3. Dröner Kebab

Dröner Kebab

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    motion sickness of time travel - seeping through the veil of unconscious c60 (digitalis - 2010)

    http://www.digitalisindustries.com/ltd154.html

    http://rapidshare.com/files/415333119/motsicktime_-_seeping__digit_-_2010_.zip.html
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    Mark McGuire - Living WIth Yourself

    http://www.megaupload.com/?d=KD0KHWW1

    Menos enfocado al sonido que tienen en Emeralds, sobre todo el último tema "Brothers (for Matt)".
    @280rvdkh:

    Mark McGuire operates chiefly as guitarist in the legendary Emeralds; however he also has racked up an impressive set of solo releases over the last few years (albeit mainly in small to micro print runs). 'Living with Yourself' is his new album and we at Editions Mego hope to meet any demand which may arise from this fine selection of modern crafted guitar tunes. Focusing on his family, early friendships, and the problems that inevitably develop through years of knowing someone, it takes McGuires sound even further out, and contains some his most accomplished songs to date. The opening track is fine example of McGuire's magic technique of taking a lone acoustic guitar then transforming the track into bliss-out electro wash looping off into the distance. And tracks like 'Clouds Rolling In' and 'Brain Storm' take off where such McGuire classics as 'The Marfa Lights' (which incidentally is planned for a future reissue) left off. While connoisseurs of his sound will find all they desire in here, many superb surprises await around every corner. These are songs that cruise, bubble, and rise to the top.

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  • D

    @-Toxinho-:3vkqstyg:

    Este lo pongo aquí, aunque también podría ir perfectamente en el hilo general.
    Está en V0

    James Blackshaw - All Is Falling

    http://www.mediafire.com/?ecsa92sg6sbr0rr

    Un nuevo link :

    http://hotfile.com/dl/63466890/32a37c0/www.NewAlbumReleases.net_James_Blackshaw_-_All
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    Clouwbeck - From Which the River Rises

    http://www.mediafire.com/?1ghu1xayy97iy7x


    @2f3lyrmv:

    Devastation is often best understood through a sideways lens, as peripheral vision and the subconscious possess observational powers beyond our ken. Poetry and parable are two art forms capable of comprehending the hidden depths of human existence, as well as “the peace that passeth understanding”; instrumental music is a third. Richard Skelton’s artistry is born of grief, yet transcends it by transcribing the ineffable.

    Tragedy, injury, illness and grief – all forms of loss – can ravage or hone a human being. They can dull a vibrant life or transform a mundane one. Incident-related loss is different from the fire of the artistic temperament, because it is event-generated rather than genetically-granted. Personality does come into play in our reaction to life’s events, and many inspiring stories hail from these shores: polio-stricken presidents, paralyzed journalists, amputee mountain climbers. Those who have lost loved ones often memorialize them in honorable ways, by publishing journals and scrapbooks, penning biographies and building monuments. Yet frequently these tributes work against their stated intentions, linking the death of the loved one forever with the life.

    Skelton’s grief and subsequent process of mourning have been laudably devoid of maudlin connotation and misstep. For years, fans have been watching this process unfold, first privately, then a bit more publicly. (Most of Skelton’s releases, including this one, are available only by contacting the artist.) I don’t know Richard personally (although we have corresponded), and I never knew his wife, but I would venture to say that she would be proud of the way he’s carried on. He’s honored her art by featuring her photographs on various CDs, and he’s honored their relationship by dedicating his music to her. Perhaps her death did not make him an artist, but it made him this artist, so when we hear him, we are hearing them both, in such a way that her life seems more important than her death.

    Richard Skelton vuelve a sacar disco con este alias (Para alegría de alguien que yo me sé).

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  • M

    jefre cantu-ledesma - love is a stream (type,320k)

    http://www.megaupload.com/?d=P1H8FVT8

    tags: ambient,drone

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  • ?

    Jefre Cantu-Ledesma & David Tagg - Untitled (Install, 2010)
    Abstract, Ambient

    http://www.mediafire.com/?1tj5ayj5yhry31l

    . The Clouds Should Know My Name
    1.1. Jefre Cantu-Ledesma Untitled 8:31
    1.2. Jefre Cantu-Ledesma Untitled 4:20
    1.3. Jefre Cantu-Ledesma Untitled 4:08
    1.4. Jefre Cantu-Ledesma Untitled 1:41
    . Mosaic Surfer
    2.1. David Tagg Untitled 9:27
    2.2. David Tagg Untitled 5:20
    2.3. David Tagg Untitled 5:49

    Toxi, desde finales de julio tengo una bonita copia de From Which the River Rises, gracias por subirlo ; )

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  • M

    Murralin Lane - Our House Is on the Wall (12k)

    nuevo proyecto de David Wenngren (Le Lendemain, Library Tapes)

    http://www.mediafire.com/?e2oedof6yoab6oc

    Seaworthy + Matt Rösner - Two Lakes (12k)

    http://www.megaupload.com/?d=7WC8NBGX
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    Graciñas Melt. El primero ya lo tenía, pero del segundo no tenía ni idea.

    Dejo una cosita por aquí. El anterior disco (Truth And Distance Ep) de este músico fue uno de mis favoritos del año pasado, en el que se centraba más en crear explosiones sonoras a base de ruido y drone. En este nuevo disco utiliza más grabaciones de campo y apuesta por provocar diferentes estados a base de riffs de piano, loops y diferentes instrumentos.

    Concern - Caesarean

    http://www.megaupload.com/?d=HW6D8A3B

    @67cj8q3x:

    Beautiful album of aged recordings, drones and field recordings – a must for followers of William Basinski* Caesarean’s lead track, ‘Discrete Memorial’ is a real rarity within the field of ambient music: it’s a piece that instantly takes hold of you, dragging you deeply into its faded, tape-eroded realm.
    Rather than stringing out drones from analogue synths, soft synths or field recordings, Concern’s Gordon Ashworth instead calls upon the services of various acoustic sound sources (clarinet, banjo, guitars, organs and more), all collaged together in an almost tangibly physical recording environment that seems a million miles away from the computer-dominated soundscapes this genre generally throws your way. It’s only the start of a very long journey (the album isn’t too far off maxing out the disc), but you might have trouble moving on from ‘Discrete Memorial’. It’s really quite wonderful; full of faults and dropouts, an introductory piano riff fires up in a stuttering loop, before languid woodwind tones join in. In theory this would all sound a bit derivative of William Basinski, but Ashworth ably asserts a very different voice on these pieces and certainly doesn’t adhere to any strictly repetitious loop-driven formula.

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  • ?

    @melt:1531uvlj:

    Murralin Lane - Our House Is on the Wall (12k)

    nuevo proyecto de David Wenngren (Le Lendemain, Library Tapes)
    …

    Me encanta y la portada lo dice todo y más: 32 minutos de luz flotante y sonante.

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  • N

    @Pelukini:62wg8ufy:

    Bueno el cartel completo y distribución por días del UNSOUND. uf uf!

    Entrada y vuelo comprados! Voy de jueves a domingo, y estoy horrorizado. Semejante cartelaco por 40 pavos! Para quedarse picuet.

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  • Que suerte, yo al final no puedo ir, ya contarás

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    Una de las mitades de Stars of th Lid componiendo la banda sonora para un documental
    sobre la desaparición de las abejas.

    Brian McBride- The Effective Disconnect

    http://www.mediafire.com/?b928nr6ac4fvmx1

    –--
    Y esto es lo último del sello Miasmah

    Marcus Fjellström - Schattenspieler

    http://www.mediafire.com/?21hl88tp702ov88#1

    @10zmtfhd:

    Combining wonderfully crackly ambient textures with ancient sounding classical instrumentation, Fjellstrom's music is perhaps like a sonic equivalent to the cinema of the Brothers Quay or Guy Maddin in its stylised and revised recreation of something old, monochromatic and somehow already familiar. It's fairly commonplace to find ambient or dark-ambient works that channel this sort of run-down aesthetic , but Fjellstrom goes somewhat further by using real orchestration and then aging it. Consequently, there's so much more invested in Fjellstrom's music and his soundscapes are far richer than the kind of loop-driven, predominantly electronic material of his contemporaries. Particular highlights arise during the creaky, percussion-driven 'Liquid Fire' and the incredible woodwinds of 'Untitled 090616', but this marvellous album is best digested as a whole.

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  • ?

    NotCitizen, mejor no cuentes. ¡Disfrútalo!

    Nils Frahm, Johann Johannsson & Hauschka. Explorer's Club: 7. Belfast- Reykjavik (Loaf, 2010)
    Home listening/modern classical/ambient

    @3uzg0av4:

    For the seventh volume of the Explorers' Club series there's a big-name line-up on show: firstly we have Hauschka and Stefan Schneider, whose 'Common Exposure' shifts through muted chimes and what sounds like processed prepared piano melodies before rounding off with searing synthesizer lines. After this exceedingly pretty intro, Nils Frahm enters the frame, fashioning another wonderful piano instrumental with a strong rhythmic theme. There are few other composers working in this pop-neo-classical field that can match this young musician's form at the moment. Finishing up, Johann Johannsson provides an all-too-short finale in 'Siferi', another tremendous piano solo, this time taking on a dramatic minor key feel.

    1. Hauschka & Stefan Schneider : Common Exposure (3:54)
    2. Nils Frahm : Corn (4:01)
    3. JOHANN JOHANNSSON : Sifreri (1:34)

    http://www.mediafire.com/?6ohzfbbhl7d12tm
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  • ?

    "Dröner Kebab" y etc.

    Hauschka. Foreign Landscapes (Fat Cat, 2010)
    Modern classical

    @2q8n0p94:

    With his past two albums, Hauschka carved a niche for himself in the world of "prepared piano," i.e. the technique of placing various objects or materials inside the innards of a grand piano to create new tones. It's a method that was popularized by John Cage in the 1930's and kept alive by contemporary composers like Christian Wolff, though Hauschka's take on the genre is slightly more pop-inspired, with increased focus on melody over timbre. Over the years he's received praise from publications like Pitchfork and Mojo and embarked on a number of international tours, including one with the Icelanding group Mum.

    Foreign Landscapes shows Hauschka expanding his palette a bit, playing piano with full orchestral accompaniment. Nostalgia has been a theme in his music in the past–2008's Ferndord was named after the German village where Bertelmann grew up--and it finds its way into the new album as well. The album was largely inspired by Hauschka's travels over the past few years, with many pieces harking back to specific spots that made an impression on him, such as Alexanderplatz in Berlin and Union Square in Manhattan.

    01. Alexanderplatz
    02. Iron Shoes
    03. Mount Hood
    04. Madeira
    05. Union Square
    06. Snow
    07. Early in the park
    08. Kamogawa
    09. Children
    10. Sunny Mission
    11. Kouseiji
    12. Trost

    http://www.mediafire.com/?zhbvxddl03iy29a
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  • M

    Sin estar muy puesto, a esto del ''prepared piano'' de Hauschka me apunto.

    Me está gustando mucho también, de lo que he ido descargando de este hilo, el disco The Amber Sea de Myrmyr, intercalando pasajes más ''droneros'' con otros de instrumentación vetusta y ''folk noir'' de voces inquietantes. Muy recomendable.

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    Philip Jeck - An Ark For The Listener

    http://www.mediafire.com/?l4s4c14ge3vih6i#1


    Buen disco para oídos golosos. Un veterano en esto de crear vibraciones en las neuronas.
    Una buena reseña aquí: http://mapsadaisical.wordpress.com/2010 ... ner-touch/

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  • he leído muy buenas críticas de este disco, ahí vamos, a ver que tal.

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    Helios - Ayres (Instrumental)

    http://www.multiupload.com/7QXFCZCCK6

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  • T

    @arrebatos:2qf3s48d:

    motion sickness of time travel - seeping through the veil of unconscious c60 (digitalis - 2010)

    http://www.digitalisindustries.com/ltd154.html

    http://rapidshare.com/files/415333119/motsicktime_-_seeping__digit_-_2010_.zip.html

    gracias arrebatos, este año no estoy droneando demasiado pero este disco en concreto me tiene atrapadísimo….

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  • M

    muy bueno el de philip jeck, sí señor

    en otro orden de cosas: ya no se filtran cosas de wolf eyes, hair police, john wiese y esta tropa de ruido apocalíptico o qué?

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