Filtraciones '11
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@Dan:
@Suarezmanlanz:qqc00qr0:
Rue Royale - Guide to an escape (2011)
Precioso segundo disco el de este matrimonio angloamericano. Tras las primeras escuchas pensaba que no estaría a la altura de su debut, pero después de un par de semanas he de decir que ha madurado muy bien, con canciones que llegan muy adentro; muy emocionales, pero sin sonar pastelosas. Una gozada.
http://www.mediafire.com/?wahvwnkxpwe3wfhMe recuerda vagamente a L´Altra, buen disco, gracias.
No dejes de escuchar su primer disco, más instantáneo, pero con muy buenos temas.
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@Pelukini:3cuv4kdk:
lo llaman witch house pero lo dejamos en dream pop etéreo
El otro single que pusiste, el del pelufo al aire, fue lo más bonito que uno pudo oír en 2010.
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ufff es que vaya 2 temas más bonitos, Outer Limits y La rose, si no lo conoces bájate el EP de "Boy Friend" otro proyecto de Christa Palazzolo y Sarah Brown (Sleep ∞ Over)
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Voy a ver si lo encuentro. Lo que me extraña es que recuerdo haber leído que Sleep ∞ Over se habían separado.
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creo que 2 de las integrantes (Christina y Sarah) se han ido de Sleep ∞ Over para formar Boy Friend, pero Sleep ∞ Over sigue existiendo de la mano de Stefanie Franciotti
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una pregunta tonta:
a donde le dais en el teclado para que os salga ∞
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ni idea, copypaste
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Parece ser que es el ALT+236, pero a mí no me funciona, me sale esto:
ý
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@hansen:2btw2mrh:
una pregunta tonta:
a donde le dais en el teclado para que os salga ∞
Prueba con 1/0
Perdón
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jajajajaja
gRR!! me has hecho reir, gracias!
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the sea and cake - the moonlight butterfly (thrill jockey, 2011)
http://www.mediafire.com/?0zoa59vdvwihien ```@1g6dc97n: > The Sea and Cake are a band who need very little introduction. In their extensive 20 year career the band has bridged the gap between Brazilian music of the late 1960's, African influenced guitar lines, and independent pop. A sound that is entirely distinct, centered around the delicate guitar interplay of Sam Prekop and Archer Prewitt, driven by the versatile rhythms of bassist Eric Claridge and drummer John McEntire, and finally set apart by Prekop's vocals and obtuse lyrics. The trademark soft spoken intimacy has been replaced by assured confidence and buoyancy. The band have a renewed sense of freedom and seem to be invigorated by their own explorations. The energy and excitement are palpable. > > The Moonlight Butterfly is their ninth album and arrives in the middle of a wellspring of creativity for the band. The album was recorded at Soma studios, in Chicago, by drummer John McEntire. The Moonlight Butterfly has the core elements of the utterly unique Sea and Cake sound, while introducing a more experimental approach to the song's textures and structures. The songs are more extended in form and cinematic in feel. The band's singular guitar-based pop sound is filtered though pattern based ideas that slowly morph the linear into the modal. The album is filled with extended instrumental passages that bear the markers of Prekop's recent solo exploration of analog synthesizers. The song “Inn Keeping”, for example, focuses on the synthesizer as the main armature of the song, a constant to play with and against. The band found that a shifting of the focus from the vocal to new instruments facilitated a more open approach. The artwork, a delicate elephant drawing by bassist Eric Claridge, captures the music's essence: at once light and heavy, sweet and sinister, distant and close. The Sea and Cake's bold explorations are delivered in layers of delicate tones and melodies. The band's recent tour was a month long sojourn with Broken Social Scene that culminated in the release of a split 7”. There are no plans to slow the pace following an April tour of Europe and plans to remain active in performances throughout 2011 abound. They have already started working on an additional album for release late 2011 or early 2012\. The Sea and Cake are driven by their shared exploration and the notion that in order for these explorations to wield power on others, they must be made in some way to feel it. [http://www.thrilljockey.com/catalog/?id=105297](1g6dc97n) –------------------------------------------------------------- **eleventh dream day - riot now!** (thrill jockey, 2011) http://www.mediafire.com/?43x7rg92e72t14h
> The last few years have seen a surge of critical and commercial success of bands from the ‘90s, or otherwise middle-aged artists. Superchunk, Slint, Come, Gories and many others have reunited to find themselves more popular then they were back in the day. Sonic Youth, Tortoise, Yo La Tengo, and the Flaming Lips are some of the most successful artists from the indie community. It is true that critics and audiences alike embrace new artists with mind bending rapidity thanks to blogs, social networks, and video technology. The same audience seems equally fast to reward and embrace artists whose careers began before those championing their virtues were born. > > Riot Now!, Eleventh Dream Day’s 10th album, is a call back to the urgency of 1988’s Prairie School Freakout, with a string of mostly first takes tracked in one session with few overdubs. Rick Rizzo, Janet Beveridge Bean, Douglas McCombs and Mark Greenberg revel in their own mixture of melodic mayhem. The band, while always moderately active in Chicago have not released a record since 2006\. Their 2011 album cover depicts a check out line in a grocery store. A customer stands glibly in line wearing a shirt that says “Riot Now!” Overhead a security camera films, and customers move about with blank expressions. The cover and many of the songs are comments on the contradictions inherit in a desire for large scale social change while retaining all the creature comforts of prosperity. While this election has shown us that Americans have less patience, we are largely complacent and unable to take action beyond complaint. > > Jason Ankeny described Eleventh Dream Day as “one of the most resilient and criminally underappreciated bands to rise from the Midwestern underground community. The career of the noisy guitar unit is a textbook study in alt-rock endurance; despite a nightmarish major-label tenure, ill-timed roster changes, and commercial indifference, the group persevered, and emerged as elder statesmen of the Chicago independent scene.” Eleventh Dream Day are a band who make music because they are compelled to. Their motivation is as pure as it was when they began. They have something to say and they need to say it. The band are true to the ethos of the punk rock that inspired them. There can be no more perfect final nail in the coffin of those who still believe rock is the exclusive domain of youth. [http://www.thrilljockey.com/catalog/?id=105206](1g6dc97n)
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más madera! lo nuevo de uno de nuestros cantautores favoritos:
cass mccombs - wit's end (domino, 2011)
http://www.filesonic.com/file/532755584/ ```@3cp3cv45: > Cass McCombs, singer-songwriter born in Northern California in 1977 and currently residing somewhere in that State, is set to release WIT’S END, his fifth-and-a-half album and third on Domino, on April 11th. The result of two years recording in various homes and studios in California, New York, New Jersey and Chicago, Wit’s End was produced by Cass with Ariel Rechtshaid, with whom he also created CATACOMBS. > Sounds that conjure the colors purple and black, this is his darkest record to date. It seems he is going deeper into the mania of a man buried alive inside his self-made Catacombs, banging the stone walls, crying to be let out, and enjoying the quiet away from the outside world. However, he is not a man afraid of his own shadow, for in this environment of complete darkness, no shadows can be cast. This is a world of total Feeling. Here, words become a catalyst away from the slavery of arbitrary Thought and toward Feeling. > > “With each release, Cass McCombs has proven himself a wordsmith of great economy and precision. His compositions, often sparse and non-traditional, paired with his melodies and arrangements, transform into subtly revealing songs, filled with depth of emotion and meaning. It is that precision that would lead one to believe that all the autobiographical material a person would seek about McCombs is embedded in the songs (and you'd be right) but then he would insist after the fact that your deductions couldn't be more off the mark about what is truth and what is simply artistic expression. Light in its darkness, claustrophobic in its panorama, distant in its intimacy, present in its timelessness; WIT’S END should be given one’s full and undivided attention” -Kris Gillespie, Domino Records [http://www.dominorecordco.com/uk/albums/25-01-11/wits-end/](3cp3cv45)
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Santo jesús que fotaca
Del de mccombs habia ganas, gracias
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dale un tiento maneloncio, que este tío mola! aunque sabiendo que tampoco eres del callahan igual no te hace… bueno, tú sabrás lo que te metes.
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venga manel, levanta ese ánimo
Zomes - Earth Grid [Thrill Jockey, 2011]
@3gffg3nz:
The music of Asa Osborne forms a corpus, still evolving, that spans 30 years, growing through early projects in Southern Maryland, The Clits, and Pig, to the Baltimore song-lab of Lungfish and the sub-group The Pupils, until presently his compositions are crafted in solitude and offered to the listener as Zomes. Melody is rhythm, tone is proportion, tempo harmonizes, synchronizing with life, akin to the morphological architecture of trees, rivers, reaching from root to fruit, from mountain to sea. Asa Osborne's songs are artifacts of his trust in the Wisdom of Music.
Guided by the visionary guitar work of Osborne, Lungfish carved out a singular sound. Predating the drone wave by almost a decade, the band explored modal repetition and cyclical variation. Lungfish, while not currently active, remains a highly influential band, their cult status growing to legend, clearly evident in how their catalog sells several times as many records now, as it did when the band was active. Zomes distills these ideas and towering cyclical melodies to their essence. Distorted keyboard melodies tumble one over the other held together by simple tape-looped drum beats.
Earth Grid, Zomes second solo album, is the culmination of Osborne's years of exploring meditative modal models. Written, played, and recorded entirely at home on cassette tape, Earth Grid, is an intimate and intentionally primitive recording. The album was mastered by Bob Weston. The cover art was created by Osborne whose reputation as a visual artist is growing. He has had several group and solo shows, including a show at New York’s Mountain Fold Gallery with Lungfish singer and friend, Daniel Higgs. A fan of primitive and outsider art, Osborne’s work uses common objects to reach transformative ends. A visual reflection of the music, the cover takes simple elements (white medical tape on black paper) and via careful placement and repetition of patterns with subtle variations creates a beautiful space transforming the simple to the infinite.
Zomes will be touring in the US this April with The Skull Defekts, and in Europe with Kogumaza in May. A record of live improvisations and a new studio album are forthcoming.
http://www.megaupload.com/?d=ZX8K50SSademás a puntito de acercarse por aquí
Fri May 13 Zaragoza, Spain - TBC
Sat May 14 Madrid, Spain - TBC
Sun May 15 Barcelona, Spain - Moog
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a manel los que le van a levantar el ánimo son estos:
simon & garfunkel – bridge over troubled waters/songs of america 40th Anniversary (columbia, 2011)
http://www.mediafire.com/?7k7uas3bb2j25ih ```@stqddrqx: > "Bridge Over Troubled Water," released in 1970, was Simon & Garfunkel's final studio album and their greatest success. The title track won an unprecedented five Grammy Awards, while the complete record won Album of the Year. The album stayed at #1 for 10 weeks, remained on the chart for a total of 85 weeks, and has been certified 8X platinum. Even as the duo was coming apart, their partnership produced a transcendent work of art that appeals to a diverse audience to this day. The 40th Anniversary Edition includes the original 11-song album and a DVD featuring the controversial "Songs Of America" CBS-TV special of 1969, and a brand-new documentary, The Harmony Game: The Making of Bridge Over Troubled Water, featuring interviews with Paul Simon, Art Garfunkel, and their collaborators. [http://www.simonandgarfunkel.com/us/music/bridge-over-troubled-water-40th-anniversary-edition](stqddrqx)
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Pues ya me diréis, yo veo a ese par más soporíferos y pasteleros que a McCombs.
Cada uno a lo suyo y quien la hace la paga.
