Electrónica
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Guau, carusel, te has pasado, qué grande! Ya sólo queda postear el nuevo de Lone y el de Andrea.Por cierto el "Multistability" de Mark fell lo acaban de postear en Nodata, para quien le interese.-
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Nuevo tema de Blake, este tio es cojonudo, se nota la formación clásica que tiene…
http://www.youtube.com/watch?v=0xHSbKAe ... r_embedded
Aquí para descargar:
http://www.mediafire.com/?uwwnw17i0l4yer7 -
Acabo de ver que el domingo tenemos al capo de Innervisions Dixon en Becool, de cabeza.
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toma pedrolo!
bruce haack - farad: the electric voice (stones throw, 2010)
http://hotfile.com/dl/76963045/4b9e5f8/Bruce_Haack-Farad_The_Electric_Voice-(STH2221)-WEB-2010-DEF.rar.html ```@12gld6i0: > Collected released and unreleased vocoder recordings, 1970-1982, from electronic music pioneer Bruce Haack. > > Available now at stonesthrow.com / official release date: October 19 > > Up until now, the legacy of Bruce Haack (1931-1988) has only existed in the quirks, glitches, and audio signals of modern techno-luminaries such as Kraftwerk and Daft Punk, but unlike the aforementioned, Haack has been relegated to a position of relative obscurity. With Stones Throw’s collection Farad: The Electric Voice, the electronic music pioneer can hopefully be lifted into the spotlight of the Electronic music continuum. > > J Dilla would be the one to enlighten us that Haack was something more than a just guest on the Mister Rogers Show. “I first heard Haack’s music through Dilla,” says Stones Throw founder and DJ, Peanut Butter Wolf, recalling a road trip he had taken with both J Dilla and Madlib. Haack had released the electronic-based acid-rock album Electric Lucifer in 1970, a conceptual piece that maps out a war between heaven and hell. “It really threw me off. It was this psychedelic, electronic stuff from the late 60s that sounded so futuristic.” > > Haack's music is rooted in the idea that humans and electronic machines share a reciprocal relationship that manifests itself through sounds. In order to further explore this dynamic, Haack dropped out of Juilliard to pursue a more experimental course in, surprisingly, educational children's music. He later released material off his own label Dimension 5 Records in 1962, which allowed him to mix kinetic energy, infuse psychedelic philosophy, and pluck sounds from various genres across the board. Haack used homemade synthesizers, proto-vocoders, and the skin-touch sensitive Dermatron to expand his music into a realm of technological creativity. > > Farad: The Electric Voice specifically focuses on tracks using Haack's self-made vocoder, which he named “Farad.” This was the one of the first truly musical vocoders, and first to be used on a pop album, pre-dating Kraftwerk’s Autobahn by several years. > > The album includes out of print and un-released tracks accessed though negotiations with Haack’s estate. “We are excited by the thought of working with labels such as Stones Throw to see what happens when their selective audiences discover Bruce,” says Bruce Haack Estate director Philip Anagnos, who also designed this album’s artwork. “The estate is also very fond of the art of remixing and is intrigued by the notion that popular artists such as Kanye West and Thom Yorke may very well be on their way to discovering Haack for the first time.” -
buenísimo, ya hace meses que se filtró. buenísimo buenísimo. los discos que sacó también molan bastante.
además corre por la red un docu sobre bruce haack que es antología pura, parece que sea todo inventado. se ve que se metió su primer peyote a los ocho años. -
y el docu ese del Haack? Supongo que si corre algún link por ahí estará sin subtítulos ¿no?
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http://www.mediafire.com/?tzoz2mqy2zw http://www.mediafire.com/?gyjwnyddyzk http://www.mediafire.com/?zv2vweg4nmt http://www.mediafire.com/?dvg2inrmtmj http://www.mediafire.com/?yyiy4jjwuye http://www.mediafire.com/?mtimnymmwmiEl documental subtitulado. En sueco.
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no hay subs, no. es raro porque me suena que lo pasaron en el in edit.
muy bueno el de forest swords, carouselis. gracias
el de factory floor alguien lo tiene a mano? sólo he encontrado un EP y me ha gustado un montonazo
este año ha sido la ostia en electrónicarl -
talleres, no te hagas el sueco.
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Shackleton - Man on a String Part 1 & 2
http://hotfile.com/dl/87454551/98e3a31/SMSP12.rar.htmlpw:nodata.tv
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20:30 - d.a.r.y.l.
21:00 - Dj Rephlex Records
22:00 - DMX KREW live
23:00 - LUKE VIBERT dj
00:00 - APHEX TWIN
01:30 - LUKE VIBERT dj
02:00 - Amable & Gato
No me han molado una mierda, Aphex solo hora y media.
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La verdad es que sí, no me sabe tan mal quedarme todo este finde tb en casa metido con la pierna en alto. Miento sí me sabe mal XD
Por 40 machacantes lo suyo sería Aphex 2 horitas… Pero bueno, así a los que vayan a Egyptrixx les da tiempo a llegar a Apolo y usar el abnono PS -
Veo que el nombre de Luke Vibert se come al de Aphex Twin con patatas y lo que sea.
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@Risingson2:1edckea6:
Veo que el nombre de Luke Vibert se come al de Aphex Twin con patatas y lo que sea.
Luke Vibert es muy grande, pero para tapar a Richard D. James nose si le llegará, pero vamos que ese tramo final del show será la hostia seguro.
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Yo creo que la última media hora se la hacen los dos juntos.
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here's a mix of some nice fresh disco house picks (lots from 2010) that i made for my blog Thizz.Face.Disco…peep below
http://thizzfacedisco.wordpress.com/2010/12/07/fresh-like-a-mix-by-eloi/
tracklist:
Human Egg – Onomatopaeia
Populette – Daddy
Azari & III – Reckless With Your Love
Bottin – Stork
Disjokke – 1987
Matias Aguayo – Menta Latte (Prins Thomas Diskomiks)
Ilija Rudman – Time and Time
Morton Sorenson – Start Something
Permanent Vacation – Zuckerhut (John Talbot Remix)
Mike Simonetti & Johnny Jewel – Syntheseized Throbbing Baleric Italo Track With Guitar Solo
In Flagranti – Ex Ex Ex (Hercules / Andrew Butler Remix)
Tony Orlando – Don’t Let Go (Pete Herbert Edit)
Midnight Magic – Beam Me Up (Jacques Renault Remix)
Chaz Jankel – Get Yourself Together
Quango Quango – Love Tempo
Bagarre – For Your Pleasure -
horror! y además de la página anterior [sic]. tarde o temprano me tenía que pasar por meterme en estos berenjenales. de todas maneras, del disco solo rescataria a egyptrixx.
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benand
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coñe, un poco fuerte el mejor disco del año para Forest Swords en FACT, no? el de Salem muy arriba también, me parece un disco gracioso y ya.
ausencias destacadas: cosmogramma, four tet, scuba
soy muy fan de FACT y casi siempre le saco mucha chicha a su lista, pero vaya, qué fuerte tia
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FACT se ha dejado Cosmogramma?
Para mi el disco electronico del año junto con Salem.
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