3. Filtraciones '11

Filtraciones '11

  • M

    una filtración de Zomes (you the man, zax), una de simón y garfunklers y un angry post de Marniello: amo este foro

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  • M

    Angry los cojones, mecacondios ya, joder sssssuputamadre

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  • L

    http://musicalcoma.vlsweb.net.br/

    como un huevo a una castaña, pero algo es algo...

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  • P

    @bruce_billis:1yrwq9vj:

    the sea and cake - the moonlight butterfly (thrill jockey, 2011)

    http://www.mediafire.com/?0zoa59vdvwihien
```@1yrwq9vj:

> The Sea and Cake are a band who need very little introduction. In their extensive 20 year career the band has bridged the gap between Brazilian music of the late 1960's, African influenced guitar lines, and independent pop. A sound that is entirely distinct, centered around the delicate guitar interplay of Sam Prekop and Archer Prewitt, driven by the versatile rhythms of bassist Eric Claridge and drummer John McEntire, and finally set apart by Prekop's vocals and obtuse lyrics. The trademark soft spoken intimacy has been replaced by assured confidence and buoyancy. The band have a renewed sense of freedom and seem to be invigorated by their own explorations. The energy and excitement are palpable.
> 
> The Moonlight Butterfly is their ninth album and arrives in the middle of a wellspring of creativity for the band. The album was recorded at Soma studios, in Chicago, by drummer John McEntire. The Moonlight Butterfly has the core elements of the utterly unique Sea and Cake sound, while introducing a more experimental approach to the song's textures and structures. The songs are more extended in form and cinematic in feel. The band's singular guitar-based pop sound is filtered though pattern based ideas that slowly morph the linear into the modal. The album is filled with extended instrumental passages that bear the markers of Prekop's recent solo exploration of analog synthesizers. The song “Inn Keeping”, for example, focuses on the synthesizer as the main armature of the song, a constant to play with and against. The band found that a shifting of the focus from the vocal to new instruments facilitated a more open approach. The artwork, a delicate elephant drawing by bassist Eric Claridge, captures the music's essence: at once light and heavy, sweet and sinister, distant and close. The Sea and Cake's bold explorations are delivered in layers of delicate tones and melodies. The band's recent tour was a month long sojourn with Broken Social Scene that culminated in the release of a split 7”. There are no plans to slow the pace following an April tour of Europe and plans to remain active in performances throughout 2011 abound. They have already started working on an additional album for release late 2011 or early 2012\. The Sea and Cake are driven by their shared exploration and the notion that in order for these explorations to wield power on others, they must be made in some way to feel it.

[http://www.thrilljockey.com/catalog/?id=105297](1yrwq9vj)

–-------------------------------------------------------------

**eleventh dream day - riot now!** (thrill jockey, 2011)

![](http://covers.mp3million.com/0534556/200/Eleventh%20Dream%20Day%20-%20Riot%20Now.jpg)

    http://www.mediafire.com/?43x7rg92e72t14h

    
> The last few years have seen a surge of critical and commercial success of bands from the ‘90s, or otherwise middle-aged artists. Superchunk, Slint, Come, Gories and many others have reunited to find themselves more popular then they were back in the day. Sonic Youth, Tortoise, Yo La Tengo, and the Flaming Lips are some of the most successful artists from the indie community. It is true that critics and audiences alike embrace new artists with mind bending rapidity thanks to blogs, social networks, and video technology. The same audience seems equally fast to reward and embrace artists whose careers began before those championing their virtues were born.
> 
> Riot Now!, Eleventh Dream Day’s 10th album, is a call back to the urgency of 1988’s Prairie School Freakout, with a string of mostly first takes tracked in one session with few overdubs. Rick Rizzo, Janet Beveridge Bean, Douglas McCombs and Mark Greenberg revel in their own mixture of melodic mayhem. The band, while always moderately active in Chicago have not released a record since 2006\. Their 2011 album cover depicts a check out line in a grocery store. A customer stands glibly in line wearing a shirt that says “Riot Now!” Overhead a security camera films, and customers move about with blank expressions. The cover and many of the songs are comments on the contradictions inherit in a desire for large scale social change while retaining all the creature comforts of prosperity. While this election has shown us that Americans have less patience, we are largely complacent and unable to take action beyond complaint.
> 
> Jason Ankeny described Eleventh Dream Day as “one of the most resilient and criminally underappreciated bands to rise from the Midwestern underground community. The career of the noisy guitar unit is a textbook study in alt-rock endurance; despite a nightmarish major-label tenure, ill-timed roster changes, and commercial indifference, the group persevered, and emerged as elder statesmen of the Chicago independent scene.” Eleventh Dream Day are a band who make music because they are compelled to. Their motivation is as pure as it was when they began. They have something to say and they need to say it. The band are true to the ethos of the punk rock that inspired them. There can be no more perfect final nail in the coffin of those who still believe rock is the exclusive domain of youth.

[http://www.thrilljockey.com/catalog/?id=105206](1yrwq9vj)

    Gracias!!

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  • M

    @Kanchelskis:3v68uytz:

    de rodillas, basterds:

    Wanda Jackson "The party ain't over"

    @3v68uytz:

    canciones del siglo XXI en plan rock 50's

    http://hotfile.com/dl/97019670/12d11a2/WJ-TPAO.zip.html

    escuchándolo ahora, una lástima que un temazo como "Shakin' All Over" quede afeado con esa distorsión chuminera de voz y guitarra que le han metido, esperemos que no repitan jugada en otras canciones

    ¿Por favor algún re-up de esto?

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  • L

    @Maurici:3j0kj2ns:

    @Kanchelskis:3j0kj2ns:

    de rodillas, basterds:

    Wanda Jackson "The party ain't over"

    @3j0kj2ns:

    canciones del siglo XXI en plan rock 50's

    http://hotfile.com/dl/97019670/12d11a2/WJ-TPAO.zip.html

    escuchándolo ahora, una lástima que un temazo como "Shakin' All Over" quede afeado con esa distorsión chuminera de voz y guitarra que le han metido, esperemos que no repitan jugada en otras canciones

    ¿Por favor algún re-up de esto?

    Por dios, yo pido un re-down…

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  • D

    ya se puede escuchar el nuevo de thee Oh Sees en su web.

    http://www.theeohsees.com/p/tunes.html

    llevo 4 canciones y de momento muy muy bien!

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  • S

    Aquí el (un poco) largo mix de marzo, culpa de Magiska:

    http://www.mediafire.com/?vqckor6wwlz9bl0

    donde hay cosas de Ponytail, Crystal Stilts, Nudozurdo, Jenny Hval, John Vanderslice, Fleet Foxes, The High Llamas, Craft Spells, Yellowbirds, Dodos, Brown Recluse, Mazes, Dignan Porch, Jeff The Brotherhood, The Dead Milkmen, etc

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  • Z

    Naked On The Vague - Twelve Dark Noons [Sacred Bones, 2011]

    @dixj0gw7:

    Having expanded from the no-wave two piece of Lucy Cliche and Matthew Hopkins to a fully fleshed out four piece including drummer Lachlan Vercoe and bassist Nic De Jong, our favorite Australian outcasts return with a stunning EP as their follow-up to last year’s full length Heaps of Nothing. This EP is a bit lighter in mood and delivery; in the words of the band’s own Hopkins it’s a bit like, “Dracula fronting the B-52’s.” While this is certainly Hopkins taking the piss, opening track, “The Gift” is a perfectly modern homage to past dark lords such as Bauhaus and Christian Death.

    Twelve Dark Noons serves as a companion piece to the short experimental film of the same name directed by Jacqueline Castel and produced by Night People Records and Caleb Braaten of Sacred Bones. It stars the band’s core duo Lucy & Matthew in a horrific mental unraveling set in the Australian outback. NOTV have already toured the US and EU extensively playing shows with Blank Dogs, Wolf Eyes, Times New Viking, Om, Jandek and Thee Oh Sees amongst others. They are set to embark on a US tour supporting this release with Zola Jesus in mid-April.

    http://www.mediafire.com/?tb8y9qvnviu6nh8
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  • Z

    @diasderubias:1aztz5o5:

    ya se puede escuchar el nuevo de thee Oh Sees en su web.

    http://www.theeohsees.com/p/tunes.html

    llevo 4 canciones y de momento muy muy bien!

    está de putísima madre, por cierto, que trae la canción esa, que hace un tiempo drogo hablaba de ella en no se que hilo, contraption se llama

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  • C

    Xander Harris - Urban Gothic (Not Not Fun Records, 2011)

    @3ryin6el:

    NNF's latest pick-up is Xander Harris, a classically trained "keyboard-creep" with a slick line in synthesized horror redolent of Umberto's uncanny couplet of LPs. However, Xander's vision is focussed slightly further down the time scale, taking cues from John Carpenter, the futurist gaze of Chicago/Italo and sounds from the cusp of Kosmische/New Age. But those are just aesthetic differences, and the magic really lies in a shared mastery of engrossing, evocative narratives, from the track titles to the shadowy arrangements and the distinct mood they make. The more percussive, driven dance tracks such as 'Opening Credits', 'F*cking Eat Your Face' and 'I Want More Than Just Blood' are infectiously successful and give some of the biggest highlights, while the synth-painted scenes of 'Splatter In The Mouth' lean towards sharply rendered, yet lo-fi homages to Carpenter, or more likely those guys further down the sonic food chain whose soundtracks have infected the psyche of a generation. We've got a forthcoming 100% Silk 12" and more NNF tapes to look forward to from this guy, but in the meantime this is very much tipped!

    http://hotfile.com/dl/113768315/f5d6c12/xan.rar.html
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  • S

    Algún ripeo fresco de los oh sees? mí querer

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  • Sólo he escuchado una canción y ya me he venido arriba (sí, el signo de los tiempos):

    Shapes Have Fangs - Dinner in the dark

    @2f3pv8i3:

    http://rapidshare.com/#!download|707tl3|456360984|Shapes_Have_Fangs_-Dinner_In_The_Dark__2011.rar|75038

    60's sucio, garaje y psicodelia, onda Black Lips primerizos, Horrors americanos, Gris-Gris, Thee Oh Sees…

    **Visto en unapieldeastracán

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  • joder, todavía ni he tenido tiempo para escucharme el disco y ya se ha filtrado un acústico. no estoy preparado para el siglo veintiuno…

    low - c'mon acoustic EP (2011)

    http://www.megaupload.com/?d=3KEDKIGM
```@3lxuoa7l:

> Acoustic versions of five songs that appear on the 2011 album C’mon. No extra information on the cd or – for the moment – on the Sub Pop website.
> 
> 1\. Try to Sleep > 2\. Witches > 3\. Done > 4\. $20 > 5\. Nightingale
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  • D

    Veamos si alguien, de amabilidad como este día, me enlaza un download para el nuevo de L'Altra…

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  • D

    @Disperso:2mm7xhh2:

    Veamos si alguien, de amabilidad como este día, me enlaza un download para el nuevo de L'Altra…

    http://rapidshare.com/#!download|722l34|430773153|L_altra--Telepathic_by_svernal.rar|97018
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  • S

    request: mountains "air museum"

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  • C

    Menudo viaje es este disco…

    Gypsy Treasures - Buried Goods (Not Not Fun, 2011)

    @29j6v6sm:

    Swaddled in mystic and romantic psychedelia, Gypsy Treasures is a new alias for Aria Jalali aka LA's Railcars. His first offering is 'Buried Goods', an engrossingly epic recount of hallucinatory imagery and landless drifts through zones associated with Sun City Girls and their Sublime Frequencies empire or even Harrapian Night Recordings. Stunning release, recommended!

    http://hotfile.com/dl/108650533/8586308/nnf220-gypsy-treasures-buried-goods.zip.html
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  • guapísimo el que has colgado antes de "Xander Harris", el año pasado ya me gustó mucho el que sacaron de Umberto.

    voy a ver este.

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  • S

    @Carousel:31ap7ipu:

    Menudo viaje es este disco…

    Gypsy Treasures - Buried Goods (Not Not Fun, 2011)

    @31ap7ipu:

    Swaddled in mystic and romantic psychedelia, Gypsy Treasures is a new alias for Aria Jalali aka LA's Railcars. His first offering is 'Buried Goods', an engrossingly epic recount of hallucinatory imagery and landless drifts through zones associated with Sun City Girls and their Sublime Frequencies empire or even Harrapian Night Recordings. Stunning release, recommended!

    http://hotfile.com/dl/108650533/8586308/nnf220-gypsy-treasures-buried-goods.zip.html

    +235335

    A vueltas con el trasto desde el fin de semana. Fanses de Peaking Lights, Sun Araws y similares, no perdérselo.

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