Filtraciones '11
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Lo que va tocando es el de Thee Oh Sees, que lo escuché una vez en la web de la banda y palotismo al canto. Tengo muchas ganas de seguir escuchándolo pero no me luce hacerlo en el ordenador. Y bueno, también busco el de Casino Gardens, disponible en bandcamp, pero la descarga es apoquine mediante (todo esto lo dejo caer por si algún estatvegetal se presta, claro)
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Seun Kuti & Egypt 80: From Africa With Fury: Rise
http://www.mediafire.com/?xur6gcjzzm1jga6Tonstartssbandht - Hymn
http://tonstartssbandht.bandcamp.com/
http://www.mediafire.com/?qaeuoporrgt12m3 -
thao & mirah - thao & mirah (killrockstars, 2011)
http://www.multiupload.com/8JZEKYYI9L ```@3vbpqxgh: > Thao and Mirah both often go by their first names only. That is mostly why they wanted to make a record together. Other reasons include: they are friends, they were finally in San Francisco at the same time, and both joyfully welcomed a short departure from their respective successful solo careers to collaborate on a project. > > Mirah (K records) started making music in the late 90's in the Pacific Northwest, becoming a much beloved indie fixture there and well beyond. Her 5 celebrated solo records and multiple previous collaborations have brought her together with an eclectic assortment of dj's, baltic music enthusiasts, entomologists and multi-media artists. > > Thao signed to Kill Rock Stars in 2006 and has since released two records with her band, The Get Down Stay Down, to wide critical and popular acclaim. She has fast established herself as a well-loved songwriter and performer in and out of the indie realm. > > The two enlisted dear friend and colleague Merrill Garbus (Tune-Yards, 4AD) as co-producer, guest musician (and for one song, guest writer) and the aptly titled album Thao and Mirah was recorded over 2 freewheeling weeks for Kill Rock Stars this past summer. > > Thao and Mirah each wrote a new batch of beautiful songs which were jointly performed and produced by the three with some help from fine Bay Area friends. The album is a collection of songs from two distinctly different, highly respected songwriters, threaded and woven together with the creative energy and freedom of collaboration. Such freedom allowed for varied and rewarding levels of innovation, and a determination to keep the music-making as in-house as possible: both Thao and Mirah assume many of the instrumentation duties: from drums and bottles to slide guitar and knee caps. All songs maintain the writers' shared gifts: profound emotional poignancy with lyrics and melodies to match and stay with you. > > Both Thao and Mirah work closely with Air Traffic Control- an organization dedicated to helping musicians become better social activists. They will team up with ATC to focus the release and touring efforts of Thao and Mirah toward supporting causes and organizations they love. > > Co-produced by Thao, Mirah, and Merrill. Mixed by Tucker Martine. [http://www.killrockstars.com/press/krs538/](3vbpqxgh) -
@Suarezmanlanz:88gakgwz:
El nuevo de Gang Gang Dance ya va tocando, no? El tema de adelanto me ha dejado con muchas ganas..
gang gang dance - eye contact (4ad, 2011)
http://www.mediafire.com/?oqnc34qv8dvhn67 ```[http://4ad.com/ganggangdance/](88gakgwz) -
discos que pasan desapercibidos #22
nueva entrega de estos devotos de doug martsch (aunque cada vez se alejen más de los parámetros estilísticos de built to spill).
si os mola este no dejéis escapar sus anteriores discos mind is not brain y captain love. canelita indierocker.mock orange - disguised as ghosts (wednesday, 2011)
http://www.filesonic.com/file/229148182/ ```@3hdpmboi: > Mock Orange's first proper studio album in nearly three years takes the band's kinky indie-pop/rock and truncates it significantly. Even as the years have found the band completely leaving behind the scrappy, squiggly guitars and the late-’90s emo earnestness of their earlier material and embracing sonically textured, quirky compositions, Disguised As Ghosts is the band's shortest effort in terms of runtime since 1998's Nines & Sixes. > > That makes it a little more difficult to follow what Mock Orange are doing from song to song, but it all seems to be welded down by their modern trademarks: buoyant and amicable (though somewhat froggy) vocals; major-key melodies; a rippling layer of fuzz; and shambling, slowly driving guitars. It's not far off the scale of what Fake Problems were doing on It's Great To Be Alive, from the bizarre, minimal trappings of "My Car" and Built To Spill looseness of "I Can Sing" to the wispy yet bright folk of "Going Away" and more dynamic threshold of "Roll Your Eyes." They're subtle variances, but they go a long way to keeping Disguised As Ghosts captivating. > > While it sometimes sounds like Mock Orange have complacently settled into a friendly shuffle (something critics and fans seemed to note of the oft-compared Modest Mouse and their own We Were Dead Before The Ship Even Sank), it's still a usually engrossing listen. They even give longtime fans a wink by reconciling their post-emo era with those noodlier guitars of yore on "End Of The World," which is propelled by a lead riff that provides perhaps the album's most memorable moment. [http://www.wednesdayrecords.com/](3hdpmboi) -
Contenedor de Blogs de DD, para nostágicos de Magiska:
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El de los Foo Fighters podriaís volverlo a subir plis ???
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me ha alegrado encontrarme casualmente con el primer largo de los sevillanos monkeypriest. hacen doom abierto al trash, al sludge, con voces guturales, desarrollos largos que no se estancan… mucho amor al género. círculo orthodox, moho, cabeza de caballo... el disco todavía no lo he escuchado, pero he ido catando lo que han puesto en su myspace y me parecen muy prometedores. son muy jóvenes y creen en lo que hacen, así que cuidado.
edita feretro records, nuevo sello dedicado al metal ni más ni menos que desde écija...
monkeypriest - the psalm (feretro, 2011)
http://www.fileserve.com/file/jEsthtW -
hace un par de días se filtró el Sound Kapitol de Handsome Furs, pero no he visto mayor repercusión en la red, sobretodo en foros y blogs claro está… es que es un fake o algo así? (pese a sonar bien)
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Porfa por el largo de Odio Paris, ¿alguien lo ha localizado?
Esta ya para escuchar en la web de rockdelux:Y ya puesto el de The Antlers sería orgasmatico...
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bueno, creo que no es fake, pero igual anda medio desapercibido… pesa poco pero se deja escuchar.
Handsome Furs - Sound Kapital
(sin portada oficial todavía) -
otra de metal denso, básico, macizo y punky. agatha, de milán. antes eran tres chicas y se han quedado en dos. bajo distorisonado y batería. antes eran más touch&go, pero ahora se han vuelto más brutotas. está bastante bien el disco…
edita basement city records como primera referencia, que lo dan gratis en su web. por lo visto, han dejado wallace.
agatha - goatness (wallace, 2011)
metal, punk, sludge.
http://www.mediafire.com/?yzgz2ynzzna -
No sabía si poner esto en hiphop o en electrónica, así que lo dejo aquí.
Blaqstarr The Mixtape
@354pf356:
The mix features contributions from M.I.A., Diplo, Mos Def, Talib Kweli, Chairlift's Caroline Polachek, Flosstradamus, Rye Rye, and more.
01 Block Rockin Beats
02 Handstand
03 Never Hesitant [ft. M.I.A.]
04 Get Off [ft. Diplo]
05 Tween Me and You [ft. Nadastrom]
06 Hold On
07 Take Me High
08 War of Roses [ft. Talib Kweli]
09 You Know I'm No Good
10 Rain Came Into My House
11 Viktim of Society
12 Set It Off Remix
13 Coming Home
14 Tote It 2
15 Big Bills [ft. Flosstradamus and Caroline Polachek]
16 Shower Freestyle
17 Kandle Light and Roses [ft. Shanell]
18 Control Freak [ft. Steve Aoki]
19 Xtraordinary
20 Suck on My Kiss
21 Meet Me Half Way
22 Teardrop Shorty
23 Lullaby
24 Kiss Me on My Lips [ft. Mos Def]
25 Get Up [ft. Rye Rye]http://www.mediafire.com/?2zs527wn0co5p79 -
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The Black Angels – Phosgene Nightmare [2011] #RSD
@3vtbh2lb:
This limited edition 10” is a Record Store Day exclusive! Includes tracks previously unreleased.
Hot off the heels of their hit album ‘Phosphene Dream’, The Black Angels are releasing this limited edition 10” in conjunction with Record Store Day. ‘Phosphene Dream’, the band’s third album, is a giant leap forward for the band and shows off both sonically and musically a bold new direction for The Black Angels, a fresh take on the new-Psychedelic movement they’ve been at the forefront of for years.
Years of non-stop worldwide touring have turned the band into a tightly wound unit, and those years of work are all on showcase here. The band will continue their relentless touring schedule with more European dates throughout February and March.
The Black Angels are the first band signed to the Blue Horizon label since industry veterans Richard Gottehrer, co-founder of distribution company The Orchard, and Seymour Stein CEO of Sire Records announced its revival earlier last year.
Ltd edition of 500 copies only in the UK.http://www.mediafire.com/?cbsyumg1qqhx34u -
de puta coña me lo he encontrado…
gun outfit - high places ep
indie-rock.
http://www.mediafire.com/?06yvqz78kyn7706 -
Hoy se edita esta joia.
WHIRL - Distressor EP 2011
http://www.mediafire.com/?gomtey3jnnn
Shoegaze, guitarras cristalinas, pop, My Bloody Valentine…
Un amigo me lo ha puesto hoy yendo hacía el bolo de No Means No y me ha gustado mucho. -
@Maurici:21ddgik8:
Hoy se edita esta joia.
WHIRL - Distressor EP 2011
http://www.mediafire.com/?gomtey3jnnn
Shoegaze, guitarras cristalinas, pop, My Bloody Valentine…
Un amigo me lo ha puesto hoy yendo hacía el bolo de No Means No y me ha gustado mucho.Esto se filtró el año pasado, no ? junto al de "Highspire"
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Lagartija Nick "Zona de conflicto"
http://www.megaupload.com/?d=I7NS6ZQ0 -
Más cerca de Dios no se puede estar:
ZEMOS98 y Producciones Doradas se lanzan a revertir este conocido tema con el apoyo de los grupos que han formado parte de la programación musical en años anteriores del festival ZEMOS98: Pony Bravo, Tarántula + Tu Madre, Manos de Topo, Fluzo, Mursego o Espaldamaceta, además del grupo infantil Los Chiquillos del Barrio, que han grabado la “canción original”: la marcha infantil “Trabajando en las minas del pan duro”, recuperada oralmente por el propio Pedro G. Romero y que representa la canción popular de donde Los del Río sacaron todo. Manuel Soler y Jesús Bola (productores reales de la cación) nunca recibieron royalties por esto a pesar de llevarlos a juicio después del éxito mundial.
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