Filtraciones '11
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@icone:22pjl7qe:
@Guilen:22pjl7qe:
No sé si ya se ha subido:
Death Cab for Cutie - Codes and Keys
Estoy hecha un lío. ¿Por qué la canción del videocllip que grabaron ayer retrqansmitiendo en directo
http://www.youtube.com/watch?v=qKTYPPyQ ... r_embedded
no tiene nada que ver con la You Are A Tourist del vídeo?Porque el video fue girado en una sola toma, en vivo, y retrasmitido en vivo. Todo en 15 minutos.
-G.
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Rogue Valley – False Floors (2011) 320kb
**@2rpqsfd5:Indie folk, indie-pop, indie-rock
**
**```
http://www.filesonic.com/file/522390754/Rogue Valley - False Floors.rarhttp://www.fileserve.com/file/UAg7MDj
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La canción que da nombre al disco de los Deathcab está grabada en el patio de su casa, no? (o en los servicios)
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Sleep ∞ Over - Casual Diamond (Hippos In Tanks, 2011)
http://www.mediafire.com/?w3cgu6ww3snt39wBeastie Boys / Make Some Noise (single)
http://www.mediafire.com/?e2z47hmmnp0v1w5 -
Esto es una mezcla curiosa entre afropop tipo vampire weekend y noiserock con cierto regustillo post, yo que sé, en directo debe ser un fiestón muy serio
Shiko Shiko - Ohayo Laybell,2011
http://rapidshare.com/files/455364748/Shiko_Shiko_-_Ohay___EP.rar Filesize: 26287 KB -
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lo llaman witch house pero lo dejamos en dream pop etéreo
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@nerv07:332vtpr0:
The Wave Pictures (2011) Beer In The Breakers
128 Kbps
http://www.megaupload.com/?d=EDKKH4TVAaaargh, qué bueno
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@Dan:
@Suarezmanlanz:qqc00qr0:
Rue Royale - Guide to an escape (2011)
Precioso segundo disco el de este matrimonio angloamericano. Tras las primeras escuchas pensaba que no estaría a la altura de su debut, pero después de un par de semanas he de decir que ha madurado muy bien, con canciones que llegan muy adentro; muy emocionales, pero sin sonar pastelosas. Una gozada.
http://www.mediafire.com/?wahvwnkxpwe3wfhMe recuerda vagamente a L´Altra, buen disco, gracias.
No dejes de escuchar su primer disco, más instantáneo, pero con muy buenos temas.
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@Pelukini:3cuv4kdk:
lo llaman witch house pero lo dejamos en dream pop etéreo
El otro single que pusiste, el del pelufo al aire, fue lo más bonito que uno pudo oír en 2010.
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ufff es que vaya 2 temas más bonitos, Outer Limits y La rose, si no lo conoces bájate el EP de "Boy Friend" otro proyecto de Christa Palazzolo y Sarah Brown (Sleep ∞ Over)
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Voy a ver si lo encuentro. Lo que me extraña es que recuerdo haber leído que Sleep ∞ Over se habían separado.
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creo que 2 de las integrantes (Christina y Sarah) se han ido de Sleep ∞ Over para formar Boy Friend, pero Sleep ∞ Over sigue existiendo de la mano de Stefanie Franciotti
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una pregunta tonta:
a donde le dais en el teclado para que os salga ∞
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ni idea, copypaste
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Parece ser que es el ALT+236, pero a mí no me funciona, me sale esto:
ý
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@hansen:2btw2mrh:
una pregunta tonta:
a donde le dais en el teclado para que os salga ∞
Prueba con 1/0
Perdón
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jajajajaja
gRR!! me has hecho reir, gracias!
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the sea and cake - the moonlight butterfly (thrill jockey, 2011)
http://www.mediafire.com/?0zoa59vdvwihien ```@1g6dc97n: > The Sea and Cake are a band who need very little introduction. In their extensive 20 year career the band has bridged the gap between Brazilian music of the late 1960's, African influenced guitar lines, and independent pop. A sound that is entirely distinct, centered around the delicate guitar interplay of Sam Prekop and Archer Prewitt, driven by the versatile rhythms of bassist Eric Claridge and drummer John McEntire, and finally set apart by Prekop's vocals and obtuse lyrics. The trademark soft spoken intimacy has been replaced by assured confidence and buoyancy. The band have a renewed sense of freedom and seem to be invigorated by their own explorations. The energy and excitement are palpable. > > The Moonlight Butterfly is their ninth album and arrives in the middle of a wellspring of creativity for the band. The album was recorded at Soma studios, in Chicago, by drummer John McEntire. The Moonlight Butterfly has the core elements of the utterly unique Sea and Cake sound, while introducing a more experimental approach to the song's textures and structures. The songs are more extended in form and cinematic in feel. The band's singular guitar-based pop sound is filtered though pattern based ideas that slowly morph the linear into the modal. The album is filled with extended instrumental passages that bear the markers of Prekop's recent solo exploration of analog synthesizers. The song “Inn Keeping”, for example, focuses on the synthesizer as the main armature of the song, a constant to play with and against. The band found that a shifting of the focus from the vocal to new instruments facilitated a more open approach. The artwork, a delicate elephant drawing by bassist Eric Claridge, captures the music's essence: at once light and heavy, sweet and sinister, distant and close. The Sea and Cake's bold explorations are delivered in layers of delicate tones and melodies. The band's recent tour was a month long sojourn with Broken Social Scene that culminated in the release of a split 7”. There are no plans to slow the pace following an April tour of Europe and plans to remain active in performances throughout 2011 abound. They have already started working on an additional album for release late 2011 or early 2012\. The Sea and Cake are driven by their shared exploration and the notion that in order for these explorations to wield power on others, they must be made in some way to feel it. [http://www.thrilljockey.com/catalog/?id=105297](1g6dc97n) –------------------------------------------------------------- **eleventh dream day - riot now!** (thrill jockey, 2011) http://www.mediafire.com/?43x7rg92e72t14h
> The last few years have seen a surge of critical and commercial success of bands from the ‘90s, or otherwise middle-aged artists. Superchunk, Slint, Come, Gories and many others have reunited to find themselves more popular then they were back in the day. Sonic Youth, Tortoise, Yo La Tengo, and the Flaming Lips are some of the most successful artists from the indie community. It is true that critics and audiences alike embrace new artists with mind bending rapidity thanks to blogs, social networks, and video technology. The same audience seems equally fast to reward and embrace artists whose careers began before those championing their virtues were born. > > Riot Now!, Eleventh Dream Day’s 10th album, is a call back to the urgency of 1988’s Prairie School Freakout, with a string of mostly first takes tracked in one session with few overdubs. Rick Rizzo, Janet Beveridge Bean, Douglas McCombs and Mark Greenberg revel in their own mixture of melodic mayhem. The band, while always moderately active in Chicago have not released a record since 2006\. Their 2011 album cover depicts a check out line in a grocery store. A customer stands glibly in line wearing a shirt that says “Riot Now!” Overhead a security camera films, and customers move about with blank expressions. The cover and many of the songs are comments on the contradictions inherit in a desire for large scale social change while retaining all the creature comforts of prosperity. While this election has shown us that Americans have less patience, we are largely complacent and unable to take action beyond complaint. > > Jason Ankeny described Eleventh Dream Day as “one of the most resilient and criminally underappreciated bands to rise from the Midwestern underground community. The career of the noisy guitar unit is a textbook study in alt-rock endurance; despite a nightmarish major-label tenure, ill-timed roster changes, and commercial indifference, the group persevered, and emerged as elder statesmen of the Chicago independent scene.” Eleventh Dream Day are a band who make music because they are compelled to. Their motivation is as pure as it was when they began. They have something to say and they need to say it. The band are true to the ethos of the punk rock that inspired them. There can be no more perfect final nail in the coffin of those who still believe rock is the exclusive domain of youth. [http://www.thrilljockey.com/catalog/?id=105206](1g6dc97n)
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