Filtraciones '09
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Pues a mí, el de coalesce me ha dejado un poco igual, mucho ruido y pocas nueces que se dice. Quizá sólo tenga alimento del recuerdo y si reescuchara los antiguos me parecerían eso, no sé, pero este, ni fu ni fa.
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Vibes - Psychic 7" [Not Not Fun, 2009]


@5neuag4l:
Every family has a freak (or 2). Every deck’s got a wild card. We’ve got Vibes. Ante up. NNF’s loosest cannons return to the recording fray with, Psychic, a blown-out briar patch of basement garage fantasy masquerading as obscurist protest funk – and the band’s first vinyl statement. Recorded in Eagle Rock on a “last legs”-style 4-track, the EP’s four songs are jacked deep in the red, with fuzz bass, wah shrapnel, vocal sloganeering, and drum racket all fighting for tape room. Competition is fierce. Recent live faves like “Dead Horses” and “Night Court” appear in particularly revved-up form, as do the first two Vibes songs ever written, “Psychic” and “Prisms Of Fame.” All bases are covered. All soul trains are derailed. Here comes the judge. Black vinyl 33 RPM singles in full-color fold-over sleeves with collage artwork and lettering by Cameron Stallones, photographs by Caitlin C. Mitchell, plus a rant-y revolution scrapbook insert. Edition of 400.
http://www.mediafire.com/?wtdjdw3wonm -
@IzxcvI:3uj1bwvd:
Pues a mí, el de coalesce me ha dejado un poco igual, mucho ruido y pocas nueces que se dice. Quizá sólo tenga alimento del recuerdo y si reescuchara los antiguos me parecerían eso, no sé, pero este, ni fu ni fa.
a mí me parece un disco muy digno, aunque sigo teniendo el mismo problema con ellos que tenía hace diez años: voz de me-apreta-la-goma-de-los-gayumbos y batería poco imaginativa (aunque efectiva, eso sí). otros grupos en la misma línea de hardcore imaginativo me gustan más (botch, dillinger escape plan, converge), pero tiene algún temazo de órdago y en general rockea razonablemente.
(pseudo-reseña escrita sin utilizar la frase "pero tengo que darle más escuchas")
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está claro que Coalesce se han domesticado. Si hasta les entrevistan en la pitchfork y son el grupo metal de la semana de myspace…
Me faltan escuchas del disco para juzgarlo, la verdad.
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@Valderrama's:
@Stereo:1fldnx6x:
Son Volt - American Central Dust (2009)

http://www.zshare.net/download/5922821980b2c2f2/Tocate los eggs, yo pensando que esto no estaba filtrado aún y desde abril que este culé lo tiene posteado.
Pongo uno nuevo por si hay algún@ empanad@ como la nen@:
http://www.mediafire.com/?ejmndhx6t1nYo si que estoy empanada porque a pesar de oir hablar de Son Volt en este foro nunca había escuchado nada, y me está encantando. Nos iremos atras, si a alguien le apetece que me ponga cositas de este señor en peticiones.
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Magnolia Electric Co. - Josephine [Secretly Canadian, 2009]

@3lgq7rrx:
About halfway through Magnolia Electric Co.'s latest long player, Josephine, there is a noticeable shift in weight. It's a release of some sort — the kind that comes when you give up holding back the tears. It's a heavy kind of freedom coming to the forefront, an empowering sadness. And when chief Electrician Jason Molina delivers the line "an hour glass… filled with tears and twilight from a friend's dying day," the mood becomes clear. The band is back on its heels, yes, but they are going to fight back in the only way they know how.
Molina's concept album is an honest-to-God effort on the part of Magnolia Electric Co. to pay tribute to the life and spirit of fallen bassist Evan Farrell (R.I.P. December 2007), as the ideas for Josephine were being pieced together. Molina said each tune is a good faith attempt to make real Evan's hopes for the record. And in doing so, Evan's spirit becomes part of the concept. The loss of Josephine becomes the loss of Evan. Molina's familiar lyrical allegories are still in tact. But here, in what is no doubt the strongest set of songs Molina has written since the inception of Magnolia Electric Co., those classic themes take on new meanings. Molina has approached the universal loneliness before, but never in such a focused, directed manner as found on Josephine.
Molina, Magnolia Electric Co. and legendary recording engineer Steve Albini have put it all to heart.
The album is also an experiment in Molina's songcraft, introducing some real lessons in brevity as he whittles a handful of tracks into well-under three minutes. There are cues taken from great songwriters like Willie Nelson and Warren Zevon, ie the horn section throughout the record and the especially the sax solo on the Zevon-esque lead track "O! Grace," or the doo-wop leanings found in "Rock of Ages." The album closer, "An Arrow in the Gale," acknowledges that Magnolia Electric Co.. as the road warriors they have truly become, are still blazing the trail with the line "Lightning on our tail, we better go, Jo."
http://www.mediafire.com/?nzucd2voykz -
muy pero que muy bien, zach. para que luego digan del droneramen..
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Luego otros se llevaran la fama y la gloria y yo permaneceré en el olvido, pero esto lo arreglo yo con un cambio de avatar
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Seguro que a partir de ahora te tendrán más en cuenta.

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Echo de menos songs:ohia.
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cancionaca TOTAL. 2 veces y ya se queda ahi. "A lo uan mor time" que dirían los de que vida mas triste.
Avisad cuando salga!!!!
http://www.youtube.com/watch?v=g8B12rOkKGY -
@davimo73:2di2rj5x:
cancionaca TOTAL. 2 veces y ya se queda ahi. "A lo uan mor time" que dirían los de que vida mas triste.
Avisad cuando salga!!!!
http://www.youtube.com/watch?v=g8B12rOkKGY¿podría ser el gran tema electrónico que llevábamos esperando toda la década?
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Si eso es el gran tema de electronica, entonces es que las cosas están fatal esta decada.
Para mi el temón de este año, sin lugar a dudas es este:
http://www.youtube.com/watch?v=o2qXAifCMnk
en el momento en el que crece y salta el negraco a cantar me dan ganas de abrazar a todo cristo
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Axolotl - Of Bonds in General [Loci, 2009]
Electronic, Non-Music, Noise, Abstract, Drone, Tech House, Ambient, Experimental
@2t0oknea:
"After 3 years I have finally completed what I think is my best record, "Of Bonds in General", which will see a small run of 200 CDR's this week via Fusetron, Volcanic Tongue, and maybe a few other places" - Axolotl, 8 April 2009
http://www.mediafire.com/?mtmjhoumftj -
@poppie:3uv6gu1a:
@davimo73:3uv6gu1a:
cancionaca TOTAL. 2 veces y ya se queda ahi. "A lo uan mor time" que dirían los de que vida mas triste.
Avisad cuando salga!!!!
http://www.youtube.com/watch?v=g8B12rOkKGY¿podría ser el gran tema electrónico que llevábamos esperando toda la década?
debía de ser un poco guarrete, porque lo han fulminado. ¿Otro link?
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@koan:133tpwoz:
Si eso es el gran tema de electronica, entonces es que las cosas están fatal esta decada.
Para mi el temón de este año, sin lugar a dudas es este:
http://www.youtube.com/watch?v=o2qXAifCMnk
en el momento en el que crece y salta el negraco a cantar me dan ganas de abrazar a todo cristo
temazo !
no doubtme recuerda al tema "over" del MISS DIAMOND TO YOU de KATHY DIAMOND
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Bunnybrains - What Makes You Think You Can Save Yourself (From Yourself) (2009)
Rock, Psychedelic, experimentalhttp://rapidshare.com/files/243466144/BunnyBrains.rar.html -
Animal Collective - Summertime Clothes Remixes 12" [Domino, 2009]

@1p79uc3s:
“Summertime Clothes”, the second single from Animal Collective's critically acclaimed LP, Merriweather Post Pavilion, will be available 29th June on 12” and digital. “Summertime Clothes” is a deliriously warm and instantly infectious track. > > Remixes are courtesy of Hyperdub's elusive and spooky beatmaker, Zomby, LA's ‘Ambassador of Boogie Funk' Dam-Funk, and South London breakbeat and dubstep producer, L.D.
http://www.mediafire.com/?ymydmyztemh -
Blank Dogs - Slow Room! 7" [Captured Tracks, 2009]

@z5wv1m78:
Blank Dogs has definitely progressed in leaps and bounds since his earliest emissions. Having started out at the more messy indigestible end of the noise-pop genre, his knack for hooky, fizz-filled compositions seems to be getting more and more palatable, as demonstrated by two excellent cuts right here. In the wake of his Under And Under album, there seems to be a heightened focus on melody, and 'Slow Room' sounds like New Order playing a two-minute concert from inside a can of fizzy drink. It's all still thin and heavily coated in effects, but there's definitely a proper musician emerging from the rubble of cheap synths and even cheaper fourtrack recorders.
http://www.mediafire.com/?u4nvanyyezk -
Celan "Halo" (2009, Exile on Mainstreet)

Rock Metal Noise
Nuevo grupo de Chris Spencer de Unsane con peña de Einsturzende y Oxbow, yay!
@2rbm32xe:
11 tracks, 51 minutes. The explosive masterpiece that only happens when a classically trained composer meets noise rock and they decide to tear the boundary walls down.
A common musical ground does not ultimately require coming from the same scene or style. It doesn't even require coming from the same musical universe, as long as there is a deep appreciation for each other's work and the ability and will to push some boundaries. Celan was conceived of in early 2008 when Ari Benjamin Meyers (of Redux Orchestra and Einstürzende Neubauten ) and Chris Spencer (Unsane, Cutthroats 9) met in a bar in Prenzlauer Berg, Berlin. Initially it was intended as a collaboration between a classically trained composer and someone who had been working and touring in a noise/rock band for years. It's quite an ironic side note that this collaborative idea was born in Germany, probably the last remaining country in the world where music reception, and thus broadcasting and media representation, is still determined by a separation between 'serious' and 'popular' music. Sure, bands like the aforementioned Einstürzende Neubauten have been working for decades on tearing these walls down and Celan might be another addition to this goal, although in a different manner. This album, titled Halo, is pure rock! It distills the genre to its core elements and channels pure emotion into sounds so thick and massive that one could only dream about them. It's fascinating how Ari Benjamin Meyers' skills stand up to the blistering noise blast created by the rest of the band. But let's talk history first:
After the initiation of the band at said Berlin bar, it became obvious that it was more than just a nice idea. The possibility of recording in the ex-Einstürzende Neubauten studio came up, and it seemed that it could indeed become reality. As months went by, the whole thing began to take shape with the addition of Philipp Körner and Xavi Thiem (both of ex- flu.ID-fame) on bass and drums. Chris, Philipp and Xavi met when flu.ID toured with Unsane in late 2007 and stayed in touch, becoming good friends. Chris also met Niko Wenner (Oxbow) during Summer 08, and the line-up was complete. In August 2008 they spent two weeks in the studio writing and recording, pretty much from the get-go. Forcing themselves into a fruitful jam/recording situation they laid a full album to tape in just two weeks. The songs are infused with this spontaneity and one can feel the chemistry between the band members which aided the creative process. Ideas use the musician and his instrument as a medium, creating stunning music literally by itself. Even though there is a lot of thought and creativity put into this album, it reveals its beauty through its compelling creative vibe.
And here we are: Halo is the debut album from Celan - a band you can pigeon-hole at your own risk - categorise as noise, rock or whatever you like. Please approach this masterpiece as we did : with an open mind, ready to be stunned by its sheer class, emotion and musical craftsmanship.
http://www.megaupload.com/?d=OH5OGMAH
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