Filtraciones '09
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Que me he equivocao de post
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@lelaina:1kf0nu3d:
re-up del de biffy, por favor?
http://hotfile.com/dl/16553842/bf997f2/Biffy_Clyro-Only_Revolutions-2009-DOH.rar.html
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A ver, Zackhill y la pandilla noise en general. A buscar algo de este pavo, MINCEMEAT OR TENSPEED. creo que va a sacar disco nuevo ahora o incluso ha salido ya. Solo se de él que es un puto genio de los pedales (ni teclados ni instrumentos ni pollas)
http://www.youtube.com/watch?v=Fj-7abJp ... re=related
http://www.youtube.com/watch?v=clC6wUkl ... re=related
http://www.youtube.com/watch?v=9Rsr-rhw ... re=related
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Luke Haines - 21st century man
Salía el día 2 creo, algún link…?
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no sabía dónde poner esto:
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@bruce_billis:c9ornnv5:
no sabía dónde poner esto:
y la version "buena" del disco se sabe cuando rulará?
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@kwswucbx:
a selection of your favourite interstellar FK selections from the likes of The Science Fiction Corporation, Gong, The Vampires Of Dartmoor, and J.P Massiera, plus tracks from Chrome Hoof, Sun-Ra And His Solar Myth Orchestra, Toolshed (aka Graham Massey) and Krzysztof Sadowski. The highlights have to be Alpha Beta's (aka very early Vangelis) prog rarity 'Astral Abuse', the Moog-fuelled scapes of Sam Spence's 'Sunken Ship', J.P Massiera's cosmic disco asteroid 'Herman's Rocket' and the critically rare 'Aurore Cosmic' from Francois Werteimers 'Popera Cosmic' reissue (forthcoming on Finders Keepers, kids!) or even a Spanish comedy version of Bowie on Hermanos Calatrava's 'Space Oddity'(:shock:). Far, far out there. Tip!
http://rs536.rapidshare.com/files/301987518/Celestial_Mass.7z
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@diegogomez:1jyytv0c:
@bruce_billis:1jyytv0c:
no sabía dónde poner esto:
y la version "buena" del disco se sabe cuando rulará?
no creo que tarde en aparecer. ya hace una semana que lo colgaron en itunes y desde el martes se puede hacer un pre-order del cd.
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http://rapidshare.com/files/302154942/mgm-mhnthttr.rar.html
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NUM9-EL BAILE (2009)
El otro día pregunte si alguien sabía de este disco, como le he encontrado, por si a alguien le interesa.
http://www.multiupload.com/NMVQ2SNAEE
Saludos.
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http://rs720.rapidshare.com/files/296273130/Brilliant_Colors-Introducing-2009-FNT.rarel debut de los brilliant colors, a ver que tal, los eps a mi me gustaron
indie pop ruidoso, como unos henry s dress con prisa
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Mondo Drag-Holy Spirit 2009.
Everyone who liked the Radio Moscow, do not pass by!
Copy: Since the name change in 2006, Mondo Drag has recorded its first album, “Holy Spirit,” which doesn’t have any intended religious meanings, and brought on bass player and former Holy Smokes member Jamie Warren. Cluney said the biggest differences are the feel of the music and song lengths, which are now eight minutes at the most as opposed to the 17-minute sagas Holy Smokes played. “It’s all kind of the same, but I think more people are into Mondo Drag,” he said. “Mondo Drag is easier to digest.” The band plays 1960s psychedelic folk music with a mix of blues, classic rock and jazz. Lyrics are sparse, keeping the focus on the instrumentals. “What we have always been into is playing that has always been different,” Warren said. “You know, just liking things that are different and not in the norm or in the mainstream.”History: The inspiration for the name Mondo Drag came from an unlikely place: wall art in a bathroom shared by members of the band. The band previously was called Holy Smokes, but when Johnnie Cluney came on board to play drums and keyboard as well as provide vocals, the trio wrote all new songs and decided to change the name. That’s when Cluney noticed the picture of a skull above a depiction of the Virgin Mary with the words “il mondo.” (The other members of the band who were in on the name selection are Jake Sheley, guitar, and Nolan Girard, guitar and vocals.) “The word just kind of popped,” Cluney said. “We were talking about using the word ‘drag,’ and we couldn’t really think of another word to go with it.”
Influences: Mondo Drag’s influences come from little-known ‘60s bands that developed a cult following, and its members are constantly searching out albums from which to get ideas. “We all just find obscure albums and just all different kinds of music,” Sheley said. “Every few days, we’re just finding 20 new albums. It’s just like whatever we’re on that week.”
Discography: Its first album is “Holy Spirit,” which doesn’t have any intended religious meanings
http://rapidshare.com/files/301948007/Mondo_Spirit.rar
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Imaad Wasif - The Voidist 2009.
Imaad Wasif is probably best known as the touring guitarist of the Yeah Yeah Yeah's. There's not much trace of the YYY's twisted garage rock here, though.
Instead, Wasif goes for witchy and trippy, shifting between the psychedelic rock of "Skulls" and "Priestess" and the quieter psychedelic folk of "Widow Wing" and "Another."
"Fangs" combines them both, starting out as spacey folk before inserting a wickedly fuzzed out guitar solo at the end. The end result is like a slightly more grounded Devendra Banhart with chunkier riffs, or Donovan jamming with Black Sabbath circa 1975.
The Voidist isn't retro, it's from another era. Wasif isn't some hipster in bellbottoms trafficking in irony, he's the real deal. He really means it, man. It's not all batik prints and earth tones, either. Wasif doesn't just channel the groovy seventies; he also captures the darkness of that decade.
This was the time of Jim Jones and Charles Manson, the ten years that kicked off with Altamont and ended with an energy crisis. There is a touch of evil to a song like "Redeemer" or "Our Skulls," and the hippy-dippy lyrics are tempered with lines like "I'm deranged!" All of this anachronism is fine and good, but the most important thing about Wasif is that he has a gorgeous voice and is a solid songwriter. There are hooks all over this album, with Wasif's voice soaring through the choruses.
While the uptempo, electric guitar songs are more immediately engaging, the quieter moments on The Voidist are also rewarding. "Widow Wing" has a gentle beauty, and there is genuine longing in "Return to You," as Wasif sings "Be still my heart!" He even channels "Desolation Row"-era Dylan on "The Hand of the Imposter."
Ok, so you have to buy into Wasif's schtick to truly appreciate what he's doing , and his lyrics can get a little goofy. It's worth the suspension of belief, though; The Voidist is a gem of an album, no matter what decade it's from.
http://rapidshare.com/files/302889377/Imaad_WV.rar
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jacuzzi boys - no seasons
suena regular solo, está a 128 kbps. a la espera de algo mejor….
http://www.mediafire.com/download.php?k0nj5wjo3dz
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Gracias!, joder no daba con el disco ni de coña
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Dan Melchior's Broke Revue - O, Clouds Unfold! 2xLP [Hook or Crook, 2009]
@29tz3ewm:
Finally, Dan Melchior's lost masterpiece is ready for release. After putting out two highly acclaimed albums for In the Red Records in 2001-2002, Dan wanted to branch out and explore new angles, but unfortunately, a fight with a new label left his follow-up to the well-received Bitterness, Spite, Rage and Scorn album on the shelf. Downloads from a leaked copy had fans begging for a vinyl version of the unreleased work, which sadly never came. Until now.
O, Clouds Unfold is the record that links the heavy garage sound of Dan's In the Red records to the more experimental pop side Dan has been exploring for the last seven years. It is a double album rich with pop anthems, moody brooders, and angry rockers. The record highlights all of Dan's influences and talents, delivering the full range of what this man has to offer. While the album delivers a multitude of styles, the signature is Melchior's hook-laden songwriting. Folks may argue, given the wealth of material Dan has been putting out over the last several years, but lots of people think this is the best record he's ever done. It has been a long time coming, but now it's here. Hook or Crook is proud to finally make this previously unreleased tour de force available in a beautiful gatefold two-record package.
http://www.mediafire.com/?xejcwxyekio
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El Melchor este tiene 500 proyectos montados, no?
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Pues no.
Ahora mismo se centra en Dan Melchior und Das Menace, este disco que ahora se edita, como bien dice la cita que he puesto, se trata de material antiguo de su anterior formación, más garajera y que en su momento, hace varios años, no vio la luz. Además, en el pasado, Dan ha publicado discos en solitario y ha colaborado con otros, pero más proyectos no tiene, que yo sepa. En fin, que es un discazo, como cada uno que saca este hombre.
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Various Artists Ze 30: Ze Records Story 1979-2009 [Strut Records, 2009]
@34393ph9:
This compilation (70 minutes, 14 artists) is a celebration of thirty years of ZE Records. Thirty years!? Ye Gods, I nearly died when I read that. I still have my vinyl copy of the early label compilation “Mutant Disco” from back in the day and could have sworn it was yesterday. And in some ways it could be yesterday. ZE’s conflagration of new wave and leftfield disco, of art-house suss and hipster style with a fiercely independent outlook is so very noughties post-punk revisited.
If you’re looking for a contemporary comparison for eclecticism and cool then James Murphy’s DFA comes closest. However ZE Records was not a musician-led collective. The New York label was set up by French art student Michel Esteban and British journalist Michael Zilkha (Esteban re-launched the label in 2003 with the help of Strut Records who issue this compilation). A quick glance at the roster of artists may put you off if all you are familiar with is the (later) chart-friendly vaudeville of Was (Not Was) and Kid Creole & The Coconuts. Here’s where they learned their chops and where you hear them at their best: the proto-house and tropical rhythms of ‘There’s Something Wrong in Paradise’ and the six and half minute funk-out of ‘Tell Me That I’m Dreaming’ from the Was Brothers (but no ‘Wheel Me Out’ – a strange omission).
Elsewhere on offer is the sleazy rock-disco of Christina, the white-boy punk-funk of James White (aka Chance) & The Blacks, and the sassy disco-strut of ‘Deputy of Love’ by Don Armando’s 2nd Avenue Rhumba Band (an early Kid Creole project) which does exactly what that band name suggests. There are the oddities too - Alan Vega’s rockabilly-electro ‘Dream Baby Dream’ and the sleigh bell-euro-disco of Re Bop Electronic – which show how ZE then and now was prepared to go out on a limb (it was never simply about dance-floor filler).
You could argue their best music came in the early years. You could argue that not all of their output is consistent or consistently good (‘French Boys’ by Garcons is as camp and flashy as a mirror-ball but ultimately quite flimsy). But then you hear Material’s liberation anthem ‘Bustin’ Out’ with the untouchable soul-belter vocals from Nona Hendryx and most things are forgiven.
‘Mutant Disco’ will always be an appropriate summation and statement of intent for ZE Records – and this compilation makes a decent fist – if not a killer punch – at showing how and why.
http://www.mediafire.com/?dqxywzjd5yd
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Gracias por la info, así da gusto bajarse cosas.
