Filtraciones '09
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Nerve City - Hell cs [Amateur Depression, 2009]
@3dgm4xx7:
I gotta admit, I was kind of disappointed when I actually looked this up online and realized that the BAND is called Nerve City and the TAPE is called “Hell”, because at first I was like “Damn, this dude has serious balls! How audacious is that to call your band ‘Hell’?” With that misconception in mind, I didn’t know what to expect, but this is a really great, albeit brief, listen. Somewhere between the lonesome drifting of Mammal and the jangly semi-surf pop that’s currently taking New York by storm (i.e. Crystal Stilts, Blank Dogs, etc.) lies Nerve City, where a distant voice from a swinging telephone sings to you from the end of a tunnel over steady gusts of guitar and the occasional drum or organ. With three songs per side, this Richmond, Virginia loner vibe merchant Jason Boyer (who also indentifies himself with the omega symbol, sort of like Prince and his funky ankh) drifts by quickly enough to knock your hat off, but slowly enough to get a good whiff of what’s in the air.
Spraypainted, orange-foil tapes with xeroxed inserts.
http://www.mediafire.com/?nzdiniffht4–-----------------------------------------------------------
Pink Reason-Electric Bunnies - Split 7'' [Die Stasi, 2009]
http://www.mediafire.com/?fk1mmynjunz -
Omar Souleyman - Dabke 2020; Folk & Pop Sounds of Syria [Sublime Frequencies, 2009]
@3567vp67:
Sublime Frequencies is pleased to present the 2nd volume of Northeast Syrian Dabke music from legendary vocalist Omar Souleyman and his group. This CD was compiled by Mark Gergis to coincide with the Sublime Frequencies UK/European tour in May and June of 2009 featuring live performances by Omar Souleyman. Culled from dozens of cassettes recorded in Syria from 1999-2008, the music here is an extension of Omar’s “Highway to Hassake” release touching on some previously unheard angles. Their trademark serpentine synthesizers, electrified bouzok (traditional stringed instrument) and driving rhythms forge a severe form of “new wave dabke” with a live energy and integrity that captures the essence of the Syrian Northeast; one of a kind Syrian Dabke party tunes, regional Atabat-styled crooners, and unbelievable Iraqi party jams. The CD is packaged in a cardboard sleeve with paper insert.
http://www.mediafire.com/?hljfdm3uz2n–---------------------------------------------------------------
Omar Souleyman: Highway to Hassake (Folk and Pop Sounds of Syria) 2-LP [Sublime Frequencies, 2009]
@3567vp67:
Omar Souleyman is a Syrian musical legend. Since 1994 he and his musicians have emerged as a staple of folk-pop throughout Syria, but until now they have remained little-known outside of the country. To date, they have issued more than 500 studio and live recorded cassette albums which are easily spotted in the shops of any Syrian city. Born in rural Northeastern Syria, he began his musical career in 1994 with a small group of local collaborators that remain with him today. The myriad musical traditions of the region are evident in their music. Here, classical Arabic mawal-style vocalization gives way to high-octane Syrian Dabke (the regional folkloric dance and party music), Iraqi Choubi and a host of Arabic, Kurdish and Turkish styles, among others. This amalgamation is truly the sound of Syria. The music often has an overdriven sound consisting of phase-shifted Arabic keyboard solos and frantic rhythms. At breakneck speeds, these shrill Syrian electronics play out like forbidden morse-code, but the moods swing from coarse and urgent to dirgy and contemplative in the rugged anthems that comprise Souleyman's repertoire. Oud, reeds, baglama saz, accompanying vocals and percussion fill out the sound from track to track. Mahmoud Harbi is a long-time collaborator and the man responsible for much of the poetry sung by Souleyman. Together, they commonly perform the Ataba, a traditional form of folk poetry used in Dabke. On stage, Harbi chain smokes cigarettes while standing shoulder to shoulder with Souleyman, periodically leaning over to whisper the material into his ear. Acting as a conduit, Souleyman struts into the audience with urgency, vocalizing the prose in song before returning for the next verse. Souleyman’s first hit in Syria was "Jani" (1996) which gained cassette-kiosk infamy and brought him recognition throughout the country. Over the years, his popularity has risen steadily and the group tirelessly performs concerts throughout Syria and has accepted invitations to perform abroad in Saudi Arabia, Dubai and Lebanon. Omar Souleyman is a man of hospitality and striking integrity who describes his style as his own and prides himself on not being an imitator or a sellout.
Sublime Frequencies is honored to present the Western debut of
Omar Souleyman with this retrospective disc of studio and live
recordings spanning 12 years of his career, culled from cassettes recorded between 1994 and 2006. This collection offers a rare glimpse into Syrian street-level folk-pop and Dabke– a phenomena seldom heard in the West, not previously deemed serious enough for export by the Syrians and rarely, if ever, included on the import agenda of worldwide academic musical committees. This is the 2-LP edition and comes in a gorgeous full color gatefold sleeve with photos and text by Mark Gergis.http://www.mediafire.com/?bzdzevnijtm -
Yo escuché el single del de Placebo y me dio un ataque de caspa, no me quiero imaginar cómo será el resto del disco
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lo mejor es el "seni-sero seni-sero mi corasón mi senisero" que tienen como estribillo en la canción 2. yo creo, sinceramente, que esto es sentido del humor
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Julie Doiron/Calm Down, It’s Monday split 7" [K Records, 2009]
@bl1hb7ix:
Julie Doiron: Honest, direct, Canadian. A singer of her own songs, from the French parts of New Brunswick. Gentle, insistent, intimate; she leaves you aching in the best possible way. Doiron and Calm Down, It’s Monday share this split single, Volume CXX of our International Pop Underground series of 7” records.
Heavy Snow finds Doiron working in the night time into the day, carrying an echoed, durable sadness; Nice To Come Home is a fitting extension of the previous song – the songwriter finding comfort in knowing that her lover is in the world and she will seem him soon. Calm Down, It’s Monday provide direct, guitar-driven introspections on Sweetest May, and Monumental; sung by Fred Squire with Julie on drums.
This new 45 rpm EP was recorded by Calvin Johnson at Dub Narcotic Studio in Olympia, Wash.
http://www.mediafire.com/?tgmlvqrktym -
@sensi05:2bltared:
@valdifico:2bltared:
Sin lugar a duda el peor disco de Placebo….como extraño el debut, Sleeping Whit Ghost o el penúltimo ,Meds. Veamos si alguien engancha con él.
"The key you provided for file download was invalid. This is usually caused because the file is no longer stored on Mediafire. This occurs when the file is removed by the originating user or Mediafire. "
http://hotfile.com/dl/4394899/20aaac8/Placbobattlesun.zip.html -
Un link mas de Placebo…es curioso que mencionen eso de "cenicero, cenicero- mi corazón es cenicero" pues creo que es lo mas divertido del disco, hoy me desperté con esa frasecita en la cabeza, seguro será un buen tema de estadio…de estadio hispanoparlante.
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Cheap Time - Woodland Drive 7" [In the Red, 2009]
http://www.mediafire.com/?oenzegmdzdg -
@valdifico:dpegzwa7:
Un link mas de Placebo…es curioso que mencionen eso de "cenicero, cenicero- mi corazón es cenicero" pues creo que es lo mas divertido del disco, hoy me desperté con esa frasecita en la cabeza, seguro será un buen tema de estadio…de estadio hispanoparlante.
No es tan extraño, teniendo en cuenta que uno de ellos vive en Madrid; en Chueca concretamente.
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@Jailbait:1i6hwxc3:
@Jailbait:1i6hwxc3:
@Alberto70:1i6hwxc3:
Si lo subieras tú a algún sitio ya sería la hostia…
Ahora te lo subo…
Ahi lo tienes, el disco de The Sounds sin retumbar.
http://www.badongo.com/file/15198780
- El capcha está a la derecha, son 4 letras.
- No os asusteis por el nombre del archivo, renombradlo a .RAR y funcionará.
- Creo que falta el bonus track instrumental, espero que no os importe xD
MUCHAS GRACIAS !!!
Dejo también este enlace, el cual suena bien y está completo.
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conio, el nuevo disco de the sounds y yo con estos pelossssss
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@suitaloon:3jpn35ag:
Malcolm Middleton – Waxing Gibbous [2009]
http://rs70.rapidshare.com/files/238036809/MM_-_WG.ZIPAlguien puede subirlo de nuevo. Todos los enlaces que he probado están rotos. Gracias!
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@Alberto70:3bdl2j18:
MUCHAS GRACIAS !!!
Dejo también este enlace, el cual suena bien y está completo.
Amparo el pasword…. mp3db
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@Sir:
@suitaloon:2fbufc6r:
Malcolm Middleton – Waxing Gibbous [2009]
http://rs70.rapidshare.com/files/238036809/MM_-_WG.ZIPAlguien puede subirlo de nuevo. Todos los enlaces que he probado están rotos. Gracias!
http://www.zshare.net/download/6080622183671ab9/ -
Y el mix de mayo:
http://www.mediafire.com/?0wekxemixtl ```Donde viene esto: 1\. Tom Brosseau - Drumroll (3:13) 2\. The Leisure Society - Give Yourself A Fighting Chance (3:32) 3\. Bowerbirds - Ghost Life (5:24) 4\. Zee Avi - Monte (3:33) 5\. Wilco - You and I (3:26) 6\. Niobe - Fever (4:56) 7\. Elfin Saddle - Hammer Song (4:18) 8\. Tori Amos - Not Dying Today (4:01) 9\. Josh Ritter - Golden Age of Radio (3:31) 10\. Foreign Born - Early Warnings (3:14) 11\. Magic Arm - Widths And Heights (3:38) 12\. Tortoise - Northern Something (2:24) 13\. Pterodactyl - Rising & Shining (2:05) 14\. Liechtenstein - All At Once (2:32) 15\. Sister Suvi - Claymation (4:23) 16\. Deerhunter - Circulation (5:04) 17\. Circulatory System - The Spinning Continuous (5:36) 18\. Sunset Rubdown - Apollo and the Buffalo and Anna Anna Anna Oh! (5:23) -
Gracias por el de Malcolm.
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Prefuse 73 - The Forest Of Oversensitivity 12" [Warp, 2009]
http://www.rapidshare.com/files/239546953/Prefuse_73-The_Forest_Of_Oversensitivity-EP-2009.zip -
http://www.mediafire.com/?azrn03jzrdj
instrumental solo-project run by the Roman artist Andrea Di Carlo. Layers of strings, guitars, piano melodies and glitchy beats harmoniously blend, creating cinematic landscapes, dreamy atmospheres, and striking crescendos.
Lovers of Sigur Ros, M83, God Is An Astronaut and The Album Leaf may be interested in FTI’s musical proposal.
On May 29, 2005, “French Teen Idol”’s self-titled debut album has been released by the Canadian netlabel Nishi, soon becoming the catalogue’s most downloaded release. On October 2005, the song Shouting can have different meanings has appeared on Losing Today’s compilation (Italian version).
“Enlightened False Consciousness”, French Teen Idol’s second full length album, has been released on April 5, 2007 by the post-rock netlabel Lost Children. A 500-cd limited edition has ben released in September 2007.
June 1st, 2009 is the release date of “El Siete Es La Luz”, the third album by Andrea Di Carlo. Slightly more guitar-oriented, the 8 songs confirm FTI’s proposal and invite you to a unique musical journey. -
Tony Allen - Secret Agent
Tony Allen has long been acknowledged as Africa's finest kit drummer and one of the continent's most influential musicians. His playing draws on four different styles - highlife, soul/funk, jazz and traditional Nigerian drumming. A unique and mighty sound. Together with Fela Kuti (with whom he played for 15 years) Allen co-created Afrobeat - the hard driving, horns rich, funk-infused, politically insurrectionary style which became such a dominant force in African music and such an influence worldwide. 'Secret Agent', a majestic slice of hardcore roots Afrobeat, is Allen's debut for World Circuit and his first release since he became a founder member of The Good The Bad and The Queen (alongside Damon Albarn, Paul Simenon and Simon Tong). Afrobeat is currently enjoying an upsurge of interest and for fans of hip-hop, funk and jazz, Allen, holder of the Afrobeat flame, is today revered as its seminal living figure. Press Release : "Without Tony Allen, there'd be no Afrobeat." Fela “Anikulapo” Kuti "Tony Allen really got me dancin' " Blur (from the single 'Music is my Radar') "Perhaps the greatest drummer ever" Brian Eno Tony Allen has long been acknowledged as Africa’s finest kit drummer and one of the continent’s most influential musicians. His playing draws on four different styles – highlife, soul/funk, jazz and traditional Nigerian drumming. A unique and mighty sound. Together with Fela Kuti (with whom he played for 15 years) Allen co-created Afrobeat - the hard driving, horns rich, funk-infused, politically insurrectionary style which became such a dominant force in African music and such an influence worldwide. ‘Secret Agent’, a majestic slice of hardcore roots Afrobeat, is Allen's debut for World Circuit and his first release since he became a founder member of The Good The Bad and The Queen (alongside Damon Albarn, Paul Simenon and Simon Tong). Afrobeat is currently enjoying an upsurge of interest and for fans of hip-hop, funk and jazz, Allen, holder of the Afrobeat flame, is today revered as its seminal living figure. ‘Secret Agent’ produced by Allen himself, was recorded with his hard-schooled touring band which comprises players from Nigeria, Cameroon, Martinique and France. The music is foursquare in the Afrobeat tradition - nagging tenor guitar, funky keyboards, soulful call and response vocals, and fat, full throated, hard riffing horns - with a few twists (deliciously including keyboard player and arranger Fixi’s accordion on some tracks). And at its heart, of course, is the beat itself, even more prominent now than it was in Fela Kuti’s legendary band Afrika 70. Allen drives the music on, straight as an arrow, in a loose-limbed ragged shuffle, fusing the cross rhythms into one irresistible forward motion. The vocals are handled by the Lagos based Nigerian singers Ayo, King Odudu, Switch, Kefee Obareki and Wura Samba “Afrobeat disciples all” says Allen. Allen himself takes lead vocals on “Secret Agent” and “Elewon Po.” The songs on Secret Agent stay true to Afrobeat’s original, trademark embrace of protest lyrics. “Pariwo” (shout, make some noise) and “Elewon Po” (too many prisoners) urge resistance to oppression. Others, like “Nina Lowo” (money is to be spent) and “Atuwaba” (no matter if things are bad, they’ll get better), are based on traditional folk proverbs. Some are irresistible exhortations to party - “Ijo” (dance) and “Alutere” (the message the drums transmit) celebrate Afrobeat in general and Allen’s genius in particular. “Fela had a different way of writing,” says Allen. “He wrote like a singer. I write like a drummer.” Secret Agent comes from the deep, molten core of Afrobeat - “the rhythm of gold, the rhythm of class, the rhythm of pleasure, full of history of our world,” as Ayo sings on “Ijo”. Kuti, without a doubt, would have loved it. * Please note that on the album white label the track ‘Switch’ is mistakenly named ‘Swift’.http://rapidshare.com/files/239785549/tony_allen--secret_agent__world_circuit_wcd082_-cd-2009_K.rar -
Admito que aun no lo escuché pero a este disco le tenía ganas debido a su tema "The Key"…hip-hop bien pop que cae bien en una mañana de verano despreocupada, veamos que mas trae el disco.
http://rapidshare.com/files/227601721/Speech_Debelle-Speech_Therapy-Advance-2009-DV8.rar
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