Filtraciones '08
-
@Zackchill:2a2qhfrc:
Que sofisticada manera de llamarme benandbruner, señor jösexiu, póngame a sus pies. Hice la búsqueda pero no obtuve resultado.
Por cierto, ayer Guti partidazo, que gran pase en la jugada del primer gol, es justo reconocerlo.
Je je.pongame también a mi a sus pies por lo de Clientele, que me decís de la estatua de casillas…
-
Chop Chop - Screens (2008)
@3vlxy8ey:
Screens is the name of the Chop Chop’s new album. Like its predecessor, the songs combine pop, rock, and electronica, with influences ranging from the 1930s to the Bee Gees to Run DMC. This time around, quaintly analog instruments like the French horn, keymonica, and toy Zylophone have been tossed into the mix alongside cranky, craggy digital synthesizers and electric guitars, comparing the unintentional quirks of live sound and the consciously manipulated quirks of digital midi sound. Screens will make you laugh, it will make you cry, it will make you dance, it will haunt you and mysteriously force its way to the beginning of your iPod shuffle queue.
http://rapidshare.com/files/161337051/Chop_Chop_-_Screens__2008_.rar
-
Esto no se había filtrado, verdad?
YO MAJESTY: Futuristically Speaking … Never Be Afraid (2008)
http://www.megaupload.com/?d=GOQU64BW -
Electro pop desde la isla más moderna del mundo…
FM BELFAST: How To Make Friends (2008)
http://www.mediafire.com/?wnelzjtdijjhttp://www.myspace.com/fmbelfast
Por cierto, Lotus es un temazo
-
Tres tíos que hacen "punk rock" muy simpático, sobre todo la descripción: Como las Vivian Girls pero con los temas la mitad de largos.
Nodzzz - Nodzzz
http://www.mediafire.com/?wmkc5zzooeyNodzzz - I Don´t Wanna (Smoke marijuana) 7"
http://www.mediafire.com/?mn4nqmgz4eoDejo su maiespeis para que valoreis si merece la pena bajaroslo
http://www.myspace.com/nodzzz -
@Kiototar:j5vkg0gj:
Esto no se había filtrado, verdad?
YO MAJESTY: Futuristically Speaking … Never Be Afraid (2008)
http://www.megaupload.com/?d=GOQU64BWéste está muy, muy bien, y os lo digo yo, que no me considero aficionado al hip-hop ni al rap. Versos a ritmo de metralleta y base electrónica de hielo. Grande.
-
Danielson - Trying Hartz
@23regg63:
"Utilizing carpenter metaphors, coordinated costumes, childlike glee, Boy Scout ethics, and the his constant familial unit, Dan Smith tackles sex, potty mouths, television, death, and judgment over the course of Trying Hartz’s two discs. Noted underground engineers Steve Albini and Kramer assist, ensuring the sonics are always as interesting as Smith’s detailed missives. Without the musical ingenuity of the band, it’s doubtful that we’d be discussing much. We’re talking about a band that’s tied together loose strings from all over the weirdo pop world, uniting Anticon dudes, Soul-Junk, Stevens, and Deerhoof, and serving as a centerpiece for the Sounds Familyre label, which releases much of the most far-out and creative Christian music available.
Ships, Danielson’s 2006 album, reconciled all of the previous Danielson projects into one unified whole and stood as an art-prog juggernaut. Trying Hartz proves that, while the preceding years may not have been as coherent, the basis for all of that album’s success have always been present in his work. While “greatest hits” and the like are often useless pieces of memorabilia, Trying Hartz works as either an excellent starting point for Danielson or the perfectly paced next step for someone getting acquainted with the work of Daniel Smith and his musical family."
http://www.megaupload.com/?d=677VTCANhttp://www.megaupload.com/?d=W7K6SFE9
-
Comet Gain
Broken Record Prayers“A&B sides, new songs, session tracks and stray dogs” collected.
Ya sabeis que si indie-pop, algun deje punk y poptimismo con dejes a lo Go-Betweens, mas detalles, pregunten a los expertos de la aradio. -
…
-
Puto amo, calimero.
-
EXPO ‘70 / BE INVISIBLE NOW! split (Kill Shaman / Boring Machines) cd-r
@1443kigp:
Latest from aQ faves Expo ‘70, masters of modern krautdrone, every record another chapter in their expanding sonic history of the universe, a tale in sound, of suns and planets, of drifting in space, of galaxies expanding, of stars dying, of black holes, and endless expanses, of timelessness and infinity.
Two tracks, each a slow building epic, the first rife with deep chordal swells, simple strummed acoustic guitars, crumbling distorted leads, mournful melancholy melodies, distant streaks of feedback, abstract whir and deep minimal rumble, a gorgeous slab of outer space drone folk, like a more spaced out kraut version of Kiss The Anus, or like a new weird America Santana fused with Hawkwind at their most acoustic and blissed out. The second track is a much dronier affair, a spaced out soundscape of rumbling, buzzing, shimmering synths, layered and textured, rhythmic and hypnotic. Like Tangerine Dream or Popol Vuh, but much darker and buzzier, but just as blissy and space-y. The sound building and building into a heaving wall of synths and guitars, various whirs and rumbles and tangled up minimal melodies, all wavering textures and timbres, eventually joined by strange outer space FX, and more pronounced funereal melodies. Some truly gorgeous spacey shit for sure.
For this cd-r, Expo ‘70 have teamed up with Italian drone rockers Be Invisible Now, who have a similar sound, but definitely manages to make it their own. Beginning like some Goblin Argento soundtrack, all creepy synths and swells of black ambience, delicate little spacey melodies and swooshing FX, that swirl and build, the track begins to distort and crumble, the effects becoming more agitated and intense, the whole track thickening, until drums come in, offering up a tribal framework, around which the sea of synths swirls and shimmers, a mysterious rhythmic space rock ritual, which quickly fades out, leaving the various layers of synths to slow down, to slip away, to darken and crumble, leaving just a soft, fading buzz.
The second BIN! track begins all heavy and distorted, almost like some spacier Wolf Eyes, wrapped in swirling effects, anchored by simple pounding percussion, the synths getting more intense and more buzzy, thick and blown out, the programmed rhythms growing skittery and chaotic, everything louder and more dense, more distorted, FX everywhere, the track erupting into some strange noise drenched new wave, like the soundtrack to some French new wave horror film, or some New Order remix rejected for being to noisy and fucked up and scary. Awesome.
A pretty good intercontinental space rock, krautdrone matchup for sure. Packaged in a full color eco-wallet digipak style sleeve, and of course LIMITED.
http://www.mediafire.com/?24xdjgy1gyz -
Asi lo de comet gain es el nuevo disco que tenia que salir o una recopilación de singles y rarezas? Que no quita que tenga una pinta estupenda, por supuesto.
-
@Pekh:3ted6uwh:
Asi lo de comet gain es el nuevo disco que tenia que salir o una recopilación de singles y rarezas? Que no quita que tenga una pinta estupenda, por supuesto.
en principio es su nuevo disco… bueno, creo que con todo lo que le cuesta a esta gente publicar cosas nuevas, ya es mucho
-
¡por fin, leches!
skeletons - money (tomlab, 2008)
pop rarucio para los que no estén en el tema. grupo enorme.
http://rapidshare.com/files/161919458/skeletos.rar -
@Pekh:lv3e8tdv:
Asi lo de comet gain es el nuevo disco que tenia que salir o una recopilación de singles y rarezas? Que no quita que tenga una pinta estupenda, por supuesto.
Hay canciones nuevas, peel sessions y singles que habían aparecido sólo en ese formato y en tiradas limitadísimas. En cualquier caso, nada que estuviera ya en algún otro LP de la banda. Ah, y está de putísima madre: irregular, apasionado, guerrero, tierno, verdadero.
-
thanksss K.Nomi! no había manera de encontrar
-
@Zackchill:pcxvwgdv:
EXPO ‘70 / BE INVISIBLE NOW! split (Kill Shaman / Boring Machines) cd-r
@pcxvwgdv:
Latest from aQ faves Expo ‘70, masters of modern krautdrone, every record another chapter in their expanding sonic history of the universe, a tale in sound, of suns and planets, of drifting in space, of galaxies expanding, of stars dying, of black holes, and endless expanses, of timelessness and infinity.
Two tracks, each a slow building epic, the first rife with deep chordal swells, simple strummed acoustic guitars, crumbling distorted leads, mournful melancholy melodies, distant streaks of feedback, abstract whir and deep minimal rumble, a gorgeous slab of outer space drone folk, like a more spaced out kraut version of Kiss The Anus, or like a new weird America Santana fused with Hawkwind at their most acoustic and blissed out. The second track is a much dronier affair, a spaced out soundscape of rumbling, buzzing, shimmering synths, layered and textured, rhythmic and hypnotic. Like Tangerine Dream or Popol Vuh, but much darker and buzzier, but just as blissy and space-y. The sound building and building into a heaving wall of synths and guitars, various whirs and rumbles and tangled up minimal melodies, all wavering textures and timbres, eventually joined by strange outer space FX, and more pronounced funereal melodies. Some truly gorgeous spacey shit for sure.
For this cd-r, Expo ‘70 have teamed up with Italian drone rockers Be Invisible Now, who have a similar sound, but definitely manages to make it their own. Beginning like some Goblin Argento soundtrack, all creepy synths and swells of black ambience, delicate little spacey melodies and swooshing FX, that swirl and build, the track begins to distort and crumble, the effects becoming more agitated and intense, the whole track thickening, until drums come in, offering up a tribal framework, around which the sea of synths swirls and shimmers, a mysterious rhythmic space rock ritual, which quickly fades out, leaving the various layers of synths to slow down, to slip away, to darken and crumble, leaving just a soft, fading buzz.
The second BIN! track begins all heavy and distorted, almost like some spacier Wolf Eyes, wrapped in swirling effects, anchored by simple pounding percussion, the synths getting more intense and more buzzy, thick and blown out, the programmed rhythms growing skittery and chaotic, everything louder and more dense, more distorted, FX everywhere, the track erupting into some strange noise drenched new wave, like the soundtrack to some French new wave horror film, or some New Order remix rejected for being to noisy and fucked up and scary. Awesome.
A pretty good intercontinental space rock, krautdrone matchup for sure. Packaged in a full color eco-wallet digipak style sleeve, and of course LIMITED.
http://www.mediafire.com/?24xdjgy1gyzmuy interesantes be invisible now!
-
a ver si esto no estaba por aquí..
David Bowie - iSelect (2008)
@3mn6qdid:
Earlier this year, David Bowie was asked by a UK newspaper to compile a selection of 12 songs from his own catalogue for a limited edition giveaway CD titled iSELECT: BOWIE. Rather than submitting a surface-skimming list of top hits, Bowie delivered a personal, career-spanning selection of recordings he “never seems to tire of,” including two exclusive tracks, with his own insightful notes; personal reflections that provide fascinating insight into every selection and why each song continues to resonate with him.
http://rapidshare.com/files/162166505/David_Bowie-iSelect-_2008_.zip -
@Pelukini:3v8w153a:
Moha! - One-Way Ticket To Candyland (Rune Grammofon 2008). ruidal del bueno!
http://www.mediafire.com/?zm2j1jiqldjse me había pasado el de MoHa! ¡gracias, pelukini!
-
Hello! It looks like you're interested in this conversation, but you don't have an account yet.
Getting fed up of having to scroll through the same posts each visit? When you register for an account, you'll always come back to exactly where you were before, and choose to be notified of new replies (either via email, or push notification). You'll also be able to save bookmarks and upvote posts to show your appreciation to other community members.
With your input, this post could be even better 💗
Registrarse Conectarse