Filtraciones '08

chema s.

Hey chema, no es por ser cargoso (bueno, si un poco), pero ya se dijo que es mejor que se pongan los links como códigos, de manera que sean mas difíciles de rastrear.

lo siento, no estoy al tanto… ¿eso es lo de poner hxxp?

hay cosas de la informática que se me escapan un poco. yo soy de tener mi abecé de recursos, herramientas, programas y costumbres y de ahí no salir.

tethor

@chema:

@suitaloon:12qnxu66:

Hey chema, no es por ser cargoso (bueno, si un poco), pero ya se dijo que es mejor que se pongan los links como códigos, de manera que sean mas difíciles de rastrear.

lo siento, no estoy al tanto… ¿eso es lo de poner hxxp?

hay cosas de la informática que se me escapan un poco. yo soy de tener mi abecé de recursos, herramientas, programas y costumbres y de ahí no salir.

no, meterlo entre los tags [ Code ]:

[code]enlace[/code]

(me ha salido un re-code).

chema s.

@tethor:2fi9nsf9:

@chema:

@suitaloon:2fi9nsf9:

Hey chema, no es por ser cargoso (bueno, si un poco), pero ya se dijo que es mejor que se pongan los links como códigos, de manera que sean mas difíciles de rastrear.

lo siento, no estoy al tanto… ¿eso es lo de poner hxxp?

hay cosas de la informática que se me escapan un poco. yo soy de tener mi abecé de recursos, herramientas, programas y costumbres y de ahí no salir.

no, meterlo entre los tags [ Code ]:
[code]enlace[/code]
(me ha salido un re-code).

¡gracias! ya he aprendido algo nuevo.

Kanchelskis

Un tipo que pensé que acabaría en el Primavera, y, por ahora, no. Solo he escuchado su EP del año pasado, y me pareció como su hermano, pero sin gracia.

XABEL VEGAS Y LAS UVAS DE LA IRA - EL ÓXIDO

http://lix.in/d53d4903

pass: manchessolares.blogspot.com

kowalsky

@andtheworldsmileswithyou:nh17a0dx:

Colin Meloy - Sings Live (Kill Rock Stars, 2008)
http://www.megaupload.com/?d=ZB2AUSAI

el link de colin meloy ya no funciona. alguien puede volver a subirlo?
graciax!

andtheworldsmileswithyou

Por si alguno lo quiere:

R.E.M. - Accelerate (2008)

http://ifolder.ru/5746161
http://rapidshare.com/files/99739442/555666777888.rar.html
http://www.mediafire.com/?wgo0evynk2d
http://filesurf.ru/32511
http://uploaded.to/?id=l39n9u

jackster

@andtheworldsmileswithyou:ppj4dwk2:

Por si alguno lo quiere:

R.E.M. - Accelerate (2008)

http://ifolder.ru/5746161
http://rapidshare.com/files/99739442/555666777888.rar.html
http://www.mediafire.com/?wgo0evynk2d
http://filesurf.ru/32511
http://uploaded.to/?id=l39n9u

Pues el disco esta de puta madre. Sacan un buen disco en 10 años y justo este año no les vere de gira….En fin, al menos "han vuelto".

alias

a mi no me ha dicho mucho después de un par de escuchas.

no es que sea yo muy integrista con ellos, y me hago cargo que llevan mucho en esto y es difícil mantener el tipo, pero les sigo notando muy poco inspirados. en conjunto es más escuchable que el último pero lo único que me parece diferente de los anteriores es que se han dejado de lado la gaseosa y los experimentos y que no hay casi canciones lentas.

andtheworldsmileswithyou

Four Tet - Ringer (2008)

@djltidhh:

Four Tet returns with four tracks of techno (not techno). The Ringer mini album is a 32 minute, four-track excursion into the kind of wide-open spaces you might find if you set out to make techno with an afrobeat/krautrock sensibility.

Ringer locks together gloriously rich synthesizer arpeggios; 'Wing Body Wing' slips from crisp clusters of disco percussion to Steve Reich polyrhythms; and in between are another two euphoric ripples of sound, 'Ribbons' and 'Swimmer'. These are tracks that make you think of Berlin - Dakar - Detroit - but they could only have been made in London. All four are headphone epics, but are mixed in such a way you know you have to hear them at Plastic People or The End.

The techno heartbeat comes from Kieran Hebden's regular DJ residences over the last couple of years - but also from his ongoing collaborations with legendary jazz drummer Steve Reid. Whether in the studio or live, Kieran and Steve often click into the kind of deep 4/4 grooves that can depart in any direction with a little adjustment.

Ringer carries that minimal pulse over into Four Tet, and while Kieran's trademark recuttings of jazz breaks may be less in evidence, his feel for harmony and melody is, as always, unmistakable.

http://link-protector.com/442476/
http://sharebee.com/412a3779

chema s.

¡buena ahí!

andtheworldsmileswithyou

Machinefabriek - Mort Aux Vaches (Staalplat, 2008)

http://www.mediafire.com/?hpetdjaaxy2

Esta noche subo otro par. Este es el hombre más prolifico del mundo.

andtheworldsmileswithyou

Este debería ser el disco más sólido de todos los que edite durante el año. La continuación natural de Marijn y Weeler. El archivo tiene los 6 cortes unidos en uno sólo:

Machinefabriek - Ranonkel (2008)

@1fj6kg2t:

In the '2008 Preview' piece published recently on these pages, it was projected that Machinefabriek was likely to release in the vicinity of twenty albums over the course of the year, based on 2007's form. If I've counted correctly, this would be the fifth release by Rutger Zuydervelt to find its way into the Boomkat office so far in 2008, meaning that he's already a quarter of the way towards that figure, and we're barely a month into the year. Ranonkel marks a break in form from the recent output however, avoiding all sense of this being another ephemeral transmission from the Machinefabriek hard drive, and instead sounding like a fully formed bonafide album, a worthy follow-up to the Marijn full-length released on Lampse in 2006. As an introductory statement 'Trouringh' serves as proof that Zuydervelt has well and truly brought his A-game to the table this time around, combining the very best of his microsound work with an explicitly tuneful instrumental element. Fizzing glockenspiel tones light a melodic causeway across a minuscule, infinitely graceful backdrop of high frequency sine tones, crackle and slow chords. It's a real keeper, definitely among the very finest of Zuydervelt's compositions. If you've grown a little sceptical of the Machinefabriek quality control system of late, here's the antidote. A series of more streamlined drones follows, although the overall feel is one of methodical, well thought out composition rather than off-the cuff tonal layering: 'Stofstuktoon' resonates like an orchestra of perpetually sustaining Tibetan prayer bowls, eventually sliding away into near silence populated only by a protracted static hiss. Over the course of 'Ranonkel 1' you'll hear interjections of acoustic guitar flirting with electronic signals, revealing a gradual, unfolding melodic trajectory. After 'Andermans Thuis' has dabbled in slightly more ominous waters, via what sounds like some gentle contact mic recordings, 'Ranonkel 2' offers a palette-cleansing ninety seconds of beautiful sinusoidal stretches, leading into the album's final seventeen minutes: 'Zink'; an immense, panoramic ambient piece featuring Zuydervelt's full armoury of techniques. During its first half you'll hear blurred acousmatic artefacts clashing with submerged string textures, eventually escalating into the kind of heady guitar manipulations and shimmering electronic timbres you might recall from Taylor Deupree's Northern. The finest Machinefabriek outing of 2008 by some margin - you'll be returning to that opening piece in particular again and again. ESSENTIAL PURCHASE.

http://www.mediafire.com/?tmsxyxszzyc

andtheworldsmileswithyou

Unwed Sailor - Little Wars (Burnt Toast Vinyl, 2008)

http://sharebee.com/af6e9ec6

andtheworldsmileswithyou

El de Unwed Sailor lo estoy escuchando y no me convence mucho :S

Machinefabriek - Music For Intermittent Movements: Soundtracks For Films By John Price

@bq4j3i37:

2008 gets underway with the irrepressible Rutger Zuydervelt further extending his prodigious discography,
this time with a collection of sublime soundtrack pieces commissioned by American filmmaker John Price,
whose works are about to be screened at the International Film Festival Rotterdam. This timely CD issue
finds Machinefabriek in especially good form, with the opening twelve-minuter 'Camp Series 1' mimicking
the wonderfully fusty turntable explorations of Phillip Jeck, delving into a pool of deep, thick vinyl crackle
from some old 78, detuned and blurred beyond all recognition. Its dense, prickly atmosphere sounds as
you'd imagine Deaf Center were they to be pressed onto wax cylinder. Next, 'The Boy Who Died', while
composed from similar materials, has a much darker heart and a heavier noise presence with a few
snatches of melody rising up here and there - we're starting to get into the realms of Deathprod or William
Basinski. The Basinski influence is similarly apparent on the next piece, a short three minutes of guitar,
treated with decaying effects reminiscent of the dilapidated pianos on Melancholia. 'Intermittent Movement'
is a more obviously digital composition, featuring wide-panned percussive fragments and deep, dark bass
drones. The rubble clears towards the end to reveal a cave-like echo chamber, filled with whirring and
scraping sound matter. Finally, 'Camp Series 2' takes us back to the beginning of the disc with languid,
wistful tones firmly in the grip of distortion and decomposition. We have 50 copies only, you know what you
have to do…

http://www.mediafire.com/?mj12doda1nj

andtheworldsmileswithyou

Our Sleepless Forest - Our Sleepless Forest (Resonant, 2008)

@2fm3j8gx:

Absolutely stunning debut album of ambient electronic space rock from a
frighteningly young three-piece from South London - their first full
release, having had an early version of album track 'The Tinderbox' included
on the Type Records 'Free The Future' compilation.

Having met at school, Sam Purcell, Josh Rothberger and Karl Jawara started
experimenting with various musical instruments and sounds using software and
basic recording equipment, inspired by the music they were into and with the
aim of creating their own wall of sound. After 14 months they emerged with
something they were sufficiently happy with to allow it to be heard by
others, and ultimately that brings us to the present day - an eight-track,
45-minute debut that is comparable to any in this field in recent times.

Our Sleepless Forest's music is multi-layered, complex and dense, yet
dedication and attention are rewarded as the intricate slow-build melodies
are revealed beneath the feedback, crackle and hiss. Reminiscent at times of
the likes of Loscil or even Radiohead's more out-there moments but on the
whole avoiding the predictable comparisons associated with music of this
genre, this is an album that simply has to be heard.

Press to follow; opening track 'Nomads' was played by Mary Anne Hobbs a
couple of months back, and influential Manchester-based website Angry Ape
have lined up an interview with the band.

http://www.myspace.com/oursleeplessforest

http://www.mediafire.com/?cbw1ms3m1bz

andtheworldsmileswithyou

Foals - Antidotes (Sub Pop, 2008)

@7jzu2gfk:

Foals are a five-piece dance-rock band currently living in and native to the town of Oxford, England. Completing the circuit between the minimalism of American composer Steve Reich, guitars that sound like insects and tennis player Andy Roddick, theirs is a uniquely winning formula. Driving percussion high in the mix, guitars played above the 12th fret, no chords, splashes of synth color all come together like the schematics for a piece of precision engineering. And there’s something strange about those guitars. “They’re meant to sound like insects,” offers singer/guitarist Yannis Philippakis, “like a cloud of insects forming these strange harmonies.”

Last June, Foals traveled to Brooklyn, NY to record Antidotes, with TV on the Radio guitarist and producer (Yeah Yeah Yeahs, Liars) David Sitek. Recording took five weeks. The horn section from afrobeat band Antibalas played on five tracks and Celebration’s Katrina Ford sang on another. Lauded variously as “Shitpipe midget guitar strap bullshit,” “Snotty art school dropouts hungry for the dollar,” and one of the new bands that will define 2008 (by NME), Antidotes is the debut album by Foals.

http://www.megaupload.com/?d=1L7J9FPL

Subiendo Silver Jews

chema s.

@andtheworldsmileswithyou:wngvqror:

Subiendo Silver Jews

¡vá-mo-nos!

-Toxinho-69

A ver si lo subes tu antes por que estoy esperando a que me pasen un enlace y aún va a tardar media hora, jeje. :wink:

andtheworldsmileswithyou

Silver Jews - Lookout Mountain, Lookout Sea (Drag City, 2008)

@lla5d5q5:

Nevermind a light, Silver Jews fans now have an end of the tunnel, period. The wait for David Berman and co.'s sixth album, Lookout Mountain, Lookout Sea, will end with its June 17 release on Drag City.

The follow-up to 2005's Tanglewood Numbers is the first Silver Jews record played by the touring lineup that formed in 2006 in defiance of Berman's previous refusal to tour: Berman, his wife Cassie, Tony Crow, Peyton Pinkerton, and William Tyler. Lookout Mountain's tracklist has been rearranged a bit since our initial report, and one thing we didn't know then was that "Open Field" is a cover of a Maher Shalal Hash Baz song.

Back to touring, the Jews' May appearances at the Primavera Sound Festival and the Explosions in the Sky ATP are just a couple of stops on a spring European jaunt. Then, for the fall, the band is planning a tour of the U.S. And according to The Tennessean, Berman will give a poetry reading at Nashville's Watkins College of Art and Design on March 12.

http://www.mediafire.com/?ymltwis0mek
http://www.mediafire.com/?nrcx0wbx2ne

-Toxinho-69

No digo nada puta!!!