Filtraciones '10
-
está también en spotify.
-
Black Lightning de los Bellrays?
-
EMILY JANE WHITE "Ode to sentience" (2010)
http://www.mediafire.com/?ba8xd0hkbq6iyd2Folk, Baladas.
Vía Magiska.
-
GIRLS "Broken Dreams Club EP" (2010)
http://www.mediafire.com/?voe376aop2cj3vjpop
JONQUIL "One Hundred Suns EP" (2010)
http://www.mediafire.com/?micls62apf2u9k1folk ¿tropical?
-
Gracias por el de Girls.
-
ojo con estas mozas valencianas que participan en el REINAS de este año ( http://www.myspace.com/concursoreinas ), y que son, junto a Volpina y Ultrazorras, la banda más interesante de las que se subiran a las tablas de Sidecar, La [2], L'Ovella, y Monsaterio. Ellas, en concreto, el 18 de diciembre (sí, hay 35 foreros que seguro que no van)
Recuerdan bastante a Desechables y al rock oscuro de los 80 en general, y el disco que sacaron en mayo suena igual de bien, crudo y pedregoso.
Las Rodilleras "Horror Pleni"
@dwlx3juz:
rock oscuro 80s
http://www.mediafire.com/?yeeddyuovnm -
Hola, hoy ha salido a la venta, por lo menos en itunes lo han puesto hoy, el directo de L.A. nuevo, se llama Heavenly Hell Naked, lo tiene alguien alguien por ahi? Yo no encuentro, gracias.
-
Gary War - Police protest Sacred Bones
http://www.mediafire.com/?i2hz340esy68cdp -
Cinema Red And Blue – Cinema Red And Blue (2010)
**@36xeq6qa:Cinema Red And Blue es un nuevo grupo que se ha montado David Feck, lider de Comet Gain,
con miembros de su propia banda y de los neoyorquinos Crystal Stilts. Además, también
colaboran gente de The Clean y de Ladybug Transistor.**
**```
http://www.megaupload.com/?d=5UIEPVP0 -
Jonathan Richman – O Moon, Queen Of Night On Earth (2010)
http://hotfile.com/dl/81572072/a0967b4/oluatunaomeligasnenhuma.rar.html -
wyatt/atzmon/stephen - ´….......for the ghosts within´ (domino, 2010)
http://www.easy-share.com/1912690468/Wy4ttFTGW.rar password: laspikedeLycmusic ```@7e81mast: > Domino is proud to release Wyatt, Atzmon, Stephen’s beautiful album, For the Ghosts Within. For The Ghosts Within is a new collaboration between Robert Wyatt, saxophonist/composer Gilad Atzmon and violinist/composer Ros Stephen. A song cycle featuring standards such as "Lush Life", "In A Sentimental Mood" and "Round Midnight", For The Ghosts Within places Wyatt’s voice (and whistling) amid the seductive drama of string quartet, alto saxophone, and the universal rhythms of the night. > > The result is a tour de force of contemporary composition that once again highlights Robert Wyatt’s unique position as a collaborator and conspirator, and his never-ending appetite to create new musical languages. > > [http://www.dominorecordco.com/artists/wyatt-atzmon–stephen/](7e81mast) –-------------------------------------------------------------------------------- **bottomless pit** - **blood under the bridge** (comedy minus one, 2010) http://www.mediafire.com/?bfqdh9re440wcrq
> Blood Under the Bridge is the third record and second full-length by Bottomless Pit. > > The album explores the awful and thrilling randomness of fate, with a hard fix on the future. > > Affectionate and brusque, languid and bracing - it is nearly peerless modern postpunk. estilo: chicago indie-rock / silkworm / seam [http://www.bottomlesspit.us/](7e81mast) [http://www.comedyminusone.com/015.php](7e81mast) -
@bruce_billis:2f3irdkw:
wyatt/atzmon/stephen - ´….......for the ghosts within´ (domino, 2010)
http://www.easy-share.com/1912690468/Wy4ttFTGW.rar password: laspikedeLycmusic ```@2f3irdkw: > Domino is proud to release Wyatt, Atzmon, Stephen’s beautiful album, For the Ghosts Within. For The Ghosts Within is a new collaboration between Robert Wyatt, saxophonist/composer Gilad Atzmon and violinist/composer Ros Stephen. A song cycle featuring standards such as "Lush Life", "In A Sentimental Mood" and "Round Midnight", For The Ghosts Within places Wyatt’s voice (and whistling) amid the seductive drama of string quartet, alto saxophone, and the universal rhythms of the night. > > The result is a tour de force of contemporary composition that once again highlights Robert Wyatt’s unique position as a collaborator and conspirator, and his never-ending appetite to create new musical languages. > > [http://www.dominorecordco.com/artists/wyatt-atzmon–stephen/](2f3irdkw)hay solo 6 temas en tu link. éste debería ser el tracklist:
Tracklist:
1. Laura
2. Lullaby For Irene
3. The Ghosts Within
4. Where Are They Now
5. Maryan
6. Round Midnight
7. Lush Life
8. What’s New
9. In A Sentimental Mood
10. At Last I Am Free
11. What A Wonderful World -
@thearcadefire:jx9ix2sd:
@bruce_billis:jx9ix2sd:
wyatt/atzmon/stephen - ´….......for the ghosts within´ (domino, 2010)
hay solo 6 temas en tu link…
bájatelo de nuevo porque el enlace es válido y contiene todas las canciones del disco. seguramente mientras lo descargabas tu conexión haya sufrido algún microcorte de comunicaciones y se pueden haber perdido paquetes de datos por el camino. a veces ocurre.
-
Tercera y última parte del disco en tres partes (ejem, valga la redundancia) de ROBYN.
Electropop, bailoteo y producción de lujo. Después de la larga espera desde su disco de 2006, (mi) disco de 2010 de largo.
Robyn - Body Talk Pt.3 (2010)
-
Gracias por el de Robyn lelaina! No sabía que se había filtrado ya. El primer CD del "Body talk" es de traca, hitazos a mansalva. Yo también le pondría bien posicionado en la hipotética lista de 2.010.
-
@bruce_billis:20ri6jdq:
@thearcadefire:20ri6jdq:
@bruce_billis:20ri6jdq:
wyatt/atzmon/stephen - ´….......for the ghosts within´ (domino, 2010)
hay solo 6 temas en tu link…
bájatelo de nuevo porque el enlace es válido y contiene todas las canciones del disco. seguramente mientras lo descargabas tu conexión haya sufrido algún microcorte de comunicaciones y se pueden haber perdido paquetes de datos por el camino. a veces ocurre.
pues sí, tenías razón.
-
por la madre, cuánto temazo junto! es una pena que su bolo coincida con el pc porque los vería de buena gana.
suede - the best of suede (universal, 2010)
http://uploadstore.net/k46lw21ddy4w/S-TBOS-CD1.rar.html http://uploadstore.net/wyjugrvwqty8/S-TBOS-CD2.rar.html ```@1hi2pjv8: > Alongside Pulp, Suede stood apart from the plethora of bands that spread, acne-like, across the UK in the mid-90s explosion of Britpop. That much is evident when listening to this new compilation. It’s essentially a reissue of 2003’s Singles collection (minus three songs, but with an extra disc of non-single tracks); but even in 2010, when most Britpop sounds dated and clichéd, the zeitgeist that Suede captured throughout their years together seems just as relevant and pertinent today. > > The songs of that first disc are, of course, the ones that everybody will know. It kicks off with Animal Nitrate, which, 17 years after it was first released, still radiates with the edgy, contentious energy that defined early Suede. Indeed, no other band has ever quite managed to romanticise England’s urban sprawl and decay with as much efficacy as Brett Anderson’s poetic lyricism. With or without Bernard Butler, Anderson incisively captured the messed-up, drug-addled yet hopeful, dream-filled lives of a generation who grew up during or after a Thatcherite Britain, something that Metal Mickey, Trash, Everything Will Flow, Beautiful Ones and the relatively lethargic wistfulness of Saturday Night ably demonstrate. And although the later singles – especially Electricity and Obsessions – noticeably lack the bold, brash spark of their earlier counterparts, instead of becoming something of a self-parody they contain a lyrical and musical intelligence that was absent in much of the lad-minded music of their era. > > Yet perhaps the most significant aspect of this compilation is the second CD: 17 songs taken from Suede’s first three albums (or their singles). The likes of She, Heroine, The Asphalt World and the brittle poignancy of The Next Life are testament to Suede’s extensive talent – proof they weren’t just anti-heroic poster boys for a disenfranchised generation and the cynical record label marketing men. In fact, that some of their very best songs – namely Europe Is Our Playground, My Dark Star and the tender, abject melancholy of The Living Dead, all present here – were B sides, shows just how much Suede had to offer. Having reformed earlier this year, time (and any new material) will surely tell if they can recapture the bright nuclear lights of their past. For now, though, this is a great tribute to a flawed, but nevertheless fantastic, career. -
@staggerlee:bkylef5h:
Hola, hoy ha salido a la venta, por lo menos en itunes lo han puesto hoy, el directo de L.A. nuevo, se llama Heavenly Hell Naked, lo tiene alguien alguien por ahi? Yo no encuentro, gracias.
Aquí… creo
http://www.megaupload.com/?d=I6SP8M1B -
Bello disco de folk acústico de la nueva banda del batería de Two Gallants (sin la crudeza de éstos):
Devotionals "Devotionals"
@2upunmv3:
folk acústico
http://hotfile.com/dl/71721577/7b4b021/83fbefbcec8030a87f032c3f3a382070.rar.htmlpass: afterpre.com
-
cee-lo green - the lady killer (elektra, 2010)
http://uploadstore.net/uy8amdev9skd/backup-c-l-by-yOgI.rar.html password: yOgI ```estilo: black music / r&b / motown / gnarls barkley frontman / fuck you @329da8rb: > Atlanta's Cee-Lo Green can rap, write, and produce in any freaky style like it ain't no thang. But as his Gnarls Barkley showcase "Crazy" made definitively clear, the former Goodie Mob-ster sings barrelhouse soul with an intensity that few mainstream figures of his generation can match. He's simultaneously operatic, wild, sophisticated, and Southern-fried because he's got big-lunged skills as primal as the gut-screaming feelings from which they emanate. Yet, until now, he's never focused solely on his most extraordinary asset. > > Green's first solo outing since the Gnarls Barkley breakthrough rectifies this by narrowing his scope to beautifully busy 21st-century Motown as greasy as it is vibrant.The Lady Killer sets stadium-size melodies, horns, strings, and machine-free beats to detailed encapsulations of Saturday-night transcendence and Sunday-morning love pains. As labyrinthine and huge as most contemporary R&B is stark and minimal, Green's collaborations with a host of American and European hit men (whose credits span from Bloc Party to Belinda Carlisle) suit him because they don't shy from his larger-than-life pipes. > > With brash, masterful aim, Green bypasses neo-soul's classy constrictions with instant (and substantial) classics like "Fuck You" and "Cry Baby." Throughout The Lady Killer, he hits his target cut after butt-shaking cut: no diversions, no filler – just rhythm and Day-Glo blues quintessence. More than ever, Green is the surreal deal.
Hello! It looks like you're interested in this conversation, but you don't have an account yet.
Getting fed up of having to scroll through the same posts each visit? When you register for an account, you'll always come back to exactly where you were before, and choose to be notified of new replies (either via email, or push notification). You'll also be able to save bookmarks and upvote posts to show your appreciation to other community members.
With your input, this post could be even better 💗
Registrarse Conectarse