Dröner Kebab
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dan, con este se te van a erizar hasta los tarzanetes:
lubomyr melnyk / corollaries (erased tapes, 2013)
@21ac6w7b:
With Nils Frahm and Peter Broderick such formidable presences on the kooky German’s label, the fear for Lubomyr Melnyk’s Corollaries - which features both – might have been that the lyrical beauty of the Ukrainian composer’s pianism would seem secondary to the soundscapes defined by his better known labelmates. Happily, at times gloriously, this album demonstrates Melnyk’s extraordinary skill through the sensitive and never dominant vocal and string contributions of Broderick, and through Frahm’s intelligent mastering and mixing.
http://www.erasedtapes.com/store/index/ERATP048
aidan baker / already drowning (gizeh, 2013)
@21ac6w7b:
Already Drowning, a song-cycle inspired by various myths & folktales about female water spirits, marks something of a departure for Aidan Baker. While still retaining his trademark sense of ambience & texture, the tracks on this album are much more structured & song-oriented, embracing a minimalist post-rock, slowcore style & featuring a different guest vocalist on each track.
Guest Vocalists: Clara Engel, Jessica Baillif, Valérie Niederoest &Maude Oswald (of Toboggan), Joanna Kupnicka (aka Ria Grün, of The Cold Hand), Geneviève Castrée (aka Ô Paon), Liz Hysen (of Picastro), & Carla Bozulich (of Evangelista, The Geraldine Fibbers). -
Sí, ya ví que Erased Tapes lo había fichado (lleva tocando el piano desde los 70), estoy contando los segundos para llegar a casa y escucharlo.
Gracias. -
@Pelukini:g30lk5jt:
Ep!, nuevo disco de Pan•American a la vista!
Aquí lo tienes pelukas
Pan•American - Cloud Room, Glass Room
http://www28.zippyshare.com/v/15328093/file.html
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Ufffff, que fino!!! Gracias!!!
Muy fan toda la vida de Labradford, ya estoy mojando sólo con los primeros segundos del disco.
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Lo colgué en electrónica, pero aquí está mejor.
Loscil - Intervalo
http://uploaded.net/file/06ahga68 -
Gracias!
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http://www.factmag.com/2013/04/22/fact-mix-379-grouper/
una pena que no incluya el tracklist
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Gracias Bruce por el de lubomyr melnyk, preciosidad de disco.
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Svarte Greiner - Black Tie (miasmah)
streaming: https://soundcloud.com/miasmah/sets/sva ... -black-tie
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te doy mis dies si funca la medisina
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Está mal que yo lo diga, pero… en casa desde hace días ;P
http://www.twosteprecords.es/un poco de spam al año no hace daño, más daño hace el recortar y esto es un no parar!
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ESPAMEADOR!!!!
Yo lo dejo en descarga por aquí
Svarte Greiner - Black Tie
http://uploaded.net/file/cbl7eacvUn par de cositas más
Ólafur Arnalds - Broadchurch OST
http://www14.zippyshare.com/v/89932572/file.html
–---
Max Richter - Disconnect OST
http://www27.zippyshare.com/v/38478538/file.html
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Ensemble Pearl – Ensemble Pearl (Drag City, 2013)
@1ijc1c95:
Ensemble Pearl is a new group on Drag City that has really made a presence on our radar this year with their self titled full length release last month. Consisting of Stephen O’Malley (Sunn O)))), Atsuo (Boris), Michio Kurihara (Ghost) and William Herzog along with special guests Eyvind Kang and Timba Harris, Ensemble Pearl presents a caliginous terrain that is clouded in descending melodies, unhinged feedback, growling drones and delayed patterns of desolate percussion. Cascades of other worldly cosmic elements wash over these states of drone for abstract musings into the outer reaches of the universe. Where many albums look to create structures that attach verse, chorus, bridge, etc, Ensemble Pearl are searching for a higher truth in their communication musically. Every note is pouring with emotion, drained of all life by the time each track is finished. Ensemble Pearl has been primarily produced and written by Sunn O))) alumni Stephen O’Malley, a visionary of the creative world that has already left behind a massive body of work. The identity of every player is really taken into account and expressed with clarity from beginning to end. This record is entirely about the whole regardless of the producer and writer credits attributed. ….
http://www.dragcity.com/artists/ensemble-pearl
https://soundcloud.com/tags/ensemble%20pearl
http://www.sendspace.com/file/swwskj -
reh saw, ese lo tenias en zippy justo en la pagina anterior, cortesia del amigo toxi.
miel para vuestras orejas entumecidas:
alan licht / four years older (emego, 2013)
@36crzg36:
A new set by the coolest chap in New York City documenting the before-and-after development of a solo electric guitar piece that Alan Licht has been playing out for last four years. Revered for his work in the Blue Humans and Text of Light, and a key figure in his generation's pantheon of experimental solo guitar players (such as Jim O’Rourke and Oren Ambarchi), ‘Four Years Older’ is his debut Editions Mego release, representing another peak in a career of mining the rich seams of minimalism, noise and avant-garde in general that stretches back more than two decades.
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@-Toxinho-:3abkxixc:
Max Richter - Disconnect OST
http://www27.zippyshare.com/v/38478538/file.htmlTHX.
Si alguien encuentra (yo me he rendido) el soundtrack de Max Richter para "Lore" la peli germano-australiana del mismo nombre … ya sabe.
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zs / grain (northern spy, 2013)
@kgihxciy:
The new Zs lineup (Sam Hillmer, Greg Fox and Patrick Higgins) sounds very much like a new band, at least as evidenced by the Grain EP. The two side-length tracks (coming in at a total of 42-minutes) bear the marks of Zs’ sound – repeated phrases, looped or played in situ; buried drones and harsh electronic tones – but it does sound very much like a new band.
There’s an extended ambience to the album that trick perceptions of time. Glitches and waves that last only a minute or three somehow feel as if they’ve gone on throughout the whole record. Something very mysterious goes on within the grooves. Hillmer and Higgins (who also arranges Bach for guitar and has composed for the Mivos string quartet) teamed up to create Part One of Grain while Greg Fox (Man Forever, Guardian Alien) built Part Two. The album was beautifully mastered by Heba Kadry of the Lodge. It’s a great listen and it’s also an inventive segue.
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otro que le va a hacer especial ilusion a dan horny:
eluvium / nightmare ending (temporary residence, 2013)
@2zgu1yne:
Nightmare Ending is the first proper Eluvium album released since 2010's Similes, the unexpectedly vocal-heavy ambient-pop record that simultaneously delighted and confounded longtime fans. But the Nightmare Ending story actually began years earlier, as it was intended to be the follow-up to the watershed album, Copia. Conceived as a way of helping loosen his self-imposed ideals of perfection, Cooper labeled each Nightmare Ending track as either a "dream," or an "imperfection" – a way of differentiating the philosophical concept of "dream vs. reality," couched in the more tangible technical distinctions of "flawless vs. flawed." With each progressive listen those differences naturally challenged themselves, and without relying on the standardized perfection protocol, Cooper became increasingly reluctant to release any of it. He shelved it, and pursued Similes instead. But Nightmare Ending wouldn't go away; it lingered in the back of his mind, the abandoned fruits of a truly worthwhile and noble journey towards a less creatively constraining mindset. Cooper returned to it with renewed vigor, writing and recording in a blur of time that spanned several years. The result is a body of work that encompasses everything remarkable about past Eluvium albums, executed more powerfully and poignant than ever before.
http://shop.temporaryresidence.com/trr214
david grubbs / the plain where the palace stood (drag city, 2013)
@2zgu1yne:
In plain and stately tones, a legacy is repossessed and a guitar tone is unleashed once again. Pop experiments with pop. Not all mid-life crises have to be so gauche, you know? This album is a class act — college credit will apply.
http://www.dragcity.com/products/the-plain-where-the-palace-stood
ensemble skalectrik / trainwrekz (emego, 2013)
@2zgu1yne:
Ensemble Skalectrik is a side-project of Nick ‘Ekoplekz’ Edwards. Previous emissions include the self-released psycho-geographical abstraction of “Snuff Mill Tapes” and a homage to Maurizio Bianchi via Feral Tapes. Focusing entirely on spontaneous composition and one-take improvisation, Ensemble Skalectrik represents the most raw, extreme performance-based electronic music in Edwards’ repertoire.
On ”Trainwrekz”, Edwards has dusted-off his turntables, grabbed a stack of old vinyl (mainly sound effects and easy listening albums), added a selection of sound-shaping devices (filters, equalizers, loop-pedals) and proceeded to record a series of delirious, derailed sonic sketches that sound like nothing else in his rapidly expanding discography. -
amada rachel…
rachel grimes / compound leaves (self-released, 2013)
@2qa0ad47:
Re-imagined versions of 5 songs from Book of Leaves, with 3 alternate perspective string-only versions.
http://rachelgrimes.bandcamp.com/album/compound-leaves-with-card-set
pharmaton complex. ojo a las contraindicaiones.
pharmakon / abandon (secret bones, 2013)
@2qa0ad47:
Margaret Chardiet was born and raised in New York City She has been making power electronics/death industrial music under the name Pharmakon for five years. As a founding member of the Red Light District collective in Far Rockaway, NY she has been a figurehead in the underground experimental scene since the age of seventeen. She points out that the environment there amongst so many other experimental artists (amongst them Yellow Tears & Haflings) inspired her to keep making increasingly challenging work. She describes her drive to make noise music as something akin to an exorcism where she is able to express, her “deep-seated need/drive/urge/possession to reach other people and make them FEEL something [specifically] in uncomfortable/confrontational ways.” Engineered by Sean Ragon of Cult of Youth at his self-built recording studio Heaven Street, Abandon is Pharmakon’s first proper studio album and also her first widely distributed release.
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