Filtraciones '09
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Me pregunto por qué cuando uno cuelga un link de un downloader lo avisa con esas letras en negrita que dicen "cita" o "código". ¿Lo enseñan en la academia de filtradores?
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Se dice que con este formato es más difícil de rastrear y, ergo, petar, denunciar, suprimir.
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¿Y lo de ponerlo en esa fuentecita tan pequeñicaa qué se debe? ¿Por lo mismo?
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¿Qué fuentecita pequeñita?
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Ah no, se me ha pirado. Es que estoy usando el Chrome ese por primera vez y me salen los códigos minúsculos.
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puto amo el Sr. Callahan
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Amigos del Grunge… Courtney ha vuelto!!! JAJAJAJAJAJAJAJAJAJAA!!
Courtney Love: Nobody's Daughter (2009)
http://www.mediafire.com/?ebtdmme5mz5No tengo tiempo para esto, si alguien se lo baja que lo comente…
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Nice At Home - Visitor (2009)
http://rapidshare.com/files/215374737/visitor.rarlo-fi,noise pop, singer songwriter
la portada me ha gustado mucho pero no la encuentro por ninguna parte..
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dejo esto, no es una filtración en si, se trata d un plug in para firefox que anula los tiempos de espera de rapidshare, megaupload etc… cortesia de ese gran blog que es basic sounds
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hola a todos,
el nuevo de dominique a?
alguien lo tiene por ahi?
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Lhasa de Sela- Lhasa
http://rapidshare.com/files/216446427/LhaLha_Vic.zip
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Salim Nourallah - Constellation
http://rapidshare.com/files/216758388/SN_-_C.zip@38ttwuuv:
Over the last few years, Salim Nourallah has probably become my favorite unknown artist (and I largely use the unknown there to make a point, not so much to qualify). His three-album run of solo records was an impressive streak, but when I talked to him after his previous release Snowing in My Heart, he explained that he was done with that era, that he had finished what amounted to a trilogy of sorts and would be moving on, both thematically and musically.
It’s an interesting move, because he’s moving both forward and backwards. In abandoning the numbers of musicians and big approach to his last record, he’s stripped down to the two-man act he described in that interview (the other man in this case being Billy Harvey, who produced the record, despite Nourallah’s success as a producer, including his work with the Old 97’s). The move to a two-artist act is reminiscent of his early days, recording with brother Faris in the Nourallah Brothers.
Nourallah says this record reminds him of that sound, which means he’s jumping back several records’ worth of material to do something new. But it works. For one thing, it doesn’t sound as much like the NB recordings as he suggests. There’s a certain return to the power-pop sound of the early stuff, but it keeps the more reflective aura of the past three discs. Nourallah and Harvey might play a little less with texture than on a record like Snowing, but there’s no sacrifice of artistry. It’s a smaller affair in a way, but it sounds like a pop band making a classic pop album.
I always start to tell people that Nourallah reminds me of McCartney as a songwriter, and then end up saying he’s more like Costello. In reality, though, Ray Davies is probably the best comparison, maybe moreso here than ever before (at some point I should do a real examination of the line from the Kinks’ “Picture Book” through Nourallah’s Polaroid and this album’s “Pictures Collected”). Thematically, Nourallah maintains an interest in the past (see cuts like “Western Hills” and “Stranger in My Own Skin”), but he does so in a way that’s less nostalgic and more about usability, recognizing the way that awkwardness in the past may have led to a not unrewarding life. He’s reaching back to his younger years for sound and for setting, but he’s doing it as an introspective (but not evasive) adult. These songs are straightforward and emotional without being maudlin, and generally honest without necessarily being confessional.
In the end, it’s a little hard to know exactly what to do with this album. There’s a clear shift in sound from his previous three, and it doesn’t exactly match is past work, and yet it’s very much a Salim Nourallah record, and should please any current fans (and still provide a good entry point for curious listeners). It’s sort of a transition record, but without the fumbling and without a radical departure, as they say. I don’t know that it’s his best, though that says as much about the consistency of his output as it does the quality of this release. I’d call it something like “yet another strong entry from the best songwriter you’re not listening to,” but, true as it is, that statement seems to sell it just a little short. I’m a little puzzled, but I don’t mind
–--------------Y este para droneros
Fabio Orsi/Valerio Cosi - Thoughts Melt in the Air
http://www.mediafire.com/?turq5my1wzl ```@38ttwuuv: > The Preservation label presents Thoughts Melt In The Air, the second album from the pairing of Italian composers Fabio Orsi and Valerio Cosi. Both Orsi and Cosi have become recognised widely internationally for their prolific solo output and kindred spirits in creating momentous soundscapes that ring with lyrical feeling. Still in his early 20s, Valerio Cosi has released a seemingly endless stream of work that swirls around giddily in a sweep of heady free-jazz (his main instrument is tenor saxophone), homespun psychedelia and Krautrock rhythm. Similarly unfaltering in his release schedule, Fabio Orsi’s work draws from a more electronic palette with a quieter, pastoral scope featuring gentle washes of piano, guitar and percussion. Over these four extended pieces, the pair reveals an intimate detailing of sound while going widescreen in pursuit of the epic. Wistful, yearning and melancholic, Thoughts Melt In the Air traces the celestial, emotive sound of enigmatic 4AD acts This Mortal Coil and Cocteau Twins, perfectly pitched between dream-pop vibes and deep ambience. Moreover, it harks back to the absorbing, meditative qualities of Popol Vuh and classic-period Eno, often coupled with the primal and hypnotic tension of rock ‘n roll in its pulse. Whatever the elements, Thoughts Melt In The Air altogether represents a great meeting of minds. highly recommended! 
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@thatcher:lihxkoix:
dejo esto, no es una filtración en si, se trata d un plug in para firefox que anula los tiempos de espera de rapidshare, megaupload etc… cortesia de ese gran blog que es basic sounds
Con el Firefox me da error y ahora no puedo bajar nada del Rapidshare, como desinstalo el plug-in?
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Nightingales "Insult to injury"
@1r6dxqek:
Rock. Oscuro. Polvoriento. Australiano parece, inglés es
http://www.mediafire.com/?tnngykjzmuy
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@Bubbles:2q1snj8z:
@thatcher:2q1snj8z:
dejo esto, no es una filtración en si, se trata d un plug in para firefox que anula los tiempos de espera de rapidshare, megaupload etc… cortesia de ese gran blog que es basic sounds
Con el Firefox me da error y ahora no puedo bajar nada del Rapidshare, como desinstalo el plug-in?
Herramientas -> Complementos -> Plugins
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David Kitt - The Nightsaver
http://www.zshare.net/download/58126820f866e64d/
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Alguien tiene el de los Black Lips en un ripeo mínimamente decente? Es que escuchar temazos como "Drugs" a 124, es como matar a un hijo…
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@-Toxinho-:
David Kitt - The Nightsaver
http://www.zshare.net/download/58126820f866e64d/joder, muchas gracias, a ver que tal, si no recuerdo mal tocó todas de este disco en el concierto de telonero de Tindersticks
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Wet Hair - Dream LP [Not Not Fun, 2009]
@2kei06y8:
When Iowa City freak-out free-rockers Raccoo-oo-oon called it quits last year it left a bummer scar in the Midwest underground scene. But time is a great healer, and so are new bands. So out of the ashes of the RAC pack comes Wet Hair, a synth-punk-trance duo composed of keyboardist/vocalizer Shawn Reed and keyboardist/drummer Ryan Garbes, and Dream is the band’s debut vinyl full-length after a series of increasingly shredding limited-edition cassettes on their own Night People label. Piling together an unlikely trash heap of Suicide-style drum machine beat-bops, zone-droned krautrock keys, and fucked up outsider crooning, the LP’s four tracks careen across a spectrum of moods and mangled melodies. Recorded at Flat Black Studios by Luke Tweedy and mastered by Pete Swanson, Wet Hair’s cult electric annihilation has never gleamed with such razor-edged weirdness; this is their dream made real. Black vinyl LPs in jackets with artwork by Reed and Garbes, plus a pro-printed full-color 11x11 insert. CD edition available on Release The Bats.
http://www.mediafire.com/?qjzo3fnymig
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SCUL HAZZARDs - Slaughtered Pigs
http://www.sendspace.com/file/gqkowkSingle gratuito que distribuyen vía myspace a la espera de su nuevo 12" que saldrá a la venta este mes y que se llama Landlord.