Electrónica
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Fabriclive 69 - Fake Blood
http://www8.zippyshare.com/v/70576665/file.html
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Eso ponlo mejor en el hilo de la garrafa chunga.
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@manel:1rkjtwik:
Metasplice, Kyle Hall, Omar S, las perlillas que ha ido soltando Powell, Prostitutes, el EP de DJ Rashad y el de Trade.. Está siendo un año muy de puta madre, escolti
Estos dos discos (muy distintos el uno del otro) también se podrían incluir en la lista
Gobby "Fashion Lady (Techno Ass Album)" [UNO NYC, 2013]
http://uploaded.net/file/od143a43…...............
RP Boo "Legacy" [Planet Mu, 2013]
http://uploaded.net/file/oijnov4fEl de RP lo siento pero no, el de Gobby tiene algún tema interesante y algunas buenas ideas, bastante bien.
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No voy a ir, pero solo apuntar una cosa que no recuerdo si he dicho alguna vez por aquí, para mi Actress está ya al nivel de Burial.
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Kode 9 – Rinse:22 (Rinse / 2013)
@1nn9tbed:
Visionary DJ/selector and sonic theorist Steve Goodman aka Kode 9 mans what is inarguably Rinse’s most crucial mix CD to date. With mercurial sleight of hand he blends 37 tracks spanning the rhizome of techy, contemporary, bass-rooted funk and leaves most other selectors for dust. Bridging tempos, styles and patterns from myriad sub-strains of house, garage, hip hop, grime and footwork, he sums his intentions thusly; “This style has emerged out of me trying to fit all the stuff I want to play in a set… Generally these sets start relatively simple rhythmically and then get more f*cked-up as the mix goes on. So I suppose there’s an element of ultimately just trying to seduce people into dancing to footwork by [gradually] taking them out of their comfort zone!”. Breathlessly flowing from Burial’s ‘Truant’ at one end to Rashad’s footwork junglism ‘Let It Go’ at the other, he incisively encodes connections between the Northern Jackin’ sound of Alex Parkinson and Chris Lorenzo with Joy O’s big room hit and Funkystepz flip out ‘Vice Versa’, before finding the sympathetic geometries between Jam City’s ‘Her’, his double-timing ‘Uh’ and Kuedo’s gyroscopic ‘Mirtazapine’, or seguing grimy Afro-futurisms from Visionist, Dexplicit and The Bug with Flow Dan. But, like he said, it’s all building to his footwork selection, a stunning run from his wryly dissonant slow/fast weapon, ‘Xingfu Lu’ thru the body-baffling torque of RP Boo’s ‘Steamidity’ and ‘Red Hot’, to his own PE-snatching killer ‘Kan’ and the liquid funk flux of Bleep Bloop’s remix for Uncon Sci’s ’8 Shots Up’ and ramping up to the zero-gravity jungle/footwork and R&B fusions of DJs Rashad, Spinn and Manny. Ultimately it’s an accelerationist’s dream come tru, and one of the most impressive mix CDs we’ve heard in years. The bar has just been reset.
http://uploaded.net/file/lqeyjzlg
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El de Mount Kimbie estará al caer, no?
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Pues eso.
Mount Kimbie - Cold Spring Fault Less Youth [Warp, 2013]
http://www.mirrorcreator.com/files/JMJQZ6N5/ColdSpringFaultLessYouth2013.rar_links
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La 1 pinchada de Moroder, OMG
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Gallina de Piel
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estoy dandole vueltas a lo de Boiler Room… La cosa es que solo entran los Vip y luego los que les haya tocado la rifa de navidad no?
Es asi o me lo estoy inventado? Agradezco de antemano vuestras respuestas.
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Rrose sigue en forma, y mucho ojtio con el remix de Lucy, EL FLOTAR
Rrose "Waterfall Variations" [EAUX, 2013]
tres temas
http://uploaded.net/file/gdras7tt
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Me ha gustado mucho lo que he podido escuchar del nuevo de Jimpster. ¿Tenéis links por ahí?
https://soundcloud.com/freerangerecords ... hlight-and - Preview
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Yo lo estoy esperando como agua de Mayo, pero en las webs de siempre de momento no veo Link….
En Nodata teneís mucho material hoy, Huerco S, Delroy Edwards y sobretodo esto:
http://uploaded.net/file/e144rimvPD: Manel, Lucy es Dios, su remixazo para Oscar Mulero todavía me pone la piel de gallina cada vez que lo escucho.
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Ya se pueden escuchar los previews del EP de John Wizards en planet Mu
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Zomby - With Love
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Para mi flojete lo de Zomby.
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Jon Hopkins – Immunity (2013)
@2ww44z3u:
For composer, remixer, producer, prolific collab- orator and multi-instrumentalist Jon Hopkins, sound is a three-dimensional medium: It billows out in every direction, mixing artful throbs and animalistic thrusts that can be felt under the skin.
But as driving as his beats can be — and on his new album Immunity, they’re plenty driving — Hopkins retains a gift for tear-jerking melody that takes an expressway to the listener’s emotions.
Hopkins’ gift for warm textures helped make a masterpiece of Diamond Mine, his 2011 collaboration with Scottish singer King Creosote; he used largely organic instrumentation to help paint an audio portrait of a coastal town full of dreamers and lost souls. Two of Immunity’s eight songs — the 10-minute title track, featuring an ethereal guest vocal from Creosote, and the gorgeous “Abandon Window” — carry on in Diamond Mine’s plaintively lovely tradition, while Immunity’s remainder is given over to intense dance music that thumps and wobbles with insistence, aggression and grace.
For those who strongly favor one approach to the other, the juxtaposition can be jarring; Immunity is intended to mirror the feel of a night out, and it captures both highs and lows. But in Hopkins’ living, breathing world of sound, beauty and beats are always free to commingle in ways that move, in every sense of the word.http://uploaded.net/file/ehorrwtqhttp://cloudzer.net/file/eisyr0tc
