Dröner Kebab
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dudo que cambien nada aparte de alguna nota en revistas cuando no tengan un nuevo grupo perfecto para mover el pie, llevo años haciendo sesiones de drone, noise, psicodelia raruna. avantgarde y demás en museos (único sitio que he visto viable) y no veas la cara de la gente que no sabe lo que le espera, gente del arte que se les presupone abiertos musicalmente, sinceramente dudo que esto vaya a cambiar….
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y añado, es maravilloso lo nuevo de bas van huizen, cómo ha mejorado el tipo.
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Oneohtrix Point Never "Returnal" (Mego, 2010)
http://rapidshare.com/files/394500018/CRUELTY-2010-Retail-Returnal-Never-Point-Oneohtrix_Sparhawk.rarhttp://hotfile.com/dl/46136336/7b198c9/CRUELTY-2010-Retail-Returnal-Never-Point-Oneohtrix_Sparhawk.rar.html@1jisqakv:
recorded and mixed at Ridge Valley Digital, Massachusett, July-August ‘09 and February ‘10, it was mastered by James Plotkin and cut at Dubplates & Mastering in Berlin.
The smart cover design is by Sunn O))’s Stephen O’Malley, with photography by Yelena Avenesovan. We’ve not yet heard the record, but Mego describe it as follows:
“[Returnal] sees Lopatin fine tune his craft for creation of deep atmospheres and texture even further. Starting off with the mind blowing triptych of ‘Nil Admiari’/’Describing Bodies’/’Stress Waves’, which fires off into a noise/rhythm excess before entering a zone of relative calm building to the melancholy of the final part. This set the tone perfectly for the albums title track, a stunning out of this world ballad featuring Lopatin’s near desperate vocal delivery, ending what could be seen as one of his most chilling and thought provoking sides to date.
“ > The atmosphere is slightly lifted as the darkened sun comes up over the ruins on ‘Pelham Island Road’ and ‘Where Does Time Go’, with the album closing with edgy broken beats and fourth world possible landscapes of ‘Preyouandi’, which fades into the distance with echoes of the ‘Returnal’ chorus, closing the loop. > What’s burnt into memory here is Lopatin’s love affair with the long, slow path back home… the cycle… the hypnotic sector… the ghost in the machine… and whether people are making dance music or hip hop or space head music or metal, the ouroboros is present in every sector — as it was in Bach’s study, and in the elephant songs of the Ituri forests.” FACT Magazine
Lopatin aparece en The Wire haciendo un invisible jukebox y además se reeditan tres de sus discos de esos imposibles de conseguir. además Mego ha sacado "Rifts" en vinilazo doble gatefold y toda la pesca.
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Espectacular el de Ous Mal. Hay un tema in the middle con pájaros, no podría explicar por donde andaba mi mente a esas alturas.
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¿Se ha filtrado ya el South African Vuvuzelas Vol.1? Me han dicho que es la bomba, matices a saco y Michael Robinson metiendo caña ahi, lo van a petar.
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ese disco no lo han dejado en el hilo de Metafísica I?
ordenalfabetix fun forever es el disco del género de esta primavera-verano, no? estoy viendo referencias al tío este por todas partes. Hasta me lo he bajado: de The Wire, La Increíble verdad y Manel yo me fío
Otra cosa es cuándo lo oiga. Pero por lo menos en el disco duro está -
@Rumsas:3vrckpfy:
ese disco no lo han dejado en el hilo de Metafísica I?
hombre, está hecho en África, pero es drone a muerte.
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ejque como viene una remezcla de Konono pensé que estaría por ahí
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Taylor Deupree - Shoals (12k)
http://rapidshare.com/files/399174486/BOSS-2010-WEB-12K-Shoals-Deupree-Taylor_Sparhawk.rarGiuseppe Ielasi - Tools (12k)
http://rapidshare.com/files/399175530/BOSS-2010-WEB-12K-Tools-Ielasi-Giuseppe_Sparhawk.rar -
36 - Hollow (3six Recordings 2010)
ambient
@2czd5p09:
"Hollow" is the 2nd studio album from 36 and continues the journey started by "Hypersona", delivering 13 tracks of new material.
Tracks such as "Hollow" and "Equassa" explore new sonic territory, featuring heavily processed guitar and vintage strings, drifting over the emotive soundscapes you've come to expect from the artist. Other tracks such as "Darkroom Distortion" and "Geiga" use turbulent sheets of white noise, alongside classical instruments to create an eerie, almost ghostlike quality.
http://www.mediafire.com/?lyaom0zry1yAldea, la fanfarria armónica de Aaron Martin es cosa fina - favorito de favoritos.
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myrmyr - The Amber Sea (Digitalis, 2009)
modern classical / ambient / dark folk / drone
@w60c1osd:
Try and imagine the kind of broken drones and edgy experimentation Ben Frost makes crossed with the strings of Hildur Gudnadottir and the sea shanties of Matt Elliott and you'll get some ideas of the incredible, deeply original music of Myrmyr This Oakland duo brings together Agnes Szelag with Marielle Jakobsons (aka Darwinsbitch) for a debut album consisting of incredible modified sea shanties, cinematic-style ensemble pieces and folk/drone hybrids that have just blown our minds. 'Jurata' opens the album with a suspenseful opacity, loaded with string and harmonium drones while vocals drift along in a ghostly, haunting fashion. Somewhere in the background percussion jostles, occasionally sounding like faulty central heating, and ultimately making a seamless transition into 'Baltic WInds', whose fractured bowed tones make for a semi-conscious soundscape while electro-static, processed bells clang and cascade around the edges. 'First Seed' is a far more clear-cut affair, concentrating on the tightly orchestrated confluence of cello, clarinet, flute and trombone for a deep and cinematic piece of music. From here on the sophistication and depth of variation in this music only seems to heighten: 'Egle's Escape' presents a dark avant-folk universe (bringing to mind Mi & L'au, Pantaleimon and Espers all at once), while the string melodies and wonderful, thorny harp textures of 'Dancing In Captivity' suggest a kind of gothic avant-garde. Perhaps best of all, at the centre of this album lies 'The Sea Returns', a radiant fifteen minute composition that starts out as a tentative ambient excursion - full of lulling drones and fragmented instrumental eruptions - only to seemingly wake up after a few minutes of languid swirling, eventually developing into a complex soundscape full of euphoric dissonance, spurts of noise and plenty of harmonic flair. There's a tremendous amount to take in here and you won't be able to absorb even half of this album upon first listen, but in terms of its vision, and the roving musical dexterity on show throughout, it's one of the most unique and absorbing albums we've heard this year. Essential Purchase. - boomkat
http://www.mediafire.com/?yjojnnnu4iySiento desvirtuar el hilo con grabaciones lejos de drones oscuros y maquinales.
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Vaya cartelaco no?
UNSOUND FESTIVAL PRESENTS: HORROR!
Goblin (IT)
Ben Frost (AU/IS) + Daníel Bjarnason (IS) to create «Solaris» with Sinfonietta Cracovia (PL)
Tim Hecker (CAN)
Moritz von Oswald Trio (DE/FIN)
Lindstrøm (NO) live!
Shackleton (UK) live!
TRG + FaltyDL (RO/US) live!
Joy Orbison (UK)
Mount Kimbie (UK)
Emeralds (US)
Zombie Zombie (FR) playing the songs of John Carpenter
Oneohtrix Point Never (US)
Actress (UK) live!
Hildur Guðnadóttir (IS)
Shining (NO)
James Blake (UK)
Mordant Music (UK) presents «Nesst»
Elegi (NO)
Kreng (BE) show w/ theatre group Abattoir Fermé (BE)
Demdike Stare (UK)
Monno (CH)
Oni Ayhun (n/a) live!
Kyle Hall (US)+more TBA.
Follow us:
http://unsound.pl
http://facebook.com/UnsoundFest
http://twitter.com/unsound -
ostia puta nene, vaya sobrada de cartel
moritz van oswald lo estaba escuchando el otro dia otra vez y es la poya
demdike stare también molan mil, no sé si los habeis escuchado
lo de zombie zombie haciendo temas de carpenter.. buf
chaquetón, actress..goblin una mierda, por eso, putos hippies
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°, desde luego que sí, lo de Aaron Martin no es ni medio normal..
y ahora a otra cosa, del 2009 pero no encuentro nada de takahiro kido en el buscador del foro y se sale!Takahiro Kido - A short Happy Life
http://rapidshare.com/files/317653799/TKASHL-2009-BCC.rarPelukini, este año estoy buscando opciones para ir al Unsound, la idea principal era el nightmare before christmas por GY!BM pero visto que vienen en enero más cerquita a ver si cuadramos el viaje… tiene una pinta de escándalo.
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@Pelukini:2fwin96g:
Vaya cartelaco no?
UNSOUND FESTIVAL PRESENTS: HORROR!
Goblin (IT)
Ben Frost (AU/IS) + Daníel Bjarnason (IS) to create «Solaris» with Sinfonietta Cracovia (PL)
Tim Hecker (CAN)
Moritz von Oswald Trio (DE/FIN)
Lindstrøm (NO) live!
Shackleton (UK) live!
TRG + FaltyDL (RO/US) live!
Joy Orbison (UK)
Mount Kimbie (UK)
Emeralds (US)
Zombie Zombie (FR) playing the songs of John Carpenter
Oneohtrix Point Never (US)
Actress (UK) live!
Hildur Guðnadóttir (IS)
Shining (NO)
James Blake (UK)
Mordant Music (UK) presents «Nesst»
Elegi (NO)
Kreng (BE) show w/ theatre group Abattoir Fermé (BE)
Demdike Stare (UK)
Monno (CH)
Oni Ayhun (n/a) live!
Kyle Hall (US)+more TBA.
Follow us:
http://unsound.pl
http://facebook.com/UnsoundFest
http://twitter.com/unsoundWildbirds & Peacedrums with Icelandic/Polish choir
Mice Parade
Laetitia Sadier (of Stereolab)
Silje Nes
Petre Inspirescu
Mike Huckaby
Dorian Concept
Terror Danjah
eleven tigers
SUPRA1.More soon!
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el cyber-punk es una utopia prehistórica comparada con ésto, o esta música una de sus consecuencias lógicas
en algunos aspectos, me gustan los tiempos que corren -
@Margiempar:pp4g1rqg:
el cyber-punk es una utopia prehistórica comparada con ésto, o esta música una de sus consecuencias lógicas
en algunos aspectos, me gustan los tiempos que correnPues yo no creo que sea tan prehistórico… A mí me gusta.
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juas, yo usaba el Dr. Drone y estaba bien guapo, habrá que enredar en éste
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Svarte Greiner - Penpals Forever (and Ever)
http://www.mediafire.com/?2dwl9p7zesby3yo
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