Filtraciones '12
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atencion, nuevo disco de los titus. al loro que al primer tema lo han titulado ecce homo!
titus andronicus / local business (xl, 2012)
@edcuu3jv:
While the first two albums were elaborate concoctions, Local Business is of the earth. Titus Andronicus the studious recording project and Titus Andronicus the raucous touring machine are no longer two distinct beings; there is only Titus Andronicus, rock and roll band. This is to say, it was recorded primarily live with precious few overdubs, with an elite squad of musicians.
While abandoning the linear narrative of their last album The Monitor, the songs on Local Business aim to make explicit the implications of the first two LPs, that the inherent meaninglessness of life in an absurd universe gives the individual power to create their own values and their own morality. Along the way, we witness a devastating automobile wreck, a food fight (that is to say, a battle with an eating disorder), an electrocution, a descent into insanity, and ultimately, a forgiveness of the self for its many faults. Titus Andronicus even finds time to broaden its emotional palette to include
moments of pure positivity, brief respites from the usual doom and gloom.http://titusandronicus.net/blog/432/local-business-first-single-and-cover-revealed
hammock / departure songs (hammock/darla, 2012)
@edcuu3jv:
Hammock go massive as they meditate on grand themes of death and loss, their music ever larger, more expansive. Every song a mountaintop vista with a clear view to the horizon, unencumbered by clouds, in all directions. Departure Songs demands that it be played loudly so that the details in each track can breathe, whether it is the androgynous, falsetto vocals of Marc Byrd or the angelic voice of Christine Glass Byrd or just a little bit of guitar in the background, this record is nuanced in a most compelling fashion. The arrangements beg to be picked apart - soaring guitars, propulsive bass, and hypnotic strings. The vocals work wonderfully as an instrument, but when the words finally become understandable, they cause shivers.
http://hammockmusic.com/departure-songs
tim burgess / oh no i love you (ogenesis, 2012)
@edcuu3jv:
Following the success of the publication of his autobiography earlier this year, TIM BURGESS releases his new solo album Oh No I Love You on October 1st on O Genesis Recordings. The album’s release is followed by a UK tour, starting in York on October 17th, taking in The Union Chapel in London on October 24th before finishing in Belfast on 27th.
http://ogenesis.over9stores.co.uk/Category/185/Oh-No-I-Love-You
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Estat es dios y bruce es su profeta. ¡Alabados!
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Field Music – Play… (2012)
http://ul.to/ntxnsq1hDisco de versiones. El tracklist es:
1. Terrapin (Syd Barrett)
2. Born Again Cretin (Robert Wyatt)
3. Heart (Pet Shop Boys)
4. If There Is Something (Roxy Music)
5. Suzanne (Leonard Cohen)
6. Don’t Pass Me By (The Beatles)
7. Fear is a Man’s Best Friend (John Cale)
8. Rent (Pet Shop Boys)
LCD Soundsystem – Shut Up and Play the Hits (2012)
http://ul.to/fr9mrj4h
Dylan Mondegreen – Dylan Mondegreen (2012)
ul.to/sewjoukx
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“Holy Slap”, de Aliment ya en streaming, auuuupa!
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Suena tremendísimo.
Que voy a decir…Aprovecho para dejar el videoclp que les hice y que se estrenó hace nada: http://www.youtube.com/watch?v=461dzzkI ... e=youtu.be
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Suena como un cañón, la verdad es que si, y el videoclip, a mi personalmente me encanta, felicidades por la parte que te toca.
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perdonad que os moleste pero mirad lo que acabo de encontrar! alegron extremo! hoy va a ser un gran dia!
pinback / information retrieved (temporary residence, 2012)
@14u4mael:
On one hand, their fifth album, Information Retrieved, is the logical and accessible realization of a sound Pinback have been developing and refining for over a decade. However, that consistency that we've taken for granted is what makes Information Retrieved such a euphoric surprise; their finest and most fully realized album, a dozen years deep into a career that includes bonafide modern classics like "Good To Sea" and Summer In Abaddon. Simply put, this is better than we ever could have expected. They could have coasted on automatic pilot to another lauded album that likely would have made it onto plenty of year-end lists, but instead they shot the moon, and the result is a major triumph. The touchstones are still there: Zach Smith's stunningly unique bass guitar acrobatics driving both rhythm and melody in lock-step unison; the incredible immediacy of Rob Crow's voice that could make a phone book sound compelling; and the musical and lyrical interplay between the two of them that made Pinback so special in the first place. The difference now is their exquisite control over dynamics and a greater emotional resonance throughout. It's the most complete and soulful Pinback album by a fair distance, the finest moment in the career of a band whose unfettered brilliance we've come to count on, but will never again take for granted.
http://shop.temporaryresidence.com/trr179
y de regalo un disco de esos relajado para escuchar en la cama o en el sofa justo antes de dormir:
jodis / black curtain (hydra head, 2012)
@14u4mael:
Known for their work in the dark recesses of heavy music via such vehicles as Khanate, ISIS, and Blind Idiot God, it would have been easy enough for the trio of Aaron Turner, James Plotkin and Tim Wyskida to kick out something adequately dark and crushing with the formation of Jodis in 2007. Certainly outside expectations of what the group would sound like fell along those lines, but to the dismay of some and the delight of others, the final results were altogether more lush, melodic, and downright beautiful than anything previously imagined. The foundation for their debut album Secret House was laid around a careful
synthesis of Plotkin and Wiskyda’s reductive, mercurial rhythmic interplay coupled with Turner’s knack for constructing monolithic sounds and dramatic ambience. Each note was deliberate. The gaps between notes were as important as the notes themselves. Tempos were made malleable. But a clear sense of structure and a dreamy, understated elegance threaded through the album’s seven tracks to produce an alluring, if somewhat bleak sonic landscape for the listener.
After several years of steady concentrated work, Jodis have returned with their sophomore album, Black Curtain. Once again, the trio’s emphasis on sparseness and tension remains in full force, but is tempered by a greater focus on melody and slow blooming song structure. While its predecessor thrived on a kind of predatory patience, Black Curtain’s reserve is more of a salve than a threat. The album opens with “Broken Ground”, where spikes of reverbdrenched guitar sprawl across a humming electronic horizon, over which delicately draped vocal melodies twist, collide and dissolve. Drums occasionally rise from the ether, punctuating the meditative passages of pastoral calm. The band continues to explore the many outlets of their panoramic minimalism across the airy expanses of “Silent Temple", the shimmering melancholy of “Red Bough”, the hymn-like repetition of “Corridor”, and the mantric chants of “Awful Feast”. The more visceral and vitriolic elements of Jodis’s members’ past work are put on hold for the majority of Black Curtain. But the thunderous low-tuned throbs of guitar and strong-armed pounding of the drums rear their head in the closing track “Beggar’s Grasp”. Even in this rousing close to the album, the harmonious core is retained, and the listener is immersed in the depths of the sound around them, rather than mercilessly suffocated by it. Black Curtain is no doubt heavy - emotionally, even sonically - but its true strength lies in its graceful reserve and reverential worship of gray-skied beauty.http://jodisband.bandcamp.com/
http://www.hydraheadlines.blogspot.co.uk/
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Ya nos queda poco Hydra Head.
On September 11th 2012, Turner announced the "imminent demise of Hydra Head Records", stating that they will take their first steps into shutdown "this December, at which point we are cutting off new releases from the label." They will continue to stay operational, maintaining their back catalogue to pay off their "rather sizeable debts
Gracias por esos Pinback Darniello.
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Tanto el single como el video de Aliment me parecen dos Pepinazos!!!
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Y el disco es tremebundo. Por cierto, ya ha salido en CD, no? Pq yo lo compré ya hace un par de semanas.
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donde?
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sale el 9 de octubre sino me equivoco. A mi me ha parecido un buen melocotonazo tambien…
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Pues ya lo tenían en determinada tienda de BCN.
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a este le tenia muchas ganas tambien. se que llego tarde pero llevo un mes enganchadisimo al innerspeaker.
tame impala / lonerism (modular, 2012)
@1nyg3sk8:
Modular is proud to announce that West Australia’s psych warriors Tame Impala will return with their new album Lonerism, to be released globally this October 2012.
Again recorded and produced almost entirely by Kevin Parker in studios, planes, hotels and homes around the world, and mixed by the trailblazing Dave Fridmann (Flaming Lips / MGMT), Lonerism’s sound is not so much reinvented as completely redrafted and stretched way, way out. It’s a quantum leap forward for the band, the seeds of which were sown shortly after their debut album ‘Innerspeaker’ was mixed.
Featuring twelve new songs, Lonerism’s most apparent advance is in it’s synthesizers – there’s swathes of them cutting melancosmic shapes across almost every track. There’s still the searing guitar lines, bouldering drums, free bass and of course Parker’s voice, but now there’s heavily mournful pads and sunshine lead lines from an army of analogue explorers in the mix.
https://shop.modularpeople.com/product/lonerism-preorder/286.html
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Dejo el último de Sons of Noel and Adrian (SONAA), de nombre **Knots
**
http://uploaded.net/file/v2zkhqjg/www.NewAlbumReleases.net_Sons%20of%20Noel%20and%20Adrian%20-%20Knots%20%282012%29.rar ```Se trata del segundo largo de esta banda de folk británica. Folk bastante triston, aunque parece que en este último disco han incorporado máas instrumentalismo y algún pasaje más ruidoso. Para más senyas, leer en los proximos días las propuestas del Primaversa Sound vs foro.
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merci bruce por lo de tame impala, yeaah! a mí me chifló el innerspeaker.
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os vais a reir de mi, pero…
soulseek esta de coña,
lo vamos a volver a poner de moda.
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vamos!!! joder, vaya dias!!!
metz / metz (subpop, 2012)
@1m15dfz6:
Canada’s METZ are a return to everything that’s good about loud, ecstatic live music; a frantic nod to Nation of Ulysses, Shellac, The Pixies, The Jesus Lizard, and Public Image Ltd. at their most vicious, while carving out some heavy new business. METZ have been around for over three years, sharing stages with Mission of Burma, Mudhoney, Oneida, and NoMeansNo. METZ, the band’s self-titled and formidable debut full-length was produced by the band and recorded by Graham Walsh (Holy Fuck) and Alexandre Bonenfant. Both live and here on this record, METZ articulate with deafening clarity what we’ve known for some time: The world of good music needs a new power trio, and this is it.
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@lamacq:tq24g3yq:
os vais a reir de mi, pero…
soulseek esta de coña,
lo vamos a volver a poner de moda.en el soulseek es donde esta la movida ahora.
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mazes / mazes blades (parasol/sanzimat int, 2012)
@3l0jygxt:
Mazes Blazes is the whacked-out second album from Chicago's Mazes (The original Mazes, by the way, not the Manchester band who stole the name, those wankers). While Mazes' 2009 self-titled debut, an underground hit of sorts, was an outlet for songwriter Edward Anderson (of The 1900s) to indulge in low-stress, off-the-cuff recordings, Mazes Blazes is much more a product of the bad-ass band that was formed to play that album live. Along with founding members Caroline Donovan (also of The 1900s) and Charles d’Autremont (international man of mystery), the Mazes has grown to include Tom Smith (formerly of Office and Old Fake) on bass, and drummer Pat Cavanaugh.
Mazes Blazes is a ‘Merican album at its gooey center, and its sweetly sarcastic songs occupy themselves amidst endless summer days, picking up dime bags at the arcade, hesher teens, Saturday nights, half-baked peace protests, cartoon imperialism, gender bending nihilism, stolen diaries and what comes after all that, if anything. The band's sound is inspired by the fearlessly fun records that first opened the bands’ minds in their formative years, including classic New Zealand pop, GBV and Ween.
http://mazes.bandcamp.com/releases
http://www.parasol.com/index.php/artists/mazes/mazes-blazes/
