Filtraciones '11
-
Disco de punk/hardcore post sin fronteras, pepino de dimensones estratosféricas, mirando de frente y a los ojos a Refused, Glassjaw o At The Drive In. Cuentan que sus directos son experiencias acojonantes.Disco de 2010 que Epitaph ha querido reeditar ahora en 2011, escucho y escucho y no salgo de mi asombro. Discazo.
letlive. - Fake History [Epitaph Reissue, 2011]
http://www.mediafire.com/?karymmyl1yi
-
Hoerner, me da error al descomprimir. Lo has subido tú?
O a alguien más le pasa?? -
hay alternativas fáciles en google.
a ver si no nos la estás colando, compadre. la descripción que has hecho de hiperbólica suena sospechosa…
-
me emociono facilmente pero joder, es buena mierda
en otro orden ando buscando el de Snailhouse
y ya que estamos diré que el de Yuck tiene un paseo
buenas noches
-
Gracias, mrbungle_, llevaba tiempo detrás de ese.
-
He conseguido bajármelo de un taringa.
No me ha gustado. Solo he escuchado las 4 o 5 primeras canciones y me ha parecido nu metal cansino.
Con cariño, pero de refused, At The Drive-in y demases, como que no
-
Psychedelic Horseshit - Laced LP [FatCat, 2011]
@30xsu72k:
Currently existing as the duo of Matt Horseshit (vocals / guitars / drum programming / harmonica / keyboards) and Ryan Jewell (drums / percussion / keyboards), 'Laced' also features a guest appearance by Times New Viking's Beth Murphy, who sings on 'DOA'. Created in Columbus throughout 2010 (with two tracks dating back to almost year before that), the album was recorded in a variety of basements, practice spaces, living rooms, and bathrooms using almost no amplifiers and a beat up 70's Teac reel to reel. No longer mining corrosive, lo-fi dysfunctionality in 2-minute adrenaline hits, 'Laced' is the first record to see them consistently stretching things out and breaking new ground. Losing the caked-in distortion and aggression, whilst retaining a drugged density and adventurousness, it is cleaner and far more electronic. Guitar, keyboards and drums remain staple instruments, but the driving bass guitar is ditched as samplers and electronics become increasingly central. Matt sampled, chopped and re-sequenced sections of Jewell's druming, forming a series of piled-up rhythms and loops. With this foregrounding of both rhythm and a spiralling mass of processed tones / melodies, 'Laced' could pass as a very a fried, psychedelic dance record. Numerous tracks bring to mind the early '90s indie-dance axis of MBV's 'Loveless' / Happy Mondays' 'Pills…' / Primal Scream's 'Screamadelica'. Squelchy, fluid and immersive, its huge blown-out swathes of blissfully reverberant FX, buried voices, smeared electronics and melted-out guitar processing recall the likes of Black Dice, Growing and Animal Collective. The pitchbent synth opening the 8-minute long ‘I Hate The Beach' replicates Omar Souleyman's Syrian horns; ‘Another Side’s harmonica and acoustic guitar nods towards Dylan; whilst the frequent blissed-out frequency mess summons the spirit of Astral Social Club. There are blissfully shimmering loop-sections; places where the whole buckles in on itself. At the centre of the slurred, swirling chaos is Horseshit’s gnarly, nasal vocal.
http://www.mediafire.com/?lhd1mfkplnkthd4 -
-
grande Zack!
-
Efrim Manuel Menuck - Plays 'High Gospel’
http://www.fileserve.com/file/RAKR7qX#Jesu - Ascension
http://www.megaupload.com/?d=0WXY83SN
-
Muchísimas gracias por el disco de Jesu, a ver con qué maravilla nos sorprende el amigo Broadrick.
-
@-Toxinho-:ce92uvlf:
Efrim Manuel Menuck - Plays 'High Gospel’
http://www.fileserve.com/file/RAKR7qX#Muchas gracias señor.
-
y tres:
Master Musicians of Bukkake "Totem three"
@uso6alvd:
rock psicodelico
http://www.mediafire.com/?v2ginfrmfk3esnw -
@Dan:
me emociono facilmente pero joder, es buena mierda
@IzxcvI:3acbb2w0:
me ha parecido nu metal cansino. Con cariño, pero de refused, At The Drive-in y demases, como que no
illooooooooo, si alguna vez vuelvo a tener 18 años intentaré escucharme el disco entero.
Tranquilidad, me parecen dignos aprendices, con un potencial de la hostia, eso es innegable, veremos si pulen detalles y siguen creciendo, he visto imágenes de sus conciertos y no son moco de pavo, a lo mejor estais ya un poco viejunos pero yo que talo mucha mierda de esta os puedo decir que es un disco como la copa de un pino, solo adolece de cierta falta de personalidad en la voz ya que en las partes más melódicas el cantante tiene ese deje latino de Daryl Palumbo que no suena muy fresco ya la verdad, si se dedicaran solo a tralla…
-
Que levante la mano todo aquel que ha dudado durante varios segundos si poner un link al de Vetusta Morla (habiéndolo bajado ya) decidiendo internamente que no por algún tipo de reparo pseudo cool.
-
snowman - absence
rebujito de modernidad. últimos liars, voces corales, bizarrismo muy medido, oscurismo ochentero, guaperismo de foto… también tienen algo de dream-rock. de repente, están por todos lados. son de australia, éste es su tercer álbum y se han separado después de editarlo. están curiosos.
http://www.filesonic.com/file/853827454/Sn0vv.absen.rar -
@Dan:
Que levante la mano todo aquel que ha dudado durante varios segundos si poner un link al de Vetusta Morla (habiéndolo bajado ya) decidiendo internamente que no por algún tipo de reparo pseudo cool.
levanto la mano. tengo complejo pseudo cool. me pasó lo mismo con Labuat.
-
Wet Hair - In Vogue Spirit [De Stijl, 2011]
@2adpg2cy:
Following a run of potently psychedelic offerings from the likes of C. Spencer Yeh, Hype Williams and Charlie Nothing, De Stijl Records ventures yet further into the outsider pop realm with a new album from Wet Hair. It's a leaner, more focussed effort than their last LP proper, the Not Not Fun-issued Glass Fountain, but it's still pretty murky, under-the-skin and righteously weird material. Apparently recorded after the band spent some time travelling the world "supporting the astral concepts of their music" (alright for some), the LP begins with 'Echo Lady' – billowing space-rock in the Moon Duo / Wooden Shjips / Holy Fuck style. ‘The Garden Room’’s oscillating alien synths and kitschy organ interplay are very much in the tradition of Stereolab, and ‘My Heart Is The Spider My Mind Is The Fly’ is the kind of pulsating woodland psych that Animal Collective used to make. Both ‘Liquid Jesus’ and ‘Fame Hate’ channel Spacemen 3 and early Spritiualized, the wilfully flat vocals adding a crucial extra dimension of wonkiness, and closer ‘Cosmic Radio’ sounds like Cluster if they’d spent the 60s noshing on ‘ludes in a London bedsit. Yeah, that good.
http://www.mediafire.com/?lq23kltblj52l1d -
Pos yo quiero el de Vetusta Morla , aunque sea para la ducha .
-
L/O/N/G-American Primitive
Chris Eckman + Rupert Huber
nfo:
http://www.longsounds.com/AAC 128
http://www.megaupload.com/?d=M674ZOPG
Hello! It looks like you're interested in this conversation, but you don't have an account yet.
Getting fed up of having to scroll through the same posts each visit? When you register for an account, you'll always come back to exactly where you were before, and choose to be notified of new replies (either via email, or push notification). You'll also be able to save bookmarks and upvote posts to show your appreciation to other community members.
With your input, this post could be even better 💗
Registrarse Conectarse