Metafísica I (Soul, Funk, Afrobeat, etc.)
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El otro día haciendo algo de digging por Youtube encontré de casualidad que un usuario tenía algunos de los dvds que suele editar Sublime Frequencies de vez en cuando y que son algo difíciles de ubicar por la red (algunos inclusive están descatalogados). Aquí va un enlace al episodio dedicado a la música Folk y Pop en Isan pero también pueden encontrar en la cuenta del mismo usuario los episodios dedicados a Marruecos y Tailandia. La calidad no es muy buena (parece la típica grabacion VHS de unas vacaciones familiares) pero eso no quita que sean bastante interesantes como documento.
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merci, tio. habra que darle al play.
yo os dejo este artefacto mueve buyarengues para que vayais calentando de cara al ps:
orchestre poly-rythmo de cotonou / volume 3: the skeletal essences of afro funk 1969-1980 (analog africa, 2013)
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@6lj6jqkb:
Analog Africa roll us back to Benin between 1969-1980 for a killer third volume of Orchestra Poly-Rythmo de Cotonou heat. 'The Skeletal Essence Of Afro-Funk' once again exposes the genetic roots of Vodou groove, a well trodden mash of rhythms - Jerk Fon, Afrobeat, Pop Fon, Jerk Sakpata, Cavacha Fon, Pachanga and Afrobeat - anchored by the deadly combo of drummer Leopold Yehouessi and bassist Gustave Bentho and funked up with dual vocals and the slinkiest electric guitar accents. If we're picking highlights, then the dubbed-out, double-timed Pop Fon of 'A O O Ida' is right up there, as is the tumbling polyrhythmic psych swagger of Vincent Ahehehinnou's Jerk Sakpata groove 'Pourquoi Pas' and the fiercely fuzzed-out Afro Beat percolator 'Al Gabani' or Bernard "Papillon" Zoudegnon's 'Sato' fanciful fusion of proggy organ twirl, bossa shuffle and whoops on 'Karateka', but the whole thing's a blast from start to finish.
http://www.worldmusic.co.uk/poly-rythmo_analog_africa_release_vol_3
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Muchas gracias Bruce, aunque el link desgraciadamente ya ha petado.
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no problemo.
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vvaa / kenya special: selected east african recordings from the 1970s & '80s (soundway, 2013)
@23uxydry:
Soundway Records present Kenya Special: Selected East African Recordings from the 1970s & ‘80s - a treasure-trove of rare and unusual recordings from East Africa. Spread out over two CDs and one triple LP, Kenya Special is accompanied by detailed liner notes, original artwork and photographs.It follows on from Soundway’s much acclaimed African ‘Special’ series that to date has focused on the highlife and afrobeat output from 1970s Nigeria and Ghana.
Kenya Special is a collection of 32 recordings (most of which were only ever released on small-run 45rpm 7" singles) that stand out as being different or unique as well as some classic genre standards. From Kikuyu language ‘liquid soul’, Luo benga and Swahili afrobeat to genre-bending Congolese and Tanzanian tracks recorded in Nairobi, Kenya Special sees Soundway yet again taking the less trodden path. Many of the tracks featured here are peppered with innovation and experimentation highlighting how diverse the music scene in Kenya was at the time.http://soundwayrecords.greedbag.com/buy/kenya-special-selected-east-afri/
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y de gratelo…
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The Congos al Nowa Reggae.
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vaya verano jamaicano que vamos a pasar por estos pagos. Ya me veo a Ecléctico pidiendo la nacionalidad catalana…
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Stanislas Tohon & le Tchink System (1979)
@138u7j9d:
Bastante temarral. Hay cuatro canciones de más de siete minutos. Afrobeat popero, con ese aire latin habitual del africa occidental, con un poco de funk, tecladillos y desarrollos densos. Todo muy bien machihembrado.
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Se ha bautizado una calle en el Bronx con el nombre de Arsenio Rodriguez.
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Seguir al grupo de 4hero en Facebook demuestra que quien lo actualiza normalmente es Marc Mac, y que sigue produciendo cosas.
1.- Una especie de EP de Carina Andersson (la tipa que imitaba a Minnie Ripperton en su versión de "Les Fleurs") que se parece una barbaridad a lo que hizo Domu para Nicola Kramer. Lo producen a pachas Luke Parkhouse, el titán percusionista del Two Pages (y productor por méritos propios como Hopper) y el mismo Marc Mac.
http://carina-andersson.bandcamp.com/album/stars
2.- Un segundo LP de Nu Era, tras ese magnífico mazazo de tecnazo Detroit que sacó hace unos 20 años llamado "Beyond Gravity". Este es más electro jazz, que a ratos parece que se mete en los terrenos de ese infravaloradísimo disco de Somatik, "Learning The Colours", pero al final es más un espacio muy personal equidistante entre Ian O Brien, Kirk DeGiorgio y las propias composiciones de Marc Mac, y todo a tope de sintes y guitarras wah-wah. Fantástico.
http://omniverse-records.bandcamp.com/releases
3.- Las mismas cosas que hace desde que se metió en la escena de Ronnie Scott, que no tienen tanto interés.
... excepto su proyecto Visoneers, claro. http://soundcloud.com/4hero/sets/vision ... gy-sampler
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Os dejo una sesión del dj sueco Rickard Masip para Sofrito, en la que mezcla musicas caribeñas, etíopes, cumbias, etc.
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FEMI KUTI & THE POSITIVE FORCE en el Festival de Jazz de Barcelona (BARTS 7 de Noviembre)
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Bien! A ver si pasa por Madrid también!
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mavis staples / one true vine (anti/epitaph, 2013)
@1m8n71qb:
On their second collaboration, legendary singer Mavis Staples and Wilco leader Jeff Tweedy have crafted a gospel album for the 21st century, a music that strives for faith in a world where nothing can be taken for granted. On One True Vine, Mavis Staples gives voice to something new in her repertoire, something deeper and more resonant with our times; longtime fans will notice a new reserve in her singing, a muted, plaintive quality that serves the darker, more nuanced songs collected here perfectly. If her Stax hits spoke for a growing black social consciousness, and her seventies collaborations with the Band and others gave spiritual weight to the rediscovery of tradional American music, then in our post-millenial drift, Jeff Tweedy has crafted a pulpit from which Mavis lends her voice to a search for grace.
http://www.anti.com/releases/one-true-vine/
vvaa / mirror to the soul: music, culture and identity in the caribbean 1920-72 > cd 1: caribbean jump-up, mambo & calypso beat 1954-77 (soul jazz, 2013)
@1m8n71qb:
Over two years in the making, Mirror to the Soul is a new documentary film about the Caribbean, a unique collaboration between Soul Jazz Records and British Pathé, made up entirely of newsreel footage filmed during the period 1922-1970.
Big sounds from small islands! This album is a whistle-stop musical journey through the Caribbean stopping off at Trinidad, Cuba, Jamaica, Puerto Rico, the Bahamas and more along the way as Caribbean Jump-Up, Mambo and Calypso Beat all feature in this upfront selection of heavyweight Caribbean dance tunes from 1954-77! Includes loads of killer ska, mambo and latin jazz, calypso, tropical funk and more. Artists include Irakere, Cachao, Slim Smith, Celia Cruz, El Gran Combo, Edmundo Ros, Lord Flea, Techniques, Carlos Malcolm, Count Ossie and more!
http://www.souljazzrecords.co.uk/releases/?id=31489
myron & e with the soul investigators / broadway (stones throw, 2013)
@1m8n71qb:
The vocal duo is something of a rarity. There have been countless solo stars, trios, quartets and quintets, but the pairing of equally talented singers isn’t nearly as common. Sam and Dave, Ashford and Simpson, the Righteous Brothers and the Everly Brothers comprise a short list of standouts. Enter Myron & E.
Myron & E are proud to be releasing their debut album, Broadway, this summer. For the album, the Soul Investigators provided demos from overseas with the duo stationed on the west coast writing the lyrics and singing all the vocals. E, in particular, has a practice of sending YouTube links of classic soul and R&B songs to the band to provide inspiration for recreating that vibe. One such link was to Edwin Starr’s “Running Back and Forth.” The Soul Investigators responded with “Everyday Love.”
Myron and E performing "Cold Game" Live on KCRW | ► play
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