Filtraciones '09
-
Volviendo a postear lo más pop hype de la temporada
-
Summer cats: songs for tuesdays (2009)
-
A los puristas del sonido, que esperen a un buen rippeo del vinilo, la compresión con AAC no es del todo buena… pero...
Ty Segall - Lemons - Goner - 2009 (m4a - preview)
http://www.mediafire.com/?fgiizmjjody -
Peter Holsapple & Chris Stamey - Here And Now
@24a3pl7y:
Peter Holsapple and Chris Stamey were not only the twin anchors of power-pop juggernauts the dBs, but have since made terrific solo albums and played with other acts. Song for song, this 2009 release is on par with the duo's classic MAVERICKS. HERE AND NOW seems to issue from an alternate universe where it's always 1990, where songs with wall-to-wall hooks and heavenly harmonies are the norm, and singer-songwriters are educated at the knee of Mike Nesmith and Paul McCartney.
The pair stick to what they are good at: suspended-fourth folk-rock ("My Friend the Sun"), Everly Brothers-esque close harmonies ("Early in the Morning"), early-'60s rockers ("Widescreen World"), and bouncy twangfests ("Some of the Parts"). Refreshingly, all the throwbacks don't add up to empty nostalgia. Indeed, the guys seem as if they are having the time of their lives–right here and now.
The first collaboration in almost two decades by the acclaimed songwriters of The dB's. Holsapple was a touring member of REM, while Stamey played with Alex Chilton. Features legendary saxophonist Branford Marsalis on two tracks, while drummer Jon Wurster (Superchunk, Son Volt, The Mountain Goats), drummer Logan Matheny (Roman Candle, The Rosebuds), and percussionist Gary Greene (Hootie And The Blowfish, Big Head Todd) bring power to other tracks
Review
"With pop this piercingly pure, and Everlys-worthy harmonies to boot, The dB's songwriting team has put together another instant classic" --Blurthttp://rapidshare.com/files/250229700/PH_CSH_N_Vic.zip -
Segú he leido por ahí estas son como las Vivian Girls pero mejores. Habrá que comprobarlo, digo yo.
Grass Widow - Grass Widow Lp
http://www.mediafire.com/?mtdy5hzmjkn
@uww1nhxz:
This is more like it - all-girl pop exuberance machine straight out of SF, playing double-time games with a sound template expanded beyond the daily standard of reverb-drenched, rudimentary pop. These ladies have a lot more going for them, reaching back to female post-punk pioneers like the Raincoats (or maybe Salem 66) to inform their busy, vibrant work. When a band can take a concept like a one-note guitar solo not so much as a defiant declaration of rule-breaking, and use it as a tool of both creation and negative space, you may have found a band that’s worth listening to, one that’s intent on surprising you within the form. Grass Widow does things like that on this debut album with such candid aplomb and candied sweetness that the form feels revitalized, and wholly their own, from art/progressive rock flourishes to dabbling in Roma/klezmer axis dance of death. I’m told that plants placed in sunlight don’t necessarily reach towards the energy source so much as move away from the absence of it. The ways in which Grass Widow’s adventurous pop plays out reminds me of such a scenario, brightening rooms with handspun inventiveness and energy.
Sacado de este blog que también tiene otras perlitas que van a gustar mucho
http://nonameleeds.blogspot.com/ -
@-Toxinho-:1z7pouvx:
Segú he leido por ahí estas son como las Vivian Girls pero mejores. Habrá que comprobarlo, digo yo.
Grass Widow - Grass Widow Lp
serán mejores (que lo dudo) pero son más feas, jajaja
-
Todavía no lo he escuchado para decir si son mejores, pero más guapas no lo son. Cuando tienes razón se te da, jejeje.
Aunque la de la izquierda es feitiña. -
¿Un re-up del de Florence + the machine?
Vale, ya encontré uno válido.
http://rs614.rapidshare.com/files/251107333/FlorenceAndTheMachineIP.zip
-
@-Toxinho-:3jrlitf2:
Todavía no lo he escuchado para decir si son mejores, pero más guapas no lo son. Cuando tienes razón se te da, jejeje.
Aunque la de la izquierda es feitiña.
También hay que tener en cuenta a la que aporrea la batería de Vivian Girls, a veces tengo pesadillas por las noches, a veces con los vestidos, a veces con ella misma
-
@Dan:
@-Toxinho-:38pvq3zj:
Todavía no lo he escuchado para decir si son mejores, pero más guapas no lo son. Cuando tienes razón se te da, jejeje.
Aunque la de la izquierda es feitiña.
También hay que tener en cuenta a la que aporrea la batería de Vivian Girls, a veces tengo pesadillas por las noches, a veces con los vestidos, a veces con ella misma
–------------------------------------------
B&B
-
Hay que seguir de cerca a esta gente.
Graffiti Island - Head Hunters EP
http://www.mediafire.com/?zlzjzhzcez1 -
un Blues Explosion con un Gorillaz. Rock con la urgencia de los primeros, pasado por el bisturí de estudio de los segundos (aunque parezca contradictorio):
Men Without Pants "Naturally"
@2gg0cy1d:
rock sucio de laboratorio
http://rapidshare.com/files/223917021/Men_Without_Pants-Naturally-2009-BPM.rar -
no es del 2009 pero es un discazo impresionante…
recomendado para cualquiera que a aparte de sunno))) tambien le guste el doom de bandas como electric wizard, eyehategod,... o los madrleños moho, y que el black metal noruego (tan de moda ultimamente por cierto) no le de arcadas... creo que hay alguno por lo menos asi en este foro no? jeje,...
pues que lea atentamente por favor, pego el mismo texto que he pegado en otro foro mas de estas sonoridades:
para quien no lo sepa, fleshpress es un grupo que viene de finlandia, para mas exactos de las ciudad de lahti, se formaron en el 98 y cogieron el nombre de una cancion de grief.
tienen 4 discos e infindad de splits, y durante estos 10 años se han labrado dentro de la escena doom underground europea una importante reputacion que no es mayor por su marcada actitud nihilsta similar a los corrupted aunque yo diria que mas hermetica: fleshpress no tienen ni web propia, ni my space, no hay fotos de ellos,..
este es su 4º, y para muchos, mejor disco, y yo soy de los que opina tambien esto por lo siguiente, en pillars, despues de desarrollar su sonido durante 10 años de carrera, de pasar unos incios en los que habia mucho de eyehategod, hasta llegar al ese doom nihilista de su 3er lp "III the art of losing", fleshpress llegan a su cumbre compositiva despachandose con un disco en el unen de forma brillante ese estilo de doom nihilista que venian desarrollando mas algunos partes de crudo black metal y ciertos ambientes de drone electronico tanto al principio del disco como al final y en el segundo tema del disco, todo esto quizas por el peso de los otro proyectos de su bateria, mikko aspa, cantante en los ultimos años de los black metaleros deathspell omega, unico miembro del grupo de black metal clandestine blaze y propietario de los sellos freak animal y nothern heritage sellos de harsh noise y black metal respectivamente.
pillars es un disco que te tiene en vilo de principio a fin a lo largo de sus 6 temas cargados de largos y oscuros desarrollos genialmente ejecutados cargados de nihilismo y salpicado de geniales partes rapidas black metaleras y pinceladas de atmosfericos drones electronicos.
FLESHPRESS - "pillars cd" (2007, kult of nihilow)
http://www.megaupload.com/?d=7Y3MVEOD
he aqui la web de su sello:
http://www.cfprod.com/kon/
lo mas parecido a una web propia que tienen. -
Kid Congo & The Pink Monkey Birds - Dracula Boots [In The Red, 2009]
Garage Rock, Psychedelic Rock
@38bsq20j:
On his new album, DRACULA BOOTS, the legendary Kid Congo Powers returns to the psychedelic jungle with a stripped down, no frills set of volcanic songs. Kid, the premier voodoo guitarist for seminal sexy swampy bands like Gun Club. Nick Cave and The Cramps is a restless aesthete. He used his earlier solo efforts to explore vocals and mix genres. With DRACULA BOOTS, Kid comes back to his roots as a crackerjack guitarist playing the primitive music that inspired him; the raw sounds of garage and early Chicano rock.
It only made sense to record such glittering gems as Thee Midniters ìI Found A Peanutî and Bo Diddleyís ìFunky Flyî in a high school gymnasium. He did this in a Midwest town called Harveyville with his nefarious Pink Monkey Birds. Bassist Kiki Solis from El Paso,TX. and Drummer Ron Miller from Macon,Ga. provided the southern soul sauce needed to fuel the engine of the rhythm train. Recording on a stage using the old PA system created a natural reverb, summoning the magic of a bygone prom interrupted by a juvenile delinquent rumble.
The original songs on DRACULA BOOTS go from loud, fuzzy biker rock (Hitchhiking) to a greasy rump shaker groove (Bobo Boogie), from a scary movie soundtrack (La Llarona) to The Meters having an acid flashback (Black Santa).
So sink your teeth into this hunk of wax and waste no time strapping on your DRACULA BOOTS. You will dance your way from the cradle to the grave, and beyond.
http://www.mediafire.com/?ngnzzd5tzkk -
does anyone have that new little claw release?
-
Pelukini uploaded it a few pages ago:
http://www.mediafire.com/download.php?ummkmmy1moy -
@Zackchill:9u4durhb:
Pelukini uploaded it a few pages ago:
http://www.mediafire.com/download.php?ummkmmy1moysorry, i seem to have missed it. thanks
-
Creo que esto se había pedido hace algún tiempo
The Pine Hill Haints - To Win Or To Lose
http://rapidshare.com/files/251867026/TPHH-TWoTL.rar
-
@Zackchill:19pm51cx:
Kid Congo & The Pink Monkey Birds - Dracula Boots [In The Red, 2009]
Garage Rock, Psychedelic Rocksuperdiscazo este
muchas gracias Zack -
Pelukas, puede que esto te interese como fan del Lynch.
David Lynch Presents Fox Bat Strategy - A Tribute To Dave Jaurequi
@2cj4rnth:
Fox Bat Strategy: A Tribute To Dave Jaurequi" isn't a typical tribute album, where other performers cover the artist's work, usually after he or she is dead. Instead, this concise set of pretty, lonely songs was recorded in 1994, two years before Jaurequi passed away at age 50. David Lynch brought the guitarist together with the band that recorded the "Twin Peaks: Fire Walk With Me" soundtrack and had Jaurequi sing the director's deceptively simple lyrics.
Like the "Fire Walk With Me" music, "Fox Bat Strategy" is rooted in the '50s, half teen idol romance ("Almost An Angel") and half beatnik cool ("Rollin' Down With You"). Unlike any of the Twin Peaks music, however, these songs feel loose and lively, and arguably more like a true collaboration than the soundtracks did. Jaurequi's voice is haunting, and not just because this album was released posthumously: like an actor in a Lynch film, his whispery vocals range from boyish innocence to jaded spoken word, often within the same song, as the music follows suit. "Shoot The Works" is full of quintessentially Lynchian mood shifts, switching from romantic to menacing and back with dreamlike swiftness. "Lost On Cahuenga" is another standout, moving from blankly innocent verses that could fit in a lost Roy Orbison song to something stranger and darker in a chiaroscuro back and forth of pretty little girls and Santa Ana winds. Album opener "They Go Down" feels ahead of its time, its surreal Southwestern twang and industrial-tinged textures suggesting Calexico's more experimental moments. And while Jaurequi's voice is surprisingly good, he really sings with his fretwork on "You're The One"'s solos.
Some of Fox Bat Strategy's tracks feel a bit long, but as a whole the album is all too brief - a tantalizing glimpse of Jaurequi's artistry and Lynch's always interesting musical forays.
http://www.megaupload.com/?d=5FGUXYNE
Hello! It looks like you're interested in this conversation, but you don't have an account yet.
Getting fed up of having to scroll through the same posts each visit? When you register for an account, you'll always come back to exactly where you were before, and choose to be notified of new replies (either via email, or push notification). You'll also be able to save bookmarks and upvote posts to show your appreciation to other community members.
With your input, this post could be even better 💗
Registrarse Conectarse