaks for itself. And nothing ever sounded so loud, and so clear.
http://rapidshare.com/files/137056054/Death_Vessel_-_Nothing_is_Precious_Enough_For_Us_-_2008.zip(Ejem) Benandbruneando(Ejem). Lo puso -Toxinho- 3 páginas atrás… Pasa en las mejores familias, no?
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jojojo
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Pues sí, estoy empanao
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ahora nos dirá que el bitrate no era bueno, jur jur
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Wolfgang Voigt - Gas [cd, Raster Noton, 2008] una hora de material inédito que no había salido aún a la luz… o eso dicen.
http://rapidshare.com/files/135507933/wolfgang_voigt_-_gas__raster-noton_2008_.zip -
Post-punk modernito resultón
Elle Milano - Acres Of Dead Space Cadets
http://rapidshare.com/files/95012884/milan.zip@3clglu1i:
Disco debut deste grupo procedente de Brighton, UK. Exponen 10 temas de muy buena manufactura con la garantía del rock independiente británico, con temas punks, baladas alternativas, garage rock a lo The Hives, el new wave de Franz Ferdinand, con similitudes sonicales a Larrikin Love o Mistery Jets.
Bueno, Mystery Jets…al menos lo colgado en su myspace, suena bastante mejor que Mystery Jets
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@1vpc4fsx:
Inquiet- Inq Beyong
…
Atención a este disco por que por lo que estoy escuchando está brutal y engancha muchisimo.
You can find more information about inquiet at
http://www.myspace.com/inquietinquietand also at
**
http://www.brothersisterrecords.org**thanks for writing :)
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El sello Aloud Music ha puesto para descargar de foma gratuita y legal todo su catálogo.
También ha habilitado la posibilidad de realizar donaciones. -
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@Pelukini:3quyg7g6:
El sello Aloud Music ha puesto para descargar de foma gratuita y legal todo su catálogo.
También ha habilitado la posibilidad de realizar donaciones.A mi la mayor parte del sello Aloud no me gusta nada
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El ep de Mogwai:
http://www.sendspace.com/file/lcvr7y -
qué bonico el disco este de High Places que puso andtheworld unos días atrás. lástima que la voz sea un poco sosilla..
de todas maneras, he estado buscando info sobre el grupo y he encontrado un disco que han sacado ahora que recopila material desperdigado de justo antes del LP que recién han sacado con Thrill Jockey.
lo pongo para quien lo quiera (perdón si ya lo pusisteis en su día):High Places 03/07-09/07
http://www.mediafire.com/?35ztcndgmby
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Hace algunos días que no dejo nada por aquí así que vamos con algunas csillas interesantes
Total Bummer - Total Bummer (Ep)
http://rapidshare.com/files/137524405/Total_Bummer-_Total_Bummer__ep__-_2008.zip ``` @wwrfnoz0: > Total Bummer is Brooklyn Cannon. Originally from Victoria, B.C. but now residing in Montreal, Quebec, Cannon has been active within the Canadian independent music scene for the better part of a decade. She has been a member of Victoria bands God Shaped Vacuum - whose other members included Dan Boeckner of Wolf Parade and Handsome Furs, as well as Carey Mercer of Frog Eyes and Swan Lake-, and Atlas Strategic - again with Boeckner -, who released two albums: Rapture, Ye Minions! (2000 - Global Symphonic) and the independently released That’s Familiar (2002). After leaving Atlas Strategic in 2002, she would take a break from music and attend fashion school. In 2006 Cannon joined the last incarnation of the influential Victoria band Daddy’s Hands, fronted by the late Dave Wenger. After Wenger’s untimely passing and the dissolution of Daddy’s Hands, Cannon began writing songs under the moniker of Total Bummer. Total Bummer is representative of the coalesced experiences of it’s only member and invokes the silence of a Montreal winter: powerful, deafening in it’s execution, and seemingly on the verge of collapse from the weight of modernity. Speaking through a singular voice, and resembling very little of her past musical output, Cannon’s Total Bummer is representative of a clear and divisive step into an unknown future that still amends it’s past in recollection. –---------------- **Miles Benjamin Anthony Robinson - Miles Benjamin Anthony Robinson**http://rapidshare.com/files/137318834/_2008__Miles_Benjamin_Anthony_Robinson.rar
 @wwrfnoz0: > Miles Benjamin Anthony Robinson is one man, but his debut album is so full of voices and sounds it suggests the work of a community. Sometimes this fullness is just an illusion of multitracking and overdubbing, but often it’s a document of something truly shared, thanks to contributions from TV on the Radio’s Kyp Malone and various members of Grizzly Bear (the record was produced by GB’s Chris Taylor). Nonetheless, it’s still a solo album, which helps drive home the message these ragged singalongs seem to be suggesting– that these people (and perhaps we too, by extension) are, in fact, lonely together. Much like Conor Oberst, Robinson may be surrounded by friends and their democratic noises, but his burdens are all his own. –--------- **Sumner Mckane - What A Great Place To Be**http://rapidshare.com/files/136889624/SM-WAGP.rar
 @wwrfnoz0: > Many of today’s breed of post-rock bands are basically the equivalent of punk-rock bands; they do not rely on virtuosity or technique, and their song structures tend to be predicable and owe more to energy and emotion rather than melodic, harmonic, or rhythmic complexity. Because of this, Sumner McKane stands out from the crowd. He is a brilliant songwriter and a technically proficient musician, yet his playing resonates with soul and passion. He has a style that is unmistakably his own. His influences, which are varied, shine through, but at no point does this fact sacrifice his originality. In a genre in which many critics often give far too much credit to sterile and bland music claiming to be avant-garde, Sumner McKane is an absolute breath of fresh air. Estos dos últimos suenan muy prometedores después de una primera escucha, así que dadles una oportunidad
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