Filtraciones '12
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SUNFLARE - Ghetto Blast LP (Bat Shit Records, 2012)
@7hy5ep04:
http://www.mediafire.com/?xzeyudkepqjjv1d
Sunflare- Ghetto Blast LP. Seemingly out of nowhere this heavy (and I mean HEAVY) psych punk band emerged from Portugal. Hands down my favorite psych outfit I've heard in SEVERAL years. This new album presents two massive side-long freak-outs that fully deliver on the promise of dishing the goods. The rhythm section is just brain-buzzingly primitive, while the guitar is completely over the top, all soloing, all fuzz, all wah-wah and everything I dig about a psych record.
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Disco de pop tranquilo con algo de psicodelia. Colaborador habitual de White Magic, Cass McCombs, Haunted Graffiti, Danielson o Deerhoof.
Chris Cohen - Overgrown Path [Captured Tracks]
http://www12.zippyshare.com/v/2302920/file.html
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Gracias a la gente que se toma la molestia de colgar los discos, siempre hay que decirlo mas.
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Chris Cohen muy jefe!
Estuve hablando un buen rato con él cuando vino con White Magic (tocaba la batería, el típico batería que ves que no es un batería), un tio muy majo y con una amplitud de miras muy grande, freak de la música, fan de Beefheart y Fahey.
A ver qué tal el discoGracias, chatos!
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Seapony – Falling (2012)
http://rapidgator.net/file/43096341/Seapony-Falling2012.rar.html
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@Dan:
Gracias a la gente que se toma la molestia de colgar los discos, siempre hay que decirlo mas.
Y a los que se toman la molestia de poner una reseña, que siempre se agradece….
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kid koala - 12 bit blues
http://www8.zippyshare.com/v/62219364/file.html
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@Dan:
Gracias a la gente que se toma la molestia de colgar los discos, siempre hay que decirlo mas.
Y a los que se toman la molestia de poner una reseña, que siempre se agradece….
Es que tu no entiendes nada de minimalisto.
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@emewe:1pub2ma0:
@Dan:
Gracias a la gente que se toma la molestia de colgar los discos, siempre hay que decirlo mas.
Y a los que se toman la molestia de poner una reseña, que siempre se agradece….
Es que tu no entiendes nada de minimalisto.
Por no entender no entiendo ni a los Swans, pero no se lo digas a nadie que me lapidan….eso sí en directo molan, pero me cuesta taaaaanto entrar....
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Dum Dum Girls – End of Daze (2012)
http://rapidgator.net/file/43117050/www.NewAlbumReleases.net_Dum_Dum_Girls_-_End_of_Daze_(2012).rar.html
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llevaba dias detras de este desde que lei una critica en beard rock y vi el video de tea, su single promocional, y por fin ha aparecido:
jim noir / jimmy's show (self-released, 2012)
▼ download@2lvmprjo:
Manchester’s Alan Roberts is a king of deception. The stage name suggests a dark persona, but, if Jim Noir is an alter ego, he seems suspiciously similar to a 60s-obsessed one-man band making his music in various rundown bits of Manchester.
Noir’s best-known song, the 2005 single My Patch, sounded like the jauntiest music-hall sing-along this side of a northern Chas ‘n’ Dave, but its hook-line was a threat: “If you ever step on my patch / I’ll bring you down.” And Jimmy’s Show, Noir’s third album, could be a 13-track trip down The Beatles’ Penny Lane, blending the various song styles of Paul McCartney, Ray Davies, Brian Wilson and Gruff Rhys into a cute lo-fi celebration of a northern town on a sunny day; all trees, fishes, trips out to the country and cups of tea.
But beneath Noir’s almost offhand genius with melody and Beach Boys harmonies, misery and alienation lurks. The Tired Hairy Man With Parts is a song about being too unhappy to get out of bed. Tea is really about being too scared of the local muggers and thugs to brave a trip to the off-licence. And Driving My Escort Cosworth to the Cake Circus is a paean to his own irresponsibility with motors: “I’m a stereotypical public nuisance,” he trills, all rock rebellion replaced by resigned shame.
But Noir shouldn’t get too down on himself, for he may just be a genius. The likes of the aforementioned Driving My Escort… and Tea join the Sgt Pepper’s-ish opener X Marks the Spot, Sunny, The Cheese of Jim’s Command and Timepiece in illuminating a set which is what The Beta Band promised but couldn’t deliver. It’s an album of perfect modern psychedelia, pristine in content but ramshackle in style, as at home with synths and drum machines as it is with acoustic guitars and martial Ringo drums, and packed full of sadness and dread and love for a ghostly choirboy harmony.
Jimmy’s Show tells you a sorry tale of woe, but then shrugs, and grins, and gives you a hug and a cup of tea laced with magic mushrooms.jim noir - tea (official video) | ► play
http://www.jimnoir.com/preorder/
este fijo que tambien lo esperaba mas de uno:
efterklang / piramida (4ad/rumraket, 2012)
@2lvmprjo:
Efterklang´s 4th album and their first as a trio. The album is inspired from an expedition to the ghost town of Piramida on the island of Spitsbergen just a 1000Km from the North Pole. Mads, Casper and Rasmus travelled to Piramida in August 2011 and brought with them home a library of more than a 1000 field recordings that later was incorporated in the making of the songs forming the album Piramida.
efterklang - hollow mountain (official video) | ► play
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bruce, se merece vd una estatua ecuestre (lo que cuestre)
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bueno, bueno, bueno! lo que me acabo de encontrar! por fin, la excusa perfecta para tenerlos en el proximo primavera! fijo que coco presiona.
no doubt / push and shove (interscope, 2012)
@2qwa9dzo:
Push And Shove, No Doubt‘s first album in a over a decade, won’t be released until September 25 so to hold us over for the next few weeks, Ryan Seacrest unveiled the LP’s title track. The Diplo-produced “Push And Shove” starts off exactly how you’d expect: like Tragic Kingdom merged with one of Major Lazer‘s island party bangers. But that’s just a warm-up for what happens at the hook. Check it out after the jump.
The ska-funk beat and Gwen Stefani‘s choppy rap-singing stop on a dime as the chorus morphs into something just shy of dubstep, with Stefani’s yearning vocals soaring over a smooth electro stomp. Bassist Tony Kanal told Rolling Stone it’s “our ‘Bohemian Rhapsody’” because of the song’s schizo genre-hopping. It’s an intriguing and enjoyable dichotomy of sounds, and it illustrates how the band has managed to pay homage to their ska roots while continuing to move forward into dance-pop territory.
http://www.interscope.com/artist/releases/detail.aspx?pid=3359&aid=408
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El otro día vi por equivocación el video en la Kiss Tv y no veas la operación que se ha hecho la pava, parece que tenga 16 años ahora mismo, la cara (y sobre todo la nariz) retocadísimas.
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Woods – Bend Beyond (2012)
http://uploaded.net/file/zor0kxf3
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No tio! Traes a Efterklang de una mano y a No Doubt de otra, maldito eclecticismo, me dan ganas de darte un beso y una colleja al mismo tiempo.
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No se si me atrevo con No Doubt, he de reconocer que el Tragic Kingdom era un habitual de mi Discman en la época, aunque después de Return of Saturn no les he vuelto a escuchar.
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@Dan:
No tio! Traes a Efterklang de una mano y a No Doubt de otra, maldito eclecticismo, me dan ganas de darte un beso y una colleja al mismo tiempo.
pero tío, cómo osas! espero que tu mensaje sea de cachondeo COMO EL MÍO. en la vida se me ocurriría ponerme eso.
bueno… reconozco que lo del dubstep y la producción de diplo me han hecho darle al play al single, por equivocación,
como palmy. el horror.fun, háztelo mirar.
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Ya me lo han mirado muchas veces, no tiene arreglo.
