Filtraciones '11

[Marniello]

¿Alguien tiene a mano un link de lo nuevo de Kurt Vile? Todo lo que encuentro está capado.
Gracias.

[Totoro]

@Marniello:2bvy666n:

¿Alguien tiene a mano un link de lo nuevo de Kurt Vile? Todo lo que encuentro está capado.
Gracias.

Aquí va

http://hotfile.com/dl/104572328/29b0ce4/KV.rar.html

[Marniello]

Gracias

[A Former User]

@reh:

¿Puede que el avatar de tethor sea este tio?
http://www.youtube.com/watch?v=XSbZidsgMfw

http://www.mediafire.com/?b4pilmwmvdgq6qr

es un archivo .m4a, exactamente lo que te venden aquí: http://itunes.apple.com/us/album/yonker ... d419873754

[baifo]

Beady Eye – Different Gear, Still Speeding (2011)

http://hotfile.com/dl/104872208/6b3aadf/www.NewAlbumReleases.net_Beady_Eye_-_Different_Gear_Still_Speeding_(2011).rar.html

http://www.fileserve.com/file/PeMKBwF/www.NewAlbumReleases.net_Beady Eye - Different Gear, Still Speeding (2011).rar

[liam_is_the_best]

Jodido Gem, seguro que ha sido él

[baifo]

Deerhunter – iTunes Live From Soho (2011) AAC

http://www.mediafire.com/?vptfab7ixc9r7eb

[Totoro]

Baifo, gracias por el de Deerhunter.

Su escucha me ha generado aun más ganas de ir a su concierto de abril (entradas ya en la buchaca). Helicopter es un temarral.

Deerhunter deberían ser como Shellac, con sitio fijo en el cartel del primavera.

[Psychocandy]

que jodidamente bien suenan coñe!

yo ya espero con ansia el concierto de la 2 con toda la sudorada que caerá

[djcoco]

la 2?

[Jailbait]

@SSG:2y2gh8j6:

@jackster:2y2gh8j6:

han colgado en el "shoutbox" de Magiska 2 bonus tracks del disco de PJ.

Gracias por el aviso. Por cierto no tenía ni idea de lo que era un shoutbox. Siempre se aprende algo.

Pues yo no lo veo O_o

Funciona el enlace del disco de Radiohead?

[SSG]

@Jailbait:1p87zh3y:

@jackster:1p87zh3y:

han colgado en el "shoutbox" de Magiska 2 bonus tracks del disco de PJ.

Pues yo no lo veo O_o

Aquí los tienes:

UK iTunes Bonus Track “The Nightingale” (AAC)

http://www.multiupload.com/64N4UFFUGK

iTunes pre-order bonus track (and b-side to ‘The Words That Maketh Murder) “The Big Guns Called Me Back Again”(320 from 7Digital)

http://www.multiupload.com/AYXJETDEMC

[baifo]

@Totoro:1lu49wqm:

Baifo, gracias por el de Deerhunter.

Su escucha me ha generado aun más ganas de ir a su concierto de abril (entradas ya en la buchaca). Helicopter es un temarral.

Deerhunter deberían ser como Shellac, con sitio fijo en el cartel del primavera.

pues espero que sigan quedando entradas, porque es el concierto al que más ganas tengo de ir. imagina esa Helicopter en directo… me pongo palot sólo pensándolo.

[calltheranger]

papercuts - fading parade (subpop, 2011)

http://www.mediafire.com/?7eq2hianve0eh0e
```@3e3wrfvm:

> Papercuts prinicipal Jason Robert Quever’s beautiful songwriting is thoughtful, evocative, subtle, and simultaneously ambitious. And the new Papercuts album, Fading Parade,—the band’s fourth overall—is dream pop of the highest order. Crafted over the course of several months at The Hangar in Sacramento, with Thom Monahan, and at Quever’s own Pan American Recording studio, Fading Parade is meticulously designed pop music, with a fully developed sense of space and a sturdy wall of sound. With the aid of strings, autoharp, Mellotron, Moogs, 12-string acoustic guitars, piano, echoplexes, analog and digital recording methods, this new album is wide-ranging and adventurous, through the up-tempo jangle of “Do You Really Wanna Know,” the soaring and resonant “Do What You Will,” the moody swirl of “I’ll See You Later, I Guess,” the folky, piano-driven “Winter Daze,” and on. Imagine Belle & Sebastian teaming up with Slowdive and recording with Phil Spector back when he was killing it in the studio rather than, well, you know. Fading Parade is Papercuts’ first album for Sub Pop.

estilo: indie/dream pop

[http://www.subpop.com/releases/papercuts/full_lengths/fading_parade](3e3wrfvm)

–--------------------------------------------------------------------------------

**africantape festival** 2011 // free sampler

![](http://www.the-drone.com/magazine/wp-content/uploads/2011/01/AFRICANTAPEGROUP-Africantape-Festival-2011-Free-Sampler-cover-284x284.jpg)

http://www.mediafire.com/?7cozzwsalcfjsra

[http://www.africantape.com/](3e3wrfvm)
[http://www.africantapefestival.com](3e3wrfvm)

[Psychocandy]

@djcoco:2vv7jefz:

la 2?

apolor?

pos mejor, más aforo

[lilian]

@Psychocandy:1q1veigz:

@djcoco:1q1veigz:

la 2?

apolor?

pos mejor, más aforo

ya te veia en los lavabos de la 2, con un vasico en la burella para escuchar al cox desde la otra sala.

[FUN]

http://www.megaupload.com/?d=UXZJ7RBH

[lilian]

ahi tus huevos FUN

[calltheranger]

el nuevo del crepus > nuevo ritmo!

[Zackchill]

Zs - New Slaves Part II: Essence Implosion! [The Social Registry, 2011]

@2uw27muj:

We are pleased to bring you the new record from Zs, entitled New Slaves Part II: Essence Implosion! It serves as a companion (or sequel) to New Slaves, their acclaimed double album from Spring 2010 and features a series of focused and diverse remixes of that material by such luminaries as Thee Majesty (Genesis Breyer P-Orridge and Bryin Dall), JG Thirlwell (Foetus), Cex, Gabe Andruzzi (The Rapture), Zebrablood (Excepter), Weasel Walter (Flying Luttenbachers), and Ecstatic Sunshine. It is fascinating to hear these wholly individual talents pontificate about what the music of Zs is to them through their own sounds.

Zs also insinuate themselves in to the mix contributing the opening track “MMW IV: Essence Implosion!,” a side long epic which uses the aforementioned remixes as a sound palette from which to compose. On it they have furthered the band’s kalaedoscopic membership principle that has long centered around the vision of tenor/saxist Sam Hillmer. For this recording he is joined by no-wave hero Weasel Walter, WFMU’s Marty McSorely (to put the mix in the remix at the tables), and long-time Zs drummer Ian Antonio. The track also sees the return of founding Zs member, and Extra Life pioneer, Charlie Looker.

On New Slaves Part II: Essence Implosion! Zs’ continue to embrace the studio as instrument, including not just the faculties of a studio in their process, but outside remixers and producers as well, demonstrating the ultimately collaborative nature of their approach to music. It is both the perfect accompaniment to New Slaves and a definitive musical statement in its own right. Zs have managed to craft a work that both reflects on (and even interacts with) their past, while also looking forward to its future through new collaborations.

http://www.mediafire.com/?zqbkr2pm3rp807r

guapísimo disco, para mi mejor que el new slaves