Filtraciones '08
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Llevo cerca de 15 días sin entrar por el foro para ver las novedades. Me da una pereza enorme ponerme a leer 30 páginas de foro porque es un coñazo.
Así que aprovechándome de vuestra bondad…alguien podría hacerme un listado con 10 discos recomendables?
Os lo agradezco
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@muchachapeluda:ddl8s4li:
Llevo cerca de 15 días sin entrar por el foro para ver las novedades. Me da una pereza enorme ponerme a leer 30 páginas de foro porque es un coñazo.
Así que aprovechándome de vuestra bondad…alguien podría hacerme un listado con 10 discos recomendables?
Os lo agradezco
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No me suena de haberlo visto, así que lo pongo.
Ex Reverie - The Door Into Summer
http://www.zshare.net/download/50757437eca88729/
@1pfub0dz:
The most impressive band to come out of Greg and Jessica Weeks's Language of Stone repertoire so far is Ex Reverie. It's the spawn of Gillian Chadwick, the other half of Jessica Weeks's Woodwose.
Chadwick's singing on the band's debut, The Door into Summer, evokes a more sinister Sandy Denny (Fairport Convention), her voice rising like an incantation over the music and then falling back among the flora. Her tonal flexibility allows her to keep up with the fertile evolution of her suites (more than half the songs here exceed five minutes).
This evolution carries each song through a distinct musical history loosely rooted in parallel musical histories: that of the stringed instrument, of folk and rock music, and of her own experience as a listener and player. Listening through the accelerated eons of her songs is the equivalent of watching a lizard grow wings and feathers in real time.
Chadwick's lyrics present a world where natural forces "move quickly in slow motion" and where "constancy and context tumble in silky sleeves." Corruption dances with purification, quick passions slide into birth cycles, and gods trade places with mortals. In "The Years," Chadwick tells the story of a sea goddess who emerges from the water every generation to find her old subjects gone. With each cycle she "re-enter ~~the line" of mortality and then sublimes into the ocean once more.
–--------------
Y otro disco tranquilito para los amantes del ambientManual - Confluence
http://www.gigasize.com/get.php?d=1cycwhb037f@1pfub0dz:
Confluence is Danish producer Jonas Munk's third installment in his
series of ambient albums, following the much loved The North Shore from
2003 and Bajamar from 2006. Unlike Munk's better known work, which
centers around electronica and shoegazing aesthetics as well as a love
of 1980s production techniques, these ambient works are completely
without beats, or even time signatures, and are delicately constructed
out of slowly evolving streams of guitar that has been processed into
oblivion and back. But even compared to the standard set by the two
aforementioned albums, Confluence is surprisingly dark and minimalist.
These eight new compositions move slowly and seamlessly, like the ebb
and flow of the changing tide, with subtle layering and filtering
providing the essential means of movement. In spite of all the pieces
having been created out of endless digital processing and manipulation
of guitars, the result is warm, organic and timeless. Occasional piano
is basically the only other element present amongst the haunting
cascades of guitar drones. Opener "Blue Stone" is a simple composition
that recalls the minimalism of Gavin Bryars or Morton Feldman, with
highly evocative chord combinations replacing one another like cloud
formations in the sky; the title track, "Confluence", visits a musical
territory similar to that on Brian Eno and Harold Budd's collaborative
efforts, with its broad soundscapes and vulnerable piano playing;
"Oracle Night" could be an Angelo Badalamenti piece if he was to score a
David Lynch movie set on a tropical island.
~~ -
@-Toxinho-:2k49x804:
Manual - Confluence
http://rs233.rapidshare.com/files/160570711/Manual_-_Confluence.rar@2k49x804:
Confluence is Danish producer Jonas Munk's third installment in his
series of ambient albums, following the much loved The North Shore from
2003 and Bajamar from 2006. Unlike Munk's better known work, which
centers around electronica and shoegazing aesthetics as well as a love
of 1980s production techniques, these ambient works are completely
without beats, or even time signatures, and are delicately constructed
out of slowly evolving streams of guitar that has been processed into
oblivion and back. But even compared to the standard set by the two
aforementioned albums, Confluence is surprisingly dark and minimalist.
These eight new compositions move slowly and seamlessly, like the ebb
and flow of the changing tide, with subtle layering and filtering
providing the essential means of movement. In spite of all the pieces
having been created out of endless digital processing and manipulation
of guitars, the result is warm, organic and timeless. Occasional piano
is basically the only other element present amongst the haunting
cascades of guitar drones. Opener "Blue Stone" is a simple composition
that recalls the minimalism of Gavin Bryars or Morton Feldman, with
highly evocative chord combinations replacing one another like cloud
formations in the sky; the title track, "Confluence", visits a musical
territory similar to that on Brian Eno and Harold Budd's collaborative
efforts, with its broad soundscapes and vulnerable piano playing;
"Oracle Night" could be an Angelo Badalamenti piece if he was to score a
David Lynch movie set on a tropical island.los rapidshares estos nuevos, son una mierda, estan siempre petados a las 10 bajadas, alguien lo tiene?
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@Pelukini:8krv2afg:
@-Toxinho-:8krv2afg:
Manual - Confluence
http://rs233.rapidshare.com/files/160570711/Manual_-_Confluence.rar@8krv2afg:
Confluence is Danish producer Jonas Munk's third installment in his
series of ambient albums, following the much loved The North Shore from
2003 and Bajamar from 2006. Unlike Munk's better known work, which
centers around electronica and shoegazing aesthetics as well as a love
of 1980s production techniques, these ambient works are completely
without beats, or even time signatures, and are delicately constructed
out of slowly evolving streams of guitar that has been processed into
oblivion and back. But even compared to the standard set by the two
aforementioned albums, Confluence is surprisingly dark and minimalist.
These eight new compositions move slowly and seamlessly, like the ebb
and flow of the changing tide, with subtle layering and filtering
providing the essential means of movement. In spite of all the pieces
having been created out of endless digital processing and manipulation
of guitars, the result is warm, organic and timeless. Occasional piano
is basically the only other element present amongst the haunting
cascades of guitar drones. Opener "Blue Stone" is a simple composition
that recalls the minimalism of Gavin Bryars or Morton Feldman, with
highly evocative chord combinations replacing one another like cloud
formations in the sky; the title track, "Confluence", visits a musical
territory similar to that on Brian Eno and Harold Budd's collaborative
efforts, with its broad soundscapes and vulnerable piano playing;
"Oracle Night" could be an Angelo Badalamenti piece if he was to score a
David Lynch movie set on a tropical island.los rapidshares estos nuevos, son una mierda, estan siempre petados a las 10 bajadas, alguien lo tiene?
Te lo intento subir yo esta mañana. A ver si no tengo problema. Tu si puedes súbete el de los White Denim, que no lo doy pillado.
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Para Valderrama's friend
White Denim - Exposion LP (7", 2008) Self-released Bueno más que un 2 disco como había comentado, son algunos de los temas del disco y sus EP's de debut promo, regrabadas, con algunas nuevas, versiones de temas anteriores, etc etc
http://rapidshare.com/files/160814036/White_Denim_-_Exposion__2008_.rar.html -
Pelukas gracias por el de White Denim. Aquí te dejo un enlace para el de Manual. Espero que en gigasize no les de por lo de las 10 descargas
http://www.gigasize.com/get.php?d=1cycwhb037f -
**Electro/NuJazz/Breakbeat
**Tracklisting
1.The Flame Of Fame (5:31)
2.Fleur De Lille (6:08)
3.Spider (5:29)
4.Matilda (4:02)http://www.zshare.net/download/508752289d2aec32/ -
Jose Gonzalez - Live At Park Avenue EP
@1ds5tsc9:
"In Our Nature", Jose Gonzalez' second album, sees Gonzalez coming into his own as a songwriter with songs that are as instantly accessible as they are brimming with darkness and brooding intensity. "I like playing with symbolism," says Gonzalez. "On this album I've wanted to bring out the primitive aspects of human beings." In addition to Gonzalez on guitar and vocals are Erik Bodin, percussion and Yukimi Nagamo, backing vocals. The album art for "In Our Nature" is done by Elias Araya, who also did the artwork for "Veneer"."In Our Nature" is the follow up to Gonzalez' debut album "Veneer" which went platinum in the UK and Ireland, sold more than 700,000 worldwide, and captured audiences and critics across the globe.
This EP is a very special recording captured at Park Avenue in Orlando Florida. It features live takes on five songs from the new album "In Our Nature" as well as favorites from his debut album "Veneer"
http://www.mediafire.com/?z0yzmm5htzg -
Toxinho gracias por el de jose gonzalez yo le vi en directo en oporto y me parecio una autentica maravilla a ver si este disco me recuerda ese conciertazo. Graciñas
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Papermoons - New Tales [2008]
@3baodffw:
Papermoons are a wonderful gem hidden inside the punk community. Tired clichés aside, though, the band deserves to be as popular as other community off-shoots such as City and Colour and Bedouin Soundclash. If their first album, New Tales, is any indication, they should be doing just that anytime now.
The Texas-based duo already has a 7″ to their credit, one that I have already expressed acclaim for. New Tales builds on the melancholic pop melodies of that album (think Moneen’s quieter moments). However, this time around the band has more time to better show their own identity. Songs such as “Lazy Bones,” “Front Porch” and “Find Me an Island” are beautiful numbers that would be as well-suited to provide a soundtrack to an afternoon drive as they would be to balance yourself after listening to too much Throwdown. It’s the band’s first go at writing a full-length, and even at 10 songs and only 36 minutes, the album can drag a little bit if you’re not in the mood to listen to it. While you could blame “mellow music” for providing those moments, it is something the band can, and likely will, improve on with their next outing.
The music on New Tales is mellow, and it requires your attention if you want to get the most out if its subtle peaks, but it should be no problem to give it your attention, in part because it’s nice to listen to, but also because it’s easy to find enjoyment. It’s heavily textured, but not so much so that you spend more time dissecting its parts than you do just enjoying the music.
In many ways, Papermoons play the kind of music I imagined emo would turn out to be had it taken a left instead of a right when people started listening to Sunny Day Real Estate. In many ways, it’s too bad that didn’t happen, but at the same time it’s nice that Papermoons are an unusual enough band that they warrant some genuine excitement.
punknews
http://rapidshare.com/files/160611840/0pap.rar -
Toxinho gracias por el de jose gonzalez yo le vi en directo en oporto y me parecio una autentica maravilla a ver si este disco me recuerda ese conciertazo. Graciñas
-
@Dan:
Papermoons - New Tales [2008]
@1s1liy6g:
Papermoons are a wonderful gem hidden inside the punk community. Tired clichés aside, though, the band deserves to be as popular as other community off-shoots such as City and Colour and Bedouin Soundclash. If their first album, New Tales, is any indication, they should be doing just that anytime now.
The Texas-based duo already has a 7″ to their credit, one that I have already expressed acclaim for. New Tales builds on the melancholic pop melodies of that album (think Moneen’s quieter moments). However, this time around the band has more time to better show their own identity. Songs such as “Lazy Bones,” “Front Porch” and “Find Me an Island” are beautiful numbers that would be as well-suited to provide a soundtrack to an afternoon drive as they would be to balance yourself after listening to too much Throwdown. It’s the band’s first go at writing a full-length, and even at 10 songs and only 36 minutes, the album can drag a little bit if you’re not in the mood to listen to it. While you could blame “mellow music” for providing those moments, it is something the band can, and likely will, improve on with their next outing.
The music on New Tales is mellow, and it requires your attention if you want to get the most out if its subtle peaks, but it should be no problem to give it your attention, in part because it’s nice to listen to, but also because it’s easy to find enjoyment. It’s heavily textured, but not so much so that you spend more time dissecting its parts than you do just enjoying the music.
In many ways, Papermoons play the kind of music I imagined emo would turn out to be had it taken a left instead of a right when people started listening to Sunny Day Real Estate. In many ways, it’s too bad that didn’t happen, but at the same time it’s nice that Papermoons are an unusual enough band that they warrant some genuine excitement.
punknewshttp://rapidshare.com/files/160611840/0pap.rarerror
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Le Loup
Otro más de Psych Folk. Muy recomendable.
http://rapidshare.com/files/107557292/2007_Le_Loup.rar.html
Aquí la reviw del pisfrog
http://www.pitchforkmedia.com/article/record_review/45643-the-throne-of-the-third-heaven-of-the-nations-millennium-general-assembly -
Jajajaja!! el de le Loup lo colgué en febrero, creo… Me parece un discazo!!!
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@Kiototar:3obb7bnq:
Jajajaja!! el de le Loup lo colgué en febrero, creo… Me parece un discazo!!!
toma ben and bruno (y eso que le dí a buscar). Desastre total
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@Kiototar:3t00stqk:
@Dan:
Papermoons - New Tales [2008]
@3t00stqk:
Papermoons are a wonderful gem hidden inside the punk community. Tired clichés aside, though, the band deserves to be as popular as other community off-shoots such as City and Colour and Bedouin Soundclash. If their first album, New Tales, is any indication, they should be doing just that anytime now.
The Texas-based duo already has a 7″ to their credit, one that I have already expressed acclaim for. New Tales builds on the melancholic pop melodies of that album (think Moneen’s quieter moments). However, this time around the band has more time to better show their own identity. Songs such as “Lazy Bones,” “Front Porch” and “Find Me an Island” are beautiful numbers that would be as well-suited to provide a soundtrack to an afternoon drive as they would be to balance yourself after listening to too much Throwdown. It’s the band’s first go at writing a full-length, and even at 10 songs and only 36 minutes, the album can drag a little bit if you’re not in the mood to listen to it. While you could blame “mellow music” for providing those moments, it is something the band can, and likely will, improve on with their next outing.
The music on New Tales is mellow, and it requires your attention if you want to get the most out if its subtle peaks, but it should be no problem to give it your attention, in part because it’s nice to listen to, but also because it’s easy to find enjoyment. It’s heavily textured, but not so much so that you spend more time dissecting its parts than you do just enjoying the music.
In many ways, Papermoons play the kind of music I imagined emo would turn out to be had it taken a left instead of a right when people started listening to Sunny Day Real Estate. In many ways, it’s too bad that didn’t happen, but at the same time it’s nice that Papermoons are an unusual enough band that they warrant some genuine excitement.
punknewshttp://rapidshare.com/files/160611840/0pap.rarerror
quieres decir que ya estaba colgado?
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@Dan:
@Kiototar:2rvuc2xw:
@Dan:
Papermoons - New Tales [2008]
@2rvuc2xw:
Papermoons are a wonderful gem hidden inside the punk community. Tired clichés aside, though, the band deserves to be as popular as other community off-shoots such as City and Colour and Bedouin Soundclash. If their first album, New Tales, is any indication, they should be doing just that anytime now.
The Texas-based duo already has a 7″ to their credit, one that I have already expressed acclaim for. New Tales builds on the melancholic pop melodies of that album (think Moneen’s quieter moments). However, this time around the band has more time to better show their own identity. Songs such as “Lazy Bones,” “Front Porch” and “Find Me an Island” are beautiful numbers that would be as well-suited to provide a soundtrack to an afternoon drive as they would be to balance yourself after listening to too much Throwdown. It’s the band’s first go at writing a full-length, and even at 10 songs and only 36 minutes, the album can drag a little bit if you’re not in the mood to listen to it. While you could blame “mellow music” for providing those moments, it is something the band can, and likely will, improve on with their next outing.
The music on New Tales is mellow, and it requires your attention if you want to get the most out if its subtle peaks, but it should be no problem to give it your attention, in part because it’s nice to listen to, but also because it’s easy to find enjoyment. It’s heavily textured, but not so much so that you spend more time dissecting its parts than you do just enjoying the music.
In many ways, Papermoons play the kind of music I imagined emo would turn out to be had it taken a left instead of a right when people started listening to Sunny Day Real Estate. In many ways, it’s too bad that didn’t happen, but at the same time it’s nice that Papermoons are an unusual enough band that they warrant some genuine excitement.
punknewshttp://rapidshare.com/files/160611840/0pap.rarerror
quieres decir que ya estaba colgado?
No no, perdona! Es que al principio no se veía (o yo no podía ver) el link de Rapidshare. Iba a poner uno que he encontrado y justo al citarlo (para escribir el mensaje) he visto que si que lo habías puesto pero que por un error, en mi pantalla no se veía. Pero nada, al verlo lo edité.
Perdon por el malentendido! -
tienes razón, lo he editado justo después! el error era cierto!!
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